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Learning About American History Through Great Films the Crucible
Learning About American History Through Great Films The Crucible. A story based on the Salem witchcraft trials, capturing the sense of hysteria in the 1600’s but also the red scare (McCarthyism) of the 1950’s. 1776. A musical account of the events leading up to the writing of the Declaration of Independence. Roots. A video presentation of an award-winning family saga (six part series), starting with their arrival as slaves in America. The Patriot. True historical figures form the background for the major character in this film set during the Revolutionary War. Amistad The story of a slave revolt in 1839, it started a controversy that pitted the courts against the President. A milestone in the development of the abolitionist movement. Twelve Years a Slave. Winner of Academy Award for best picture of 2013, the movie is based on the book by Solomon Northrop, who was kidnapped from his New England home and forced into slavery in the South for 12 years. Lincoln. This movie focuses on the struggle to have the 13th amendment to abolish slavery enacted by congress. Daniel Day Lewis won best actor for his performance. Gettysburg. Classic Civil War movie detailing the most important battle of American history. Glory. Civil War movie chronicles the 54th Regiment of Massachusetts, an African American unit that fought bravely to win freedom for all slaves. Denzel Washington won an Oscar for his role. Dances with Wolves. A disillusioned soldier leaves the Civil War battlefield and strikes out on his own. He eventually learns to love and respect the land, when Sioux Indians welcome him into their tribe. -
Sunday Morning Grid 11/11/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 11/11/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Arizona Cardinals at Kansas City Chiefs. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) Figure Skating NASCAR NASCAR NASCAR Racing 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News Eyewitness News 10:00AM (N) Dr. Scott Dr. Scott 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 1 1 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Planet Weird DIY Sci They Fight (2018) (Premiere) 1 3 MyNet Paid Program Fred Jordan Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Cook Mexican Martha Belton Baking How To 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Forever Painless With Rick Steves’ Europe: Great German Cities (TVG) 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva 4 0 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It is Written Jeffress K. -
Book of Eliʼ Weʼre Going to See Some Street-Oriented fighting
January 15, 2 010 Denzel Washington Directed by Albert Hughes (as The Hughes Brothers) Allen Hughes (as The Hughes Brothers) http://thebookofeli.warnerbros.com In the not-too-distant future, some 30 years after the final war, a solitary man walks across the wasteland that was once America. Empty cities, broken highways, seared earth—all around him, the marks of catastrophic destruction. There is no civilization here, no law. The roads belong to gangs that would murder a man for his shoes, an ounce of water…or for nothing at all. But theyʼre no match for this traveler. A warrior not by choice but necessity, Eli (Denzel Washington) seeks only peace but, if challenged, will cut his attackers down before they realize their fatal mistake. Itʼs not his life he guards so fiercely but his hope for the future; a hope he has carried and protected for 30 years and is determined to realize. Driven by this commitment and guided by his belief in something greater than himself, Eli does what he must to survive—and continue. Only one other man in this ruined world understands the power Eli holds, and is determined to make it his own: Carnegie (Gary Oldman), the self-appointed despot of a makeshift town of thieves and gunmen. Meanwhile, Carnegieʼs adopted daughter Solara (Mila Kunis) is fascinated by Eli for another reason: the glimpse he offers of what may exist beyond her stepfatherʼs domain. But neither will find it easy to deter him. Nothing—and no one—can stand in his way. Directed by: Albert Hughes, Eli must keepLorem moving Ipsum et: to fulfill his destiny and bring help to a ravaged humanity. -
