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Subject Index Subject Index Absence, 47, 79, 83, 87, 89, 131, 143, 204, Appearances, 8, 10, 11, 17, 19, 51, 96, 112, 227, 230, 232, 265, 267, 268, 271, 272, 279, 121, 123, 127, 128, 130, 159, 162, 180, 315, 317, 318, 320–325, 354, 373 184–192, 224, 242, 261, 288, 289, 292, Abstraction, 6, 172, 174, 176, 178, 187, 194, 322–325, 335, 350–352, 356, 357, 359, 361, 338, 354, 368, 369, 373, 375, 400, 402, 404, 365, 373, 406 412 Art, 17, 20, 31, 93, 131, 338, 399–404, 411– Accident, 128, 144, 145, 189, 204, 212, 213, 420 234, 360, 364 abstract art, 20, 401–405, 411, 412 Accommodation, 203, 211, 224–226 color, 402, 403–404 Action-perception synergies, 131, 132, 133 compositional techniques, 399–404 Activation zone, 375 constructivism, 396, 398, 406, 407, 412, Active vision, 131 418 Adaptive strategies, 85, 96, 97 generative art, 20, 411, 412, 414–418 Additive scanning, 364 history, 184, 393 Aesthetics, 2, 9, 16, 17, 85, 90, 91, 93, 97, 113, modulation, 83, 402–403 121, 413 Pop/Op, 31, 113, 124, 352 Affine distortion, 220, 223 Artificial intelligence, 1, 28, 31 Affordance, 14, 15, 186, 338, 356, 359 Artistic expression, 83, 85, 90, 91, 97 Afterimage, 112, 149, 150 Astigmatism, 112 Alphabet, 271, 347, 351, 367 Attention, 6, 51, 84, 96, 99, 100, 125, 174, Amodal, 47, 315, 336 190, 355, 356, 375, 376, 394, 396, 397 boundaries, 263, 266 Attneave points, 5, 125, 129 completion, 175, 261, 265, 270, 273, 315, Auditory objects, 340 318, 322–324, 328, 329, 374, 376 Auffälligkeit, 375 contours, 8, 15, 19, 263, 280 Automatic processes, 4, 32, 85, 96, 97, 100, perception, 97, 274, 277, 322, 328, 333, 356, 201, 412 374 Awareness, 30, 40, 111, 194, 354 presentation, 374 level, 397, 405, 407 wholeness, 322, 323, 324, 329, 335 presentational, 37 Anticipation, 31, 363 situational, 32, 35, 41 436 Subject Index Bauhaus, 406 semantic, 169, 173, 179, 180, 182, 183, 186, Bayesian, 15, 32, 36, 153, 166, 204, 207, 209, 289, 378 216, 218 substantival, 289, 360, 361, 365, 374 Beholder’s share, 31, 40 typicity, 346, 358, 361, 362, 363, 378 Binding, 354 Causal Binocular disparity, 143, 203, 204, 206, 210, action, 13 214, 220–227 attribution, 10, 13, 50 Biological anthropology, 363 information content, 234 Blending, 346, 367, 373, 395 Causality, 9, 159, 167, 176, 290, 376 content, 346 internal, 19, 159, 189, 191 theory, 366, 367 Cézanne artworks Blur gradient(s), 120, 121, 132, 203, 211, Lac d’Annecy (1896), 402 226–229 Mont-Sainte-Victoire Seen from the Bibemus Bottleneck, 110, 111 Quarry (c. 1897), 401–402 Boundary, 20, 67, 68, 77, 78, 87, 231, 241, Still Life with Fruit and Basket (1890), 400–401 242, 245, 247, 256, 263, 266, 270, 281, 304, Town of Gardanne (1895–1896), 407 318, 321, 322, 346, 348–352, 361, 368, Chance, 416, 418 374–376 Channel capacity, 40, 42, 110 contour completion, 19, 116, 127–129, 261, Chromatic assimilation, 10 275, 280, 329 Clue, 17, 33, 35, 38, 118, 130 extension, 84, 100 Code, 27, 31, 71, 176–178, 180, 182, 183, function, 267, 356 345–347, 354, 357 measurement, 71, 250, 252, 253 Cognition, 2, 9, 14, 16, 44, 45, 50, 51, 77, 79, shadow boundaries, 252, 253, 256 87, 88, 98, 149, 151, 160, 168, 183, 187, Bridging member, 370–374, 379 289, 322, 