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WDSG Keeping in Touch Newsletter, Issue 9
WDSG Keeping in Touch Issue 9 Welcome to our 9th Keeping in Touch Newsletter. It’s been good to hear that you are seeing a bit more of family and friends and we are hoping to see you all at Pabulum as soon as it is safe. To that end you will have received a survey for all members, friends and volunteers and we really want to hear your thoughts on returning to some sort of Pabulum café so we can make judgements on how and when to open. If you have any problems in opening the document or completing and returning electronically, please just let us know. You are also able to post the completed survey to: Fairland Church Centre, Fairland Green, Wymondham, Norfolk, NR18 0AW With the BBC stopping free licences for the over 75s from August 1st it is worth knowing that you can still get one if you are on pension credits - the link below will enable you to find out if you are entitled to pension credit if you are not already getting it - apparently over 1million pensioners fail to claim https://www.gov.uk/pension-credit-calculator If you are not on online but would like any information referred to in this newsletter please make contact with us. Also don’t forget, if you need any help or would like to talk please don’t hesitate to make contact Email Sarah or Deborah on [email protected] Sarah’s mobile number is 07391 659057. Deborah’s mobile number is 07586 312809. We are also open to anyone living in or near Wymondham who has been recently affected by dementia and would like to make contact, we can offer friendship and understanding. -
Showbuzz 201307
SHOWBUZZ JULY 2013 FISHY FAWLTY FUN September 2009 Basil, Sybil, Polly, Manuel and a host of long-suffering and much abused guests are back in INSIDE THIS ISSUE: the live stage adaptation of one of the best-loved British TV comedies ever written! FISHY FAWLTY FUN P.1 Three classic episodes had the Preview audience in stitches and calling for more, as the cast revisited The Kipper and the Corpse, Wedding Party and Gourmet Night. PHANTOM AUDITIONS P.2 Incredibly, when John Cleese and Connie Booth first submitted their scripts for Fawlty Towers to the BBC they LEND ME A TENOR P.3 were not at all well received. But, after the success of Monty Python the BBC decided to trust Cleese’s WHAT’S ON P.4 judgement, and the result was one of the most treasured and influential television comedies of all time. Winter in Launnie is a whole lot funnier this week and next, and we look forward to giving you a warm welcome to the Earl Arts Centre with 12 performances running through until July 28. FAWLTY TOWERS 2 17-28 JULY Creativity TICKETS 6323 3666 theatrenorth.com.au Innovation Excellence Enquiries Jamie Hillard 0433 999 248 Belinda King 0411 233 345 PO Box 951 LAUNCESTON 7250 ETC’s Presentation Partners ETC's Awards ABN: 78 571 056 515 [email protected] H finalen t encoretheatre.org.au more SHOWBUZZ Seeing is So you want to Believing in 2013 AUDITION? Susie Heggie works as a Musical/Vocal Director and Repetiteur with Encore. She sits in on a LOT of auditions, so we asked her what she looks for when she’s on an audition panel, and she has offered the following thoughts and comments on three key areas. -
Fawlty Towers - Episode Guide
Performances October 6, 7, 8, 13, 14, 15 Three episodes of the classic TV series are brought to life on stage. Written by John Cleese & Connie Booth. Music by Dennis Wilson By Special Arrangement With Samuel French and Origin Theatrical Auditions Saturday June 18, Sunday June 19 Thurgoona Community Centre 10 Kosciuszko Road, Thurgoona NSW 2640 Director: Alex 0410 933 582 FAWLTY TOWERS - EPISODE GUIDE ACT ONE – THE GERMANS Sybil is in hospital for her ingrowing toenail. “Perhaps they'll have it mounted for me,” mutters Basil as he tries to cope during her absence. The fire-drill ends in chaos with Basil knocked out by the moose’s head in the lobby. The deranged host then encounters the Germans and tells them the “truth” about their Fatherland… ACT TWO – COMMUNICATION PROBLEMS It’s not a wise man who entrusts his furtive winnings on the horses to an absent-minded geriatric Major, but Basil was never known for that quality. Parting with those ill-gotten gains was Basil’s first mistake; his second was to tangle with the intermittently deaf Mrs Richards. ACT THREE – WALDORF SALAD Mine host's penny-pinching catches up with him as an American guest demands the quality of service not normally associated with the “Torquay Riviera”, as Basil calls his neck of the woods. A Waldorf Salad is not part of Fawlty Towers' standard culinary repertoire, nor is a Screwdriver to be found on the hotel's drinks list… FAWLTY TOWERS – THE REGULARS BASIL FAWLTY (John Cleese) The hotel manager from hell, Basil seems convinced that Fawlty Towers would be a top-rate establishment, if only he didn't have to bother with the guests. -
