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October 2008 Comedy Channel Highlights
www.comedychannel.com.au OCTOBER 2008 HIGHLIGHTS THE MERRICK & ROSSO SHOW WORLD PREMIERE Thursday October 2 @ 8.30pm Continues Thursdays at 8.30pm Merrick and Rosso are back on the box where they belong, with the keys to the Foxtel car - and enough fuel in the tank to really cause some chaos! They’ll finally return to their broadcasting birth place at The Comedy Channel with THE MERRICK & ROSSO SHOW. So what’s on the cards for the new show? Each week the boys will front up before a live studio audience with their unique take on anything and everything. From what’s happening in the world of news to the big questions: Can you deep fry a watermelon? On THE MERRICK & ROSSO SHOW, celebrities will make regular guest appearances from in-studio interviews to recorded comedy pieces to show you a side of them never before seen. Into the mix will go plenty of studio audience interaction and more mayhem and stupidity than is legal in three states. For perhaps the first time, Merrick Watts and Tim Ross will truly focus the energy and excitement of their legendary sell-out live comedy shows and bring that force to the electric television. It’s hotter than Gordon Ramsay’s kitchen, is sure to top Brendan Nelson’s approval ratings and it’s ‘wronger’ than an Austrian family get-together. THE MERRICK & ROSSO SHOW will allow nobody to be immune from their parodies and sketch comedy. Finally, as Merrick and Rosso are keen to point out, “Put simply, the show is Morcambe and Wise meets The Star Wars Christmas Special at an Alcoholics Anonymous meeting during The French Renaissance… on a weeknight.” Buckle up Australia, for a riotous half hour of THE MERRICK & ROSSO SHOW. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
CDC & CAF Launch Thalassemia Program
March 2003 Lifeline Cooley’s Anemia Foundation L e a d i n g t h e F i g h t A g a i n s t T h a l a s s e m i a CDC & CAF Launch Thalassemia Program by Jeanne Devine and Craig Butler Responding to patient concerns comprehensive thalassemia treatment The CDC has also provided significant centers to identify currently underserved funding for a related initiative for Prevention about the possible transmission people, promote blood safety, encourage of Complications of Thalassemia. This of illnesses through blood healthy behaviors, and provide information project involves a cooperative agreement and training to medical professionals. between the CDC and comprehensive transfusions, the Cooley’s thalassemia treatment centers across the Anemia Foundation (CAF) U.S. aimed at preventing complications for individuals with thalassemia. CAF will work successfully appealed to the with these thalassemia treatment centers to U.S. Congress to increase achieve common goals of the two projects. access to prevention services Key to the success of both programs is the gathering of complete, accurate information for people with thalassemia. from the thalassemia population in the U.S. For that reason, Ms. Sawh requests that all Congress in turn awarded the Centers for individuals with thalassemia update their Disease Control and Prevention (CDC) contact information with CAF. This will $2.2 million to initiate a new five-year enable CAF to keep them informed about program to ensure that people with developments with the CDC program. thalassemia are identified and have access to appropriate information, treatment and Another goal of the program, providing Under the terms of the agreement, the prevention services. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
The Creative Life of 'Saturday Night Live' Which Season Was the Most Original? and Does It Matter?
