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Metal Men Metal Men Marc Rich and the $10 Billion Scam A
Metal Men Metal Men Marc Rich and the $10 Billion Scam A. Craig Copetas No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopy, recording, scanning or any information storage retrieval system, without explicit permission in writing from the Author. © Copyright 1985 by A. Craig Copetas First e-reads publication 1999 www.e-reads.com ISBN 0-7592-3859-6 for B.D. Don Erickson & Margaret Sagan Acknowledgments [ e - reads] Acknowledgments o those individual traders around the world who allowed me to con- duct deals under their supervision so that I could better grasp the trader’s life, I thank you for trusting me to handle your business Tactivities with discretion. Many of those traders who helped me most have no desire to be thanked. They were usually the most helpful. So thank you anyway. You know who you are. Among those both inside and outside the international commodity trad- ing profession who did help, my sincere gratitude goes to Robert Karl Manoff, Lee Mason, James Horwitz, Grainne James, Constance Sayre, Gerry Joe Goldstein, Christine Goldstein, David Noonan, Susan Faiola, Gary Redmore, Ellen Hume, Terry O’Neil, Calliope, Alan Flacks, Hank Fisher, Ernie Torriero, Gordon “Mr. Rhodium” Davidson, Steve Bronis, Jan Bronis, Steve Shipman, Henry Rothschild, David Tendler, John Leese, Dan Baum, Bert Rubin, Ernie Byle, Steven English and the Cobalt Cartel, Michael Buchter, Peter Marshall, Herve Kelecom, Misha, Mark Heutlinger, Bonnie Cutler, John and Galina Mariani, Bennie (Bollag) and his Jets, Fredy Haemmerli, Wil Oosterhout, Christopher Dark, Eddie de Werk, Hubert Hutton, Fred Schwartz, Ira Sloan, Frank Wolstencroft, Congressman James Santini, John Culkin, Urs Aeby, Lynn Grebstad, Intertech Resources, the Kaypro Corporation, Harper’s magazine, Cambridge Metals, Redco v Acknowledgments [ e - reads] Resources, the Swire Group, ITR International, Philipp Brothers, the Heavy Metal Kids, and . -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
Rich Dad Poor
Rich Dad Poor Dad will… • Explode the myth that you need to earn a high income to become rich • Challenge the belief that your house is an asset • Show parents why they can’t rely on the school system to teach their kids about money • Define once and for all an asset and a liability • Teach you what to teach your kids about money for their future financial success Robert Kiyosaki has challenged and changed the way tens of millions of people around the world think about money. With perspectives that often contradict conventional wisdom, Robert has earned a reputation for straight talk, irreverence and courage. He is regarded worldwide as a passionate advocate for financial education. R o b What The Rich Teach Their Kids About Money – “The main reason people struggle financially is because they e That The Poor And Middle Class Do Not! have spent years in school but learned nothing about money. r The result is that people learn to work for money… but never t learn to have money work for them.” T . – Robert Kiyosaki K i y Rich Dad Poor Dad – The #1 Personal Finance Book of All Time! o “Rich Dad Poor Dad is a starting point for anyone looking to gain control of their s financial future.” – USA TODAY a k i www.richdad.com ™ $16.95 US | $19.95 CAN Robert T. Kiyosaki “Rich Dad Poor Dad is a starting point for anyone looking to gain control of their financial future.” – USA TODAY RICH DAD POOR DAD What The Rich Teach Their Kids About Money— That The Poor And Middle Class Do Not! By Robert T. -
CLOSE VIEW 2 – Punk Rock 25 Years Old Manuscript: Keith Foster Producer: Keith Foster Broadcasting Date: 9/10, 2002 Length: 15’
Over to you 2002/2003 Close View 2 – Special Report Programnr: 02060/ra2 CLOSE VIEW 2 – Punk Rock 25 Years Old Manuscript: Keith Foster Producer: Keith Foster Broadcasting date: 9/10, 2002 Length: 15’ Music: Sex Pistols ”God Save the Queen” Keith Foster: Welcome to Close View! I’m Keith Foster. Ex-punk. This year in England the Queen has celebrated her golden jubilee – that’s fifty years on the throne… 25 years ago, in 1977, it was her Silver Jubilee, and people then had parties in the streets to celebrate. Then along came this band, the Sex Pistols, and spoilt the party. The song called the Queen a moron, and it made the Sex Pistols the most hated band in Britain - ever. Newspapers called for them to be put in