Salvini a Napoli Contro Le
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fabrizio Maccaglia Université François Rabelais, Tours
Gomorra, l’envers du décor. Fabrique de la ville, fabrique du roman. Fabrizio Maccaglia Université François Rabelais, Tours Lire les villes Panorama littéraire des villes du monde contemporain Université François-Rabelais de Tours, 16 et 17 juin 2011 Gomorra de Roberto Saviano a désormais accédé au rang de classique. C’est un phénomène éditorial avec 1,2 millions d’exemplaires vendus en Italie en 2009 (5 millions dans le monde) et des traductions dans 42 pays1. Le livre a également donné lieu à une adaptation cinématographique sous la direction de Matteo Garrone qui a reçu le Grand prix du Festival de Cannes lors de l’édition 2008 et cinq récompenses à l’occasion de la 21e édition des European Film Awards à Copenhague. Sa sélection pour la cérémonie des Oscars à Hollywood, si elle n’a pas débouché sur la remise d’un prix, a couronné sa reconnaissance mondiale. Le livre a acquis le statut de source : pas un ouvrage ou un article qui traite de la criminalité mafieuse, de Naples ou de la Campanie n’omet désormais de le signaler dans sa bibliographie. Gomorra est une invitation au voyage : un « Voyage dans l’empire économique et le rêve de domination de la camorra » comme l’annonce le sous-titre de la version originale du livre, par ailleurs absent de la traduction française2. Le lecteur est plongé dans les luttes de pouvoirs et les guerres que se livrent les clans camorristes avec leur lot de vengeances croisées et de tueries. Il découvre au fil des pages l’emprise de la criminalité mafieuse sur l’économie et la société, et sa singulière capacité à s’insérer dans les réseaux d’une économie mondialisée tout en conservant un très fort ancrage local. -
Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi University of Wisconsin-Milwaukee, [email protected]
University of Wisconsin Milwaukee UWM Digital Commons French, Italian and Comparative Literature Faculty French, Italian and Comparative Literature Books Department 2019 Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi University of Wisconsin-Milwaukee, [email protected] Follow this and additional works at: https://dc.uwm.edu/freita_facbooks Part of the Criminology and Criminal Justice Commons, Italian Language and Literature Commons, and the Women's Studies Commons Recommended Citation Pickering-Iazzi, Robin, "Dead Silent: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018" (2019). French, Italian and Comparative Literature Faculty Books. 2. https://dc.uwm.edu/freita_facbooks/2 This Book is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in French, Italian and Comparative Literature Faculty Books by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. DEAD SILENT: Life Stories of Girls and Women Killed by the Italian Mafias, 1878-2018 Robin Pickering-Iazzi Robin Pickering-Iazzi is Professor of Italian and Comparative Literature in the Department of French, Italian, and Comparative Literature at the University of Wisconsin-Milwaukee. She is the author of The Mafia in Italian Lives and Literature: Life Sentences and Their Geographies, published in Italian as Le geografie della mafia nella vita e nella letteratura dell’Italia contemporanea, and editor of the acclaimed volumes The Italian Antimafia, New Media, and the Culture of Legality and Mafia and Outlaw Stories in Italian Life and Literature. She is currently working on a book that examines representations of feminicide in Italian literature, film, and media. -
International Press Review
International Press Review x TV Review: ‘Gomorrah’ He enjoys all the perks of his family’s power but shares none of its murderous responsibilities, something Pietro senses prior to his arrest and warns Ciro about, instructing him to “christen” his son by making him kill May 28, 2014 | 08:59PM PT Giovanni Vimercati someone. Following Pietro’s incarceration, his wife, Imma (Maria Pia Calzone), This excellent Italian TV adaptation of Roberto Saviano's mob expose gradually morphs from upholding matriarch into ruthless businesswoman. uncovers deeper, richer angles on its subject than Matteo Garrone's As her husband’s jail time keeps extending, even including a stint in 2008 movie. solitary confinement, his grip on his empire and his mental faculties begin Already sold in some 50 territories including the U.S., courtesy of