February 2020
TV & RADIO LISTINGS GUIDE FEBRUARY 2020 PRIMETIME For more information go to witf.org/tv WITF honors the legacy of Black History Month with special • programming including the American Masters premiere of Miles Davis: Birth of the Cool. This deep dive into the world of a beloved musical giant features a mix of never before seen footage and new interviews with Quincy Jones, Carlos Santana, Clive Davis, Wayne Shorter, Marcus Miller, Ron Carter, family members and others. The film’s producers were granted access to the Miles Davis estate providing a great depth of material to utilize in this two-hour documentary airing February 25 at 9pm. Fans of Death in Paradise rejoice! The series will continue to solve crimes on a weekly basis for several more months ahead. Season 7 wraps this month, but Season 8 returns in March. Season 9 is currently airing on BBC in the United Kingdom. The brand-new season travels across the pond and lands on the WITF schedule this summer. I had the opportu- nity to see some of the first images from SERIES MARATHON the new season and it looks like there are some changes in store! I don’t want to HOWARDS END ON MASTERPIECE give anything away, so I’ll keep it vague until we get closer to the premiere of the FEBRUARY 2 • 4–9pm new season. In the meantime, the series continues Thursdays at 9pm. Doc Martin Season 8 concludes this Do you have a Smart TV? If you do, through broadcast, cable, satellite or the month. I’m hopeful to bring you Season WITF is now also available on internet, we’re proud to be your neighbor- 9 with Martin and Louisa in early 2021. -
Patrons' Newsletter Diary
Patrons’Volume 2, Issue 7 | April 2013Newsletter May Fawlty Towers Sandy Wilson’s Written by John Cleese & Connie The Boy Friend 10 Booth Maghull Musical Theatre Company Directed by Les Gomersall By arrangement with Samuel French May 10th - 18th June 12th - 15th Box Office Opens 3rd May Box Office Opens 5th June Carousel Advance Booking on 01695 632372 Diary Birkdale Orpheus Society Coming soon to the Little Theatre Music by Richard Rodgers, book & lyrics by Oscar An Evening of Music with Old Hammerstein II May 25th - June 1st Hall Brass Sunday 16th June 2013 Box office opens 18th May 2013 Advance Booking 01942715684 Acorn Antiques: The Musical Advanced Booking on 01704 564042 Southport Spotlights Musical Theatre Company Damages Music, lyrics and script by Victoria Woods June June 29th - July 6th, Matinee July 6th Written by Stephen Thompson Loreto Bamber Dance Show Directed by Stephen Huges-Alty Box office opens 24th June 2013 4 Friday 21st - 22nd June 2013 Advanced Booking on 07927 331977 An SDC Bar/Studio Production Box Office Opens 20th June June 4th - 8th Advance Booking 01704 538351 Box Office Opens 28th May ‘Fawlty Towers’ A comedy By Les Gomersall, Director In the early 1970s John Cleese was unusual hotelier Donald Sinclair. a member of the highly success- The result of course turned out to ful Monty Python’s Flying Circus be Fawlty Towers owned and run team. In May 1971 the team were by the equally unusual, but ex- staying at the Gleneagles Hotel in tremely funny, Basil Fawlty Torquay which was owned and run Only 12 episodes were written, by a Mr Donald Sinclair. -
THIS ISSUE: Comedy
2014-2015 September ISSUE 1 scene. THE JOURNAL OF THE INTERNATIONAL SCHOOLS THEATRE ASSOCIATION THIS ISSUE: Comedy www.ista.co.uk WHO’S WHO @ ISTA… CONTENTS Patron 2 Connections Professor Jonothan Neelands, by Rebecca Kohler National Teaching Fellow, Chair of Drama and Theatre Education in the Institute of Education 3 Comedy d’un jour and Chair of Creative Education in the Warwick Business School (WBS) at the University of by Francois Zanini Warwick. 4 Learning through humour Board of trustees by Mike Pasternak Iain Stirling (chair), Scotland Formerly Superintendent, Advanced Learning Schools, Riyadh. Recently retired. 8 Desperately seeking the laughs Jen Tickle (vice chair), Jamaica by Peter Michael Marino Head of Visual & Performing Arts and Theory of Knowledge at The Hillel Academy, Jamaica. 9 “Chou” – the comic actor in Chinese opera Dinos Aristidou, UK by Chris Ng Freelance writer, director, consultant. 11 Directing comedy Alan Hayes, Belgium by Sacha Kyle Theatre teacher International School Brussels. Sherri Sutton, Switzerland 12 Videotape everything, change and be Comic, director and chief examiner for IB DP Theatre. Theatre teacher at La Chataigneraie. grateful Jess Thorpe, Scotland by Dorothy Bishop Co Artistic Director of Glas(s) Performance and award winning young people’s company 13 Seriously funny Junction 25. Visiting. Lecturer in the Arts in Social Justice at the Royal Conservatoire of Scotland. by Stephen Finegold Honorary life members 15 How I got the best job in the world! Dinos Aristidou, UK Being a clown, being a -