prison, and in the end their record company sacked them. Twice. Suddenly, punk rock had made its mark. If you liked punk you liked loud music, an dance called the pogo, which meant just jumping up and down really, often on the person in front of you, and you put safety pins through your clothes, your ears, your nose, your cheeks, your…...well, anywhere. And you were angry. Very angry. Music mix: “Stranglehold” by UK Subs Oh Bondage Up Yours” by X-ray Spex “Anarchy in the UK” by Sex Pistols “Too drunk to fuck” by Dead Kennedys KF: You didn’t have to be very musical… Punk rock exploded in Britain in 1977. If you were a teenager almost everyone you knew picked up a guitar or a drum set and started to make a lot of noise. -
John Berger, Paris Hilton, and the Rich Kids of Instagram
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2015 John Berger, Paris Hilton, and The Rich Kids of Instagram: The oS cial and Economic Inequality of Image Sharing and Production of Power Through Self-Promotion Meghan M. Gallagher Scripps College Recommended Citation Gallagher, Meghan M., "John Berger, Paris Hilton, and The Rich Kids of Instagram: The ocS ial and Economic Inequality of Image Sharing and Production of Power Through Self-Promotion" (2015). Scripps Senior Theses. Paper 545. http://scholarship.claremont.edu/scripps_theses/545 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. JOHN BERGER, PARIS HILTON, AND THE RICH KIDS OF INSTAGRAM: THE SOCIAL AND ECONOMIC INEQUALITY OF IMAGE SHARING AND PRODUCTION OF POWER THROUGH SELF-PROMOTION By MEGHAN MICHELLE GALLAGHER SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILMENT OF THE DEGREE OF BECHELOR OF ARTS PROFESSOR FRIEDLANDER PROFESSOR MACKO DECEMBER 8, 2014 1 The young lady sits regally, perched atop a lush navy sofa. She is surrounded by wealth and glamour. The walls are painted in jewel tones with rich gold accents and ornately painted details. A chandelier hangs in the left side of the frame, creating a rich warm light and illuminating the entryway to a grand ballroom. Portraits hang on the walls, gilded ceramic figures rest on pedestals, and an antique silver dish set is displayed on a mahogany shelf. -
Art [X]Smooth Images
The e itud Plen Design and Engineering in the era of Ubiquitous Computing Rich Gold © Rich Gold 1993 – 2002 Silicon Valley, California [email protected] www.richgold.org draft version 0.9 Dedicated to Marina LaPalma and Henry Goldstein The Present Press Note: You must change the following preferences in Adobe Acrobat Reader 5.0 to view this book correctly: Under Edit (or under Right Arrow above slide bar) go to Preferences. In Preferences Check all of the following: [x]Smooth Text [x]Smooth Line Art [x]Smooth Images Do not use Adobe eBook Reader to view this book. It does not allow these settings. The Plenitude Page 1 12/10/2002 TABLE OF CONTENTS: I. INTRODUCTION II. THE 4 CREATIVE HATS III. MY LIFE IN THE PLENITUDE (A) IV. SMART HOUSE? V. MY LIFE IN THE PLENITUDE (B) VI. SEVEN PATTERNS OF INNOVATION VII. MY LIFE IN THE PLENITUDE (C) VIII. THE MUSEUM AS A BOOK IX. DESIRE IN CONTEXT X. MY LIFE IN THE PLENITUDE (D) XI. THE PLENITUDE I think this is a good place to note that throughout this book I make heavy use of a font I got off the web called MOM’S TYPEWRITER. Frankly, I’ve got a font Jones and spend way too much time routing about the web looking for new fonts, not unlike how driftwood artists scour the shores looking for new bleached branches. Christoph Mueller designed MOM’S TYPEWRITER by scanning in the output of his mother’s old machine. One of its charms is that it has neither a zero nor a one. -
Sid-Nancy-DP-Net.Pdf
Studiocanal et Tamasa présentent UN FILM DE ALEX COX VERSION RESTAURÉE UK - 1986 - 1H50 SORTIE LE 14 FÉVRIER 2018 DISTRIBUTION Tamasa PRESSE 5 rue de Charonne 75011 Paris Camille Calcagno Tel 01 43 59 01 01 Tel 01 43 59 64 37 [email protected] [email protected] SID & NANCY est un mélodrame flamboyant qui aurait pu être écrit par Lou Reed et Mickey Spillane : sur fond de punk-rock, une histoire de sexe, de drogue, d’amour, de mort, de gloire et de désespoir. L’aventure de deux êtres dont la mort est liée symbo- liquement à celle d’une culture et d’une musique qui ont révolutionné l’Angleterre à la fin des années 70. En 1977, Sid Vicious était le bassiste des Sex Pistols, un groupe qui défrayait la chronique par ses outrances et ses provocations. Nancy Spungen était une groupie, venue à Londres