Season Paul Rudd Talks Ant-Man and the Wasp
JULY 2018 | VOLUME 19 | NUMBER 6 Inside HENRY CAVILL NEVE CAMPBELL ANTOINE FUQUA BUG SEASON PAUL RUDD TALKS ANT-MAN AND THE WASP PUBLICATIONS MAIL AGREEMENT NO. 41619533 10 FUN FACTS ABOUT MAMMA MIA! HERE WE GO AGAIN, PAGE 24 CONTENTS JULY 2018 | VOL 19 | Nº6 COVER STORY 36 SUPERBUGS Feeling down after the events of Avengers: Infinity War? Paul Rudd, a.k.a. Ant-Man, LILLY. RUDD AND ’S EVANGELINE PAUL is here to lighten the load as he talks about his sequel, Ant-Man and the Wasp, which takes place before Infinity War. The affable actor keeps quiet PHOTO BY MICHAEL MULLER/MARCO GROB/©MARVEL STUDIOS PHOTO on the movie’s plot but opens AND THE ANT-MAN WASP up about working with co-star Evangeline Lilly and what makes Ant-Man so darn likable BY INGRID RANDOJA ON THE COVER: REGULARS 4 EDITOR’S NOTE 6 SNAPS 8 IN BRIEF 12 SPOTLIGHT CANADA 14 ALL DRESSED UP 16 IN THEATRES 40 CASTING CALL 44 RETURN ENGAGEMENT 46 CINEPLEX STORE 50 FINALLY… FEATURES 24 MORE 26 ON A MISSION 28 GOING UP 32 JUSTICE SERVED MAMMA MIA! Henry Cavill tells us about Skyscraper star Neve Campbell The Equalizer 2 director We count down 10 fascinating Mission: Impossible - Fallout says being a former dancer Antoine Fuqua talks about facts that set the stage for this and explains why doing stunts helped when it came to dealing with violence both month’s ABBA-riffic sequel on a Tom Cruise pic is such performing stunts in the on screen and in the real Mamma Mia! Here We Go Again good, scary fun Dwayne Johnson action pic communities where he films BY MARNI WEISZ BY MELISSA SHEASGREEN BY INGRID RANDOJA BY MARNI WEISZ JULY 2018 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA CREATIVE DIRECTOR LUCINDA WALLACE GRAPHIC DESIGNER DARRYL MABEY VICE PRESIDENT, PRODUCTION SHEILA GREGORY CONTRIBUTORS MELISSA SHEASGREEN ADVERTISING SALES FOR CINEPLEX MAGAZINE IS HANDLED BY CINEPLEX MEDIA. -
Design of a Power-Scalable Digital Least-Means-Square Adaptive
Design of A Power-Scalable Digital Least-Means-Square Adaptive Filter by Chee We Ng Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Masters of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOTSSACH USETTSINSTITUTE OF TECHNOLOGY_ February 2001 UL 112001 @ Chee We Ng, MMI. All rights reserved. LIBRARIES-- The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis documentBARKER in whole or in part. A uthor ......................... Department of Electrical Engineering and CompiYter Science December, 2000 Certified by.............................. Anantha Chandrakasan Associate Professor -- egis Supeyisor A ccepted by ......... ... ... .. ..... Arthu C. Smith Chairman, Department Committee on Graduate Students Design of A Power-Scalable Digital Least-Means-Square Adaptive Filter by Chee We Ng Submitted to the Department of Electrical Engineering and Computer Science on December, 2000, in partial fulfillment of the requirements for the degree of Masters of Engineering in Electrical Engineering and Computer Science Abstract This thesis describes the design of power-scalable digital adaptive equalizer for pulse or quadrature amplitude modulation communication systems, using synthesis and place-and-route tools. DSP based modem applications such as gigabit Ethernet transceivers require channel equalization. Because of the high rate and computation complexity involved, adaptive equalization filters consume a lot of power. Currently, equalization is typically hardwired instead of using a digital signal processor. Yet, there is a need for the equalization filters to be scalable to different channel and bit rate requirements. Synthesis and place-and-route tools enables the designer to focus on higher-level aspects of the design instead of at the transistor level. -
