Архиєрейська Божественна Літургія Episcopal Divine
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Serving the Hierarchical Liturgy: a FEW POINTS ABOUT HIERARCHICAL SERVICES
Serving the Hierarchical Liturgy: A FEW POINTS ABOUT HIERARCHICAL SERVICES: What Priests Do & Clarification of a Few Other Matters BACKGROUND: There exist several extensive guides in Russian[1], and at least one extensive guide in English[2], to the rituals accompanying the hierarchical celebration of the Divine Liturgy and other services. These all substantially agree; however, they cover almost everything and everybody and are chiefly of value to the "novice" hierarch. Moreover, these instructions usually assume a full complement of clergy - several Deacons; Subdeacons, and miscellaneous church servitors, while in most parishes in the U.S. and in the Diocese of the West there may be no Deacon at all, and the few church servitors present, some specially "conscripted" for a Hierarch's visit, may be completely inexperienced in serving at all. I remember the difficulty I had, as a novice Deacon, preparing for my first hierarchical Services, both when the Hierarch was accompanied by an experienced Deacon and when "everything" depended on me. I used Father Rostislav Gan's well known guide, mostly, but the only way I could make sense of it was to go through and use different color underliners to single out the various Deacons' roles: Green for the 1st Deacon, Blue for the 2nd, Red for the 3rd, and Yellow for the 4th and 5th. Then I had to combine all these and keep some for myself and apportion others to Subdeacons and Servitors. These instructions all, for example, direct the junior Deacons t o do the vesting of the hierarch - obviously Subdeacons, at best, and raw "altar boys" often, carry out this complicated responsibility. -
Fourth International Congress for Church Music
caec1 1a Fourth International Congress for Church Music • VOLUME 88, NO. 2 , SUMMER, 1961 CAECILIA Published foiir times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Price-$3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska Postmaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. TABLE OF CONTENTS Editorial ______ ·---------------------------- --------······ ... ·------- ·-------·------·-------------------------- .. 51 The Basis of the Relationship Between Chant and Cult Dr. Basilius Ebel ______ --------------------------------------------------------------------- 58 Father William Joseph Finn, C.S.P.-William Ripley Dorr -------------------- 70 Monsignor Quigley-Mary Grace Sweeney ---------------------------------------------- 74 New York Report-James B. Welch ..... ----------------------------- ------------------·-· 76 Musical Programs at the Congress ... -------------- --------------------------------------------- 79 VOLUME 88, NO. 2 SUMMER, 1961 CAECILIA A Quarterlr ReYiew deYoted to the liturgical music apostolate. Published with ecclesiastical approval by the Society of Saint Caecilia in Spring, Summer, Autwnn and Winter. Established in 1874 by John B. Singenberger, K.C.S.G., K.C.S.S. (1849-1924). Editor _______________________ _ _____________ -
Hierarchical Divine Liturgy NOTE: in Most Cases, Only Rubrics That Are Unique to the Bishop’S Presence Are Noted Here
Hierarchical Divine Liturgy NOTE: In most cases, only rubrics that are unique to the Bishop’s presence are noted here. After making three metanias in their respective places, the Priest and the Deacon bow together to the Bishop and then the Deacon says in a loud voice, “Bless, Master!” After the Priest completes, “Blessed is the Kingdom…” the Deacon and the Priest turn and bow together to the Bishop. The bow to the Bishop is repeated after every exclamation by the Priest. The Priest takes his place on the south side of the Holy Table facing north. The Deacon intones the Great Ektenia. At the commemoration of the Hierarchs, the Deacon turns, points his orarion and bows to the Bishop being commemorated while the Priest bows from the Royal Doors., and the choir quickly sings, "Eis polls eti, Despota." At the conclusion of the Ektenia, the Priest moves in front of the Holy Table to intone the exclamation. This process is repeated after each Ektenia. During the singing of the Antiphon, the first Deacon moves from the Icon of Christ back to his place near the Bishop, while the second Priest and second Deacon approach the Bishop, make one metania, ask the Bishop’s blessing and kiss his right hand. The second Priest proceeds through the Royal Doors and the second Deacon proceeds to stand before the Icon of the Theotokos. If there is only one Deacon serving, a Subdeacon may be asked to do this. If there is no Subdeacon, the Deacon remains in his place before the Icon of Christ and from there intones the two Little Ektenias. -
