Subject Index
Subject Index Absence, 47, 79, 83, 87, 89, 131, 143, 204, Appearances, 8, 10, 11, 17, 19, 51, 96, 112, 227, 230, 232, 265, 267, 268, 271, 272, 279, 121, 123, 127, 128, 130, 159, 162, 180, 315, 317, 318, 320–325, 354, 373 184–192, 224, 242, 261, 288, 289, 292, Abstraction, 6, 172, 174, 176, 178, 187, 194, 322–325, 335, 350–352, 356, 357, 359, 361, 338, 354, 368, 369, 373, 375, 400, 402, 404, 365, 373, 406 412 Art, 17, 20, 31, 93, 131, 338, 399–404, 411– Accident, 128, 144, 145, 189, 204, 212, 213, 420 234, 360, 364 abstract art, 20, 401–405, 411, 412 Accommodation, 203, 211, 224–226 color, 402, 403–404 Action-perception synergies, 131, 132, 133 compositional techniques, 399–404 Activation zone, 375 constructivism, 396, 398, 406, 407, 412, Active vision, 131 418 Adaptive strategies, 85, 96, 97 generative art, 20, 411, 412, 414–418 Additive scanning, 364 history, 184, 393 Aesthetics, 2, 9, 16, 17, 85, 90, 91, 93, 97, 113, modulation, 83, 402–403 121, 413 Pop/Op, 31, 113, 124, 352 Affine distortion, 220, 223 Artificial intelligence, 1, 28, 31 Affordance, 14, 15, 186, 338, 356, 359 Artistic expression, 83, 85, 90, 91, 97 Afterimage, 112, 149, 150 Astigmatism, 112 Alphabet, 271, 347, 351, 367 Attention, 6, 51, 84, 96, 99, 100, 125, 174, Amodal, 47, 315, 336 190, 355, 356, 375, 376, 394, 396, 397 boundaries, 263, 266 Attneave points, 5, 125, 129 completion, 175, 261, 265, 270, 273, 315, Auditory objects, 340 318, 322–324, 328, 329, 374, 376 Auffälligkeit, 375 contours, 8, 15, 19, 263, 280 Automatic processes, 4, 32, 85, 96, 97, 100, perception,
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