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Esthetic Center Morteau Tarif
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United States Court of Appeals for the Seventh Circuit
Case: 13-2337 Document: 39 Filed: 08/14/2014 Pages: 17 In the United States Court of Appeals For the Seventh Circuit No. 13-2337 FORTRES GRAND CORPORATION, Plaintiff-Appellant, v. WARNER BROS. ENTERTAINMENT INC., Defendant-Appellee. Appeal from the United States District Court for the Northern District of Indiana, South Bend Division. No. 12-cv-00535 — Philip P. Simon, Chief Judge. ARGUED DECEMBER 10, 2013 — DECIDED AUGUST 14, 2014 Before MANION, ROVNER, and HAMILTON, Circuit Judges. MANION, Circuit Judge. Fortres Grand Corporation develops and sells a desktop management program called “Clean Slate.” When Warner Bros. Entertainment used the words “the clean slate” to describe a hacking program in the movie, The Dark Knight Rises, Fortres Grand noticed a precipitous drop in sales of its software. Believing Warner Bros.’ use of the words “clean slate” infringed its trademark and caused the decrease in sales, Fortres Grand brought this suit. Fortres Grand alleged that Case: 13-2337 Document: 39 Filed: 08/14/2014 Pages: 17 2 No. 13-2337 Warner Bros.’ use of the words “clean slate” could cause consumers to be confused about the source of Warner Bros.’ movie (“traditional confusion”) and to be confused about the source of Fortres Grand’s software (“reverse confusion”). The district court held that Fortres Grand failed to state a claim under either theory, and that Warner Bros.’ use of the words “clean slate” was protected by the First Amendment. Fortres Grand appeals, arguing only its reverse confusion theory, and we affirm without reaching the constitutional question. I. Factual Background Fortres Grand develops and sells a security software program known as “Clean Slate.” It also holds a federally registered trademark for use of that name to identify the source of “[c]omputer software used to protect public access comput- ers by scouring the computer drive back to its original configu- ration upon reboot.” Trademark Reg. -
2016 Threshold
nomad 2016 Threshold The Department of Comparative Literature’s Journal of Undergraduate Writing University of Oregon The University of Oregon is an equal-opportunity, affirmative-action institution committed to cultural diversity and compliance with the Americans with Disabilities Act. This publication will be made available in accessible formats upon request. MC1016_092dm_B5XXXXX EDITORIAL BOARD EDITOR Julia “Susi” Gómez EDITORIAL BOARD Dr. Kenneth Calhoon Rachel Branson Palita Chunsaengchan MENTORS TO THE UNDERGRADUATE WRITERS Martha Bannikov Anna-Lisa Baumeister Rachel Branson Dr. Kenneth Calhoon Emily Cole Rachel Eccleston Dr. Andréa Gilroy Julia “Susi” Gómez Elizabeth Howard Anna Kovalchuk Jason Lester Rob Moore Bess Myers Joanna Myers Dr. Jenny Odintz Justine Parkin Tera Reid-Olds Ying Xiong SPECIAL THANKS To Cynthia Stockwell, Laura White, and the Duck Store for their continued support of this project COVER ART Threshold, ©2016 Minshall CONTENTS vii Editor’s Comments ERIN CASINI 9 Breaking the Threshold ANDREA CUEVA 17 Fairy Tale Portals: Gateways to Understanding Modern Life ANNA FITTING 24 The Silent Border: Repression and Winner of the NOMAD Prize for Excellence in Progression in Silent Hill 2 Undergraduate Scholarship BRANDY GRAHAM 36 The Threshold of Identity: Internalizing the Male Gaze in John Green’s Paper Towns SARAH GOUGH-PIAZZA 46 “It’s Showtime!”: The Blending of Reality and Fantasy in Tim Burton’s Beetlejuice KATIE GUISLER 54 Dissipation of Form: Threshold of the Self and the Double Work of Culture in Paprika and Woman -
Supergirl: Volume 4 Pdf, Epub, Ebook
SUPERGIRL: VOLUME 4 PDF, EPUB, EBOOK Mahmud A. Asrar,Michael Alan Nelson | 144 pages | 29 Jul 2014 | DC Comics | 9781401247003 | English | United States Supergirl: Volume 4 PDF Book Also, there are some moments where Kara's powers really don't make sense. Supergirl Vol 4 9 "Tempus Fugit" May, Supergirl Vol 4 12 "Cries in the Darkness" August, Matt rated it it was amazing Apr 06, However, I do prefer the more recent issues of the series, which send Kara-El Supergirl's Kryptonian name on a space quest with Krypto the Super-Dog and art by the always dependable Kevin Maguire. The one after that will be straight garbage that no effort whatsoever was put into. Jun 08, Mike marked it as series-in-progress. This issue tells the New 52 origin of Cyborg Superman. Supergirl Vol 4 54 "Statue of Limitations" March, Search books and authors. Learn how to enable JavaScript on your browser. What's worse is how disjointed the story is. Supergirl Vol 4 51 "Making a Splash" December, It was just generic. Harley Quinn Vol. Supergirl Vol 4 47 "Before the Fall" August, Kara is dying of Kryptonite poisoning and has fled Earth. The issue that tracked Zor-El's conflict with Jor-El about how best to save Krypton from destruction was outstanding. Mesmer, one of. Slightly better than the last volume. Science Fiction. Supergirl has Kryptonite poisoning from her run in with H'el, so she takes off into space to 'die alone' Supergirl Vol 4 10 "Hidden Things" June, Enlarge cover. Jan 03, Fraser Sherman rated it it was ok Shelves: graphic-novels. -