HBO Documentary Explores Evolution of Gang Culture
HBO Documentary Explores Evolution of Gang Culture Written by Robert ID3265 Monday, 29 January 2007 05:04 - HBO Documentary ‘Bastards of the Party’ February 6th Raised in the Athens Park neighborhood of Los Angeles, Cle "Bone" Sloan was four years old when his father died, and 12 when he became a member of the Bloods. Now an inactive member of the notorious gang, Sloan looks back at the history of black gangs in his city and makes a powerful call for change in modern gang culture when his insightful documentary ‘BASTARDS OF THE PARTY’. Acclaimed feature film director Antoine Fuqua ("Training Day") produces along with Sloan, who also directs. Haunted by his involvement in the Bloods'' pervasive culture of violence, Sloan wanted to explore where it all began. In researching the subject, he discovered that the roots of black gangs were nurtured within a distinct political landscape. BASTARDS OF THE PARTY traces the development of black gangs in Los Angeles from the late 1940s, through the charged atmosphere of the ''60s and ''70s, to the breakdown of community in the ''80s and ''90s, and the brief truce between the Crips and Bloods that followed the Rodney King riots in 1992. Among the gangs that figure in the story are the Spook- hunters, Farmers, Slauscons, Businessmen and Gladiators. The documentary features interviews with past and current gang members from the Bloods and Crips; LA historian Mike Davis, whose book "City of Quartz" sparked Sloan's own project; former FBI agent Wes Swearingen; and Geronimo Pratt, the former Black Panther Party minister of defense, among others. -
DEBORAH EVANS Production Designer
DEBORAH EVANS Production Designer FILMS (partial list) G-FORCE Jerry Bruckheimer Films/ Dir: Hoyt Yeatman Walt Disney Pictures Prod: Jerry Bruckheimer BULLETPROOF MONK MGM Dir: Paul Hunter Prod: Terence Chang, Charles Roven, Douglas Segal, John Woo REMEMBER THE TITANS Jerry Bruckheimer Films/ Dir: Boaz Yakin Buena Vista Pictures Prod: Jerry Bruckheimer, Chad Oman CON AIR Jerry Bruckheimer Films/ Dir: Simon West Buena Vista Pictures Prod: Jerry Bruckheimer COMMERCIALS (partial list) Target, Toys R Us, Adobe Experience, Ram, New Balance, L’Oreal, Nike, Vanda, Space Jam, Redfin, Haines, Southwest, Carl’s Jr., Kohl’s, Maybelline, Chobani, Lux, American Family Insurance, Beats by Dre, FDA, Apple, Google, Microsoft, eBay*, Mercedes, BMW, Cadillac, Volvo, Lexus, Mitsubishi, Peugot, Renault, Honda, Toyota, General Motors, Chevy, Coors, Miller, Budweiser, Heineken, Amstel Light, Baileys, Pepsi, Diet Coke, Revlon, Cover Girl, Victoria’s Secret, Tommy Hilfiger, Levi’s, Reebok, EA Games, NFL, ESPN, Chase, Merrill Lynch, Citibank, NYSE, MasterCard, VISA, Cannon, Olympus, Panasonic, AT&T, Virgin Mobile, Partnership for a Drugfree America, Sears, J.C. Penny, Got Milk, Yoplait, Hallmark, Earthlink, GE, Intel, Optimum, Samsung, Blue Bunny, Verizon, Iams * AICP Show Honoree, Best Art Direction DIRECTORS (partial list) Phillip Andelman, Sam Mendes, Ed Zwick, Michael Bay, Jon Favreau, Tony Scott, Oliver Stone, John Woo, Joe Carnahan, Frederic Planchon, Peter Darley Miller, Josh Taft, Jim Sheridan, Jake Scott, Dave Meyers, Henrik Hansen, Kim Jacobs, Peter -
Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011)
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2011 Film Review Aggregators and Their ffecE t on Sustained Box Officee P rformance Nicholas Krishnamurthy Claremont McKenna College Recommended Citation Krishnamurthy, Nicholas, "Film Review Aggregators and Their Effect on Sustained Box Office Performance" (2011). CMC Senior Theses. Paper 291. http://scholarship.claremont.edu/cmc_theses/291 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. CLAREMONT McKENNA COLLEGE FILM REVIEW AGGREGATORS AND THEIR EFFECT ON SUSTAINED BOX OFFICE PERFORMANCE SUBMITTED TO PROFESSOR DARREN FILSON AND DEAN GREGORY HESS BY NICHOLAS KRISHNAMURTHY FOR SENIOR