August 2018 IL Calendar
SUN MON TUE WED THUR FRI SAT ROOM KEY 9:00 Step with Mark 2/P (ES) 9:00 Tai-Chi 1/P (ES) 9:15 Yoga 1/SP (ES) 10:00 Hopewell Furnace National WBD - (WBD) 9:00 Personal Training 1/P (FC) 9:00 Personal Training 1/P (FC) 10:00 Medication Drop Off in Cheryl's Office Historic Site 80th Birthday AS - Art Studio 10:00 Water Volleyball 2/P (P) 10:00 VIST Bank 1/SO (ML) 1/EN (WBD) Celebration 3/I (ML) 10:00 Yoga 1/SP (ES) 1 11:00 Pilates Body Conditioning 1/E (ES) 2 10:00 Water Volleyball 2/P (P) 3 10:00 Walk Away the Pounds 1/P (ES) 4 B - Brandywine 12:15 Mah-Jong 1/I (W) 11:00 Outdoor Quoits 2/P (AS) 10:15 Chair Yoga 1/SP (ES) 11:00 Water Zumba 2/P (P) BC - Business Center 1:00 Bridge 1/I (T) 11:00 From the Heart & Crave Cafe 2/ 12:15 Mah-Jong 1/I (T) 1:00 Bridge 1/I (T) ES - Exercise Studio 1:00 Balance Basics with Catina 1/P (ES) EN (ML) 1:00 Shillington Market & Goodwill 3/EN (ML) 5:30 Fabulous Cheeze Brothers & Sisters 60's & 70's FC - Fitness Center 1:30 Immanual UCC Mission Trip to Macon, Georgia 1:00 Japanese Calligraphy Class 1/I (AS) 1:00 Giant 2/SO (ML) Music @ Nissley Vineyard $18 2/E (ML) FC - Front Circle Presentation 1/SP (ES) 2:00 Learn CPR with Adrienne 1/HS (BC) 3:00 Pick Up Pool Games 1/I (GR) 7:00 Saturday Cinema/Les Miserables 1/SO (ES) GR - Game Room 3:00 Belly Dance with Cindy 2/E (ES) 2:00 Sit-er-cize 1/P (ES) 4:00 50/50 Tickets for Sale For Alzheimer's Walk 1/V (T) 6:00 Den & Terry @ New Holland 2/E (ML) 2:30 GHM Volunteering 1/V (ML) 4:00 First Friday Happy Hour with Wahl Street 1/SO (T) ML - Meet in Lobby 7:00 Pinochle -
Grantchester Follows Two Unlikely Allies As They Solve Cases That Reveal the Dark Side of Early 1950S England
MARCH PRIME TIME AT A GLANCE mpt.org/schedule Set in the English countryside, Grantchester follows two unlikely allies as they solve cases that reveal the dark side of early 1950s England. As the handsome, young vicar Sidney Chambers (James Norton) investigates a grisly suicide, he meets a grumpy, law enforcement officer – Inspector Geordie Keating (Robson Green). After an uncertain start, they bond Grantchester Parts 1-6 over their war service, love of a good pub, and competitive MARCH 1, 2, AND 22 instincts – and they forge a partnership in solving crimes. FROM 8-10PM 8:00PM 8:30PM 9:00PM 9:30PM 10:00PM 10:30PM 1 Tue Masterpiece Grantchester, Pt 1 Masterpiece Grantchester, Pt 2 PBS NewsHour 2 Wed Masterpiece Grantchester, Pt 3 Masterpiece Grantchester, Pt 4 PBS NewsHour 3 Thu Nature Invasion of the Killer Whales NOVA Arctic Ghost Ship PBS NewsHour 4 Fri American Experience Space Men NOVA First Man on the Moon PBS NewsHour 5 Sat The Forever Wisdom of Dr. Wayne Dyer Starts at 7:00 Eat Fat, Get Thin with Dr. Mark Hyman 6 Sun This Land Is Your Land Yanni Live at the Pyramids The Dream Concert Ed Slott’s Retirement Road Map 7 Mon Masterpiece Downton Abbey, Season 6, Pt 9 From Forever Taxed to Never Taxed Joy Bauer’s from Junk 8 Tue Antiques Roadshow Minneapolis, Hour 2 BAFTA Celebrates Downton Abbey Food to Joy Food 9 Wed Josh Groban: Stages Rick Steves’ Europe Travel Skills 10 Thu On the Psychiatrist’s Couch with Dr. Daniel Amen, MD ’60s Pop, Rock, & Soul 11 Fri Smart Fats to Outsmart Aging with Dr. -
©2013 Tal Zalmanovich ALL RIGHTS RESERVED
