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Eorror.rn.orrrr richdmrnrlil*'t^Ll'^fl-t##fhHffiJt**nurr,*r.ro* o,,,"oo, t)ag (IuExTED,ToRS: lonnld.msrAP.<Lry.s !g'f.mll:rin ($htiff) S P.lnnrle BoG TECtltO. r Todd "Lrh" BlGe T!(H. L.dh tdno.& *O(t. b f!t|rlc! Ht.tPG. ocrnc. rd tDtlOa-AI-tARGE. trtrl.t flodtE SoUL flJ N( R&B.Syu.li Houde aLrtRNATlVt. B.mrd io6lit G FREESIYLE . Rody lrp..t xtE jU . . . . SEwTCES ?.d E. top.E VIEES . Ri.l Edl.i NGIE Cl.rl.s lftGlyrn REGGAE Dlrc & T.ry D.hopo los HOUSE lnita E( vldta BHANGRA Iln Frhry / lcI sn€graour{D u( .woorba ( coxla rS um$ | M.td and uiai 6olg. r&.od., &havi.i t has.. l.rkl. hinir, lohnny 'tnud€d.|." Daira, 0.!. sam lft Emn, il.lson " Th BqaDiaz, Ot O6dC.,lndk O!t.,Iopt t6n3. fEddy fr6h lob.n d. h 6.urhar, fi.yruld G.Mlrs Bob Gou,U Iodd cl6houa. Dthhi H.d! ftnr 8aEhm.n, nn H!$l!|, lFn fl-li DdEi l!,

chni war.6, ftds Bbdsld. Drvld -srln3sn" wierl AD iiI5rnATMECOORDINATOR lrlc.rd.t . EorTOilAtCOORoll{ATORfliddi.nnh ' IRANSCRIBERTo.IPltl , ADV€RIISING USA/ INTERNAIIONAL 212.397.6201 . 416.7o3.oo7o . ENGTAND +273.23.592 EMAIL: [email protected] STREETSOUND WEBZINE: hftp://www.streetsound,com 5IRIETSOUND / SlRtEl^/|EDIAVENTURES UsA: tow.rlh5l,,12rhfli, NewYork, Nvloox rel.2t?,)37.14!7 hr212.337,1418 5TaEETMEDIAVENTURESCANAO&i74spadinaAv€.,sLrite506,Ioronlo,onlano,rr5r2(2 tel 416,703,@70 fat:4t6.tor.t7o2 STREETSOUND UK: P.O. Bd t7r6 Bndton, 8n14BA t l.+L2?1.7?1,592 Lt+L273.2a8.76 (rurs!6bvedit dhhiuEr^Ller!te6..3rhlldLFdkH rF.fude Ismt s.tsri,i.Bi oE irr, (u rsc, t€ us / t 2(:&/tDto rr,ius.t llLos.liadF.b.'-! [-fudaF{F'rdd &i.' .ddj5.h46lo9'd9d,'pl& dl4cddadi6'itr.rt- .iprh.od6k5rRir.di.\hrq t7.sp:rid&.,i['e..']ddro, tuudjr6l.!rd-0riii.'0rl&rt'.+E3.-.':.4 [email protected]'. 'n | .t The Underground - an interna- estabLishing more oflhe fresh musica L connedion5 with artisls thal have charac I terlz€d I\4uslcNow! operalion to dale. tionaI community of artists, "We do progresslve acld trance," says IlusicNowloLrnder Kurosh Nasserl. "A4y pa rer Levln Veceyndt and lioklngLy (ame Lrp with the lerm when wewere tabels and Drs iuggting creative tryins to describe the tvpe of musk we do, N€ver mind that the term d dnlexisl I r lil. expression painful with the "From tho label's oerspe.tive ll becomes reallv imponanl lo Jo.us ln on reatity of having to pay the whatworks, Ourphilosophy is to try to squeeze in belween calegories," says (urosh. "\r!et€ tryingto avoid belng pigeonhoLed a5 either a houre labeL, or bilts. Shake'em up attitude and Its rhis kind ofideologythar has sel l$usicNowapart from many of th€ I pure freedom of expression aIe other streer.levellabels out rhere by leading it down irs own distinclive path the real hard currency in this tonically,lhis has stillevenrually put some limit5 on shal they can do. "lthink itl rcallypositive thatwelesorl ol found our sound. bul al lhe exctusive club, But rvhat happens when members of same rime it5 rcallydiffi.ultto maintain it blcauseoften times ir's nol a perle( this esteemed collective begin to break out ofthe Before,oiningthe ranks ofAmerkan indie dance labels, Nasse.iwat of al thin$aconrra.r lawyerata bigDC lirm.ln 34hed traduated Geortetown Lan. underground? When once-underground artists seep in'37 finished his MasterS. and a vear larerlool a t p to NeB into the mainstlea.n and cold cash begins to beck- Yo'k with a buddy, Kp taven&r (a 0land. until.ecenrlx production managerat Eighlball). li was on ihar rr p on, classic battle lines are usualty drawn: the ow thal Nasse d d is.ove red house. tr e G "lstayed up allnlght. we.r ro three indie spirit and a fiercely possessive original clubs, and lwas floored bv lhe music, was si excited to llnaLly find a form of m!si( Ihar fan base on one side, the more conserva- had a vibEnt ene.Ey and innovation. rl was tive. take-tess-chances demands of a iresh aid new. On lhe whole d.i!e back ro t,r DC, I kept flipping through ihedialro nv "commercial" caleer on the other, and the to find that.irusk. bLrl there was absoluteLy no way itwas on lhe Gdio ' breakout artist smack in the middle. The newfound lnle.est in dance must penetraled his legal miid and.€sul!ed " Case in point, Brian Transeau, alias l

iourney from th€ underground to the land of large- cane into l€vln5 re.ord shoplalso caLled r',lu5icNowl $i ith a demo oi"Embra.lnt (urosh. scate commercial success. At this crucial crossing, The Future'on it," saVs "ltwa5like our do ordi€ shol. and lt turned out Streetsound inviles you to hop on board the BT No kidding..-With BT's conlracteventually bo!ghl oul by PautOakenfold'5 Perfecto label. a slewofsu.cessfuLreleases and under his bell. cove6 express and meet the crew...! onU(magazines,andadowningTopOf The Pops appearan.e.BThascomea long way since his days ofeating (rah oinner in LA, and lo a large degree Musi(tio ha5quielly !e.om.thefocal poiit for WashinStoi, DC! bo.geo.ing MusicNowhas been the forqotten plaver in the BT storv. underground nosi. s(en€, {hich h.s sefo.e lhe hype. aT did a couple ofhouse lracks wilh oeep 0i5h {hich produ.ed the likes of Dep Ditt, at achieved medioc.e response- loni.ally, 'Embra.ing lhe Fulurc" was sonelhing and now Alok ., in th. protes5 rhar rhe guys didn t reallylike.ln hindrighl.lhit(ould have been lhe MusicNow chaEcterized . whole new sound srarr olrhe poblems that were to.ome belween BTand oeep Dishand the heard on dan(efloors around the souceofalllhe muc,< flyingabout in lhe Britdance prcss. planet. Stre.t oirrd gets the qclusive lowd n frM Musi. ow fouider When (rrosh hea.d the track he instantlyfellin love wilh it. rl was Seprember'91, and with promos in had.newent to ManrhesterS h The Ciry music conf€rene,and stopped by Eastem Bloc Reco.de tosee hisfriend Guy Youte at a or a club. in the middle olthe dancenoo., Oldham. "Hewas rhe nrstoneio hea.the rc.ord and he ended !p p{ayingii ove. already going stark menlal. Suddenly, againstalLoddr, the Di a dozen tises in lhe shop and people staded to ask whafethie?!l ' mixes in a track tha! manages lo brlngaLlnew meaning to Thir waswhen the buzzstarted. catchingthe attenlioi ofa lot ofU( Dls, being "off your tu.e, f this is 1196, then it E a fa r bel l\4orc imponantlv, "EmbracinsThe Fut!rc".aught lhe atlention of Sasha,lhe thatThatTrack has either.ome trom or been dlredly biggest thing on the UK s.eneat the time and a€uabLvstilLso today, ForSasha inflLrenced by lhe work ofth€ [ us]cNow famiLy. ro like a track waslik€ haviigGod thinkyoute a swellgly at lhe tal€s ofheav 1 The 0C based labeLhas rcached a mileslone, €n,The nexl Logicalstep was to asksasha to do sonre mixes on t.Thh woLrld :* n galning the props and iespe.l ollhe lnterna(ional req!ire a loan-afteralLthey were broke. "Sasha was aduallyve.y.oolaboul club music fraternlty. Hard work and carefu Ly.alcu ir," (urosh says casually. t) -l (re.nanred \- Lated gambLes have paid ofl, and wth the su.cess The 56sha remixes werc reteased as "EmblacintThe Sunshlne' ofthen slgnature artist, BT (signed away lo ait€r the tilLe oflhe fLip side,'A Deeper sunshine") and would ma{ the nexl Easrlresr Uk! Perfecto label), ir's now back to chapt€rln the rapidLy deve oping BTstory,and it was where (u.osh's skllrwouLd rea Ly startto come lnto play. "We're veryanxious notto be seen asiust ALmost inslantLy,the remixes caughton in the !(. labels approached them, but ll waswith East Uresr that theyseltled in the falLof 94. "Wethought lhe^4any Sasha mixes would be released ln 1994 and then we'd a dance label in the way that a be f ne," sayt K!rosh. "E lherthey'd pi.k !p the options or thev wouldn t and we! be ab e to put out more Deconstruction ora FFRR is. Theyle much

