Brandon Tartikoff Remembered by George Lucas, Ted Danson at USC Event 7:12 PM PDT 10/19/2012 by Bill Higgins

Total Page：16

File Type：pdf, Size：1020Kb

Brandon Tartikoff Remembered by George Lucas, Ted Danson at USC Event 7:12 PM PDT 10/19/2012 by Bill Higgins Dick Ebersol and Ted Danson Photo by Steve Cohn The late NBC chairman's letters, memos, press interviews and speeches were formally accepted into USC's School of Cinematic Arts catalog during a Thursday ceremony. It was a bit like a memorial without the sadness Thursday evening when the Brandon Tartikoff Legacy Collection was formally accepted at USC’s School of Cinematic Arts. The collection has more than 4,000 letters, memos, press interviews and speeches from the NBC chairman who died in 1997. George Lucas had pushed for the film school to obtain the papers. He said he did this as “a big fan” of Tartikoff. “He let people do their job,” said Lucas. “There are lots of executives and lawyers in the business who think they understand the creative process. And they don’t. Brandon was someone who enjoyed watching others be creative and he let them get on with their work.” The ceremony, held in the building named after Lucas, was emceed by Elizabeth Daley (who is now the longest-serving dean in USC’s history) with Ted Danson as the first speaker. The actor noted that Tartikoff gave him “everything in his career," from putting Cheers on the air to his meeting and marrying Mary Steenburgen. “She took a second look at me because I was on it,” said Danson. Qunicy Jones spoke of Tartikoff’s ability “to stay outside the box; he came in the back door, not the front”; Dick Wolfe called Taritikoff “the single greatest programming executive in the history of the medium,” and Dick Ebersol, who had known Tartikoff since the late 1970s, spoke of his having to battle cancer three times and doing it with “the absolute personification of grace.” The evening’s final speaker was Tartikoff’s widow, Lily Tartikoff Karatz, who first thanked USC for taking the 120 boxes that had filled her garage off her hands, and said “tonight’s celebration put a smile on his Brandon’s face." .

Copy Link

Recommended publications

Why YOU Should Be an English Major
Why YOU should be an English Major You’ll be able to communicate your ideas effectively. This is what employers want the most – people who can communicate clearly. Impress your employer with your ability to communicate, and you’ll get promoted. You’ll also sound smarter than everybody else. You’ll be able to learn new tasks and ideas. A liberal arts education teaches you how to learn, not how to do a specific job. Your employer will provide on-the-job training. Besides, the hot jobs of 20 years from now haven’t even been thought of yet; major in English, learn how to learn new job skills, and stay employed. You’ll be prepared for med school, law school, business school… Being an English major teaches you how to think critically. Graduate schools in every field are more interested in your ability to analyze situations and make connections between concepts than in your ability to memorize lists. You’ll get a good job. Major scientific, technological, industrial, and financial companies like to hire English majors. They want employees who can analyze problems, think up creative answers, and communicate those answers to coworkers. And an English degree teaches you to do all these things. You’ll earn lots of money. Well, maybe not as much as science graduates, but the 201 201 Payscale College Salary Report listed salaries for popular careers for English majors that ranged from $ to $ . 5- 6 40,000 76,000 You’ll move up the company ladder. Your English major taught you how to analyze problems, think creatively, synthesize intelligent solutions, and communicate those solutions to your bosses and coworkers.
