DEBORAH EVANS Production Designer

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DEBORAH EVANS Production Designer FILMS (partial list) G-FORCE Jerry Bruckheimer Films/ Dir: Hoyt Yeatman Walt Disney Pictures Prod: Jerry Bruckheimer BULLETPROOF MONK MGM Dir: Paul Hunter Prod: Terence Chang, Charles Roven, Douglas Segal, John Woo REMEMBER THE TITANS Jerry Bruckheimer Films/ Dir: Boaz Yakin Buena Vista Pictures Prod: Jerry Bruckheimer, Chad Oman CON AIR Jerry Bruckheimer Films/ Dir: Simon West Buena Vista Pictures Prod: Jerry Bruckheimer COMMERCIALS (partial list) Target, Toys R Us, Adobe Experience, Ram, New Balance, L’Oreal, Nike, Vanda, Space Jam, Redfin, Haines, Southwest, Carl’s Jr., Kohl’s, Maybelline, Chobani, Lux, American Family Insurance, Beats by Dre, FDA, Apple, Google, Microsoft, eBay*, Mercedes, BMW, Cadillac, Volvo, Lexus, Mitsubishi, Peugot, Renault, Honda, Toyota, General Motors, Chevy, Coors, Miller, Budweiser, Heineken, Amstel Light, Baileys, Pepsi, Diet Coke, Revlon, Cover Girl, Victoria’s Secret, Tommy Hilfiger, Levi’s, Reebok, EA Games, NFL, ESPN, Chase, Merrill Lynch, Citibank, NYSE, MasterCard, VISA, Cannon, Olympus, Panasonic, AT&T, Virgin Mobile, Partnership for a Drugfree America, Sears, J.C. Penny, Got Milk, Yoplait, Hallmark, Earthlink, GE, Intel, Optimum, Samsung, Blue Bunny, Verizon, Iams * AICP Show Honoree, Best Art Direction DIRECTORS (partial list) Phillip Andelman, Sam Mendes, Ed Zwick, Michael Bay, Jon Favreau, Tony Scott, Oliver Stone, John Woo, Joe Carnahan, Frederic Planchon, Peter Darley Miller, Josh Taft, Jim Sheridan, Jake Scott, Dave Meyers, Henrik Hansen, Kim Jacobs, Peter Care, Dominic Sena, Carl Rinsch, Malcolm Venville, Paul Hunter, Erich Joiner, Joe Pytka, Fredrik Bond, Peter Smilie, Tom Dey, Laurence Dunmore, Steve Chase, Jan De Bont, Jeff Goodby, Bruce Dowad, David Cornell, Sean Ehringer, Victor Garcia, Samuel Bayer, Jim Sonzero, Kinka Usher, David Kellogg, Jaci Judelson, Stacy Wall, Morton Sandtroen, Matthias Hoene, Nanette Burstein, Alain Briere, Ellen Kuras, James Mangold, Bennett Miller, Tomas Mankovsky, Anton Visser, Baillie Walsh, Angus Wall, David Askill, Laurent Chanez, Eli Sverdlov, Martin Kalina, Olivier Venturini .

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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S.
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TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie
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Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Aﬀairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Oﬃce………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out
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SEAN FADEN VFX Supervisor Seanfaden.Com
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From Popular Music to Film and Digital Media
MUSC 499: The Music Video: From Popular Music to Film and Digital Media University of Southern California, Fall 2014 Tuesday, Thursday, 2:00-3:20 UUC B2 Instructor: Dr. Richard Brown Office: MUS 310 (Office Hour: T/Th 1-2pm) [email protected] www.richardhbrownjr.com Course Description: Since its emergence in the late 1970s, the music video has become the dominant means of advertising popular music and musicians, as well as one of the most influential multimedia genres in history. Music videos have affected aesthetic style in a wide range of film and television genres, introducing experimental and avant-garde techniques to a mass audience. Because most music videos last only a few minutes, it is difficult to make sense of their often-conflicting images, sounds, and messages. This course challenges participants to read music videos as texts by engaging with their visual and auditory materials. We will explore how the gender, race, and class of video participants shapes meaning, as well as how pacing and editing contribute to (or detract from) a narrative flow. We will also consider the music video in relation to notions of stardom and celebrity, and will speculate on the future of the music video amid drastic changes in the production and marketing of media. The second portion of the course applies these analytical skills to a wide variety of media, including video games, live concert films, film and television music placements, television title sequences and end credits, user generated content, YouTube, remixes and more. Course Materials: There is one required textbook available for free via USC’s electronic Ebook access: Carol Vernallis’ Experiencing Music Video: Aesthetics and Cultural Context (New York: Columbia University Press, 2004).