THESIS FALL / 2011 November 28, 2011 Acknowledgements I would like to thank my parents for their constant support of my academic and career endeavors, my brother for his advice throughout college, and my friends for always helping to keep things in perspective. I would also like to thank Professor Filson for his help and support during the development and execution of this thesis. Abstract This thesis will discuss the emerging influence of film review aggregators and their effect on the changing landscape for reviews in the film industry. Specifically, this study will look at the top 150 domestic grossing films of 2010 to empirically study the effects of two specific review aggregators. A time-delayed approach to regression analysis is used to measure the influencing effects of these aggregators in the long run. Subsequently, other factors crucial to predicting film success are also analyzed in the context of sustained earnings. -
The Interaction Between Politics and Popular Culture at the End of Wars
Conflict, Culture, Closure: The interaction between politics and popular culture at the end of wars Cahir O’Doherty A thesis submitted for the degree of Doctor of Philosophy School of Geography, Politics and Sociology Newcastle University August 2019 ii Abstract In this thesis I engage with the topic of how popular culture and politics interact at the end of conflict. Using contemporary Hollywood action cinema from 2000 to 2014 and political speeches from the Bush and Obama administrations, I pose the question of how do these seemingly disparate fields forge intense connections between and through each other in order to create conditions of success in the War on Terror. I utilise the end of wars assemblage to argue that through intense and affective encounters between cinema screen and audiences, certain conditions of success emerge from the assemblage. These conditions include American exceptionalism and the values it exemplifies; the use of technology in warfare as co-productive of moral subjectivities; the necessity of sacrifice; and the centrality of the urban landscape and built environment. I then proceed to assess the resilience of the end of wars assemblage and its conditions of success by engaging with cinematic and political artefacts that have the potential to destabilise the assemblage through genre inversion and alternative temporalities. Ultimately, I argue that the assemblage and its conditions of success are strongly resilient to change and critique. The conditions of success that emerge from the assemblage through intense affective encounters can then be politically deployed make a claim that a war has ended or will end. Because audiences have been pre-primed to connect these conditions to victory, such a claim has greater persuasive power. -
Harry Gregson-Williams
HARRY GREGSON-WILLIAMS AWARDS / NOMINATIONS IVOR NOVELLO AWARD NOMINATION (2011) UNSTOPPABLE Best Original Film Score ANNIE AWARD NOMINATION (2010) SHREK FOREVER AFTER Music in a Feature Production ACADEMY OF INTERACTIVE ARTS & METAL GEAR SOLID 4 SCIENCES AWARD (2009) Outstanding Achievement in Original Music INTERNATIONAL FILM MUSIC CRITICS CALL OF DUTY 4: MODERN WARFARE ASSOCIATION NOMINATION (2007) Original Score for a Video Game or Interactive Media* WORLD SOUNDTRACK AWA RD SHREK THE THIRD NOMINATION Best Original Score of the Year (2007) WORLD SOUNDTRACK AWA RD DÉJÀ VU, SHREK THE THIRD, THE NUMBER 23, NOMINATION FLUSHED AWAY Film Composer of the Year (2007) GRAMMY AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Score Soundtrack Album (2006) THE LION, THE WITCH AND THE WARDROBE GOLDEN GLOBE AWARD NOMINATION THE CHRONICLES OF NARNIA: Best Original Score (2005) THE LION, THE WITCH AND THE WARDROBE BAFTA AWARD NOMINATION* Anthony Asquith Award for Achievement in Film SHREK Music (2002) ANNIE AWARD* SHREK Outstanding Achievement for Music Score in an Animated Feature (2001) * shared nomination The Gorfaine/Schwartz Agency (818) 260-8500 1 HARRY GREGSON-WILLIAMS MOTION PICTURES EXODUS: GODS AND KINGS Peter Chernin / Mark Huffam / Michael Schaefer, prods. 20 th Century Fox Ridley Scott, dir. BLACKHAT Jon Jashni / Michael Mann / Thomas Tull, prods. Universal Pictures Michael Mann, dir. THE EQUALIZER Todd Black / Jason Blumenthal / Tony Eldridge / Sony Pictures Mace Neufeld / Alex Siskin / Michael Sloan / Steve Tisch / Denzel Washington / Richard Wenk, prods. Antoine Fuqua, dir. THE EAST Ben Howe / Brit Marling / Jocelyn Hayes-Simpson / Fox Michael Costigan, prods. *theme Zal Matmanglij, dir. TOTAL RECALL Toby Jaffe / Neal H. -