de Philadelphie. Leur amour fut passionné, violent et de courte durée. Le 12 octobre 1978, on découvrait le corps poignardé de Nancy dans une chambre du Chelsea Hotel, à New York. Sid Vicious fut arrêté et accusé du meurtre. Le 2 février 1979, avant l’ouverture de son procès, il mourait d’overdose. Pour certains, Sid et Nancy furent les héros tragiques d’une génération perdue. Pour d’autres, de vulgaires dé- linquants, des drogués pathétiques. Alex Cox a eu, dès 1980, le projet d’un film sur les Sex Pistols. « Alors que je travaillais sur le script, je me suis rendu compte que l’aspect le plus intéressant du groupe, c’était l’histoire de Sid et de sa petite amie. -
A Great Friggin'swindle? Sex Pistols, School Kids and 1979
Middlesex University Research Repository An open access repository of Middlesex University research http://eprints.mdx.ac.uk Osborne, Richard ORCID: https://orcid.org/0000-0003-4111-8980 (2015) A great friggin’ swindle? Sex Pistols, school kids and 1979. Popular Music and Society, 38 (4) . pp. 432-449. ISSN 0300-7766 [Article] (doi:10.1080/03007766.2015.1034496) First submitted uncorrected version (with author’s formatting) This version is available at: https://eprints.mdx.ac.uk/17322/ Copyright: Middlesex University Research Repository makes the University’s research available electronically. Copyright and moral rights to this work are retained by the author and/or other copyright owners unless otherwise stated. The work is supplied on the understanding that any use for commercial gain is strictly forbidden. A copy may be downloaded for personal, non-commercial, research or study without prior permission and without charge. Works, including theses and research projects, may not be reproduced in any format or medium, or extensive quotations taken from them, or their content changed in any way, without first obtaining permission in writing from the copyright holder(s). They may not be sold or exploited commercially in any format or medium without the prior written permission of the copyright holder(s). Full bibliographic details must be given when referring to, or quoting from full items including the author’s name, the title of the work, publication details where relevant (place, publisher, date), pag- ination, and for theses or dissertations the awarding institution, the degree type awarded, and the date of the award. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Middlesex University via the following email address: [email protected] The item will be removed from the repository while any claim is being investigated. -
Catalog-13.Pdf
C A T A L O G 1 3 Mare Books ellers [email protected] marebooksellers.com 603.742.1229 Does anyone read these intros? etc.. [email protected] marebooksellers.com 603.742.1229 Catalog 13 [1] The Secret Public Savage, Jon and Sterling, Linder (artists and publishers). Manchester, UK: 1978. Side folding wraps, 16 ½ by 23 ¼ inches when unfolded. 12 pp. Black and white clip art/collages throughout. A one off zine style piece, taking the punk art aesthetic of clip art and collage to a new level. Created by Jon Savage and Linder Sterling in 1978, the zine provided social commentary on gender and gender roles, portraying fractured women in domestic settings, as well as skewering masculinity and its impact on the punk scene and society in general (Poynor, p. 23). GOOD condition. Moderate foxing to the exterior, with minor wrinkling [email protected] marebooksellers.com 603.742.1229 and soiling. Some toning along the extremities. A few faint finger smudges present. $1200.00 [2] Gabba Gabba Hey No. 3 Hodgson, John et al. John Hodgson, publisher. Thornaby, UK: no date, perhaps 1977, based on the review of a show that was part of the 1977 Stiffs Greatest Stiffs Tour. Side stapled wraps. 11 ¾ by 8 ¼ inches. 20 pp., including covers. Great front cover art. Black and white photos and illustrations throughout. A fanzine from Northern UK, focusing on local acts, but with coverage of bigger names in punk and new wave. Interviews with the Sex Pistols, Buzzcocks, and Doctors of Madness, as well as short reviews and pieces on many other bands, big and small. -
Midge Ure Biography