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Anti-Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin
ANTI-RACISM ON THE CHARACTER OF HERMAN BOONE IN REMEMBER THE TITANS DIRECTED BY BOAZ YAKIN A THESIS In Partial Fulfillment of the Requirement For Sarjana Degree Majoring American Studies in English Department Faculty of Humanities Diponegoro University Submitted by: Winda Febiana P. 13020110130065 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2014 i PRONOUNCEMENT The writer honestly confirms that she compiles this thesis entitled Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin by herself without taking any result from other researchers in S-1, S- 2, S-3, and in diploma degree of any university. The writer ascertains that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, May 2014 Winda Febiana P. ii MOTTO AND DEDICATION “Jangan takut untuk bermimpi karena tanpa mimpi orang seperti kita akan mati.” - Arai (Sang Pemimpi)- “I have always believed, and I still believe, that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.” -Hermann Hesse- “In the end I do respond to my own instincts. Sometimes they’re succesful, and obviously sometimes they’re not. But you have to, I think, remain true to what you believe in.” - Anna Wintour - This thesis is dedicated to everyone that has helped and advised me in completing my thesis. iii iv v ACKNOWLEDGEMENT Praise and gratitude are delivered to God the Almighty for His mercy and bles. So this thesis, entitled “Anti Racism on the Character of Herman Boone in Remember the Titans Directed by Boaz Yakin”, can be completed.
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Determinants of Motion Picture Box Office and Profitability: An
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Teaching Social Studies Through Film
Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
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The Wild, Wild Ways of Nicolas Cage Dinner Table with No R A
ett ista lifespan R V ve JANUARY 7, 1964 1970 EARLY SeveNTIES 1976 1979 1981 ena STRANGER THAN FIctION Born in California August divorces Joy, At age 15, Cage Hair feathered, “When I was 6, I would One Thanksgiving, ); BU to Joy Vogelsang, sit there just wishing I August sets a schizophrenic. confronts famous chest buff, he gets ); MGM/E Cage doesn’t talk to the ona vegas Z a dancer, and could get inside that Cage: “She was uncle: “ ‘Give me a his first role—as a I press much anymore, but when The Wild, Wild Ways of Nicolas Cage dinner table with no R A las August Coppola, a little Zenith TV. I food, just plagued with mental screen test—I’ll bodybuilding he did the quotes were classic. “There’s a very fine line between Method actor and schizophrenic,” Cage has said. Which literature professor wanted to be an actor.” crayons and illness for most show you acting.’ surfer in the TV and brother of of my childhood.” There was just flop Best of Times. aising (R might explain this unpredictable star, who ricochets between inspired, offbeat paper plates. leaving Francis Ford. silence in the car.” ( on being a coppola: performances and empty blockbusters; indulges in confounding extravagance; and names parentalguidance “I felt like, ‘Why is it that ollection ollection a son after Superman. How did Nicolas Coppola become Nicolas Cage? logan hill C [Francis Ford Coppola’s C ett R ) ett children] have all this stuff R ve ve X/E leans and my brothers and I don’t? /E O 1987 1986 1984 1983 1983 1982 OR tists I was frustrated beyond belief, Stars in Coen brothers’ For Peggy Sue Got in After choosing Matt Dillon For his first lead—a URY F Method acting new On the set of first AR Raising Arizona, Married, he aims Birdy: Wears war- over his nephew for The goofy punk in Valley ent man.
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Remember the Titans
Facilitator Reference REMEMBER THE TITANS Submitted by: Pam McDonald ........................................................... E-mail: [email protected] Phone: 208-387-5318 Studio: Walt Disney Pictures ................................................................................ Released: 2000 Genre: Drama ...............................................................................................Audience Rating: PG Runtime: 114 minutes Materials VCR or DVD, television or projection system, Wildland Fire Leadership Values and Principles handouts (single-sided), notepad, writing utensil Objective Students will identify Wildland Fire Leadership Values and Principles illustrated within Remember the Titans and discuss leadership lessons learned with group members or mentors. Basic Plot The year is 1971 and tensions are high in Alexandria, VA. The school board creates an integrated high school, T.C. Williams, by closing one white and one black high school. Coach Herman Boone (African-American) is given the head football coaching position above local Coach Bill Yoast (Caucasian). The film follows the triumphs and setbacks of the team’s quest for team togetherness and a state championship. Cast of Main Characters Denzel Washington ................................................................................... Coach Herman Boone Will Patton ......................................................................................................... Coach Bill Yoast Wood Harris .......................................................................................................
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Build a Be4er Neplix, Win a Million Dollars?
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