Divine Liturgy Outlines
Divine Liturgy Outlines Non-Hierarchical Liturgy (of St. John Chrysostom or St. Basil the Great) Dn. & Priest: Entrance Prayers, Vesting Dn. & Priest: Proskomede Rdr.: Hours Dn.: Arise! Master bless. Priest: Blessed is the Kingdom… Dn., Priest & Choir: Great Litany Choir: 1st Antiphon (Psalm 102, Daily Antiphon, Festal Antiphon) Dn., Priest & Choir: Little Litany Choir: 2nd Antiphon (Psalm, Daily Antiphon, Festal Antiphon) Choir: Only Begotten Son… Dn., Priest & Choir: Little Litany Choir: 3rd Antiphon (Beatitudes, Daily Antiphon, Festal Troparion) Entrance with the Gospel Choir: Come, let us worship… Choir: Troparia Dn. & Choir: O Lord, save the pious Choir: Trisagion Rdr., Dn., & Choir: Prokeimenon Rdr.: Epistle Rdr. & Choir: Alleluia Dn.: Gospel Sermon Dn., Priest & Choir: Augmented Litany [Dn. & Choir: Litany for the Departed (Saturdays only)] Dn., Priest & Choir: Litany of the Catechumens Dn.,, Priest & Choir: Litanies of the Faithful Choir: Cherubic Hymn Great Entrance Dn., Priest & Choir: Litany of the Prothesis Kiss of Peace People: Nicene Creed Priest & Choir: Anaphora Choir: Theotokion (Meet it is…, All Creation Rejoices…, Festal Theotokion) Priest & Choir: Anaphora ending Dn., Priest & Choir: Litany of Fervent Supplication People: Lord’s Prayer Dn., Priest & Choir: Litany, One is Holy… Choir: Communion Hymn Clergy Communion Dn.: With fear of God… People’s Communion Choir: Receive the Body of Christ… Priest & Choir: Hymns of Thanksgiving Dn., Priest & Choir: Litany, Prayer at the Ambo Choir: Blessed be the Name… Choir: Psalm 33 Priest & Choir: Dismissal Divine Liturgy Outlines Hierarchical Liturgy (of St. John Chrysostom or St. Basil the Great) Dn. & Priest: Entrance Prayers, Vesting Dn. & Priest: Proskomede (only first half) Arrival of Bishop Choir: From the Rising … Dn.: Entrance Prayers Choir: Meet it is… Choir: Ton Despotin Vesting of Bishop Choir: Let Thy soul rejoice… Choir: The prophets proclaim… Choir: Eis polla eti despota Priest: Blessed is our God… Rdr.: Hours Dn.: Arise! Master bless. -
Access Searchable
SERVICE BOOK OF THE HOLY ORTHODOX-CATHOLIC APOSTOLIC CHURCH COMPILED, TRANSLATED, AND ARRANGED FROM THE OLD CHURCH-SLAVONIC SERVICE BOOKS OF THE RUSSIAN CHURCH AND COLLATED WITH THE SERVICE BOOKS OF THE GREEK CHURCH BY ISABEL FLORENCE HAPGOOD REVISED EDITION WITH INDORSEMENT BY PATRIARCH TIKHON ASSOCIATION PRESS NEW YORK : 347 MADISON AVENUE 1922 COPYRIGHT 1905 AND 1922 BY ISABEL FLORENCE HAPGOOD ALL RIGHTS RESERVED & 5 (0 o >• < Xft & (0 & < [-. J5 *=; *° • -Q 1» m d 6 3 § ) « CQ © « 45 W X d SIR m 8 3 3I If» . § I § | <d 3 « & 1 S 1 & « S & 45 &1 "> £ S 1 ENGLISH VERSION OF PATRIARCH'S ENDORSEMENT THE PATRIARCH OF MOSCOW AND OF ALL RUSSIA TIKHON Trinity Patriarchal House, Moscow November 3, 192 No. 793 To the AMERICAN YOUNG MEN'S CHRISTIAN ASSOCIATION, Berlin. Grace to you and Peace from God the Father and from our Lord Jesus Christ. We are profoundly touched by your noble and truly Christian desire and decision to re-publish that worthy work, "The Orthodox Service Book," the fruit of many years of labour on the part of Miss Isabel F. Hapgood. With prayerful and whole-souled sincerity We invoke God's all- effectual blessing upon this pious undertaking, which has for its object the spreading abroad upon earth of the faith of Christ, and aiding the living communion of believers in Christ with our Lord and Saviour, who is marvellous in His Saints; and We wish abundant success and joy in the Holy Spirit to all who shall labour in this great work. We express the joyful conviction that in the execution of the work thus undertaken, Dr. -
NY/NJ Diocesan Commission on Liturgical Music Hierarchical Divine Liturgy Guidelines 1 Preparation: at Least Two Weeks Before Th