Denzel Washington
Copyright material – 9781844574841 CONTENTS ACKNOWLEDGMENTS VI INTRODUCTION 1 1 STARDOM AND THE POLITICS OF REPRESENTATION 15 2 AFTER BLAXPLOITATION, BEFORE NEW JACK CINEMA 34 3 ACADEMY AWARD-WINNING ACTOR 62 4 ONE OF AMERICA’S FAVOURITE MOVIE STARS 90 5 BLUES DETECTIVES 115 CONCLUSION 135 NOTES 141 BIBLIOGRAPHY 145 FILMOGRAPHY 155 INDEX 158 Copyright material – 9781844574841 INTRODUCTION Star studies are deceptive. They seem like fun, easy projects, when in reality they are arduous ventures beset by countless pitfalls. The actor (whose creative labour produces the performances) can become obscured by the star (associated with existential qualities). It is difficult to accurately assess the industrial, cultural and aesthetic factors that shape audience perspectives and actors’ careers. There are no straightforward ways to connect star studies with accounts, for example, of African-American cinema. Even ‘star image’ is an ambiguous term. Martin Shingler notes that star studies can (and should) consider a host of issues, including ‘a performer’s star qualities and idiolect, their career trajectory … the significance of collaborators … the emergence of their type and star vehicles’ (2012: 183). Beyond this, these studies will show how ‘stars embody, incarnate or personify social groups or historical moments, [and negotiate] ideological contradictions that emerge within or between social groups’; on the flip side, they also aim to clarify ‘how certain types of audiences or members of a specific social group … have engaged with and made use of stars at particular historical moments’ (ibid.). Juggling disparate visions of stardom, these studies consider how a star functions as ‘an industrial marketing device’, a meaning- producing element within films and a working professional involved in the fields of art and performance (Gledhill 1991a: xiii). -
ARSENIC and OLD LACE Written by Joseph Kesselring Directed by Elina De Santos
ARSENIC AND OLD LACE Written by Joseph Kesselring Directed by Elina de Santos STARRING Alan Abelew, Michael Antosy, Ron Bottitta, Jacque Lynn Colton, Sheelagh Cullen, Darius De La Cruz, Alex Elliott-Funk, Mat Hayes, Gera Hermann, Liesel Kopp, Yusef Lambert, JB Waterman SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Bruce Goodrich Amanda Martin Leigh Allen Christopher Moscatiello PROP DESIGNER FIGHT CHOREOGRAPHER STAGE MANAGER ASSISTANT DIRECTORS Josh La Cour Jenine MacDonald Morgan Wilday Ellen Boener Everett Keeter Produced by the Odyssey Theatre Ensemble "Presented by special arrangement with Dramatists Play Service, Inc., New York.” Arsenic and Old Lace performance schedule: August 26th through October 8th, 2017 The Odyssey is supported in part by a grant from the City of Los Angeles, Department of Cultural Affairs, and Los Angeles County Arts Commission. The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. ODYSSEY THEATRE ENSEMBLE: 2055 South Sepulveda Blvd. Los Angeles, CA 90025 Administration and Box Office: 310-477-2055 ext 2 FAX: 310-444-0455 [email protected] www.odysseytheatre.com CAST (In order of appearance.) ABBY BREWSTER ........................................................Sheelagh Cullen REV.DR.HARPER/ MR. WITHERSPOON/ MR. GIBBS .............Alan Abelew TEDDY BREWSTER ........................................................Alex Elliott-Funk OFFICER BROPHY .............................................................. Mat Hayes OFFICER KLEIN