THE PAGES A sampling of the obsessive pop-culture coverage you’ll find at vulture.com ost snl viewers have no doubt THE CREATIVE LIFE OF ‘SATURDAY experienced Repetitive-Sketch Syndrome—that uncanny feeling NIGHT LIVE’ WHICH Mthat you’re watching a character or setup you’ve seen a zillion times SEASON WAS THE MOST ORIGINAL? before. As each new season unfolds, the AND DOES IT MATTER? sense of déjà vu progresses from being by john sellers 73.9% most percentage of inspired (A) original sketches season! (D) 06 (B) (G) 62.0% (F) (E) (H) (C) 01 1980–81 55.8% SEASON OF: Rocket Report, Vicki the Valley 51.9% (I) Girl. ANALYSIS: Enter 12 51.3% new producer Jean Doumanian, exit every 08 Conehead, Nerd, and 16 1975–76 sign of humor. The least- 1986–87 SEASON OF: Samurai, repetitive season ever, it SEASON OF: Church Killer Bees. ANALYSIS: taught us that if the only Lady, The Liar. Groundbreaking? breakout recurring ANALYSIS: Michaels Absolutely. Hilarious? returned in season 11, 1990–91 character is an unfunny 1982–83 Quite often. But man-child named Paulie dumped Billy Crystal SEASON OF: Wayne’s SEASON OF: Mr. Robinson’s unbridled nostalgia for Herman, you’ve got and Martin Short, and Neighborhood, The World, Hans and Franz. SNL’s debut season— problems that can only rebuilt with SNL’s ANALYSIS: Even though Whiners. ANALYSIS: Using the second-least- be fixed by, well, more broadest ensemble yet. seasons 4 and 6 as this is one of the most repetitive ever—must 32.0% Eddie Murphy. -
A-List Stars Come out to Support Sunnybrook's Orthopaedic Program
A-list stars come out to support Sunnybrook's orthopaedic program May 14, 2007 Canada's finest musical, theatrical and comedic talent will perform at the 2007 Night of Stars to raise funds to support the orthopaedic program at Sunnybrook Health Sciences Centre, ensuring that the centre of excellence is there for patients when it matters most. The event will take place on Monday, May 14, 2007 at 7:30 p.m. at the Princess of Wales Theatre at 300 King Street West, Toronto, with a VIP reception at 6 p.m. Media are asked to RSVP to [email protected]. The entertainers on stage will include: Ross Petty (Producer/Host of Night of Stars) - Actor, singer Colin Mochrie - Comedian and actor Mary Walsh - Comedian and actor From the National Ballet of Canada: Karen Kain - Artistic Director, National Ballet of Canada; Rex Harrington - Artist-in-Residence, National Ballet of Canada; Nehemiah Kish - Principal Dancer, National Ballet of Canada; Tina Pereira - Corps de ballet member, National Ballet of Canada David Warrack - Music director Louise Pitre - Singer and actor Richard Margison - Tenor Sheila McCarthy - Actor Dione Taylor - Singer Shauna Rolston - Cellist Heather Schmidt - Pianist and composer Women Fully Clothed: Comedic troupe featuring Kathryn Greenwood, Robin Duke, Debra McGrath, Jayne Eastwood and Teresa Pavlinek Lauren Margison - Vocalist Stars of the Phantom of the Opera: John Cudia, Marni Raab, Michael Gillis Since its inception in 1995, the Night of Stars has raised over $1 million to support the hospital's orthopaedic program. This year, the funds raised will support new facilities to meet the growing demand for orthopaedic procedures and research. -
Frons Launches Soap Sensation
et al.: SU Variety II SPECIAL 'GOIN' HOLLYWOOD' EDITION II NEWSPAPER Second Class P.O. Entry Supplement to Syracuse University Magazine CURTIS: IN MINIS Role Credits! "War" Series Is All-Time Screen Dream Syracuse- We couldn't pos sibly get 'em all, but in these 8 By RENEE LEVY series "Winds of War," based on to air in late spring and the entire pages find another 40-plus SU Hollywood- The longest. The Herman Wouk 's epic World War II package will air in Europe next year. alumni getting billboards on most demanding. The hardest. The novels, "War and Remembrance" Curtis, exec producer, director the boulevard. In our research, most expensive. That's the story was shot in 757 locations in 10 and co-scribe of the teleplay, spent we discovered a staggering net behind Dan Curtis 'SO's block countries, using more than 44,000 two years filming and a year and a work of Syracusans in the busi buster miniseries " War and Re actors and extras and nearly 800 half editing "War and Remem ness-producers, directors, membrance," which aired the first sets. The production- the longest brance," a project he originally actors, editors, and more! We 18 of its 30 hours in November on in television history--cost an es considered undoable-particular soon realized that all of them ABC-TV. timated $ 105 million to make. The ly because of the naval battles and would not fit, and to those left A sequel to Curtis's 1983 maxi- concluding 12 hours are expected the depiction of the Holocaust. -
Joe Piscopo’S Agenda?