NY/NJ Diocesan Commission on Liturgical Music Hierarchical Divine Liturgy Guidelines Preparation: At least two weeks before the hierarchical visit, the rector and/or choir director make contact with the hierarch’s assistant for planning. Plan at least the following points: Are Hours to be read after Vesting or Will Bishop read pre-communion prayers before Hierarch enters church? aloud? Any ordinations, tonsurings or clergy Pre-communion prayer - before or after awards? clergy communion? Beatitudes verses for Feast or Church? Sermon after Gospel? Final Kontakion by Clergy? Polychronion at Dismissal? If the Primate is visiting, get current Procession or Moleben, Memory Eternal version of the Diptychs. or Many Years at end of Liturgy? On the day of the Liturgy, confer with the Hierarch’s assistant to confirm the above points and learn any last-minute changes. General Points to Remember: Whenever the Hierarch blesses with the dikiri and trikiri, the choir sings (quick, short) “Eis Polla Eti Despota!” (“Many Years, Master!). NOTE: The “D” in “Despota” is pronounced like the “th” in “the.” ENTRANCE OF THE HIERARCH - ENTRANCE PRAYERS ACTION CUE to SING CHOIR SINGS Hierarch enters Church, is Hierarch enters vestibule. From the Rising of the Sun. greeted by rector and Bells signal hierarch’s During Paschal season, substitute others. Bread and salt may approach. Choir sings when 3 “Christ Is Risen”’s preferably 3 be presented. Bishop enters vestibule. different versions, majestically. Hierarch processes to Deacon: “Wisdom” Hymn to Theotokos: “It Is Truly ambo, venerates icons. Meet” (Dostoino y’est) except: Deacon reads entrance --St Basil’s Liturgy: “All of Creation” prayers, Hierarch moves to --Paschal Season: “Shine, Shine O center of ambo, removes New Jerusalem” klobuk, and reads prayer. -
Liturgy for Cantors
1 THE DIVINE LITURGY OF SAINT JOHN CHRYSOSTOM Traditional Serbian Chant prepared by St. Luke’s Serbian Orthodox Mission www.sv-luka.org 2 THE DIVINE LITURGY OF SAINT JOHN CHRYSOSTOM If it is a Hierarchical Liturgy, the cantors assemble prior to the bishop’s arrival. As the bishop enters the church the cantors sing Dostojno jest or the appropriate irmos. After the bishop venerates the icons he blesses the people and we then sing Ton despotin and Is pola eti despota! While the bishop is vesting, the cantors sing Slava … i ninje … Car nebesnij (dogmatic in the 8th tone). After the vesting, the deacon hands the dikirije and trikirije to the bishop, with which he blesses the people, at which the people again sing Ton despotin and Is pola eti despota! Deacon (if serving): Bless master! Priest: Blessed is the kingdom of the Father, and of the Son, and of the Holy Spirit, now and ever, and unto the ages of ages. ## People: Amen. & ˙ ˙ l w / A-min. On Pascha and during Bright week, with a lit candle in one hand, the priest sings Hristos Voskrese (3), and we respond with Hristos Voskrese (3). The priest then intones the Resurrectional verses, and to each the people respond with Hristos Voskrese. From Thomas Sunday to Ascension day, the priest sings Hristos Voskrese (3), and continues immediately with The Great Litany. The Great Litany Priest: In peace let us pray to the Lord. # # ˙ People: Lord, have mercy. & œj œj œj œj ˙ l w / Go - spo - di po - mi - luj. Priest: For the peace from above, and the salvation of our souls, let us pray to the Lord. -
Canterbury Christ Church University's Repository of Research Outputs
Canterbury Christ Church University’s repository of research outputs http://create.canterbury.ac.uk Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. Saint, L. (2011) Choral music in Canterbury Cathedral, 1873-1988: the role of service settings and anthems in the regeneration, preservation and sustenance of cathedral worship. Ph.D. thesis, Canterbury Christ Church University. Contact: [email protected] 1 Introduction ‘What service settings and anthems were sung in Canterbury Cathedral during 1873- 1988’ is a straightforward question to answer. The significance of the practice of choral music making in Canterbury Cathedral in the restoration and growth of Cathedral worship and early music repertoire deserves close examination through the information discovered in that first answer. The implication is that reinstatement of the worship and development of early music, following a period of impoverishment, was necessary. Investigation of the nature of changes made in Canterbury Cathedral, together with the progress of expansion of that worship, through music, becomes a challenging essential. Regeneration describes the breathing of new life, as in recovery from serious illness, which was shown to be necessary in the music and worship of the early 19th century, following the vicissitudes of disagreement, war and apathy regarding style of worship in general and the role and compositional characteristics of music in particular.