337, 338, 345, 354 Brightness, 8, 9, 12, 14, 122, 147, 187, 214, collages, 361 251, 261, 266, 267, 268, 269, 351, 364, 371, linguistics, 9, 175, 289, 290, 345, 346, 354, 407 366 science, 3, 8, 28, 41, 171, 175, 176, 206, 233, Calibration, 7, 8, 16, 87, 98, 224, 231, 233, 265, 288, 354, 365, 367, 370, 371, 378, 405 235, 376 Cognitivist, 41, 201 co-calibration, 224, 233, 234 Color, 4, 8, 10, 11, 12, 18, 19, 33, 51, 138, sensorimotor, 219, 233 140, 141, 144, 149, 157, 159, 168, 184–190, Categories, 14, 16, 66, 109, 131, 159, 162–168, 191, 193, 205, 232, 241, 243, 245, 246, 248– 170, 171, 173, 175, 176, 179, 185, 187, 206, 251, 253, 256, 261–263, 265–267, 270–277, 290, 354, 361, 362, 364, 365, 367, 371, 372, 279–281, 288, 291, 292, 295, 297, 300, 350– 377, 378 352, 357, 358, 364, 365, 368, 371, 374, 377– adjectival, 289, 362, 364 379, 396–400, 402–404, 406–408, 411, 417 adverbial, 360, 362, 364, 365, 374 bleeding, 243 basic, 361, 362, 378 constancy, 243 conceptual, 290, 346, 362, 378 information, 243 metaphorical, 357, 360, 361, 364 opponent process theory, 4, 14 radial, 362, 378 trichromacy theory, 4 Subject Index 437 Compatibility fields, 250 space-time continuum, 346 Completion, 42, 367 textural, 365, 370 amodal, 175, 261, 265, 270, 273, 315, 318, Coordinative field, 377 322, 323, 324, 328, 329, 374, 376 Correlate boundary, 127–129, 261, 266, 275, 280, 329 neural, 15–18, 71, 281, 350, 354, 357, 364, mental, 356, 371–373 376 perceptual, 15, 88, 371 physical, 9, 46 phenomenal, 321, 329, 356 psychophysical, 3, 364 subjective, 4, 325, 346, 356, 370, 375 Cues, 8, 15, 17, 27–29, 32–35, 38, 39, 41, 84, Conceptual forms, 162, 174, 176, 179–192, 94, 95, 111, 117, 121, 123, 127–130, 143, 194, 358 178, 182, 188, 202–216, 224–226, 231–235, adaptive requirements, 181 252, 264, 265, 400 evolutionary development, 172, 181, 192, ambiguous, 178, 179 194 combination, 178, 207–215, 218–223, 230– transmodal character, 11, 19, 180, 186, 234 189 depth, 125, 201–206, 209–212, 219, 222, 224, underspecified, 180, 183, 191 225, 234 Conceptualization, 2, 66, 169, 234, 288, 290, integration, 178, 181, 211 346, 350, 370, 372, 373, 374 pictorial, 8, 207–211, 214, 215, 221 anaphora, 355 Curvature, 61, 63–66, 117, 118, 129, 211, 218, metaphorical, 346, 348, 354, 357, 365, 366, 231, 232, 247–250 367, 368, 373, 378 Cytochrome oxidase blobs, 245, 248 primitive of, 367 schematic, 348 Data, 2, 14, 27–29, 31, 32, 35–38, 41, 71, 118, Cones (retinal), 14, 109, 112, 114–125, 127, 120–122, 125, 129, 162, 163, 167, 171, 173, 128, 130–132, 243, 245, 247 174, 176–182, 192, 194, 243–247, 411, 416 Construal, 290, 322, 363 sense, 50, 159, 160, 168, 170, 417 Content, 4, 6, 7, 9, 20, 79, 110, 287, 289, type, 194 323, 337, 345, 346, 367–370, 377, 398, Decorrelation, 109, 110 405, 411 Depth, 11, 12, 14, 16, 19, 120, 121, 124, 125, lexical, 175, 345, 346 130, 143, 144, 145, 147, 162, 163, 180, 189– part, 346, 371 191, 201–236, 243, 253, 254, 261–265, 271, partial, 367–371, 373, 378 273, 276, 279–281, 297, 300, 356, 398, 400, semantic, 29, 287, 345 408 undistributed, 368, 373 absolute, 202, 206, 207, 219–228, 231–235 variable, 363 egocentric, egocentrically scaled, 206, 219, Context, 11, 27, 29, 39, 43, 70, 76, 79, 81, 221–224, 226, 230, 231 