MIDGE URE BIOGRAPHY An artist who has received Ivor Novello, Grammy, BASCAP awards along with a flotilla of gold and platinum records, really needs very little introduction. Musical success is seldom measured in time spans of more than a few years, if not Andy Warhol's often quoted "fifteen minutes", so the fact that by the time Midge's single "If I Was" went to number 1 in 1985 he had already crammed several musical lifetimes into a 10 year professional career speaks volumes - Slik, The Rich Kids, Thin Lizzy, Visage, Ultravox and of course the most famous one off group in musical history Band Aid had by then all had the guiding hand of his musical navigation. Then you have to take account of Midge's musical directorship of a series of rock concerts for The Prince's Trust, Night of the Proms, Wicked Women for Breakthrough and in honour of Nelson Mandela; record production for Phil Lynott, Steve Harley and countless others; his video direction of memorable hits by the Fun Boy Three, Bananarama and others, or a whole swathe of landmark singles by Ultravox; TV, theatre and film music credits ranging from 'Max Headroom' to stage and big screen. Midge appeared to the wider public in a moment of heady teen success with Slik. Their sway-along single 'Forever And Ever' took over at No.1 in the UK from Abba's 'Mamma Mia' on Valentine's Day 1976. Soon outgrowing Slik's pop dimensions, Midge was snapped up by ex-Sex Pistol Glen Matlock the following year for his new outfit, the Rich Kids, who charted amid an avalanche of press with a self-titled EMI single early in 1978. -
EXTENSIONS of REMARKS March 3, 1987 EXTENSIONS of REMARKS
4686 EXTENSIONS OF REMARKS March 3, 1987 EXTENSIONS OF REMARKS TRIBUTE TO WILLIE J. FULTON munity to believe in strong and worthy values, saving the lives of American servicemen in even in the hardship of a sometimes reluctant World War II. Again, the State Department has HON. JAMES A. TRAFICANT, JR. society. For what he has chosen to give to his proven to be a major force of opposition. OF OHIO community in the way of guidance and patient Hopefully, someday the State Department will leadership for so many years, I join the many IN THE HOUSE OF REPRESENTATIVES officially recognize the role General Mihailo grateful people of Warren in appreciating Mr. vich played and allow these American service Tuesday, March 3, 1987 Fulton's dedication. I wish Willie and Barbara men to finally honor the man who saved their Mr. TRAFICANT. Mr. Speaker, it is with the best in his retirement and look forward to lives. Until then, however, all Americans can great pleasure that I rise today to honor Willie his further contributions in making Warren, remember ·with gratitude the service that Lt. J. Fulton, retired councilman of the sixth ward OH, an even better place to live. Col. George Musulin gave to his country, and in Warren, OH. Tonight he will be honored, his part in bringing these former MIA's home. and his distinguished career recognized, by TRIBUTE TO LT. COL. GEORGE I have included an article from the Washing the Black Elected Officials of Ohio. MUSULIN ton Times that summarizes the accomplish Mr. Fulton has chosen as a life-long pursuit ments of Colonel Musulin. -
Sex Pistols Quiz: Questions and Answers
kupidonia.com Sex Pistols Quiz: questions and answers Sex Pistols Quiz: questions and answers - 1 / 4 kupidonia.com 1. When was "Sex Pistols" formed? 1975 1977 1979 2. Which band did "Sex Pistols" evolve from? "Acme" "Strand" "Saw" 3. Who was not an original member of "Sex Pistols"? Johnny Rotten Sid Vicious Steve Jones 4. Which song did Andy Allan feature on? "Silly Thing (single version)" "Belsen Was a Gas" "The Great Rock 5. When did the Sex Pistols publicly signed with A&M Records? 1977 1978 Sex Pistols Quiz: questions and answers - 2 / 4 kupidonia.com 1981 6. When was "Holidays in the Sun" released? 1983 1981 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Strand" "Rich Kids" "Club Punk " 8. Who did Sid Vicious meet in 1977 and the band thought she was bad for him? Vivienne Westwood Nancy Spungen Jamie Reid 9. When did the Sex Pistols release "God Save the Queen"? 1976 1977 1982 Sex Pistols Quiz: questions and answers - 3 / 4 kupidonia.com Sex Pistols Quiz: questions and answers Right answers 1. When was "Sex Pistols" formed? 1975 2. Which band did "Sex Pistols" evolve from? "Strand" 3. Who was not an original member of "Sex Pistols"? Sid Vicious 4. Which song did Andy Allan feature on? "Silly Thing (single version)" 5. When did the Sex Pistols publicly signed with A&M Records? 1977 6. When was "Holidays in the Sun" released? 1977 7. What was the name of the band that Glen Matlock formed after leaving "Sex Pistols"? "Rich Kids" 8.