Bul rhls wasnl the.ase. Given lhe contrad, rhe llcensing agreement where EastWesr had ex.Lusive more about the image of the label than options,westartedtoac.umulaleallthesemastersbutwe.ouldnlputthemout,! says (urosh,Thi5p!ta the artist." Spencet Boldwin terious cramp in lhe Labels plans, - BT was sti L comlng to them with more tapes, not aLlon the mark. There were some hits and misses." ln racr, one was elen turned dowi by lhe A&R team of(urosh and Levin. (urosh wouLd dr ve by BT'r house al 11 o clock al nisht to brins hlm tapes oivarious things and sav "listen to this, rh s is /eaLlv sreat". Ar the same. Perfecto (urosh, Levln, and BT, spent a lot working developing direction. The line oitihe on a amount of atlention and Ar the tuat af 3r\ su..ess in Enqland is supeo) Pa' pay is deta Lthat they towards the art st the type ofthing that make5 them diff€renr from a Lot of the other aakenfoLl\ Peie a Lbel. Hane ao AI sasha, 6ra.p. lndependents out there. The midnight runs paid off and Mu5icNow came out with "Nocturnal16nsmission". tiosaiq.dd 1 1\, Pe4ecta isaneafthe prcniae DlLabe!. "lt's notas ifBThappened over night," saVs (urosh. Butwhen an artisr ls reaLLy talented, the sky's the limit in ih existen.e. Sttee\aund \pake wilh Spen.er SaLdw i, tetms ofwhat thevcan do'" the non rcsponsibte fat siqridg Rr ta Pefecta, ta ae: n the meantime. periecro sane insighl ihro why the label has dane q well in to date,and "We've put out records where they got some lf:i'#:;:.'il:':''" haw they plan to eany on that success os they negotiate thet Pr et 1 d-."T: underground acclaim. The very same records 'tuo'o '' . . entry inta the Naih Ane con put oui two years later, with a'bsotutety no #,l.:J;.""ff118"r.::,|:l What'. tha .e...r r. changes, by a maior (Perfecto). Now it's the 5,:'::"j"i:,1""* -' .i-i Peiecto's success? best thing since sliced bread, and it's all over i 1"..i - irr,",,,, Pau aid feeL rhat weve been the press." Kulos h su..essful be.ause our direcuon - Nosseri ni[':j[:i:::J: iT s to deveLop a.ls lhat will be albun.seilins bLew upl artists, even if onLv ln the loigrun. Ratherthenspend ng Now. you would think w th rhe success of BT and lhe exposure that he's gotlen in the !K, that J',lusicNow lots of money li.ensing in the hol .oi would be on the collediv€ mind ofclub and rave.ulture. But au cont6te, the A4lsicNow connect on seems to tads that everybodyehe is.has ng, weve have been left as ode ofthose trlv aLrh ngs thal lE nspo(ters the wond over can dweLlon at Leisure. .hosen to spend our money in deve oping a.ts 'Alloflhe press.overage thal came out ofthe U( media very carefuLLy negLected to mention on a long terfl bas s, ET5our b ggest signlng out, he! says Kurosh, Brlan swea6 up and down that he meniioned us in a flostevery interuiew. n fact, there^4uskNow,' was a mvsieningd re.t { and hesourmain thrusr asai arlis:. big ple.e ln IMuzl( magazine recently wlth nol a word about cNow. Wed never responded to any ofthls. so We want to make him a live a.t. we want. makp him :r we finaLlysenta verysho( Letter poinllig out that Brian d dn't^4!s bl ndly hir the mark: there war a kbeLbehlnd mus.a as posslbLe. !./ilh our artlstswe're try ng to se h m that mav of had somethinsto dowilh it," them and prohotethem asindividuaLartirrswh le us ng rhe Perfe(to label and rhe sound as a conslait. wet-. This is iust one ofthe things a North Ame.ican LabeLwith a UK hit has to address. "lstand in awe at how very anxious nol to be seen asrun much the U( maior! promotion and pubLicity d€partments can ac.ompLish with the press,'says (urosh. a dan.e labelin th. waythal a D€construction ora ffiris.They'rc much mo,e ''We've putout records where they got some underground acclaim.Ihe verysane records are reLeased two about rhe imase ol the LabeL. than yea6 the a isr. wirh ds Late( with absoluteLV no changes, by a major[Pededo], and nowtheyt€ the bestthingslnce sLiced there! a.onsistent dkection to the abeLwh.h, sua press. bread, and lheyle allo!erthe pote, .a(les over to .onsumei .onfidence. We keep "ld , orln , you hdvevery unifled scenesthat are well.lnformed, and that's what breedslhe respert. For instan.e, in England you have six, seven, eight dlflerent musk magazines on the nationaLleveL. Bf cdn be a stat ln Ehslo"d nDd vet h. .ould- You ve got several nationaL radio stauons that at Least hale a dan.eshow, aid that rcalLV n't get atrest.d ln his honetown. fio* does thdt hoppen? And .!o you thlnk thdt you ..n a unde round "We both told people things that we shoutdn't have, and now welL,llhlnktonaft withrhe niualprobLemGrhatNorlh it's iust become completely whacked!" Amercaisverysegmented.lr!dictatedbyradioplay.rr youdonlnt nrooreorrheseigenresordemographks n lhe British d.nce music rcene,scandaL is new5, and in Brian "BT' th€n youte up againn t.Thedan.ethngisstil ave,y Transeaus case, the (andal has'blown way out of proponion." Thls d ffculr area fo. the States. but ir does seem to be hap who e scenario with fellow DC house producers, Deep Dish rippingofand penlng a.ross .e.ain reglons. palticuLary Florida. not.redllins BT for h s work on some tracks, is some. CaLfornia, acros5 the 50uthern states, even Georgla. thing that the British press has over blown to the and Da as s lnsane Btrr irt d ff Lr to r.. ihp wh.c dance .uLturc lhing lhat happons here in Eneladd point where Brian and All (Deep Dish) are talking exlst BT ing as a maior ror.e vet ln the States. aut m hooeful more through th€ press ralher lhan lace to lace oi thal willhappen. Cuhures.an be.aried anoss lhe t.rs "r'm slck and tned of thls shit, bro,'says Brain-'\r!e both toLd people what's thiigs that we shouldn't have, and now il! just become.ompLeteLy the stdtus ol the P.te.to tl.ol in rvhackedl dont care f we don't do another trac< together again, we Wete k nd of negotat ng wirh aL of our afiLlates for grew should stilL remain fiiends. Ali and I were friends in school, we up whero and how Perfedo h going to come out in ths together, we d d things forlhe firsttime tosether" Slates. We've been in no htrrry to make lhal happei, rhls is rhe rype of bond that shouldn't be brok€n after so Long aid be.ause weve been .onstanlly bu ding things here dolng ro mu.h togetherWhat happened bebveen thetwoofthem seems And Amerca willhappen as it's ready to happen. as ro have realLy h t Brian hard, buthe's tryine to pur it behind him. veiy doudyatthe moment, thorc3 no realob(ade. t! "rhis ir a1L in the past now," he 3ays. "Lets gel on with lhings. Deep lusr dealinswith a majn nsrtutiod, Everythinslakes a Dish and AlcatE2 are doins welL. MusicNow is flying. And allofthem are long rime. And lt's very dlff.uLt to puLLou6eLves awa! rorm thegowrh hore, rorakeoureyeorrthe go seelne Ihe suc.es5 ofthe DC sound, This is what we 5houLd b€.on.€n baLLand tt, to th. Slates.5o wele kiida of etring everything hap rus been a rocky road to thls po nt of success but it aLL makes sEnse 4 Yau ton heotthe best of Peiecto on Pele.tion - a neaa rhen you gel down to his husi.- Listeiligio his tracks is Like making a ni, Peiecto srcatest hits Lampilotian, .vailoble o' dte.l.onneclionto 5pirituaLen€rgy: in.redible buildsthattakeyou.isht inpan and hapefully saon os dohestit Elease ct c out of your body, piano rlffs that get you offon some BT tnternational pop rrensation