84, 85, 94, 95, 97, 100, 110, 149, 161, 187, order, 202, 206, 222 226, 241, 250, 328, 334, 337, 363, 365, 373, qualitative salience, 206 411 ratios, 222 Continuity, 19, 80, 100, 179, 184, 232, 325, relative, 202, 206, 219, 221–227, 231, 235, 335, 360, 373, 377 236 Continuum, 20, 334, 347, 364, 372, 374, 378 relief, 209, 210, 220–223, 230 438 Subject Index Direction, 9, 16, 28, 79–89, 93, 95, 115, 117, Egocentric, 202, 206, 219–227, 230, 231 118, 121, 127, 129, 140, 227, 232, 234, 247, Egocentrically scaled, 206, 223, 224, 226, 203, 249, 252, 266, 288, 293–315, 318, 321, 323, 231 325, 326, 328, 329, 337, 350, 363, 366, 375, Effects, 68, 69, 72, 96, 112, 116, 121, 127, 131, 397 140, 141, 143, 152, 179, 194, 243, 251–254, Dislocation, 355, 374, 376. See also Represen- 261, 262, 265–267, 271, 274, 279, 291, 293– tational momentum; Representational 317, 321, 362, 397, 400–403 gravity; Gestalt illusions flash-lag effect, 140, 355 Distance, 9, 14, 16, 51, 61, 80, 86, 204, 210, Frölich effect, 355 221–236, 243–245, 267–269, 274–277, 310, plastic effect, 204–206, 224–233 350, 351, 354, 370, 372, 373, 403 Eidetic variation, 378 absolute, 222, 224 Elements, 15, 30, 44, 46, 68–70, 72, 79, 86, 87, diffusion, 244, 245 95, 99, 100, 110, 121, 122, 175, 183, 241, egocentric, 202, 206, 222, 223, 225–227, 230, 261, 265, 288, 291–293, 295–297, 301, 305, 231 313, 318, 328, 336, 337, 348, 350, 367–370, Double trill, 377 396, 417 Dynamics, 111, 114, 115, 127, 280, 400, 403, Enactive, 6–8, 20, 206, 233, 235 406 Environment, 4, 15, 18, 32, 37, 45, 66, 79, in art and aesthetics, 83 119, 123, 140, 142, 181, 184, 185, 192, 338, in cognition and mental representation, 75, 351, 361, 396, 404, 411, 416 76, 79, 80, 81–85, 94, 97, 98, 290, 375 Regularities and invariants, 85–87, 89, 97, 100 extrinsic, 76, 81, 83, 84, 85, 90 Ethology, 161, 171, 176, 179, 183, 193 in Gestalt principles, 75, 76–80, 97, 98 Euclidean transformation, 247 as history, 83, 90, 99 Event, 7–9, 12, 45, 131, 151, 153, 180, 247, in human artefacts, 82 288–290, 323, 325, 328, 349, 353, 354, 363, as information, 75, 76, 79–85, 93, 94, 96, 97, 378, 395, 416, 418 99 Evidence, 18, 33, 34, 36–38, 41, 66, 79, 80, 84, intrinsic, 76, 81–83, 90, 91, 288, 346, 348, 99, 112, 115, 123, 142, 149, 151, 160, 171, 359 175, 178, 180, 182, 187, 189, 193, 210, 211, and motor programs, 93, 94 220, 224, 225, 229, 287, 371 in natural forms, 82, 111 Experience error, 12–16 neuronal, 137, 140, 142, 153 Experimental phenomenology, 19, 20, 171, range, 205 289, 290, 318 as simplification, 77–79, 85, 87, 89, 97 Extension, 44, 84, 100, 176, 245, 290, 291, structural, 11, 18, 80–82, 85, 91, 94 350, 361, 362, 371, 376 temporal, 114, 115, 137, 325 External reality, 6, 7, 14, 111, 206 Eye movement, 6, 117, 119, 121–123, 125, Ecological, 4, 6, 204, 206, 338 127, 129, 130, 140 objects, 109 optics, 51, 52 FAÇADE model, 266, 281 physics, 172, 185 Family resemblance, 373 surface, 109 Features, 6, 15, 17, 66–68, 79, 120, 121, 130, Edge detector, 39, 40 140, 142, 144, 162, 171, 175, 177, 178, 180– Subject Index 439 182, 188, 212–214, 216, 217, 266, 287, 289, closure, 73, 87, 270, 292 337, 353, 359, 360, 362, 363, 367, 378 common fate,
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