[Show full text]
NATPE 2013 Tuesday, January 29, 2013 Click For
join the family this fall 20TH TV 3376 BRIAN S. TOP HAT BANNER MECHANICAL BUILT AT 100% MECH@ 100% 9.875" X 1.25" 9.625"W X 1"H SHOW DAILY NATPE • MIAMI BEACH TUESDAY, JANUARY 29, 2013 CONTENT INDUSTRY client and prod special info: # job# artist issue/ time pub post date (est) insert/ line Sinead Harte size air date screen 323-963-5199 ext 220 CHANGE 8240 Sunset Blvd CREATES bleed trim live Los Angeles, CA 90046 DEBATEBY ANDREA FREYGANG CERTAINBY CHARLOTTE LIBOV ideo might have killed ra - dio, as the first song aired on echnology is changing view- VMTV implied, but not every- ing habits and the TV industry one is certain that the internet is Tmust keep pace by reinventing going to cause TV’s demise. In itself, much as music industry did the opening session of NATPE, in the wake of the seismic changes as panelists debated the impact that nearly destroyed that indus- of social media and the internet try, observed David Pakman, who on the TV industry, audience re- led the opening panelA-004 at NATPE 1537F CHRISTINA SCHIERMANN PHOTO BY ALEX MATTEO BY PHOTO 1/4"=1' action was mixed. on Monday. Game changing or not? That was the topic under consideration Monday when a keynote panel of LAX FLIGHT PATH 9.01.08 N/A 4c “I think Facebook is a better experts voiced opinions about the impact of digital distribution. Among those weighing in were, In answer to the question competitor to TV than YouTube. from left to right, Kevin Beggs, Lionsgate Television Group president; TheBlaze’s Betsy Morgan, Will Disruption Choke250' the w TeleviX 65'- h 9.18.08 SUNDAY 150 It’s a very interesting debate president & chief strategy officer; and Aereo’s Chet Kanojia, founder and CEO sion Business Models?,68.75" the Xpanel 17.875" 62.5" X 16.25" ALL to have,” said Fiona Dawson, a SEE CHANGE, P.
[Show full text]
Rick Ludwin Collection Finding
Rick Ludwin Collection Page 1 Rick Ludwin Collection OVERVIEW OF THE COLLECTION Creator: Rick Ludwin, Executive Vice President for Late-night and Primetime Series, NBC Entertainment and Miami University alumnus Media: Magnetic media, magazines, news articles, program scripts, camera-ready advertising artwork, promotional materials, photographs, books, newsletters, correspondence and realia Date Range: 1937-2017 Quantity: 12.0 linear feet Location: Manuscript shelving COLLECTION SUMMARY The majority of the Rick Ludwin Collection focuses primarily on NBC TV primetime and late- night programming beginning in the 1980s through the 1990s, with several items from more recent years, as well as a subseries devoted to The Mike Douglas Show, from the late 1970s. Items in the collection include: • magnetic and vinyl media, containing NBC broadcast programs and “FOR YOUR CONSIDERATION” awards compilations, etc. • program scripts, treatments, and rehearsal schedules • industry publications • national news clippings • awards program catalogs • network communications, and • camera-ready advertising copy • television production photographs Included in the collection are historical narratives of broadcast radio and television and the history of NBC, including various mergers and acquisitions over the years. 10/22/2019 Rick Ludwin Collection Page 2 Other special interests highlighted by this collection include: • Bob Hope • Johnny Carson • Jay Leno • Conan O’Brien • Jimmy Fallon • Disney • Motown • The Emmy Awards • Seinfeld • Saturday Night Live (SNL) • Carson Daly • The Mike Douglas Show • Kennedy & Co. • AM America • Miami University Studio 14 Nineteen original Seinfeld scripts are included; most of which were working copies, reflecting the use of multi-colored pages to call out draft revisions. Notably, the original pilot scripts are included, which indicate that the original title ideas for the show were Stand Up, and later The Seinfeld Chronicles.
[Show full text]
The Effects of Prime Time Sub-Branding in Network Television
The Effects of Prime Time Sub-Branding in Network Television: An Analysis of NBC’s “Must See TV” A Thesis Submitted to the Faculty of Drexel University by Elizabeth A. Yanak In Partial Fulfillment of the Requirements of the Degree of Master of Science in Television Management August 2012 Acknowledgements Thank you to Drexel University for the immense number of available resources, especially those available online through the university library. I would like to recognize the superior direction of my advisor Andrew Susskind. He not only guided me in discovering excellent publications and interviewees, but also provided me with critical and much-needed motivation in order to finish this thesis. I would also like to thank the Television Management Program Director, Albert Tedesco, for his support and understanding throughout this entire process. I am very thankful to those who agreed to interviews for this thesis. Hearing about their firsthand experiences in network television was critical to this case study, but also has reinforced my desire to work in the television industry. I would like to thank my colleagues both in the Television Management program and at my current place of work. Your constructive criticism, brainstorming sessions about related media trends, and friendship was appreciated beyond words. I lastly would like to thank my family and boyfriend. I will never forget the immense amount of love and support you have given me throughout this endeavor. iii Table of Contents LIST OF APPENDIXES ....................................................................................................iv
[Show full text]
Lead-In AT&T Gives Skinny on Its New Bundle Directv Now Courts Cord-Cutters, but New Offering Has a Few Gaps to Close
Lead-In AT&T Gives Skinny on Its New Bundle DirecTV Now courts cord-cutters, but new offering has a few gaps to close BY DADE HAYES month for 100 channels would equate to a negative operating AKING THE STAGE Nov. margin of more than 7%. 28 at DirecTV Now’s New Another risk factor is the TYork launch event, Brad company’s stated intention to Bentley, CMO of AT&T’s enter- address the roughly 20 million tainment and internet services households not currently in the unit, offered something of a man- bundled cable ecosystem. While tra for the unbundling world. that unto itself is not a wholly “The challenge with unusual strategy, execs spoke skinny bundles is that your throughout the launch event of skinny is different from my reaching the subset of customers skinny, which is differ- within that 20 million who resist Brad Bentley, CMO of AT&T’s ent than someone else’s entertainment and internet services unit, credit checks and two-year con- skinny,” Bentley said. talks up DirecTV Now in New York. tracts that are common among AT&T’s skinny launched traditional MVPDs. It is difﬁcult Nov. 30, offering what the to know how reliable and viable company sees as another CBS and Showtime, with which such a base will prove. proof point for the value AT&T has yet to reach carriage Analysts Craig Moffett and Mi- of its pending merger with terms. Sports, too, is not overly chael Nathanson issued a report Time Warner. The service, with “It’s really important to under- abundant, notably the hallmark noting the potential for DirecTV monthly prices ranging from stand that this is the foundation NFL Sunday Ticket package that Now to shake up the market $35 to $70, puts DirecTV in the for how we are going to do things helped build DirectTV’s satellite even if it proves little more than skinny derby with PlayStation in the future,” Stankey said.
[Show full text]
Thetv Column
B6 MONDAY, JANUARY 9, 1989 ,L tv TheTV Column By John Carmody Wnstitliont Nit S!,11 Wrier UNIVERSAL CITY, Calif. V's favorite punching bag, Geraldo RI- sitcoms right in a row—"The Cosby Show," vera, vied with a rare one-minute "ALF," "The Golden Girls," "Empty Nest," snowfall in the San Fernando Valley for "Cheers" and "Night Court" . attention here Saturday as NBC opened its stand Key to the experiment—to see if comedies can ■■ at the semiannual network press tour . play well in the 10 to 11 p.m. time slot usually Months after his NBC special on Satanisin reserved for dramas at comedy-rich NBC .. threw TV writers into a feeding frenzy, both NBC will also bring back the 1955 production NBC president Robert Wright, talking via satel- of "Peter Pan," starring Mary Martin, on March i', lite to the press from Boca Raton, Fla., and NBC 24, Good Friday . Entertainment president Brandon Tartikoff found The miniseries is not dead at NBC, Tartikoff themselves still fielding questions about Mr. emphasized. In addition to the "Around the World Respectability . in 80 Days" remake already scheduled, and a landmark Supreme Wright finally came out and said he didn't treatment of the Roe v. Wade regret airing the special after all . Court case on abortion, NBC has added a four- It was difficult material," he said. "It's inter- hour production for May called "I Know My First esting to know . that I have received letters Name Is Steven," based on the true-life California 2 story of Steven Sayner, who was abducted in F and contact by a number of people, most of whom seem to be teachers, expressing surprise that we 1972 from his family when he was a child and aired that show, and in the next paragraph, returned seven years later .