acort'd,.J sort of mentaL hish, breakdowns thal elam into you like the iists of LA BOUEHE, God the5e a,e the typ€s of sensations generaLly felt when Listenirg, jaws denched, to BTt musk ata rave. fsLikehetgotsomesortofconnectionto thPir debut somethinq inside of you that iust draws out an overwhelming amount of "5weet Dreams," emot:on.Yourould p d,l..arly,al, drpiCiorserp"ri"n,e... "Well, l'llteU you, man," he says. "Oi a religious so( oftip, Im Like a spir featuring itralmutt. You know, I believe in things that are like a cross-hybridizatior of just about every differe.t culture- lthinkthat there is trLrth in maior religlons. lsubscribe to pleces and parts ofmany ofthem." "Be MY LovER" But where does the energv come iron? " This is really weird," he begins. "l just found this out recently. /!1y mom went to when she was pregnant with me.she went to the Redwood forcst lhere and she just fell in love with it.she didnt want to Leave. The strangest thing is, and I neve. told her that 'd gone up there to spend any time and that\ one of my favorite places to if rot my favorite place that I've ever been on the entire face ofthe earth. And when I told her about il she freaked out. Sheb Like thatt really strange,I wert there when I was pregnant with you.'And just.ecently lwent to New orleans and frrrrrffeaked, it was incredible. Ard lspoke to my mom rccentlyand shewas I like I went there when I was on the same trip' t's rca lly stra. ge." 50 the erergycomes kom nature? 'Absolutely," he says. "ldo feela great degree ofconnection to nature. t was what lwas raised around you know Iu Pacsaid somethirg like lwas ir jailin the womb.' WeU, was ir the woods in the womb, homeyl" From Briart innerwornb experierces we retum back to the present to flnd outwhat he's been occupyinghis time with. "l'm doingToriAmos new record.lr soufds fucken amazing. She went to my rival high school too. Ya she wert to Rkhard N,lontgomery and signed with the same gly at East/Wen in ...isn't that a trip mar?"

lnterview by Da\id Nan forStrcetsound News Current LP: /ma Current 5ingle: "LovinqYau Mare' label PetectoEast west a ,i. l4i MusicNow i N acort'd..J helps get the wod aooss. f there! a hot record peopLe wlLl €ad about it, hear it on the radio, or in cLubs. People hav€ lhe opportunityto be informed. lfwe compare it ro North America, any time ll!rn on IrlTV,l hardlV see u, anyofthe type ofdance musk thar we're talkingabout. "ColLege radio here isa great nelwork, bll ltt dominated by alternative rock."says lturosh. "lrefuse to beli€ve that NorthAmerica is an lsland that is S, exempt lrom a gLoballrend.To me, is th€ new rock'nloll.You have \r'.< to beli€ve that ifgood m!sic keeps being produced, and beins released, then l--z that! what!going to heLp the.rowds togrow.ii [lusicNow's conrmitmentto producingquality music is their main focus. ln the past, BT was their flag ship. They took hiin as far as they could, and eventuaLlyhad to letgo forsomeoneelse to take him further. Butthe break wasn't immediate. "lthinkthat even though the last couple ofrecords werc collaborative records, or produced by Brian, it's been a sort of weanins away processwherc he\ had less and less to do with the product." You can see the results with Dharma, where the production is joirtly handled by BT and John Selway. The labels Latest is the G.T.B. prciect \il/ with Guy Oldham, Taylor, and Bl "lt\ a matter olreaLly establishinga musical communication with ^ the artist and helpingthe artist get there...lthinkthat theTaylorrecord is a good indkation that we've actually managed to move in the righl direc. I With the future now in hand and the m uska I connectio n renew€d I from the source with a new crop ofcarefully developed artists like Now dppedrinq on: Selway,Iaylor. and nowlean Phillipe of Alcatraz fame, [4usicNow remains -1 soLidlyrcoted in the undersround wh;le maintaininsa clearshotatthe . gold. ffi:!E ffi ;-'i Inteyietr'r' by Davicl Nam for Streetsound News wilh alile from chris TorcIa 1-[[[ [Stt MUSICNOW (dk.ographyJtrLy 1993 . pEsenl) oo1 Neurcmancer "lou rney lnlo Cybe Epace" ^iNR 3.r "Embra(insTheFutuft'b/w"oeepersunshina" _Cassa ilrutl NINR ooSr ELasti. Reality dex" MNR oo4" B.T. -EmbG(lruThe fulure" (5a5ha Remiret) It tN.Ill{.lllli IrlNR.o.5 B-L "NoduiJlhdsm sslon" b/w "Po*idon' 006 D.Konrrcl -Mkrcdol EP" G ^,lNR Dharma "TEnsway"b/w'seleau" \--/ MuR.oos Iaylor'Anomaly(calllnsYourName)"b/w"Earci.a" HEAR *riar ?1,.r MNR oo9 G.T.B. "Entbpy'b/w"(orex" fHE NUS|C! ' MNR ob Taylor 2t2-3$-Hr#@ lohn seLway "Prolecr

"" licen*d by fribal Aneicoinbol ) ".t

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.J Massive Under Attack!

e'6os. ir was ritrie!.acd, and ganja smoke15 fLoat ns to the guitarstyLings Loaded !pand readyto boun.e, by mid octobermostforeigne.sleavi:-r ne Beatles and Jeffe6on Arplane. ln the'9os, its tilties, a.id, ecstasy, and rowntotr6velthrough Rajastan and make thenwayto the lucrativew nle' s:E_€ ihokers ravingro Europe's Lat€st trahce, intelligentjungle,and u( The /e/rsaleD Posr newspaper rcported thal undercover narcoti.s oi.e's -3 Every vear like do.kworkthe mig6tion ofthousand5 of international pa ieE from sraeLwereoffto Goa lo invesligate "massive illegaldrug pa(iet in!i ! ! ,!e on the white sand beaches ofGoa, lndia's hedonistic hot spot for budget thousand5of lsraeliyouths".DamnstraightlEverylndlaheadknowslFal. . :'? '':. i ers and Rve.star horeLs. ltt a dash of cullu.€5 whi.h onLy refle.ts the bea.h town with no contacts, you head slraight to the sraeLi en.Laves to hoo( !8. a-: '':__ siale's struggte for local empowerment. befo.eyou Free Druss readers 6llyvourforcesto opposethe g llormerPotlguese colonyand main attEction for foreign amlesand local @member the downside. :ispoG sioce its birth in the l,lauryan Empne ofthe lrd aentury Bc, nobody in ThisyEaralone morethan a dozen foreign nationaLs died ofdrugjelaie. Hindustan l

rti . r) (l - M T D l -r- \ )-) I lL\r\ (' c) fl I t\l UU ir\ E C A P S

srDtwARD BEAIS, ANG|tD MEl"ODtES, ABSTEACT THE NEW ALBUM BREAKS AND SOME TIND OT JAZZ. FEA TURING 'UTURE "K AIRO,,

NEW tO THa X tN'96; ON IOU R IN MARCH .- '.\ I -

' is like a long echo , [oopingthrough time. Regenerating every few years, sometimes so quiet that only a disciple could hear, sometimes shatteringly toud, dub unpicks music in the com- mercial sphere. Spreading out a song or a groove over a vast landscape of peaks and deep trenches, extending their hook and beats to vanishing point, dub creates new maps: sound sculpture, sacred sites, balm and shock for the mind, body, and spirit " -David Toop