©2013 Tal Zalmanovich ALL RIGHTS RESERVED SHARING A LAUGH: SITCOMS AND THE PRODUCTION OF POST-IMPERIAL BRITAIN, 1945-1980 by TAL ZALMANOVICH A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in History Written under the direction of Prof. Bonnie Smith And Approved by ---------------------------------------- ---------------------------------------- ---------------------------------------- ---------------------------------------- New Brunswick, New Jersey May, 2013 ABSTRACT OF THE DISSERTATION Sharing a Laugh: Sitcoms and the Production of Post-Imperial Britain, 1945-1980 By Tal Zalmanovich Dissertation Director: Bonnie Smith Sharing a Laugh examines the social and cultural roles of television situation comedy in Britain between 1945 and 1980. It argues that an exploration of sitcoms reveals the mindset of postwar Britons and highlights how television developed both as an industry and as a public institution. This research demonstrates how Britain metamorphosed in this period from a welfare state with an implicit promise to establish a meritocratic and expert-based society, into a multiracial, consumer society ruled by the market. It illustrates how this turnabout of British society was formulated, debated, and shaped in British sitcoms. This dissertation argues that both democratization (resulting from the expansion of the franchise after World War I) and decolonization in the post-World War II era, established culture as a prominent political space in which interaction and interconnection between state and society took place. Therefore, this work focuses on culture and on previously less noticed parties to the negotiation over power in society such as, media institutions, media practitioners, and their audiences. -
“Oh, German! I Thought There Was Something Wrong with You.”
“Oh, German! I thought there was something wrong with you.” Beiträge zur England‐Forschung Band 68 Schriftenreihe des Arbeitskreis Deutsche England‐Forschung German Association for the Study of British History and Politics Herausgegeben von Ursula Lehmkuhl “Oh, German! I thought there was something wrong with you.” West Germany in British Perceptions, 1969‐1975 Alexander Heinz Wherever possible licenses for the use of images have been obtained; in those cases where inspite of all best efforts this has not been possible because of the time passed since the images were originally produced, license holders are asked to contact the author. “Oh, German! Iʹm sorry, I thought there was something wrong with you.” Hotel owner Basil Fawlty (John Cleese) welcoming West German guests to Fawlty Towers in 1975. Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d‐nb.de abrufbar. ISBN 978‐3‐89639‐901‐4 © Wißner‐Verlag, Augsburg 2013 www.wissner.com Das Werk und seine Teile sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zulässigen Fällen bedarf deshalb der vorherigen schriftlichen Einwilligung des Verlags. Table of Contents Acknowledgements ix Introduction 1 Chapter 1 The History and Historiography of British‐German Perceptions Before 1945 11 From 1945 into the 1960s 14 Perceptions and the historical context: 1960s and 1970s 18 Past attempts to -
A Study on Fawlty Towers and National Identity
Representing and Constructing Englishness — A Study on Fawlty Towers and National Identity University of Tampere School of Modern Languages and Translation Studies English Philology Pro Gradu Thesis March 2005 Katariina Niiranen 1 Table of Contents 1. Checking in at Fawlty Towers................................................................................. 2 1.1. Fawlty Towers as a Situation Comedy........................................................... 6 1.2. “Ah, more strikes...” — The Historical and Social Context ..................... 11 2. Theoretical background......................................................................................... 15 2.1. Imagining the Community — Ideas of a Nation and National Identity .. 17 2.2. Formation of Englishness............................................................................. 27 2.3. Popular Culture, Comedy and Humour..................................................... 31 3. What Are You Laughing At? Methods of Comedy............................................... 39 3.1. Farce, Incongruity and Dramatic Irony at Work...................................... 39 3.2. Playing with Language — Verbal Comedy ................................................ 47 4. Representing the Nation Through the Family...................................................... 52 4.1. The Major — “Drunken old sod” ............................................................... 53 4.2. Sybil and Polly — the Strong Caretakers................................................... 56 4.3. Manuel — Cheap -
British TV Comedies
Copyrighted material – 978–1–137–55294–5 Introduction, editorial matter and selection © Jürgen Kamm and Birgit Neumann 2016 Individual chapters © Contributors 2016 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identifi ed as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2016 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–55294–5 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin.