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A Dramatization of Italian Tarantism in Song
Lyric Possession: A Dramatization of Italian Tarantism in Song Item Type text; Electronic Dissertation Authors Smith, Dori Marie Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 24/09/2021 04:42:15 Link to Item http://hdl.handle.net/10150/560813 LYRIC POSSESSION : A DRAMATIZATION OF ITALIAN TARANTISM IN SONG by Dori Marie Smith __________________________ Copyright © Dori Marie Smith 2015 A Document Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2015 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Dori Marie Smith, titled Lyric Possession: A Dramatization of Italian Tarantism in Song and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts. _______________________________________________________________________ Date: April 24, 2015 Kristin Dauphinais _______________________________________________________________________ Date: April 24, 2015 David Ward _______________________________________________________________________ Date: April 24, 2015 William Andrew Stuckey _______________________________________________________________________ Date: April 24. 2015 Janet Sturman Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. I hereby certify that I have read this document prepared under my direction and recommend that it be accepted as fulfilling the document requirement. -
![[Data] JOHN HENRY RYAN](https://docslib.b-cdn.net/cover/2783/data-john-henry-ryan-62783.webp)
[Data] JOHN HENRY RYAN
JOHN HENRY RYAN III Freelance Sound Engineer Curriculum Vitae A dual citizen of Italy and the United States Of America, dual passport holder, fluent in English and Italian. Presently residing in Italy, but available to relocate temporarily or permanently if required. John’s interest in music started during his early childhood, listening and learning to appreciate music in every form and style. A self-taught guitar and electric bass player with an extraordinary musical ear, he soon found that the technical aspect of music reproduction was what would have led him to the present successful career, first by mixing for local bands in clubs, followed by 9 years in one of Southern Italy's busiest recording studios. After a long time sitting behind the studio mixer, John was missing some excitement, so he naturally went back to his initial interest; live sound mixing. After graduating at Forrest Sherman High School in Naples Italy in 1975, he worked in father's editorial distribution company, mainly involved with the US Military bases in Italy and part of the Mediterranean. In 1977, John happened to jump into the consumer audio world, hired by Germany based H.E.A.T. (Harman Europe Audio Team), as sales representative for 5 leading Hi-Fi brands, at the NATO audio retail store in Naples Italy, where he operated until 1979. In 1979, John was offered to go on tour with two of Italy's leading and top selling artists to this day; as FOH engineer for Italian pop star Pino Daniele (R.I.P.), followed by a tour in 1980 with Edoardo Bennato as monitor engineer. -
La Miniera Di Salgemma E Le Risorse Di Valle Neto The
Fabio letto, Matteo Federico* LA MINIERA DI SALGEMMA E LE RISORSE DI VALLE NETO (CALABRIA). Utilità private e danni ambientali THE SALT MINE ANO RESOURCES OFTHE NETOVALLEV (CALABRIA, ITALV). Private Utilities and Environmental Damage Sommario Le condizioni di rischio territoriale derivanti dall'attività di estrazione mineraria di salgemma, nei pressi dell'abitato di Belve dere Spinello (Kr), vengono qui presentate e discusse. A tal proposito sono state eseguite analisi geochimiche, su campioni d'acqua di falda e superficiali, che hanno rilevato un diffuso e consistente inquinamento delle risorse idriche naturali e per un'estensione di gran lunga superiore a quella di concessione mineraria. Condizione di crisi territoriale ulteriore, è rappre sentata dagli elevati e diffusi tassi di subsidenza su tutto il bacino minerario. Questi, negli ultimi 20 anni di attività estrattiva, J hanno portato alla formazione di 5 camini di collasso, talvolta con fuoriuscita, fino a massimi di 1 * 1 (J6 m , di salamoia satura. llfenomeno, a ogni evidenza di terreno, è tutt'ora in atto. Viene così evidenziata come un 'utilità essenzialmente privata (la miniera) possa compromettere la sicurezza e l'economia di base di una comunità antropica residente. Parole chiave: Valle Neto, Tettonica del sale, Inquinamento, Subsidenza. Summary The potential hazard conditions to the land caused by salt mining near the town of Belvedere Spinello (Province of Crotone, Calabria) are presented and discussed. Geochemical analyses were carried out on aquifer and surface water samples. These showed that there is widespread and substantial pollution of the natural water resources and this contamination regards an a rea well beyond the immediate mining district. -
Starten Met Jazz
Themalijst Starten met Jazz Inleiding De Openbare Bibliotheek Kortrijk heeft een zeer uitgebreide jazzcollectie een paar duizend cd’s en een paar duizend vinylelpees) waardoor het voor een leek moeilijk is het bos door de bomen te zien. Ik zie voor de leek die iets meer wil weten ver jazzmuziek drie opties: 1. Je komt naar de Bib en grasduint wat in onze fantastische collectie. Grote kans dat je de ‘verkeerde’ cd’s meeneemt en voorgoed de jazz afzweert. Wat jammer zou zijn.. 2. Je neemt enkel verzamel-cd’s mee, bijvoorbeeld de Klara cd’s 3. Ok, dan heb je een staalkaart van het beste wat er ooit verschenen is en wil je misschien nog iets dieper gaan, meer exploreren, meer voelen wat échte jazz is.. Dan lees je 4. De beknopte lijst hieronder die chronologisch in enkele tientallen cd’s je wegwijs maakt in de verschillende subgenres van de jazz. Verwacht geen uitgebreide biografieën of discografieën maar een kort situeren van de belangrijkste stromingen met haar prominentste vertegenwoordigers. Dit is alleen maar een kennismaking, een aanzet. Maar dit document probeert een chronologisch overzicht te geven met de belangrijkste namen per sub genre. Als je van al deze artiesten één cd beluisterd hebt, kan je al wat meepraten voor jazz. Het is belangrijk op te merken dat al die sub genres soms zeer lang blijven en zelfs heropleven. Uiteraard overlappen ze elkaar in de tijd. En weinig muzikanten beperken zich echt tot één stijl. Jazzrecensent Mark Van den Hoof stelt dat na de jaren ‘60 niets nieuws meer gebeurde in de jazz en dat men zich beperkt tot het spelen in de stijlen van de vorige eeuw. -
03001739.Pdf
The rehabilitation of the Calabrian coast through the integrated planning of tourism. degradation causes and intervention strategies Costa E., Passarelli D., Leone A.M., Critelli F. in Camarda D. (ed.), Grassini L. (ed.). Coastal zone management in the Mediterranean region Bari : CIHEAM Options Méditerranéennes : Série A. Séminaires Méditerranéens; n. 53 2002 pages 113-122 Article available on line / Article disponible en ligne à l’adresse : -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- http://om.ciheam.org/article.php?IDPDF=3001739 -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- To cite this article / Pour citer cet article -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- Costa E., Passarelli D., Leone A.M., Critelli F. The rehabilitation of the Calabrian coast through the integrated planning of tourism. degradation causes and intervention strategies. In : Camarda D. (ed.), Grassini L. (ed.). Coastal zone management in the Mediterranean region. Bari : CIHEAM, 2002. p. 113-122 (Options Méditerranéennes : Série A. Séminaires Méditerranéens; n. 53) -------------------------------------------------------------------------------------------------------------------------------------------------------------------------- -
Archivio D'autore: Le Carte Di Fabrizio De André
STRUMENTI CXCIV OSCADELLI M ANO F TE Nella facciata anteriore della sovracoperta: e S Particolare di una stesura, di mano di Fabrizio De André, del testo della canzone Crêuza de ABBRINI (AFDA, G.V.28 [1997, novembre]). F mä ante © «Fondazione Fabrizio De André onlus». ARTA M Nella facciata posteriore della sovracoperta: Fabrizio De André in concerto al Teatro Tenda di Firenze (gennaio 1982). Archivio d’Autore: Fotografia di Lorenzo Maffei. le carte di Fabrizio De André © «Archivio Lorenzo Maffei». Inventario a cura di Inventario Archivio d’Autore: le carte di Fabrizio De André d’Autore: le carteArchivio di Fabrizio Le scansioni dei documenti sono state realizza- te presso l’Università degli studi di Siena, Inventario a cura di Sistema Bibliotecario di Ateneo. MARTA FABBRINI e STE F ANO MOSCADELLI I curatori e l’editore del volume ringraziano Introduzione di la «Fondazione Fabrizio De André onlus» e STE F ANO MOSCADELLI l’«Archivio Lorenzo Maffei» per aver messo gentilmente a disposizione i documenti che R O M A compaiono nelle facciate della sovracoperta. 2012 MINISTERO PER I BENI E LE ATTIVITÀ CULTURALI La riproduzione sotto qualsiasi forma di tali DIREZIONE GENERALE PER GLI ARCHIVI documenti non può avvenire senza specifica 2012 autorizzazione da parte degli aventi diritto. PUBBLICAZIONI DEGLI ARCHIVI DI STATO STRUMENTI CXCIV STRUMENTI CXCIV 978-88-7125-323-7 N SB I Archivio d’Autore: OSCADELLI M le carte di Fabrizio De André ANO F TE e S ABBRINI Inventario a cura di F MARTA FABBRINI e STE F ANO MOSCADELLI ARTA M Introduzione di STE -
Teaching English Through Body Movement a Pa
AMERICAN UNIVERSITY OF ARMENIA College of Humanities and Social Sciences Dancing – Teaching English through Body Movement A paper is submitted in partial fulfillment of the requirements for the degree Master of Arts in Teaching English as a Foreign Language By Ninel Gasparyan Adviser: Raichle Farrelly Reader: Rubina Gasparyan Yerevan, Armenia May 7, 2014 We hereby approve that this design project By Ninel Gasparyan Entitled Dancing – Teaching English through Body Movement Be accepted in partial fulfillment for the requirements of the degree Master of Arts in Teaching English as a Foreign Language Committee on the MA Design Project ………..………………………… Raichle Farrelly ………..………………………… Rubina Gasparyan ………..………………………… Dr. Irshat Madyarov MA TEFL Program Chair Yerevan, Armenia May 7, 2014 ii TABLE OF CONTENTS Abstract ….....….………………………………………..………………………… v Chapter One: Introduction …………...….………………………………………… 1 Chapter Two: Literature Review ……..…………………………………………… 3 2.1. Content-Based Instruction Models ……..……………..……………………… 5 2.1.1. The use of Dance in an EFL Classroom ………...…..……………………… 11 Chapter Three: Proposed Plan and Deliverables…………………..……………… 15 3.1. Course Description ..………………………………………………………….. 15 3.1.1. Needs and Environment Analysis ……………………..…………………… 15 3.1.2. Goals and Objectives ……………………………………………….………. 16 3.1.3. Assessment Plan …………………………………………………….…….... 17 3.1.4. Learning Plan ……..…………………………………………….…..……… 19 3.1.5. Deliverables …………………………………………………………....…… 24 Chapter Four: Reflection and Recommendations ……………………..……...…… 27 4.1. Reflection -
Bright Moments!
Volume 46 • Issue 6 JUNE 2018 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. On stage at NJPAC performing Rahsaan Roland Kirk’s “Bright Moments” to close the tribute to Dorthaan Kirk on April 28 are (from left) Steve Turre, Mark Gross, musical director Don Braden, Antoinette Montague and Freddy Cole. Photo by Tony Graves. SNEAKING INTO SAN DIEGO BRIGHT MOMENTS! Pianist Donald Vega’s long, sometimes “Dorthaan At 80” Celebrating Newark’s “First harrowing journey from war-torn Nicaragua Lady of Jazz” Dorthaan Kirk with a star-filled gala to a spot in Ron Carter’s Quintet. Schaen concert and tribute at the New Jersey Performing Arts Fox’s interview begins on page 14. Center. Story and Tony Graves’s photos on page 24. New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez . 2 Bulletin Board . 2 NJJS Calendar . 3 Jazz Trivia . 4 Prez sez Editor’s Pick/Deadlines/NJJS Info . 6 Change of Address/Support NJJS/ By Cydney Halpin President, NJJS Volunteer/Join NJJs . 43 Crow’s Nest . 44 t is with great delight that I announce Don commitment to jazz, and for keeping the music New/Renewed Members . 45 IBraden has joined the NJJS Board of Directors playing. (Information: www.arborsrecords.com) in an advisory capacity. As well as being a jazz storIes n The April Social at Shanghai Jazz showcased musician of the highest caliber on saxophone and Dorthaan at 80 . cover three generations of musicians, jazz guitar Big Band in the Sky . 8 flute, Don is an award-winning recording artist, virtuosi Gene Bertoncini and Roni Ben-Hur and Memories of Bob Dorough . -
01-ALEA Program April 2, 2018-II
F o r t i e t h S e a s o n THE NEXT ALEA III EVENTS 2 0 1 7 - 2 0 18 Music for Two Guitars Monday, April 2, 2018, 8:00 p.m. Community Music Center of Boston 34 Warren Avenue, Boston, MA 02116 Free admission ALEA III Alexandra Christodimou and Yannis Petridis, guitar duo Piano Four Hands Thursday, April 19, 2018, 8:00 p.m. TSAI Performance Center - 685 Commonwealth Avenue Theodore Antoniou, Free admission Music Director Works by Antoniou, Gershwin, Khachaturian, Paraskevas, Piazzolla, Rodriguez, Ravel, Rachmaninov, Villoldo Contemporary Music Ensemble in residence at Boston University since 1979 Laura Villafranca and Ai-Ying Chiu, piano 4 hands Celebrating 1,600 years of European Music Wednesday, May 9, 2018, 8:00 p.m. Old South Church – 645 Boylston Street, Boston, MA 02116 Music for Two Guitars Free admission On the occasion on the Europe Day 2018. Curated by CMCB faculty members Works from Medieval Byzantine and Gregorian Chant, through Bach Santiago Diaz and Janet Underhill to Skalkottas, Britten, Messiaen, Ligeti, Sciarrino and beyond. ALEA III 2018 Summer Meetings Community Music Center of Boston August 23 – September 1, 2018 Allen Hall Island of Naxos, Greece 34 Warren Avenue, Boston A workshop for composers, performers and visual artists to present their work and collaborate in new projects to be featured in 2018, 2019 and 2020 events. Daily meetings and concerts. Monday, April 2, 2018 BOARD OF DIRECTORS BOARD OF ADVISORS I would like to support ALEA III. Artistic Director Mario Davidovsky Theodore Antoniou Spyros Evangelatos During our fortieth Please find enclosed my contribution of $ ________ Leonidas Kavakos 2017-2018 season, the need payable to ALEA III Assistant to the Artistic Director Milko Kelemen for meeting our budget is Alex Κalogeras Oliver Knussen very critical. -
Enzo Avitabile Biografia
EENNZZOO AAVVIITTAABBIILLEE BIOGRAFIA Il Conservatorio. Il pop. Il ritmo afro-americano. La musica antica della pastellessa e della zeza e il canto sacro. Enzo Avitabile ha vissuto nella ricerca di un suono inedito, non solamente originale ma vitale ed essenziale. Demolendo ogni sovrastruttura mercantile, ogni moda. Queste le vere note biografiche del cantante, compositore e polistrumentista nato a Marianella, quartiere popolare di Napoli nel 1955 . Da bambino, Avitabile ha studiato il sassofono; da adolescente si esibito nei club napoletani affollati dai clienti americani. Quindi si è diplomato nella disciplina del flauto al Conservatorio di Napoli S. Pietro a Majella e ha iniziato a collaborare con artisti pop e rock di tutto il mondo, da James Brown a Tina Turner , ma muovendosi sempre sotto un cielo assolutamente personale, mai comune. Tra il 1982 ed il 1994 vengono pubblicati dall’ etichetta discografica EMI i suoi primi 8 Albums : 1982 “Avitabile” suo album di debutto. 1983 “Meglio soul” (qui va ricordata la presenza di Richie Havens ). 1984 “Correte in fretta” . 1986 “S.O.S. Brothers”. 1988 “Alta tensione” (con una provocatoria copertina che raffigura una sedia elettrica), produzione che seduce persino Afrika Bambaataa ,il quale dodici mesi dopo è felicissimo di partecipare alle incisioni di “Street Happiness”. 1990 “Stella dissidente” che evidenzia lo stile personale dell'artista. 1991 “Enzo Avitabile “ prodotto da Corrado Rustici. 1994 “Easy” disco di grande sperimentazione melodica che brilla anche per un duetto con Randy Crawford nel brano “Leave Me or Love Me”. Il 1996 costituisce una data che fa da spartiacque nella produzione di Avitabile. Una ritrovata fiducia nella sua lingua madre e nella sua prosodia dilatata grazie a suggestivi arrangiamenti – anche digitali – segna il ritorno ad un linguaggio originario arricchito da neologismi contemporanei, con albums come “Addò” e successivamente “Aizetè” (la cui title-track è la colonna sonora del film “Incantesimo napoletano” ). -
Immigrant Musicians on the New York Jazz Scene by Ofer Gazit A
Sounds Like Home: Immigrant Musicians on the New York Jazz Scene By Ofer Gazit A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Benjamin Brinner, Chair Professor Jocelyne Guilbault Professor George Lewis Professor Scott Saul Summer 2016 Abstract Sounds Like Home: Immigrant Musicians On the New York Jazz Scene By Ofer Gazit Doctor of Philosophy in Music University of California, Berkeley Professor Benjamin Brinner, Chair At a time of mass migration and growing xenophobia, what can we learn about the reception, incorporation, and alienation of immigrants in American society from listening to the ways they perform jazz, the ‘national music’ of their new host country? Ethnographies of contemporary migrations emphasize the palpable presence of national borders and social boundaries in the everyday life of immigrants. Ethnomusicological literature on migrant and border musics has focused primarily on the role of music in evoking a sense of home and expressing group identity and solidarity in the face of assimilation. In jazz scholarship, the articulation and crossing of genre boundaries has been tied to jazz as a symbol of national cultural identity, both in the U.S and in jazz scenes around the world. While these works cover important aspects of the relationship between nationalism, immigration and music, the role of jazz in facilitating the crossing of national borders and blurring social boundaries between immigrant and native-born musicians in the U.S. has received relatively little attention to date. -
Abstracts Euromac2014 Eighth European Music Analysis Conference Leuven, 17-20 September 2014
Edited by Pieter Bergé, Klaas Coulembier Kristof Boucquet, Jan Christiaens 2014 Euro Leuven MAC Eighth European Music Analysis Conference 17-20 September 2014 Abstracts EuroMAC2014 Eighth European Music Analysis Conference Leuven, 17-20 September 2014 www.euromac2014.eu EuroMAC2014 Abstracts Edited by Pieter Bergé, Klaas Coulembier, Kristof Boucquet, Jan Christiaens Graphic Design & Layout: Klaas Coulembier Photo front cover: © KU Leuven - Rob Stevens ISBN 978-90-822-61501-6 A Stefanie Acevedo Session 2A A Yale University [email protected] Stefanie Acevedo is PhD student in music theory at Yale University. She received a BM in music composition from the University of Florida, an MM in music theory from Bowling Green State University, and an MA in psychology from the University at Buffalo. Her music theory thesis focused on atonal segmentation. At Buffalo, she worked in the Auditory Perception and Action Lab under Peter Pfordresher, and completed a thesis investigating metrical and motivic interaction in the perception of tonal patterns. Her research interests include musical segmentation and categorization, form, schema theory, and pedagogical applications of cognitive models. A Romantic Turn of Phrase: Listening Beyond 18th-Century Schemata (with Andrew Aziz) The analytical application of schemata to 18th-century music has been widely codified (Meyer, Gjerdingen, Byros), and it has recently been argued by Byros (2009) that a schema-based listening approach is actually a top-down one, as the listener is armed with a script-based toolbox of listening strategies prior to experiencing a composition (gained through previous style exposure). This is in contrast to a plan-based strategy, a bottom-up approach which assumes no a priori schemata toolbox.