the to waver, leaving his wife and son effectively in command. Counting on Weinstein Co., the Italian series “Gomorrah” represents a promising Genny’s weakness and lack of leadership, Ciro immediately tries to fill the attempt to break into the crowded quality-TV market that, if backed by Savastano’s vacant throne, only to clash with Imma’s determination to an intelligent distribution strategy, could receive wide international keep their kingdom in the family. And a kingdom indeed it is, with exposure — a first for Italian television. Two years in the making, this ramifications for the global estate market (the Camorra had invested in serial adaptation of Roberto Saviano’s bestselling investigation into the the reconstruction of Ground Zero) as well as the abstract speculations of Neapolitan mob covers different chapters from those seen in Matteo the financial world. -
Spazi Narrativi, Figure E Scenari Napoletani in Gomorra - La Serie: Modi E Forme Di Ricezione Nei Paesi Di Lingua Tedesca Angela Fabris
Special – peer-reviewed Cinergie – Il cinema e le altre arti. N.18 (2020) A cura di Giuliana Benvenuti, Giacomo Manzoli e Rita Monticelli ISSN 2280-9481 https://doi.org/10.6092/issn.2280-9481/11449 https://cinergie.unibo.it/ Spazi narrativi, figure e scenari napoletani in Gomorra - La serie: modi e forme di ricezione nei paesi di lingua tedesca Angela Fabris Ricevuto: 5 agosto 2020 – Accettato: 8 settembre 2020 – Pubblicato: 28 dicembre 2020 Neapolitan Spaces, Figures and Scenarios in Gomorra - La serie: Ways and Forms of Reception in German-speaking countries This contribution aims to investigate the reception of the “Gomorra brand” (Benvenuti 2017) in German- speaking countries. In particular, it focuses on the ways in which the series and some of its peculiar aspects – the decadent urban landscapes, the social context permeated by organised crime, the power of attraction exercised by male and female characters and the authenticity of the narration – have been received, and how they have contributed to convey specific images of Neapolitan identity associated, in some cases, with pervasive stereotypes and clichés. The contribution relies exclusively on the analysis of online documents (among which, in-depth articles that appeared in newspapers with a wide or sectorial circulation, including Der Spiegel and Die Zeit) in order to analyse the effects produced by the tv series Gomorrah (together with its iconic building, the Vele di Scampia), in disseminating distinct images of Neapolitanism and, ultimately, of Italianness through an exchange between local and global. Keyword: Gomorrah; Saviano; stereotype; camorra; Vele di Scampia. Angela Fabris: University of Klagenfur (Austria) http://orcid.org/0000-0002-8009-2042 [email protected] Angela Fabris is Professor of Romance Literature at the University of Klagenfurt. -
Rappresentazioni Della Camorra: Nel Cinema E Nella Televisione
i Rappresentazioni della Camorra: nel cinema e nella televisione A Thesis Submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Italian Studies. By Natilee Anne Festa, B.A. Washington, DC April 28, 2015 ii Copyright 2015 by Natilee Anne Festa All Rights Reserved iii RAPPRESENTAZIONI DELLA CAMORRA: NEL CINEMA E NELLA TELEVISIONE Natilee Anne Festa, B. A. Thesis Advisor: Gianni Cicali, Ph.D. ABSTRACT The purpose of this thesis is to analyze media representations of the Camorra, the organized crime syndicate in Naples and the region of Campania, Italy. How are the camorristi portrayed? Are they villains? Are they criminals who have a heart of gold? Do these representations glorify or celebrate these criminals? What is the relationship between the representations of Camorra in media and real-life camorristi ? In the tradition of Sandro Bernardi (citing the Lumière brothers, early cinematographers) and Guy Debord, I analyze the feedback loop that connects film, representation, and real life in regards to the Camorra in Naples. Filmmakers who choose to portray the Camorra on screen look to the Camorra in real life for inspiration. However, I contend that the camorristi in real life look to filmic representations for inspiration as well, creating a bidirectional relationship that feeds off of itself. Given this connection, how ‘responsible’ is it to portray camorristi on screen, especially when there is the risk of glorifying the criminal lifestyle? To accomplish this task, I first provide a brief history of the Camorra, focusing on issues relevant to the Camorra’s cinematic history, such as real estate speculation and drug trafficking. -
A Scampia, L'art Plutôt Que La Camorra
0123 14 | CULTURE VENDREDI 22 SEPTEMBRE 2017 A Scampia, l’art plutôt que la Camorra Loin des clichés mafieux, une balade urbaine permet de découvrir le tissu associatif de ce quartier napolitain REPORTAGE naples (italie) - envoyée spéciale eur forme triangulaire devait évoquer les voiles latines, caractéristiques L des rivages méditerra- néens. Inspirées des unités d’ha- bitation du Corbusier, les « Vele » ont amarré dans les années 1970 à Scampia, dans la banlieue de Naples. Ces immeubles imposants aspiraient à devenir le cœur battant d’un nouveau quartier utopique : leurs couloirs étroits et leur labyrinthe de passerelles se voulaient un hommage aux vicoli, ces petites rues animées typiques du centre historique de Naples. Mais le rêve de l’architecte Franz Di Salvo s’est heurté à l’âpre réalité de cette zone périphérique, gangrenée par le chômage, le trafic de stupéfiants et la Camorra. Les Vele ont fait naufrage sur un récif de seringues. C’est pourtant bien dans les vastes avenues solitaires qui longent les Vele que com- mence le « Scampia Trip Tour ». Pyramides de béton Cette balade urbaine entend prou- ver que Scampia n’est pas le super- marché de la drogue décrit et dé- crié dans les médias, la littérature, la musique et le cinéma. Certes, le groupe de rap francilien PNL y a tourné le vidéoclip de son tube Le Monde ou rien en 2015 ; certes, la série télévisée Gomorra, inspirée du best-seller de Roberto Saviano, a établi sa réputation de « Bronx du Vésuve » ; mais ces pyramides de béton ne se résument pas aux stéréotypes propagés par la pop culture, qui en a fait le plus grand temple de la Mafia. -
Roberto Saviano Blog 2004 - 2009
Roberto Saviano Blog 2004 - 2009 http://www.robertosaviano.it aggiornato al 9 Ottobre 2009 Calomelano Editrice Virtuale http://calomelano.it/ebooks ebook numero 5 I edizione ottobre 2009 Sommario 2003....................................................................................................6 Mauro Curradi, scrittore d’Africa........................................................6 Il paese dei pensionati zapatisti.........................................................10 2004..................................................................................................18 L’infinita congettura........................................................................18 La città di notte..............................................................................25 Terra di lavoro................................................................................33 Mutazioni Genetiche, il camaleonte...................................................35 L’affermazione della libertà, Intervista a Mauro Curradi.......................37 L’odiatore......................................................................................48 Badanti..........................................................................................55 Su Gustav Herling...........................................................................56 Siani, cronista vero..........................................................................64 Provincia di Salerno, vince il supermercato.........................................68 Immondizia, ai casalesi la sentenza.....................................................70 -
Gomorrah Series Episode Guide
Gomorrah series episode guide Continue (Titles and Air Dates Guide) Last updated: W, May 5, 2020 -1:00 Mafia clans are vying for power in Naples. Based on the book by Roberto Saviano. List of episodes and details from: TVmaze - TV.com Available videos appear here - Powered by JustWatch GomorrahItalianGomorra - La serie GenreCrime dramaRoberto SavianoAcrano According to OnGorahmor (2006)Roberto SavianoStarring Marco D'Amore Salvatore Esposito Fortunato Cerlin Rio Maria Pia Calcone Marco Palvetti Fabio De Caro Christina Donadio Christian Dell'Anna Gianfranco Gallo Ivana Lotito Arturo Muselli Andrea Di Maria Carlo Caracciolo Loris de Luna Gianni Parisi Luciano Djuliano Composer (s) MokadelicCountries originItalioriginal language (s)Neapolitan , ItalianNo. season4No. episode48ProductionExecutive Producer (s) Roberto SavianoPaolo CarnerProducer (s) Stefano SollimaFrancesca ComenciniRunning time43-58 