[Show full text]
'Seinfeld' Credo
DOW JONES, A NEWS CORP COMPANY Nikkei 23249.95 0.00% ▲ Hang Seng 25182.15 0.19% ▼ U.S. 10 Yr 1/32 Yield 0.713% ▲ Crude Oil 42.31 0.17% ▲ Yen 106.96 0.03% ▲ DJIA 27896.72 0.29% ▼ The Wall Street Journal John Kosner English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search 15-Year Fixed 2.25% 2.46% APR Refinance Rates the Lowest in History 30-Year Fixed 2.50% 2.71% APR 2.46% 5/1 ARM 2.63% 2.90% APR APR $225,000 (5/1 ARM) $904/mo 2.90% APR Calculate Payment $350,000 (5/1 ARM) $1,409/mo 2.79% APR Terms & Conditions apply. NMLS#1136 BOOKS | BOOKSHELF SHARE FACEBOOKNo Hugging, No Learning: The ‘Seinfeld’ Credo TWITTERThe show was assigned to an NBC executive who had never overseen a sitcom. Left alone, Larry David sought inspiration from the only available source: memories of misbegotten moments in his own past. EMAIL PERMALINK PHOTO: NBC/GETTY IMAGES By Edward Kosner Updated Aug. 12, 2016 4:30 pm ET SAVE PRINT TEXT 82 Everyone has a favorite episode or moment from the “Seinfeld” show—Jerry’s puﬀy pirate shirt and his suede jacket or his encounters with the close-talker and the woman with man hands; the impermeable maitre d’ at the Chinese restaurant; Elaine’s spastic dancing or deciding whether a potential beau was worth the investment of a precious, discontinued birth-control sponge; Kramer’s at-home talk-show set; George’s mortifying “shrinkage” after a dip in a chilly pool or the time he quit his job with a tirade, then showed up for work the next day as if nothing had happened.
[Show full text]
Gerhard Zeiler Receives Brandon Tartikoff Legacy Award in Miami
Gerhard Zeiler receives Brandon Tartikoff Legacy Award in Miami Luxembourg/Miami, 26 January 2011 – As the first Non-American TV executive, RTL Group CEO Gerhard Zeiler has been honoured with the 8th annual Brandon Tartikoff Legacy Award. The prestigious award was presented to Gerhard Zeiler by the global, non-profit programming association Natpe yesterday in Miami. In his introductory remarks during the awards event, Mark Kaner, President of News Corp’s Twentieth Century Fox Television Distribution, said: “I’ve never met anybody who loves programming more than he does and that shows in everything he does. He knows the difference between taking his work seriously and himself seriously. The first is essential, the second is a disaster.” In a video tribute, media entrepreneur Haim Saban said: “There is only one Mister TV Europe, and that’s Gerhard Zeiler.” Jeffrey Schlesinger, President of Warner Bros. International Television, said: “He’s easy to talk to, he says what he means. When you shake his hand you know you can take it to the bank.” The Brandon Tartikoff Legacy Award is named in honour of Brandon Tartikoff, a former Programme Executive at the US network NBC, who was responsible for famous shows such as The Cosby Show, Cheers, Seinfeld, Alf, Knight Rider, The A-Team, Miami Vice all of which became hit formats around the world. The award was created in 2004 to recognise innovative leaders and artistic visionaries in television who have shaped the business and inspired their colleagues. Previous recipients include creators and producers such as Anthony E. Zuiker (CSI franchise), Marc Cherry (Desperate Housewives), Dick Wolf (Law & Order), David E.
[Show full text]
Masculinity in American Television from Carter to Clinton Bridget Kies University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Masculinity in American Television from Carter to Clinton Bridget Kies University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Film and Media Studies Commons, Gender and Sexuality Commons, and the Mass Communication Commons Recommended Citation Kies, Bridget, "Masculinity in American Television from Carter to Clinton" (2018). Theses and Dissertations. 1844. https://dc.uwm.edu/etd/1844 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. MASCULINITY IN AMERICAN TELEVISION FROM CARTER TO CLINTON by Bridget Kies A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin–Milwaukee May 2018 ABSTRACT MASCULINITY IN AMERICAN TELEVISION FROM CARTER TO CLINTON by Bridget Kies The University of Wisconsin–Milwaukee, 2018 Under the Supervision of Professor Tasha Oren This dissertation examines American television during a period I call the long 1980s. I argue that during this period, television became invested in new and provocative images of masculinity on screen and in networks’ attempts to court audiences of men. I have demarcated the beginning and ending of the long 1980s with the declaration of Jimmy Carter as Time magazine’s Man of the Year in 1977 and Bill Clinton’s inauguration in 1993. This also correlates with important shifts in the television industry, such as the formation of ESP-TV (later ESPN) in 1979 and the end of Johnny Carson’s tenure as host of The Tonight Show on NBC in 1992.