The Wonder Women: Understanding Feminism in Cosplay Performance
THE WONDER WOMEN: UNDERSTANDING FEMINISM IN COSPLAY PERFORMANCE by AMBER ROSE GRISSOM B.A. Anthropology University of Central Florida, 2015 B.A. History University of Central Florida, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2019 © 2019 Amber Rose Grissom ii ABSTRACT Feminism conjures divisive and at times conflicting thoughts and feelings in the current political climate in the United States. For some, Wonder Woman is a feminist icon, for her devotion to truth, justice, and equality. In recent years, Wonder Woman has become successful in the film industry, and this is reflected by the growing community of cosplayers at comic book conventions. In this study, I examine gender performativity, gender identity, and feminism from the perspective of cosplayers of Wonder Woman. I collected ethnographic data using participant observation and semi-structured interviews with cosplayers at comic book conventions in Florida, Georgia, and Washington, about their experiences in their Wonder Woman costumes. I found that many cosplayers identified with Wonder Woman both in their own personalities and as a feminist icon, and many view Wonder Woman as a larger role model to all people, not just women and girls. The narratives in this study also show cosplay as a form of escapism. Finally, I found that Wonder Woman empowers cosplayers at the individual level but can be envisioned as a force at a wider social level. I conclude that Wonder Woman is an important and iconic figure for understanding the dynamics of culture in the United States. -
{Download PDF} Aquaman Volume 4 Ebook, Epub
AQUAMAN VOLUME 4 PDF, EPUB, EBOOK Kelly Sue Deconnick | 160 pages | 09 Feb 2021 | DC Comics | 9781779505880 | English | United States Aquaman Volume 4 PDF Book Deathstroke, The Terminator Vol. Cancel Update. Thesily elects to send Aquaman as the Atlantean delegate to the U. Biff notices something that looks like sabotage, and thinks Dorrance might be telling the truth. Dick Giordano. Start a Wiki. Supergirl Vol. At the hospital, Doctor Diade administers care to Vulko who was injured during the Oumlandian attack on the city. Float Left Float Right. Aquaman swims to New York to attend the U. Guillaume Dorison aka IZU. Suddenly, the creature thrashes and roars, and a group of police start to shoot at it, both from the land and from a police helicopter but Aquaman stops them. Vince Giarrano. Tom McCraw. Are these people See other items More Meanwhile, Aquaman is getting examined at S. Have one to sell? The seller has not specified a shipping method to Germany. Back to home page Return to top. Book 8. Disable this feature for this session. Aliens: Dead Orbit Oversized. A new story starts with this issue, as it opens with a large dinosaur-like creature cruising the ocean depths. Dick Giordano. Aquaman, Biff, and the Sea Devils then look into capping the still-spilling oil well, which Aquaman accomplishes. In return, they promise to think favorably towards Poseidonis, and its upcoming vote in the U. Aquaman Vol 4 8. Now that Poseidonis' dome has been shattered, he feels that is the responsibility of his people to save the Poseidonians from themselves. -
Existentialism of DC Comics' Superman
Word and Text Vol. VII 151 – 167 A Journal of Literary Studies and Linguistics 2017 Re-theorizing the Problem of Identity and the Onto- Existentialism of DC Comics’ Superman Kwasu David Tembo University of Edinburgh E-mail: [email protected] Abstract One of the central onto-existential tensions at play within the contemporary comic book superhero is the tension between identity and disguise. Contemporary comic book scholarship typically posits this phenomenon as being primarily a problem of dual identity. Like most comic book superheroes, superbeings, and costumed crime fighters who avail themselves of multiple identities as an essential part of their aesthetic and narratological repertoire, DC Comics character Superman is also conventionally aggregated in this analytical framework. While much scholarly attention has been directed toward the thematic and cultural tensions between two of the character’s best-known and most