5{t!at oord llaanitdoqllll adu€lcgllr- CarTc d lrllclla h thesoik lrtuEli3 .E(o.ds h.ve unbtururcly ndr liuh [---:] uddt'f.i iry lrft{cit ,.od&€s tnth. ,oa (16 aorrrEyslhd govld.d drp 6,r..p mediuns n**r!a.f !.odr.r6 .rn be t I a (A !,d b.5b Io. v&b.[v.l ooLrlnol-Jy burd ff lhe EIlI{ary Arbflto&rirr ddErrt{tic It€ br!. d!.p?r&€of .aqi{dlon (mn).{lidt katr€s lroopa lsi.tan dubigdr€ flrt lE 6 lhroEhor{ $d a! |.n SlEta prctasfs Ih n fr.n a I drrte Eu$tlrrljtd, .d!he pdsc ir who rc.or&d four .lbumr for Snah! d![ mr,Jrd \

irlu&d re tte hlgtlly ku&dadt db5 h.r,e neFrd lay lh€ fol,ndafioi Ior lhe (ui'I!ntrcsrlerre. u(h of &e.ontPmgo 4 rdy nerv rcol5 dub saeie has also arEen fiom theon{oing wort oflhgaft, tros€ \iX'll legerieryonere.soldub lessbns ln le tlolorv3y Ro.d in tordoo hav€ Fovid tEpirdlonto num€roug cornempo.ary pra(' riorprs. SHlnl $.lpp€d down dEft.l drrb &,Orerd l.{rl Or" (g*v.r/Ulo .oopfldr.o it chcrt inv canffms thttlErL EM ard tle Od.lJ Sound ,o5s. arr ba* (.ttha oo ttP Shala label. notdrb\JdLrffih-b.ilE-.D,tM dtu tlte oths d{|(e nl€

ofthe r artists featurcd. ThrowhaulDub Revolutian and Dubhead,the thatwould be considered impossibly limited by contempoary standa rds, melanchoLy miror keypiano is pushed even further into the echo chamber they nevedheless created towering, fl uid dub sculptLrres. Augustus Pablo3 while disitaland aralog provide a cavernous backdrop. The stun- pioneerins uEe of ihe melodica on albun,s like Kinq Tubby Meets Rackers r ing debut albu m by rhe Dub specialisls, Dub ta Dub, Brcak to Break Uptow, has dircct influenceon theworkofAlpha &omega,who've pared (crispy/Ul0 musical reference pointsconfound is one inwhich easydefini' down the implemerts ofsound to drums, keyboad, bass, guitar, and meLodi tion,where house sarnples collidewith roots piano while the electrofunk ca.The Dub Spe.ialists all-electroric track pickapa thefab cofdrum and rhylhms ofthe RoLand 8o8 provide percussive force. Tracks bass, taking hold ofthe stylistic gauntlet thrown down by KingTubby et al, such as 'Reality"tak€ theirinflLren.e from Newcteus, Pfince Farl, allthe usingdigitalandanalogequipnrenttocreatelo'techdubwithhi'tech. lnthat while samplingan early Marshall,efferson track, "Goha Have House [lusic". .8o8 resa'd, contemporary British dub beals a conceptualresemblance to techno, Dub'drags the Roland anaLogdrum machine into the domain ofdub, a genrewhichalsoappropriatessophisticatedtechnologytoproduce rau rnaking serse of an imasinary clash of Kins Tu bby a nd Newcleus. Produced by the team of Petter and Wardrop, r.rembe6 ofthe Bush Chemkts and Centry, this aLbum isa magniflcent state-of-the-dub addrcss. Dubt story is one that can never be fulLytold becausethe musk is The new dub is gaining a considerable audience outside of Britain, alwaysmovingon,encompassingnewmeanings.sounds,contexts.lhe padicula y in , where members of lo.fr indie instrumentalist Tortolse outeredges ofdubb influence are felt sirongly right now on Henry & Louis' provide tumtable suppod lor a dub and drLrnr-and'bass night.Johnny mixofThePurple P€n$inb sorseous "Prcssurc" (Cup ofTea/U10, and FUU Machine and Gsey Rice ofthe band host the night aLong with the DraSon Moon Scientistb Shrub-a Dub EP (Ha Hand5 Lll0. Chrcnically under appr€. Sound SysGm. TortokeS Goriri" is also featurcd on the o utstanding Mrcro ciated B stol produceE Smi$ & Midty have been recording their journeys Dub tnfection (CarcllnellJS) com pilation which charts dubl bloodline into the echo chamber and beyond forweLlover frve years. You need look no through jungle, techno, and outerspace. fu her than their evocativ€ dub of a classic British house recod, Gdton! The stylistic continuities between'Zos Jamakan dubandthe cur "DoYou Dream", (trrrluK 1990) to apprcciate their pesclence regardingdub rent revival are mad€ dear on the wide-,anging fine Warp Dub Clash (lsland and house hybrids.The pak recently rcleased a new album, Eass ls ll4otemol us) compilation, compiled, in pad, b\/ Don Letts, whose work atthe intersec' ([4ore RockeE/U 10, which sees them eludingeasy. reductivedefinitions yet tiors ofreggaeand punkin Britain duringthe last 20 years. What distirguish es the new dub fror. its artecedents is the use ofdigitaland analog instru' again. ments to rccreate some olrcots dub3 most heart.rending, suspenseful iin Hasled is dance editor af cMl New Ntusic Monthly ond $teekly donce calun moments. While KinsTubby, Augustus Pablo, and used equlpment nisr for C 4l New Music Repon. enail: THaslett@oaLcan) aorronrFRANKlEBONES http://www.streetsound.com/techno

Sympathy llewous Syrrpothy Nervous pnagreretve (Nova Z.nbla/Selsium) Seriou, doubh albud,lu.L.d wlth had 6nalog erpeimeils dugh b.at!.id @ koawe peakhouLAid de(ron.ov{tones, Produ.e'Yorhuhitliiuhi a h3fii5 ar wu,dan.enooi th.5wqar EorroB Ctn S HARSHtvtAN. $,wwsteetsound conr/techno di05,Ch(kout"losingYo(Eidorphli"&'ThrouShTheCoie"5pllltins(hi.a3o\ghexohou5.&n.w fou know thlrgs aE looklnq lp wh.r colch the lotest Plostiktun rideo on ele.lrctrka, Thi5 G te(hno n 1996 tnu lV os t did in Gmdny the ath.t doy, Ahd l\. heod thdt the nod renirol "ahildren ,9larko Laine /!losa,a by Roben Mites (DBxtltoly) is beiag used os on lntrc. ro the dolly .ews on o rv .hon- (0iar/Lrp B.ah/HolLand) lpd oi "Read & Wnte" what h... k a te?iage RobenAmanioi so6? hallu At don.. nvsi.goins dototl.ty, th. state olployir ttu.lubs y stob.h.ad. .iiogrii. subsian.e m igoi hisfltsl p,oi.d.roufd lh.sahe tineastheo.isiral "Ci

tos Angles CrystalMethod are Kenlodan.nd Srotl L6YENDEIIA Lan IH rc {venderra) Could this be 5pain! Rollo u-l ll t (nkland. TneV are curently buzzing on rews ollheir 17 l r{ER CrrY H|AIUS eigning lo sony! 5l label for tu@pe. Miring hard (6by6),Cmhtvo(alr.rhnoroDo*you beakr with melodic syntbs, the band has been desdbed as "out chemical'd lhe Uk srotheB". Theyle.ecently romhed (€oki3 5ma5h hil calerpillar and will .e ainty be t8 to{Nt Ft^sco Acto WasH ttl tGx) r, yes 7 ta.kl or d runki 3d doiig more remixingwork.,\,Vatch ior an Aflerlcan aLbum and tour this 5ummeror you can .akh them performingApril2oth Llve at SrreelsoLrnd a.d Pieasure rorce's Revelationl, ai 19 NAKED APE Wtto's eot lr? (wr TD, suaiFht b€r pump m nB rhr rufl on going series of concerts to promole and h ghLight North Ameri.a! besl new talent. 20 SPooxY SHUN| EP {Geier .) C (ult breakhq brcak beal D

frankie bon heather heE recor d s adam x pure , electro, acid, trance, techno, rotterdam gabbr, DUB PLATE SPECIAL (rassa)-rt\ when we were av 13 so tur'96 is prd nsto be a good yeartorrunsLe DJsand avid tra.ks.The f rst track lpressed was ca Led The Psy.ho EP Like wh happened , then hardcoresol reaLLy.omme( arad0 _ .oLl€doE ofv nyL. Therc! a ton oftop rnsii hit tunes from and was the fi6t release on our label, Format on R€.ods. hadcor€,and 'cr vinvl. A Lotofrhesetunes thechaft.You sta ed getuig eve.ysharon Aid r'a(' flna LvavaiLabLe to loe BLowon How nony dub pldtes hove You hot!.1 prevousyunavarabearsrreer (a namegiven lo people that go to lo.alnile.Ltrbsthen,?! Jr;ushbrqhirsin 95,were rwke a month. A Lol orlhe Djs n r2o LurLrnq a Lear to one rave and thinklhey re ravers)a1l.on ng oi the LeveL.Th6 s do ro rhe ra.t that the luns e s.ene s larseLl/a go don'tsee the point. Halfthe Loidon everywee( but rave s.ene and rhlnBs got really watered down And i-ai'! dub pLate business, iot unliketheappaGlus€ngneered and plateare Iunes peoplegiveyou to puton dub outon dark. And the people rhar we,e rmployed by the rcggaescene. just whatiook thii€s rcaLLy lest pessingtwo weeks laler so you've waned vour andthe peopleRho Her€! how it wo*s: lhe top produ.ers& ol/prcdu.e6 reaLLy niothescene uiderslood, :.f so r url LUtwhen Ineed lo, and on averaee ll.ut z go to ea.h were n tforthe"YaYa here we 'didnl,and thev -er in the sceneerhange ormakeerclusivelyavaiLabLe ;r r rrr;. and floe orrhem &e my own 5rurl gotba.klothe other oATs of the rnew materiaL.Thesesongsarethen ttn! faded,0n.ethevwerecLearedoutwe program again. And lhat's whatwele doinB with j!ngie fercd from DAT to a fomatwhich alLows Dls to pLaylhefr.a Whot's u, wlth the ltngle scele bt.o*lng up gonna and and.learlhe peoe e ''dub" plate. The dub plale, a matoelofSoyearold te.hnoLo' lnto so nony lrcsnents llke hdppy hdtd.ot. now, wele da to be reggae bethe intermediale slage behveen a master.opyand thatarenotsupposed outth.re.The 3l,,.an betherc butnol asdominaor. Fro- vinyl(itt d:tr€rent frcm alest pressingwhich l! usually mass ALLlcan say G we as Dlsarelo . we dlctale lhe ba$linewiL always davone sadwewere notsonna do fullon tssa o..: 0rodu.edl. Bastra ly, a dub pLate oots llea lo" re.ord and scene, we de.ide what gels p ayod and where. We alllalk (ai b.paved +eone, b!l rheywe outoverrim€(usualY toea.hotherand DUtourvewslogether f onemanspu abeL,thafsnotwhatwereaboul.TheraggapeopLe ro pLa.e and played aLreadvhavethetscene,we naeded to be more nea..! aheraboul2o So pLays). I\,letaL PLatPs arc.wered with a lhln me, '55lwas atthk iungle I fi nd the la.ks original l,_ Lacouercoatins,then ekhed with the grodet. Brad al and lheoaree,plodedaiotherewarlrouble.Wel aid oaginal. hardstepst!ff pul Torcnlo! LacquerchanneLfiorcnto! dub pLate central), geG eonna pass t on to lhe ne{t quy, and bero,e you lnow t thevtake a Lttle sampLeand Ito a wele aLl saying don't pLay ragga.ause it! promotingv o rhylhmand rhey1eofi.3ut realDtumand Bass s mo.. a song not just a rre "We t6nspose lhedlgltal signa! intoa fom.aLled 16lo lence. Andthattlhe same wilh thes.ene.When lunBLe musi.aL voule Llstei ngto l13.k qol spe' intelligent stuff has more meLody, 5ax, horns, and vo.aE aid sp s gnalinro prev ewand progrrm, the ma.h'ne ma$ive a or of Dls brole away, and sta ed lo 'trhe ;alrze youcorvourle.hnopeople,yotrrH'ghSreppeo' reads tbeiore l wte5 landmalesenouPhmonloritto whot's 55 stond fot? .utthe gmove, which G.aLled nestiag".Thercforcyoute pre, yourdrum and bass peope t u5e ro bea as one. (ould pa'rv giving tenough spaceand optimizingthe plalespa.e thatS we allo ayaLrhe same fsiorllethatnow lnetoiew bv Chanes M.cLynn you used.You getlhe besl possibLe.ut and save the most Do you thlnk vc'll evet see rcgga. styl. Dl g€t program allhe rcom onyourp ate andvotr the most sou"d closhes It lungl.T No, that'sthe reggae sceie lryin3 to bring that into jun- You.an geta dub made ror about$5o $roo, tom a gle,bu(ourmusLEnol te thar Thelungles.ene < Ho( conpetltlr. ls th. lurgle scene ln (se.1he pressins plantormasterlns house List below or aboutunirv. eol(ins oeoole roqelher, nolseftlns people best dea0 The .heckwith the lo.a rc8gae shop io flid the battLlng against ea.h olher.That's why wete keep ng n England everyDl is atop Dl,when you do a line up, ts ma n advanlageofdubpLates isthat, ifyoudon't havethe awavrromthe.aqeaiunslerightnow.PeopLeare jumplns notlike"ya, (enny Kenand Groovpridel' and lhen alllhe cash to go aid press up ofYour Late5t.rcation, 5m.opies on the ragga lungLe bandwagon, thln[]ng ragga! bLa.k LittLeone!und.rnealh.TheDl'sarenotagainsteach you.an pLate. I on fmm DJ sriLlplay r outof rt helpsthe lran! man'smusi.and allthat. Aid it! no1. its iust a natuGL other,it!Llkowariorslnthewoods,wetealltogether. prcducer providingan expermental to by aM.osteffe.live prosress on oJ hado(e techio. And lhe maiorityof we'realltryingtopushthlsthing. 0bviounyyoumight you dlbsofyouraniisliveo^ your slage where an cul ravers that go lo a jungle sesslon now, don'tappre(late lhlnkthatoneortwoaea cut above the rcn, bul lhe rop whereourmusk is.omlng from. So big ols like your Dl!, the ones lhattake thing seriously who so oul and Now' n thejungles.ene.who s p.ivy to DATS dependt FabloandGrooveridorarenow&breakinqawavfromit pLayeverweektodlfferenlcrowdsupaiddowillie pol down on ti.al afiiliation,what(ewyoole withoryour couitry aLL around the worLd, wete alL tlends. abiLitytoerertleemge inotherways,Thissystem 6ciLitates you your plot.s? the condll ons underwh.ha smaLlgrcuD ofpli€ Dls.an Do .v.r shorc dlb You getintothe positon arc goingto r.ave have a monopoLyonalLthelop tunesalways and forcver whereVou you glve m goiig 1o ia\. ALso, be.ause the transLation from dub platetotestprcssing lunes that don'twantlo away. anyone eLse have, to tulLreLeaseonvinyl.an often lake six monlhsto a year, tuies that don'l want to it! kli.t.f done (hpcllmate it.reated where a produ.er.an have a bona fide ai unofiicaLrtrL€. Noonetalks about( n!ju5r got pprsonaLdub plates, but be sieer.LNeL hil withoul having a rcLease. what this means to E 've mvoan ldighr !r ungdown with Ra^deLL.and he mlShl be.utting a l!ne loe,unslr 5whar! new to h'm orp ayabe i5 ofren o d to {t p he' rheeai be.au5ethe t'a.l\ been pumprq oi rhe 55. Mlclq and lmight say "yo lel me have a e.e ofthal" and Finn, Hype or (enrry Ken lapeln his.arforthe lastslx Letme.ut t. Thenlrlchthavesomethinglhathe*ar:!. and tometimes we'lL do a lillle flop. SrceEo,ndchecled inrlh twoof the junsle s.eie! vou've b.en or.t to Notth anetica. nrnber ol (en biggestdub plaie maste6. DJ (einy and 0155... tlnes, what do vou thlnk ofthe scete? There's like this rivaLrybetween 0Js, aid somet mes Dl ss thinkthatit's the w@nE klnd ofrivaLry t!notgoodlor Hor dld you be.one o 01. whatyoute tryiig to do ov€r here. lfthey don\ stop n s.hooL n Lekeslerwe use lo have a break.dance group Rghlingwilh ea.h other and stop slagglng ea.lr other oii. n the earLy 3os, wh€n brcak dan.ing ki.da faded out we w rhen the scenewontget biggei Theyte against ea.h pole.ted allourenergyinto being Dls. we basi.aLLy other alLtryingio pullthe power to thenseLvps. B gger playpdhiphopand soulthen got nto house,then hard. Dls shouLd sli.k tog€ther, and try and coicenlrale oi .orere.hno,thenweoroFr€ssedinto jungLe. twas jutta making the scene biggerover here. nEnglaidwekeei ialuraLprogresslon into iungle, from hard.ore. weweil everythins iungle. ALL(he record dstribution. allthe inro thehappy,lhen intothe dark em, thenlnto ragga, re.ordt getting made, everythingto do with spread ng thei itodrum and bass.We were rcaLLy.reatoE in the th€wod isdone by people inthelungLes..ne litery ew by ChanesM.6lf"_ A stdftinq list af dub plote cutters... lamaka: Bu nr , you get the prodt.tion 51de ol vthen.llt lnto Geminl 8o9,968.31s6. NewYork EightbalL Records 212.t17.1416. Ioronto: La.quer Channel 416.444.6771 rsrarted offwilh , then did a.oupLe ofhousey