[Show full text]
Finding Aid to the Historymakers ® Video Oral History with Hamilton Cloud, II
Finding Aid to The HistoryMakers ® Video Oral History with Hamilton Cloud, II Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Cloud, Hamilton S., 1952- Title: The HistoryMakers® Video Oral History Interview with Hamilton Cloud, II, Dates: April 29, 2011 and April 30, 2011 Bulk Dates: 2011 Physical 13 uncompressed MOV digital video files (6:06:10). Description: Abstract: Talent agent and television producer Hamilton Cloud, II (1952 - ) produced the NAACP Image Awards from 1987 to 2000. In 1987, the Image Awards were broadcast on a national television network for the first time. Cloud has worked with a number of other companies, including NBC, Playboy Entertainment Group, and QDE. Cloud was interviewed by The HistoryMakers® on April 29, 2011 and April 30, 2011, in Los Angeles, California. This collection is comprised of the original video footage of the interview. Identification: A2011_036 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Television producer and talent agent Hamilton Cloud, II, was born on November 30, 1952, in Los Angeles, California. His father, Hamilton Cloud, Sr. was one of a few African Americans trained at the Northwestern University Dental School at the time of his graduation. Cloud grew up in Los Angeles but pursued his education at Yale University, where he earned his B.A. degree for his studies in “Communications: Mass Media and Black America,” a concentration that he “Communications: Mass Media and Black America,” a concentration that he originated. Working with radio programs in Los Angeles for fifteen years, Cloud established himself within the media industry.
[Show full text]
Contentious Comedy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenGrey Repository 1 Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era Thesis by Lisa E. Williamson Submitted for the Degree of Doctor of Philosophy The University of Glasgow Department of Theatre, Film and Television Studies 2008 (Submitted May 2008) © Lisa E. Williamson 2008 2 Abstract Contentious Comedy: Negotiating Issues of Form, Content, and Representation in American Sitcoms of the Post-Network Era This thesis explores the way in which the institutional changes that have occurred within the post-network era of American television have impacted on the situation comedy in terms of form, content, and representation. This thesis argues that as one of television’s most durable genres, the sitcom must be understood as a dynamic form that develops over time in response to changing social, cultural, and institutional circumstances. By providing detailed case studies of the sitcom output of competing broadcast, pay-cable, and niche networks, this research provides an examination of the form that takes into account both the historical context in which it is situated as well as the processes and practices that are unique to television. In addition to drawing on existing academic theory, the primary sources utilised within this thesis include journalistic articles, interviews, and critical reviews, as well as supplementary materials such as DVD commentaries and programme websites. This is presented in conjunction with a comprehensive analysis of the textual features of a number of individual programmes. By providing an examination of the various production and scheduling strategies that have been implemented within the post-network era, this research considers how differentiation has become key within the multichannel marketplace.
[Show full text]
Win Ter 2006
Cleveland Regional Chapter Serving Bloomington, Ft. Wayne, Indianapolis, Indiana; Akron, Canton, Cleveland, Lima, Mansfield, Toledo, Youngstown, Ohio; Erie, Pennsylvania President's Message Greeting & Salutations Fellow NATAS Members, est wishes for the New Year, and if you haven't already done so -- be sure to renew your membership Btoday on-line or via the mail. I hope you entered the Emmy® Awards be- fore last Saturday's deadline so you will have a chance for your work to be recognized for excellence. What a year it was in the broadcast business. Never before have we seen such an explosion of technology and innovation in one year’s time. With that said, I urge you to click on the link to the national website to hear about all the excitement generated over the addition of a new category for broadband and other digi- tal content and programming created for distribution via alterna- tive media. This is a pivotal time in the broadcast industry and the Emmy® committee and board are giving careful consideration to additional new categories for next year that will embrace the Winter 2006 Winter ever changing paradigm. This year the board of governors and officers have put in place some challenging initiatives as an ongoing effort to give you more for your NATAS membership and additional resources to benefit you in your career. First off, the date for the Emmy® Awards Gala is September 9th at LaCentre in Westlake, Ohio, just minutes from downtown. The venue is spectacular and this prom- ises to be a night to remember. In addition, the activities commit- tee has a great line-up of events scheduled throughout the year.
[Show full text]