Sex Pistols Quiz: Questions and Answers

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kupidonia.com Sex Pistols Quiz: questions and answers Sex Pistols Quiz: questions and answers - 1 / 4 kupidonia.com 1. When was "Sex Pistols" formed? 1975 1977 1979 2. Which band did "Sex Pistols" evolve from? "Acme" "Strand" "Saw" 3. Who was not an original member of "Sex Pistols"? Johnny Rotten Sid Vicious Steve Jones 4. Which song did Andy Allan feature on? "Silly Thing (single version)" "Belsen Was a Gas" "The Great Rock 5. When did the Sex Pistols publicly signed with A&M Records? 1977 1978 Sex Pistols Quiz: questions and answers - 2 / 4 kupidonia.com 1981 6. When was "Holidays in the Sun" released? 1983 1981 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Strand" "Rich Kids" "Club Punk " 8. Who did Sid Vicious meet in 1977 and the band thought she was bad for him? Vivienne Westwood Nancy Spungen Jamie Reid 9. When did the Sex Pistols release "God Save the Queen"? 1976 1977 1982 Sex Pistols Quiz: questions and answers - 3 / 4 kupidonia.com Sex Pistols Quiz: questions and answers Right answers 1. When was "Sex Pistols" formed? 1975 2. Which band did "Sex Pistols" evolve from? "Strand" 3. Who was not an original member of "Sex Pistols"? Sid Vicious 4. Which song did Andy Allan feature on? "Silly Thing (single version)" 5. When did the Sex Pistols publicly signed with A&M Records? 1977 6. When was "Holidays in the Sun" released? 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Rich Kids" 8. Who did Sid Vicious meet in 1977 and the band thought she was bad for him? Nancy Spungen 9. When did the Sex Pistols release "God Save the Queen"? 1977 Sex Pistols Quiz: questions and answers - 4 / 4 Powered by TCPDF (www.tcpdf.org).

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I Wanna Be Me”
Introduction The Sex Pistols’ “I Wanna Be Me” It gave us an identity. —Tom Petty on Beatlemania Wherever the relevance of speech is at stake, matters become political by deﬁnition, for speech is what makes man a political being. —Hannah Arendt, The Human Condition here fortune tellers sometimes read tea leaves as omens of things to come, there are now professionals who scrutinize songs, ﬁlms, advertisements, and other artifacts of popular culture for what they reveal about the politics and the feel W of daily life at the time of their production. Instead of being consumed, they are historical artifacts to be studied and “read.” Or at least that is a common approach within cultural studies. But dated pop artifacts have another, living function. Throughout much of 1973 and early 1974, several working- class teens from west London’s Shepherd’s Bush district struggled to become a rock band. Like tens of thousands of such groups over the years, they learned to play together by copying older songs that they all liked. For guitarist Steve Jones and drummer Paul Cook, that meant the short, sharp rock songs of London bands like the Small Faces, the Kinks, and the Who. Most of the songs had been hits seven to ten 1 2 Introduction years earlier. They also learned some more current material, much of it associated with the band that succeeded the Small Faces, the brash “lad’s” rock of Rod Stewart’s version of the Faces. Ironically, the Rod Stewart songs they struggled to learn weren’t Rod Stewart songs at all.
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