HOrrtE ts@str@N'6 @DC0y_-'l TEI(NO UbE EtsGR@U6E CAll ;(,R IXF(,: ,UNGLE tsEG@@ gCC@P PHONE EI.E(TRO 6fl 7-247-326E aatD tazz rAT NEGGAE 6fl 7-D47-8982 HIPHOP A{A]L ORDEB RARE (LA'' a@@46!-4949 { A'I' FOR D.'. BRUNO 9E Mngs.AVE. n auzzEB #9 0 -rrL- AMPLtftERS ' Cis A C/|5t5, MI)GRS tracking ffimo€[kl)m BY DJ DISC PLE

ALolofgoodiesw€re atW nter Mut. Hill a .olLabo rating €flort wil h h mseLfand Conference, so Lets get straight lo il, Tunnel Vdorsimonelll. Wat.h out for V.to/s LP due Anrhem" ir iiadonm .aLLs odginalLy rcLeased oursoon nlhe UKii lvlCd BookerTi5.aus by Ur'ltl otal, has been s.heduled ror ing a st r with his new bomb with Lll Lde tu00ftioSry rclpa* on GlodaLic ous w lh lr vasqua abouflo bedroppedonsLip N slde. "s€e mixes.lunlor sals.wo n3oi a hotnew Th. Llght" is one of h s best podu.tions e prcle.twllh Erel}n J*n, Moleab.utth6 nexl ssue. CaiualGontheLptiD.omingisnewles Nenryst@el sotdopelolnts.odlig rrom Tenance F[4, Pauuohns and "Ri(e & thGspringlicludinglhe remixesof PiavThe Beanj fom Dl Sn*L wakh lor a new Dis world" by lohn Nick and k€nny Dope, By the ft i4B anonymous prcje.t Irom GjuaL as time youle read th s "au.ket boodeg" by s reeing rcaLlygreataboutlhe (enny Dope will be the floor lilLei, but how sister'velL. Moon (Stin3J mixes he did tu AV[4. aboutthal N&erGetEnough tunethal Ner (o Laboratinc wiih lol Grdw€u on dld for the LabeL. De6nitely - "Baingrrly5oul".whilelol is geltiig praf mln.Speakincof ToddTerry,watch oulfora Eqhrbal), herlalesl enge, off and rcLlln3. new io nt hel prcdu. nscalled'1umpin". Han atro r€amed uo uth FEnlde Knuckles wah and l@lyn BiM are on the (now "Starter" oi a P.bbl6 pmied for t4l3!n €nlitled Like w.aLs,^,lanha so vou il! Fonna b€ hot. The DJ Pa(ka9e -\e Lasl lime'. cutl dc re.od ns artisl @lGedany! hottest prcdu.er, pul ! 6emmiPMXT 2 phono, 2I'ne gro is the next single, me on 1o this kid Bodswho\drcppiiga OrMU et to rc.k .2nipmaa. He?dphone . Mrc E.oneo v wirh Ked chaidler and Mike wirked oro ecl for PeppemintlafrentitLed oelEdo on rhe mix Dl Dm on Lhe red ' tip "Keep 0^" by l.ar6. MousseTaLso remixed idmill uiii_i shed "torlhe Ne{tlrme by Bb.t "combeLi.o Del Mundo' d tune oerfomed by "*trtr 29944 i&ls (Smaco. e5 Norli has Toiy ra an rapperJoDmd.rh6@(ord G st,a sht Humohn:6 bans nq lieaiher Cs 'Don1 Go' upthe bomb Ma$eEAtWolkremt reep .eroLJrod)whi€puttingtheir handson The slrcng" for Blzarc h.. Derry -Erer,th You Dd' (Kuu) tor Grcle s,ttn. TenaElia^,!uslc r.mirslanetlackso.! Pleasure r-r s hor rune^g s also belng remixed by Tdd ftiiciph'for A&[i. fte new Ubedy OIY is gonna bea rrotone forTrba MmdllSwing 0nTheUKride,95 Nonh! suc.ess is are gonna have a hor /earwirh lhe r Line upot (o.riilingto g@a5"laair", aseryta.k is @ eases. Living n Xrc" (rEatown/Ur0 wiLl .e is rcLeasedon fticlioi/U(and remixes of bea strong one ior cons stenl hltmaklng. &$ySled8es"AnorherStar' s.omlngoul [,lood Swnqareals lhe guys respoisible I oi Narcorics. Ro8.r5 LabeLownerof [email protected] forNewYo e6 Eoing wild to DonellRGh! (^iAVV) -.s iris own Load to .ary havlng to deny "Perfe.r Day'', and Do tr{yWay" ,rno6irarrhe LaboLno longer exists. Fururc (crcove On) EmotiE Recods havea buz ..i.asesare Your Love" by ker Ptnic w th gongwith Show MeThe Love" perfom€d by @E@Gre prcduced Oly, - es by E srode and B@ker T. It Lue aid by Enc Krpp€i Th Repudi. with the Earth Shakq EB and a new notdead lo manywhoappreciatehou* ordEsth z. Stri.rly Rh!,thm is giving h m husic hasa rcLeaseouton Spnitud Llre rc.ords. lG'nine W has a new rclease entltled "one Morc Tly' (Chamolon) but t! "1sht 0lThe PErAtr Bla.k k r (rondoi) sPtr, M Living" th seems to be Snining i. *p*kn.s lrfrr) LaM mu.h bua over here. Thanls to . .. . . Dt.oRod5loov ori) De€p Dish whose remixes we@ Grco€.o d!e(c rlep) lab€|. FEnkie ' ,,,,colm]oIphl!.) reiected by the . . .Ihdm.Ho6bnlA4L) Xnu*les is in the studio writing & ...... imrladronrA[PM) oroducins tor LutherVandN. E . ..saidyBl.hii,p oD) war.h out for thatsoon.up & ' .. kdr(Po.il al com nB pmducer Rlclg Mori9n ls rGrhcwL.hamF oi) hirlinB t here with "On& 0n" bV o ', , ]a0 lvc) tJ tnrt bul nol kan. tuelai.edto a get somelhing ofi mv chest, .on. :i.rhprLrn.lerc6rnd SoLulon EPandSonv .emingdv an EP on Frceze/TNT, Di(y w th Lesaq Of Sound on ooolhyof DA4Cln her.olumn quotedthat' t, "asn,m'nlhe; ''Yo! Don'r Wait to That TGii Boy". l axi shouLd b.ashamedof notonlv bootLeg$ns ilotrasmv Re.odr lateu re ease^4i$ .omes iom Shay oror Ubet wo*. but oa$ing o E h6 in " r ReaLLy ooesn\ Mattel', prcdu.ed own." rcad, support aid @p!rt to D^4c, bul 5y Mlke Dunn and syon Stln8v. tldy Bunny Ler! gEt tho la.ts stra ghl, nes rcdited J Diminiand Hani also.oLLaborateonaprcle.t fryseLf as the pioducer or "L.tin Love aid trr di rhar 4iLL denniteLy male headslum. ao notrcsponsibLetuwhatanotherLabeL o rrenextSwing52wilLbe weAl!NeedTo ouGout.Apologlesloouttoomarand Epk ll aome iircLvlns the same @w knold laMs, Re.ords,but Dorclhy!statementsaelncor l/) waFe Rollitu and Bnjl Gndabno. rc.r loumalsts need to get both sides of the lu rai,o l-o {J o ed for Wayne and B€nlil ,rl =F{ l, :fF

= = = It's already April and we have the uneasy feeling that the house scene stil[ hasn't kicked into gear yet for'96. More accurately, the U.S, hoLrse scene seems to be sputtering along these first few months.The quantityand quality of releases this tast little while has dropped. White manyofthe American house labels continue to push the same dated, tired and altogether uninteresting ideas ('let's make a slamming bitchy queen record!" ..."let's sanple Lolleatta Holloway, it hasn't been done for six weeks!1"), the IJK scene is currently peaking with a creative outpouring of fresh experimentation and innovation. Labels like Nuphonlc, Basement rax)(, U'Star and are redefining "deep" house music for the late '9os, bravely preserving the kadition of classic labels like Nucroove in the early 9o's, while moving foruard with eclectic production and musicianship. The irony is that a lot ofthese talented British producers don't get the credit they deserve (from both clued out American Dls and the often self-loathlng British media) while way over-hyped Ameri(an producers get fat label deals from rich British labels. What's more, garage lovers aIe getting used to I scoring theirlersey fix from British labels like Freetown, lnterstate, Swing City, Hott and Public oemand. Of course, we all know that the UK is where much of the worldb house music market is at, but is that an excuse for many US house labels to be stuck in the past? No, we?e not attacking E -5 American producers, be€ause a lot ofthe best house stillcomesfrom these shores. Butwith allthe exciting changes happening in the UK, both in terms of commercial success and creative output, isn't it time some ofthe US power brokers start taking less things for granted and updatingtheir outlook?

OE =o Urban Blues Proiect presents Mother of (Cash)The Sou mmgranls relurn lo Crash anolherlasle oilhendeep holse ilavas. Also keep an eve outlor lheir Pearl YauR HEA/EN /l CaN FEEL Ir) upcomng vocal0pa. featurinqAfter Darks Yo! and Me on a= rsoi- i'L Pe(ororlqs T''! s lhe fi'slreleasF tom d n"w rhe labe as we as lhe new slbsidi.rv ol Crash Vrnvl label\al ov.he U'oaa ProFc e !!6 "p Bue, lo o' n. lq| P.i.. R...rdn.s menls and carelllatlenliof lo delai lhal is becoming lhe yyH.rr "d i; UBP slamp Lookoltalso forthe new UBP featurino Fallout Sheiter presenls Dinah Moore Mi.haelProclor caled Love Don I Live. aso on lhis abel. Do You WAN|? 95 North feat Heather Don't Go (T'bd Sl.pp/ /o alby I'p lpar lFdl broLqhr yo. A _aho7'c (Resolution/UK) Garaoe pickJrom veterans Bchard Paylon Gimme Luv producer Vcror lmbres and loca isr Dinah ald Do trrho'a opr\ocolsr Lool or'ror lrer aSmr pl EE Ja_.7 oiErF"roir(ul o\ r) rher m, o Cdrole Syvdns Mousse T You C,w GEr /r Everyth ng lDo on (Peppe/minl Jam) Gemany's number one conlnueslo rip Groove Collective SHE'9 So HEAW shl up wrh lhis new EP or hs home abe ALsoyoucan (G ant step) E c Kuppeas epcjazzy house mix has been now lind his rne m \es of Kev lo L fe's Find AWav on lloaLno a.o"no lor a nre no^ dnd oo^s oossble o oe'a wrder ieease Aeqn ol qood lhnos lo co e lor lhs n"ew Davidson Ospina THE CHRoNtcLES {q.11 Srael Nica, rnooLl Fo,oi U.de or.rd MJ. ' Galaxy People M\ srtcAl J1UBNE\ O,oLp's Ddvid

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To me thG day wa5 inev table. fyou?e familiarwith this.olumn (espe.laLy durnglhe fn"A,tlrlrbaE, Pe6omlly rh a Rum kiid df rsy myself, but 0omho outss!.h a nire drum m d lo hte Sos when ltwas the only of its klnd) you'LLknow that lons b.for€ rhe S.rtrp, ribe, ind ba- 3'do."o. .li,.idq hd ngh dr{'g .rF"u,lcr,)p. andfopPrges,lhaveawaysque(iotrfedlhe nlegrtyofthea isl and thet musi. as it FaB FNE Blah ,efle.led the ldeaLs ofthe.uLture rowards a imorersionabLe audiei.e rhinli rhat when rap (P7,oiit, The b slde to "leflah." rwondarwhyno one prayed rhk our. Enough tow eod rd keep mus. bl€w up ii i99ow.aLL.ouldn'lresistthe.areeropportunue5thalfeLLiitoour aps rhelowridfthappn pru5enoush yme skik tok..p rh. h.adr'odding, ove' i ght. W€ promoted rhe musi. ar the expense olthe culture and Lel it aLLso to our heads. Anists were never.he.ked on Iha r lack of respe.t fo.the hip hop press. Wrile6 and Busra RHYMES Woo - Hah !!Got ,adio 0l!.aughl wre.k irod the very artislsihal they played or p6moted. You Atl ln Check lr uia rivalie5 developed betweei ists due ro then ofbus ness sense. whiLe a a.I fEre*rml Ihe rclum ortheoayoie hlrs llke a lab.sen.ourasedthlsnonsensetoseL re(ord5.Nowthesiluatioihasdeterorated ntoa ridal wave. con!umins everyrh ng it tou.hes Eanrwe5t.oastthinq,lhatnowlndudesabodv.ount. And aLlthe whiL.lhe likes ofthe wh le deansiig rh. .a itd€v€nabd. Ihe poir6Lighl - BobDole,c, Deloiis Tucker.Ilpp€r Gore are workhg against us.3ut we did. rem xes indude a appearen.e from theothe tr. e rause the Loot was good and m!thaftr.keB best k€ep out ofour way. we aLLfellror hip hop msdman lhe0.D.3. A p tie6hip :.e .ulrural .Llque, w. werc bad and we kn.w thal they kiew il. What wenl Mong? 5trb..ois(iously we propagaled a one dimens onalnouon ofour !elvetloihe maiinream medlaand a young lmpiess onable aud en.e Lire has now begun lo etuLaie a -lhe soew fa.e loo( and the ghetto metrtalily are reaLny.Those ofus who had (Re/,.ikt, rhd€h it may .onla I the sly obs as marGting, promo, and a&R rcp5,never.ommui.ated lo Labels that rh.y borE some stone h I'Faniy affan," ftdn! pon .eI ,espoisibiitylowards fu.the ng hip hop cu turc. Even woc. w€re th€ anistswho never re. de ivery ides a snooth oul LA souLsouid ogiized Ihe. own rc5ponsibLty to thet audiei...l\4any rcvoLuuoG faiLwhei no unified lonB- that b ns! the me55age or one love. ie,mobie.tve s introdu.ed atthe in.eprion. Ioday we see lhetairureln rhe poLa.i?alion or r:, hop (ity natos: N€w York never respe.ted LA; LA never rcspe.ted NewYorkr add no-one fE6tw6, rhd! drhtthetith s .e!o€d! seanL. or Hourton. 'Untu.k*irabl. loaruiis the iy lunl maste, However, nurrresped to men Llle Coouo for sett ng (nu(k eheads nra ghl wilh his Mr Clinton. lhk s !ome nir. and easy tuik a,ammya..epian.espee.h. Now is ihe time for heads to listen and Leam. Expand your depth bu5 nes5with ML C iiton fll ag in the breakJ, :'.ealiln nop and see the hop sheitotingyouEeres, longterm efte.rs ofyoura.l otrs. fhip whllelamal!ve,5e5 heLp expLaii tlrk trackS .!l!,eeverneededalimelorthose nvoLvedtobeprcgrcssive,now srhotim.. t

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Ghostface Killer IRCA) Iher/1,!! like thal Ened?er bunnv they tor-l e i!n keep oi goins.Afie, Lock ng down bn yearwirh LPs ftom the Ga, Raekwoi and 0l' CA 5U I e 0n! Bastad-'96 Lookslusr a5 prcm slng Gho5rfare K leraka Tony Sla s, i5 poritoied rd rake h s tu.n busth some morcshots d vour headoleG. aher tunnlng w th h s fel ow cimey, Raekwon, oi hk lPaid shos n'G r:$.rorhk *ik. t\ now histum to shhe. The lid.ene$with whirh hea(a.ks lhe mi.:5 unp aLleL€d as he orren appeaE to be takhs on ev.ryoie and everythinsatonG. Thlef ln Da isht (Prclle)Slealinq o.oos bv rhe dozen,Ihiefmay { beunfaml to those ollsid. the NYC. but thatshorldrhange sooi. He akeady ha5a , rouph ofuid grcund ioints mak ns nd se , rhanks ro hhuniquenyLe (imaginea pry.ho gu ne wth himseLr)and 50me buteptududion r'j by ihe up and.ominsSound PLur Rhythm team. H s dl.k, the Dunseon, also briigssonediffer e sh( ro thetablowhth should aho gGbyourattenton. (eepan eydoi then to be making {a I Ras Kass -.4 lPd.hw..k) ve ben wailingonth 5 k d rodtopaid LPforsdme lime iow "Rema n ).. Anonynoul', dernitely6trght thos.{ho head tand p@peLled Ras Kase lo dne dlhip hop! ly,kallead€6.complexfiymesthataG.areruly.onnruded eatthecnterof Ras(asj nvk.Attim0s itsounds as thoush he is golns th6!sh alltyoes ofsientin( prc.edures n oder ro prcdu.eh sve6es. Hi5 formulas alLequd. up Ioone lh ng phat".lt!ha't idl ro appre.iate someonewho spdtiigii rhe€tfortaid.oriigugwlthsom€ n&shlr. I Big l{oyd OommyBoy)F€armd on Mobb D..p! "The iranous', Bis Noyd nor€ rhan h.td his own t Irarkt s(h as 6lv. upThe Goods",and "P ty\ Ove/'dispLayed Noyd! rhyming abiityas he d.Livdedsomeolthemo51memoGhlellnesoibothruts(Ev.noa.kmygatwlren so to see ny P0.")Fo,ever rcprcsenrhsaB, Noyd! ftsl shgle Re.ogdize & Rea te" G definitoly th. iam ,ght nowAsforan rP(hdugh, Is been deLayed aner BG Noyd sotlhrdwn b kh lhe.linkfor sibisE.is'Bl ! o arins his pabLe. Gu.rs he shoulda enhis bumer ba.katrhernb. The tab 5 IT lDrckdown/Prodty)rhe Bodkampcl.k(ontiiues lo rove roMad with th€t own Label, as relterSkeherand o.6 c. .due lodop lhG summs. Bothgroupswerc d splayed on l1r "LelLaii', a sonqbv both grcu05 underthe iame rhe Fab 5. Many Bookamp roLloweB hav. beei aiti. paringthes€ rtleases ad should sooi be satisned with Blatk Moon aid smlfN wes5un already Lo.ling sh t dowi, HeLterskelter:nd o.G.a should beii rhe centerorthing5

(Easrwesr) A Liuh oLd

Royal flush GlunVrW'l'mso high/You so higlr/ l'lLbe seltin monoy tllLrh. day rhd ldk'.Wilhlhe5€ words, weare ntodu.ed 1o Royalnush after appe ng on l,li.Gercnimo!Ihe N ralLP. Now U bass is 5TF0N he ha5 hG ownalbmdmppiigsoon. The l'5t siisle "Movin onYa/weak Prcdu.tion" k ,LEadyb ngingoutsohefloreoflhatQreensflavadvdaladba.ktm.k,Hl5 yftaL.onr€ilis fatand siniL&loJu c Gercn mo. He should dowe laLsodue to some rishr head nodding prcdu.

Bahamadia (tM00ultaPhily,Bahanadia.dugh'TotaLWrc.k'a.oupLeyeaE6aLkoncaigsla i llKid samplel Noq in t6,shehasgottobeoneoflhehlie5rfemaleMcroullhere.A.tuaLly,lu.k g!nder, don t rhiik too many reLlasouttherE.ai rourh her Hdflowisorgiial, and her yfts e llLedwlth thought and oeativity. HerLPshould be outbythe time you read this, and th. fad tharshe has DlPerhrworkii lo he..onnalso should set kids runningdown ro rhe re.ord nores,& lyr.a .omporirloi gectighte,, Bahamadia is the pe .deranpLet0 sho{ us lhal no on.! gonna b€ gouingaway willr weaIsk]ls ii 96. EO l.4t N TO Ft55Et I N5 Natural Etements U t5 SPttNG (rotr€$l A dew ourta the NYc rhathas.rcaled aLoiorunds ground buz.aons n nsdfsuth tisrc as M,.vooddo, rswft, G Blass,ah Laoagie and othds, the s asdeep as eve. p de{ they el le.TheyteaLlon an indepefr deitthat! gonna bLdw up soon giventhet rahol. Heads al over 1. New Yd alrcady knowwhatt up, L t and withlome so should everyono 'r. I €lse, Keeg an e our forth.n n 1996and beydnd. - SNAGG l at the fotlow-up to the #1 biltboard dance hit Whgn I

THATIK y0r.r ALL FoR luxnc tEFTFIE[0'S AFR0-tEtT A # -., YOU I{NOW WHO YOI] ARE!

iust in lrom the planet dog

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o 4 o oo %" - PLAIGT DT'l3 Gn-DRE { ol the BOtlG Ov€, teo hou6 ol rar€ |racls by legends $c,' ltii.s Sourd3 ID ar iootsman, The Disciples, Alphaand0m0gr, The Rhythnites andlheoutsider wilh Jah "Mulai t am bi.hl.te.hno lhal means lo do yo!todiu Worts, plus new sehclions by hol-or.lh€-scen€ hah, l.te ace R.elily is parl Eno, !a s€al,pad acls including Aslralash Childr€n ollhe 80n9, lho'2oom'lteme, end alldelhiously bad lor y0u," Full iloon Scieilist, 1001h ilonley and Eat Slalic,

Also comhg h Ap?il: Ghadron ol tie Bong lnlerlace nealily' 12 e.mail i.loemanmolh.con Brrco de Gaia Xincajou 12 o.line: hltp/**w.mammolh,con @8

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-q * ,rs , a FINISH *-*i**.- l - {,. rA, ll you oot Buzz to all his stops, you probably picked up on somelhing along the way. For beat loops, remixes, studio wo , drum sounds, samplino and live perlomances nothing Oets you Ooino like the [,lS-1. With unlimited velsalility and a tiny pricetag, you'llneverfind yoursellata creative dead end. Ivlove o! down to your nearest Roland dealerand try one out. lt'llamaze you lERoland' Roland Coeomlion U.S.,7200 Dominion Circe, LosAngeles, CA 90040 (213) 685-5141 wu Ricr'moid 3 c v8v 2Ma i60a)270 6626