minutesProsproduct company (s)FandangoCattleyaBetaDistributorSky VisionReleaseOriginal networkSky AtlanticPic The original formatHDTV 1080i4K HDROriginal release May 6, 2014 (2014-05-06) - The current Explored linksWebsite Gomorrah (Italian: Gomorra - La Serie) is an Italian crime drama television series created by Roberto Saviano for Sky Atlantic. Based on Saviano's book of the same name, the show premiered on Sky Atlantic in Italy on May 6, 2014, and runs for four seasons. The name of the show represents the name of the Neapolitan crime syndicate, Camorra. The 2008 film of the same name is loosely based on the same book, but is not related to the series. The fifth season will be the last. The show, mostly filmed in the Scampia district of Naples, tells the story of Ciro Di Marzio (Marco D'Amore), a member of the Savastano clan led by Pietro Savastano (Fortunato Serlino), a high- ranking member. -
Storylining Engagement with Repulsive Antiheroes: Towards a Cognitive Poetics of TV
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Oxford Brookes University: RADAR RADAR Research Archive and Digital Asset Repository Russo, P Storylining Engagement with Repulsive Antiheroes: Towards a Cognitive Poetics of TV Serial Drama Narrative: The Case of 'Gomorrah - The Series' Russo, P (2017) Storylining Engagement with Repulsive Antiheroes: Towards a Cognitive Poetics of TV Serial Drama Narrative: The Case of 'Gomorrah - The Series'. Journal of Screenwriting, 8 (1). pp. 3-19. doi: 10.1386/josc.8.1.3_1 This version is available: https://radar.brookes.ac.uk/radar/items/af458794-70ca-460c-b441-a75ebf41374e/1/ Deposited on RADAR: February 2017 Copyright © and Moral Rights are retained by the author(s) and/ or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This item cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder(s). The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. This document is the post print version of the journal article. Some differences between the published version and this version may remain and you are advised to consult the published version if you wish to cite from it. WWW.BROOKES.AC.UK/GO/RADAR Storylining engagement with repulsive antiheroes: Towards a cognitive poetics of TV serial drama narrative: The case of Gomorrah – The Series Paolo Russo, Oxford Brookes University Abstract The unprecedented success of Italian crime drama serial Gomorrah – The Series has spurred much interest in the industry as well as a lively critical debate. -
Tesi Lea Semprini
SCUOLA SUPERIORE PER MEDIATORI LINGUISTICI (Decreto Ministero dell’Università 31/07/2003) Via P. S. Mancini, 2 – 00196 - Roma TESI DI DIPLOMA DI MEDIATORE LINGUISTICO (Curriculum Interprete e Traduttore) Equipollente ai Diplomi di Laurea rilasciati dalle Università al termine dei Corsi afferenti alla classe delle LAUREE UNIVERSITARIE IN SCIENZE DELLA MEDIAZIONE LINGUISTICA GOMORRA “Il male è la complessità dell’essere umano, la realtà è lo spunto narrativo più forte, la verità è più sorprendente della finzione” RELATORI: CORRELATORI: prof.ssa Adriana Bisirri Prof. Alfredo Rocca Prof.ssa Luciana Banegas Prof.ssa Claudia Piemonte CANDIDATA: Lea Semprini ANNO ACCADEMICO 2015/2016 DEDICA Nello scrivere queste pagine ho provato diverse emozioni. Ho provato euforia, passione, felicità, ma anche frustrazione, stanchezza, paura. Non è stato un lavoro facile, ma alla fine penso si concluda tutto con una sola grande emozione: soddisfazione. Sono soddisfatta di aver portato a termine questo difficile e bellissimo percorso; sono soddisfatta di quello che sono riuscita a fare in questi tre anni; sono soddisfatta delle conoscenze che ho acquisito e che continuerò a custodire e approfondire. Spesso mi sono sentita demoralizzata, spaesata e sola di fronte ad alcune difficoltà che questo ambito di studi porta inevitabilmente con se, ma non mi sono arresa e questo lo devo anche e soprattutto alle persone che mi sono state accanto sempre e comunque. Tutto questo non sarebbe stato possibile senza la grande famiglia che ho alle spalle; una famiglia grande tanto di numero quanto di cuore. Voglio e devo ringraziare anche il mio ragazzo che mi ha sopportato durante le mie crisi isteriche e i mei sconforti, spesso dovuti al fatto che non credo mai fino in fondo in me stessa, e alla mia migliore amica con cui fin da piccola ho condiviso gioie, stupidaggini, dolori e con cui ho vissuto anche questa esperienza.