A of AllJOE Trades Rebounding from nearly becoming a politician, what’s next on Joe Piscopo’s agenda? tanding outside my office just off Route 70 by Nick DiUlio in Medford, I wait in the ice cream puddle Photography by heat for Joe Piscopo to arrive. Not twenty minutes prior, I got a call from the former David Michael Howarth Saturday Night Live star’s personal assis- tant, who informed me Mr. Piscopo would be in Cherry Hill for a promotional event and could stop by to have a sit-down with me on his way home to Central Jersey. With haste, the interview was arranged and now I pace the parkingS lot, realizing I have absolutely no idea what vehicle to expect the “Ebony and Ivory” faux-crooner to be driving. But I guess I should have known. After all, I am about to interview a former television-turned-semi-movie star—one probably recognized more for his pen- chant for fitness and bodybuilding than any Oscar-worthy performances of his past. Someone who had just declined to run for 54 SOUTH JERSEY MAGAZINE VOLUME 2 ISSUE 6 www.southjersey.com www.southjersey.com VOLUME 2 ISSUE 6 SOUTH JERSEY MAGAZINE 55 think [the people of New Jersey] are all like a family of immigrants that came “ from another country,” he says about the citizens of our shared home state. “We have to work harder than anybody else, we get disrespected more than anybody else and hey, this is comin’ from the guy who wrote the jokes 20 Iyears ago.” New Jersey’s coveted gubernatorial seat, even after several of his cham- When I first heard about the prospect of Piscopo running for office pions had petitioned, “If Arnold can do it, why not Joe?” So, as Piscopo’s shortly after former New Jersey Governor James McGreevey resigned in sleek, black Hummer turns off the highway and heads in my general a flurry of controversy over McGreevey’s admission of an adulterous direction I think, “Of course.” affair with another man, I thought it was a joke. -
Politics of Parody
Bryant University Bryant Digital Repository English and Cultural Studies Faculty English and Cultural Studies Journal Articles Publications and Research Winter 2012 Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Bryant University Ethan Thompson Texas A & M University - Corpus Christi, [email protected] Follow this and additional works at: https://digitalcommons.bryant.edu/eng_jou Part of the Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Day, Amber and Thompson, Ethan, "Live From New York, It's the Fake News! Saturday Night Live and the (Non)Politics of Parody" (2012). English and Cultural Studies Journal Articles. Paper 44. https://digitalcommons.bryant.edu/eng_jou/44 This Article is brought to you for free and open access by the English and Cultural Studies Faculty Publications and Research at Bryant Digital Repository. It has been accepted for inclusion in English and Cultural Studies Journal Articles by an authorized administrator of Bryant Digital Repository. For more information, please contact [email protected]. 1 Live from New York, It’s the Fake News! Saturday Night Live and the (Non)Politics of Parody Amber Day Assistant Professor English and Cultural Studies Bryant University 401-952-3933 [email protected] Ethan Thompson Associate Professor Department of Communication Texas A&M University - Corpus Christi 361-876-5200 [email protected] 2 Abstract Though Saturday Night Live’s “Weekend Update” has become one of the most iconic of fake news programs, it is remarkably unfocused on either satiric critique or parody of particular news conventions. -
How the Summer of the Spinoff Came to Be: the Branding of Characters in American Mass Media
Loyola of Los Angeles Entertainment Law Review Volume 23 Number 2 Article 3 1-1-2003 How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media Benjamin A. Goldberger Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Benjamin A. Goldberger, How the Summer of the Spinoff Came to Be: The Branding of Characters in American Mass Media, 23 Loy. L.A. Ent. L. Rev. 301 (2003). Available at: https://digitalcommons.lmu.edu/elr/vol23/iss2/3 This Article is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. HOW THE "SUMMER OF THE SPINOFF" CAME TO BE: THE BRANDING OF CHARACTERS IN AMERICAN MASS MEDIA Benjamin A. Goldberger* I. INTRODUCTION "If in past summers Hollywood seemed to surrender its creative soul to the making of sequels, prequels, spinoffs, remakes and franchise films based on comic books, television series or video games, take a deep breath and prepare for the summer of 2002."1 With these words, the New York Times' Rick Lyman dubbed this past summer "the summer of the spinoff."2 Although it is most apparent in the movie theater, mass media art of all types in the United States is becoming increasingly derivative. -
The Films of Woody Allen Second Edition
P1: GWO/GZR P2: ./. QC: ./. T1:. CB472-FM Girgus August 1, 2002 9:52 Char Count= 0 The Films of Woody Allen Second Edition SAM B. GIRGUS Vanderbilt University v P1: GWO/GZR P2: ./. QC: ./. T1:. CB472-FM Girgus August 1, 2002 9:52 Char Count= 0 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Sam B. Girgus 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Sabon 10/13 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library Library of Congress Cataloging in Publication Data Girgus, Sam B., 1941– The films of Woody Allen / Sam B. Girgus.– 2nd ed. p. cm. – (Cambridge film classics) Includes bibliographical references and index. isbn 0-521-81091-4 – isbn 0-521-00929-4 (pbk.) 1. Allen, Woody – Criticism and interpretation. I. Title. II. Series. pn1998.3.a45 g57 2002 791.43092 – dc21 2002025617 isbn 0 521 81091 4 hardback isbn 0 521 00929 4 paperback vi P1: GWO/GZR P2: ./.