recognizable identities, namely ‘Clark Kent of Kansas’ and ‘Superman of Earth’, the character in question is in fact an identarian multiplicity consisting of three ‘identity-machines’: ‘Clark’, ‘Superman’, and ‘Kal-El of Krypton’. Referring to the schizoanalysis developed by the French theorists Gilles Deleuze and Félix Guattari in Anti- Oedipus. Capitalism and Schizophrenia (orig. 1972), as well as relying on the kind of narratological approach developed in the 1960s, this paper seeks to re-theorize the onto- existential tension between the character’s triplicate identities which the current scholarly interpretation of the character’s relationship with various concepts of identity overlooks. Keywords: Superman, identity, comic books, Deleuze and Guattari, schizoanalysis The Problem of Identity: Fingeroth and Dual Identities Evidenced by the work of contemporary comic book scholars, creators, and commentators, there is a tradition of analysis that typically understands the problem of identity at play in Superman, and most comic book superheroes by extension, as primarily a problem of duality. -
Threshold and Process Carlos Jiménez Studio and the Making of the Richard E
Threshold and Process Carlos Jiménez Studio and the making of the Richard E. Peeler Art Center at DePauw University Threshold and Process Carlos Jiménez Studio and the making of the Richard E. Peeler Art Center at DePauw University FOREWORD Robert G. Bottoms ESSAY Mitchell B. Merback INTERVIEW Stephen Fox EDITOR Kaytie Johnson 1 © 2002, DePauw University Richard E. Peeler Art Center P.O. Box 37 Greencastle, Indiana 46135-0037 www.depauw.edu 2 Foreword The Richard Earl Peeler Art Center Dedicated October 11, 2002 he Richard Earl Peeler Art Center is a first for DePauw University. One hundred and twenty-five years ago, this institution (then known as Indiana Asbury University) engaged Elizabeth Adelaide Clark to offer instruction in the elements of drawing, in crayon, water T color and oil painting. After a century and more of teaching by distinguished scholars and creative artists, DePauw now has its first building specifically designed for this academic sphere. Gone are the days of adapted buildings, of advanced students doing their studio work in neighborhood houses, and faculty members having to rent or build their own studios. One of the most modern facilities ever created for the teaching and study of art, the Peeler Center offers adequate spaces for introductory classes, advanced student projects and faculty studios. The magnificence of the Peeler Art Center is due, in large part, to the careful design and development led by architect Carlos Jiménez. A faculty member at Rice University, Jiménez carefully considered the programmatic needs and wishful thinking of the faculty members of the Art Department. -
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What Superman Teaches Us About the American Dream and Changing Values Within the United States
TRUTH, JUSTICE, AND THE AMERICAN WAY: WHAT SUPERMAN TEACHES US ABOUT THE AMERICAN DREAM AND CHANGING VALUES WITHIN THE UNITED STATES Lauren N. Karp AN ABSTRACT OF THE THESIS OF Lauren N. Karp for the degree of Master of Arts in English presented on June 4, 2009 . Title: Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States Abstract approved: ____________________________________________________________________ Evan Gottlieb This thesis is a study of the changes in the cultural definition of the American Dream. I have chosen to use Superman comics, from 1938 to the present day, as litmus tests for how we have societally interpreted our ideas of “success” and the “American Way.” This work is primarily a study in culture and social changes, using close reading of comic books to supply evidence. I argue that we can find three distinct periods where the definition of the American Dream has changed significantly—and the identity of Superman with it. I also hypothesize that we are entering an era with an entirely new definition of the American Dream, and thus Superman must similarly change to meet this new definition. Truth, Justice, and the American Way: What Superman Teaches Us about the American Dream and Changing Values within the United States by Lauren N. Karp A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented June 4, 2009 Commencement June 2010 Master of Arts thesis of Lauren N. Karp presented on June 4, 2009 APPROVED: ____________________________________________________________________ Major Professor, representing English ____________________________________________________________________ Chair of the Department of English ____________________________________________________________________ Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries.