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Lesbian Body
The Power of the Word: The (Unnameable) Lesbian Body Janne Cleveland It is our fiction that validates us. -- Monique Wittig, The Lesbian Body In the twenty-five years since The Lesbian Body was published in English translation, the question of how to present and represent lesbianism has continued to be a source of challenge, resistance, and more than a little anxiety. Central to this inquiry has been the question of language. What language is adequate to constitute the homosexual woman, the lesbian, without running the risk of devolving into an essentialist critique that does little to advance the project of creating a visible and viable presence? Is it possible to define lesbianism in any meaningful and satisfactory way? From what point, or points, is this even a useful exercise? While embarking on a recent course entitled “Theories of Lesbian Sexuality”, I was struck by the number of scholarly works that continue to refer to Wittig’s work. Regardless of whether the readings had their origin in the 1970s, or the late 1990s, it became clear that Wittig’s The Lesbian Body continues to be a site from which to engage the question of representation. More than a quarter of a century after its initial English publication, Wittig’s novel continues to stimulate debate, and provide an arena in which to explore the difficult terrain of the textual construction of female subjectivity upon which Wittig broke the ground for much feminist critical analysis that has since followed.[1] A close reading of this text reflects a strategic use of language that challenges the reader to consider ways in which to construct the lesbian subject from a body not bound to normative and limiting configurations of masculinist discourse. -
Notes for the Downloaders
NOTES FOR THE DOWNLOADERS: This book is made of different sources. First, we got the scanned pages from fuckyeahradicalliterature.tumblr.com. Second, we cleaned them up and scanned the missing chapters (Entering the Lives of Others and El Mundo Zurdo). Also, we replaced the images for new better ones. Unfortunately, our copy of the book has La Prieta, from El Mundo Zurdo, in a bad quality, so we got it from scribd.com. Be aware it’s the same text but from another edition of the book, so it has other pagination. Enjoy and share it everywhere! Winner0fThe 1986 BEFORECOLTJMBUS FOTJNDATION AMERICANBOOK THIS BRIDGE CALLED MY BACK WRITINGS BY RADICAL WOMEN OF COLOR EDITORS: _ CHERRIE MORAGA GLORIA ANZALDUA FOREWORD: TONI CADE BAMBARA KITCHEN TABLE: Women of Color Press a New York Copyright © 198 L 1983 by Cherrie Moraga and Gloria Anzaldua. All rights reserved. No part of this book may be reproduced without permission in writing from the publisher. Published in the United States by Kitchen Table: Women of Color Press, Post Office Box 908, Latham, New York 12110-0908. Originally published by Peresphone Press, Inc. Watertown, Massachusetts, 1981. Also by Cherrie Moraga Cuentos: Stories by Latinas, ed. with Alma Gomez and Mariana Romo-Carmona. Kitchen Table: Women of Color Press, 1983. Loving in the War Years: Lo Que Nunca Paso Por Sus Labios. South End Press, 1983. Cover and text illustrations by Johnetta Tinker. Cover design by Maria von Brincken. Text design by Pat McGloin. Typeset in Garth Graphic by Serif & Sans, Inc., Boston, Mass. Second Edition Typeset by Susan L. -
An Annotated Bibliography of Books, Dvds, and Internet Resources on LGBTQ/Two- Spirit Native Americans and First Nations People
Page 1 of 20 An Annotated Bibliography of Books, DVDs, and Internet Resources on LGBTQ/Two- Spirit Native Americans and First Nations People Compiled by Peter Brunette. Approved by the GLBTRT Resources Committee. Last revised November 8, 2016. Table of Contents Introduction 2 I. General Nonfiction 4 II. Memoirs 8 III. Literary Anthologies 9 IV. Fiction 10 V. Poetry 11 VI. Drama 14 VII. Films 14 VIII. Internet Resources 16 Index 18 Page 2 of 20 Introduction This bibliography includes resources about gay men, lesbians, bisexuals, transgender persons, and two-spirit persons who identify as Native American in the United States and First Nations people in Canada. The books listed in this bibliography have all been published in print, but some may be available as e-books. The sections of this bibliography contain general nonfiction, memoirs, literary anthologies, novels and short story collections, plays, and films. A section on internet resources, including local two- spirit organizations in the United States and Canada, has also been included. Each book and film has a link to the OCLC WorldCat record where you can discover what libraries hold the item. We plan to update this resource in the future. If you have any suggestions or updates, please contact the GLBTRT Resources Committee. A note on terminology: Indigenous identities are deeply complex, and concepts of gender and sexual diversity have many names. Different tribes and communities have different terms and understandings--for example, winkte (Lakota) and nádleehé (Navajo)--that do not always translate into Eurowestern concepts of sexuality and gender. With these tribal- specific concepts in mind, this resource does not prescribe a universal umbrella term, but offers the inclusive acronym LGBTQ and the contemporary term two-spirit. -
La Nueva Chicana: Women and the Movement
5 La Nueva Chicana: Women and the Movement Rise Up! To Woman Rise up! Rise up to life, to activity, to the beauty of truly living; but rise up radiant and powerful, beautiful with qualities, splendid with virtues, strong with energies.1 1 HIS poem was written not during the heyday of the Chicano Movement, but in 1910 by Tejana socialist labor leader and politi- cal activist Sara Estela Ramirez.2 She would not live to participate in El Primer Congreso Mexicanista held the following year. Ram- irez's ideas, however, would resonate in the words of her com- paneras. Composed of South Texas residents, this Congreso was the first civil rights assembly among Spanish-speaking people in the United States. With delegates representing community organi- zations and interests from both sides of the border, its platform ad- dressed discrimination, land loss, and lynching. Women delegates, such as Jovita Idar, Soldedad Pefia, and Hortensia Moncaya, spoke to the concerns of Tejanos and Mexicanos. Regarding education, Soledad Pena referred to "our duty ... to educate woman; to in- struct her and to ... give her due respect." Out of this congress arose a women's organization, Liga Femenil Mexicanista, and for a short period two sisters Andrea and Teresa Villareal published a newspaper, La Mujer Moderna.3 As the poem shows, strands of feminist ideology or incipient feminist ideology can be located at various junctures in the history Copyright © 2008. Oxford University Press. All rights reserved. May not be reproduced in any form without permission from the publisher, except fair uses permitted under U.S. -
Kol B'mishpachat Elohim
Kol B’mishpachat Elohim All in God’s Family: A Jewish Guide to Creating Allies for Our LGBT Families Kol B’mishpachat Elohim All in God’s Family: A Jewish Guide to Creating Allies for Our LGBT Families By Suzie Schwartz Jacobson, Rabbi Jane Rachel Litman, and Fintan Moore With Catherine Bell, Ru Cymrot-Wu, Barbara Satin, and Vicki Wunsch Kol B’mishpachat Elohim / All in God’s Family: A Jewish Guide to Creating Allies for Our LGBT Families is a publication National Gay and Lesbian Task Force ’s Institute for Welcoming Resources 122 W. Franklin Avenue, Suite 210 Minneapolis, MN 55404 612.821.4397 www.TheTaskForce.org www.WelcomingResources.org in partnership with Keshet COLAGE Family Equality Council 284 Amory Street 1550 Bryant Street, Suite 830 PO Box 206 Jamaica Plain, MA 02130 San Francisco, CA 94103 Boston, MA 02133 617.524.9227 415.861.5437 617.502.8700 www.keshetonline.org www.colage.org www.familyequality.org © 2014 National Gay and Lesbian Task Force’s Institute for Welcoming Resources Kol B’mishpachat Elohim All in God’s Family: A Jewish Guide to Creating Allies for Our LGBT Families is intended to help make your congregation a welcoming place for LGBT families. In addition to this publication, you will need: Documentary In My Shoes: Stories of Youth with LGBT Parents A film by Jen Gilomen, produced by the COLAGE Youth Leadership and Action Program Phototext Exhibit That’s So Gay: Portraits of Youth with LGBT Parents A do-it-yourself exhibit of phototext portraits of children of LGBT parents from the COLAGE Youth Leadership and Action Program The companion resources above are available as free downloads at: www.WelcomingResources.org/resources In addition, we also recommend that participants purchase the book Families Like Mine by Abigail Garner, available at Amazon and other booksellers. -
Books at 2016 05 05 for Website.Xlsx
Australian Lesbian and Gay Archives Book Collection Author or editor last Author or editor first name(s) name(s) Title : sub-title Place of publication Publisher Date Special collection? Fallopian Tube [Antolovich] [Gaby] Fallopian tube : fallopiana Sydney, NSW Pamphlet July, 1974 December, [Antolovich] [Gaby] Fallopian tube : madness Sydney, NSW Fallopian Tube Press 1974 GLBTIQ with cancer Network, Gay Men's It's a real bugger isn't it dear? Stories of Health (AIDS Council of [Beresford (editor)] Marcus different sexuality and cancer Adelaide, SA SA) 2007 [Hutton] (editor) [Marg] Your daughter's at the door [poetry] Melbourne, VIC Panic Press, Melbourne March, 1975 Inequity and hope : a discussion of the current information needs of people living [Multicultural HIV/AIDS with HIV/AIDS from non-English speaking [Multicultural HIV/AIDS November, Service] backgrounds [NSW] Service] 1997 "There's 2 in every classroom" : Addressing the needs of gay, lesbian, bisexual and Australian Capital [2001 from 100 [no author identified] transgender (GLBT) young people Territory Family Planning, ACT yr calendar] 1995 International Year for Tolerance : gay International Year for and lesbian information kit : milestones and Tolerance Australia [no author identified] current issues Melbourne, VIC 1995 1995 [no author identified] About AIDS in the workplace Massachusetts, USA Channing L Bete Co 1988 [no author identified] Abuse in same sex relationships [Melbourne, VIC] not stated n.d. Acquired Immune Deficiency Syndrome : [New York State [no author identified] 100 questions & answers : AIDS New York, NY Department of Health] 1985 AIDS : a time to care, a time to act, towards Australian Government [no author identified] a strategy for Australians Canberra, ACT Publishing Service 1988 Adam Carr And God bless Uncle Harry and his roommate Jack (who we're not supposed to talk about) : cartoons from Christopher [no author identified] Street Magazine New York, NY Avon Books 1978 [no author identified] Apollo 75 : Pix & story, all male [s.l.] s.n. -
Biographies of the Contributors Norma Alarcon Born in Monclova, Coahuila, Mexico and Raised in Chicago
246 Biographies of the Contributors Norma Alarcon Born in Monclova, Coahuila, Mexico and raised in Chicago. Will receive Ph.D. in Hispanic Literatures in 1981 from Indiana University where she is presently employed as Visiting Lecturer in Chicano- Riqueno Studies. Gloria Evangelina Anzaldtia I'm a Tejana Chicana poet, hija de Amalia, Hecate y Yemaya. I am a Libra (Virgo cusp) with VI – The Lovers destiny. One day I will walk through walls, grow wings and fly, but for now I want to play Hermit and write my novel, Andrea. In my spare time I teach, read the Tarot, and doodle in my journal. Barbara M. Cameron Lakota patriot, Hunkpapa, politically non-promiscuous, born with a caul. Will not forget Buffalo Manhattan Hat and Mani. Love Marti, Maxine, Leonie and my family. Still beading a belt for Pat. In love with Robin. Will someday raise chickens in New Mexico. Andrea R. Canaan Born in New Orleans, Louisiana in 1950. Black woman, mother and daughter. Director of Women And Employment which develops and places women on non-traditional jobs. Therapist and counselor to bat- tered women, rape victims, and families in stress. Poetry is major writing expression. Speaker, reader, and community organizer. Black feminist writer. Jo Carrillo Died and born 6000 feet above the sea in Las Vegas, New Mexico. Have never left; will never leave. But for now, I'm living in San Fran- cisco. I'm loving and believing in the land, my extended family (which includes Angie, Mame and B. B. Yawn) and my sisters. Would never consider owning a souvenir chunk of uranium. -
Commentary V2 Proofed FINAL
!1 Sonic autoethnographies: six | records | of | the | listening | self Iain Findlay-Walsh Submitted in fulfilment of the requirements for the degree of PhD Music (Composition) School of Culture and Creative Arts College of Arts University of Glasgow February 2016 !2 Portfolio contents 1. Commentary (including portfolio on USB flash drive) 2. plastic 2 x CD case - corresponding to postface 3. 1 x CD wrapped in packing tape - corresponding to In Posterface: 1 4. 12” art print in PVC sleeve - corresponding to Somehere in 5. removable vinyl sticker - corresponding to _omiting in the changing room !3 Acknowledgements Thanks to Louisa-Jane, Blue and Bon Findlay-Walsh for providing the support and space to develop and complete this work. Thanks to Nick Fells and Martin Parker Dixon, who supervised throughout the project. Thanks to the following for supporting me in this work, providing opportunities to test and present parts of it, and contributing to the ideas and practice. Alasdair Campbell, Clare McFarlane, Tristan Partridge, John Campbell, May Campbell, Ruth Campbell, FK Alexander, Rob Alexander, Nick Anderson, Calum Beith, Rosana Cade, Liam Casey, Martin Cloonan, Lewis Cook, Carlo Cubero, Euan Currie, Anne Danielsen, Neil Davidson, Barry Esson, Stuart Evans, Paul Gallagher, Mark Grimshaw, Louise Harris, Paul Henry, Fielding Hope, Katia Isakoff, Bryony McIntyre, Emily McLaren, Jamie McNeill, Rickie McNeill, Felipe Otondo, Dale Perkins, Emily Roff, Calum Scott, Toby Seay, Sam Smith, Craig Tannoch, Rupert Till, Fritz Welch, Simon Zagorski-Thomas. !4 Abstract This commentary accompanies a portfolio of pieces which combine soundscape composition and record production methods with aspects of autoethnographic practice. This work constitutes embodied research into relations between everyday auditory experience, music production and reception, and selfhood. -
For DTP Use Only\Desktop Finals
No. In the Supreme Court of the United States FEDERAL COMMUNICATIONS COMMISSION AND UNITED STATES OF AMERICA, PETITIONERS v. CBS CORPORATION, CBS BROADCASTING, INC., CBS TELEVISION STATIONS, INC., CBS STATIONS GROUP OF TEXAS L.P., AND KUTV HOLDINGS, INC. ON PETITION FOR A WRIT OF CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE THIRD CIRCUIT PETITION FOR A WRIT OF CERTIORARI GREGORY G. GARRE Solicitor General Counsel of Record GREGORY G. KATSAS Assistant Attorney General MALCOLM L. STEWART MATTHEW B. BERRY Deputy Solicitor General General Counsel ERIC D. MILLER JOSEPH R. PALMORE Assistant to the Solicitor Deputy General Counsel General JACOB M. LEWIS THOMAS M. BONDY Associate General Counsel Attorney Federal Communications Department of Justice Commission Washington, D.C. 20530-0001 Washington, D.C. 20554 (202) 514-2217 QUESTION PRESENTED Whether the court of appeals erred in holding that the Federal Communications Commission acted arbi- trarily and capriciously under the Administrative Pro- cedure Act, 5 U.S.C. 551 et seq., in determining that the most widely viewed broadcast of public nudity in televis- ion history fell within the federal prohibitions on broad- cast indecency. (I) TABLE OF CONTENTS Page Opinions below........................................ 1 Jurisdiction........................................... 2 Statutes and regulations involved........................ 2 Statement............................................ 2 Reasons for granting the petition....................... 13 A. The decision below is inconsistent with settled principles of deference to an agency’s reasonable interpretation of its own precedent ................ 14 B. The petition should be held pending this Court’s decision in Fox and disposed of as appropriate in light of that decision............................. 21 Conclusion .......................................... 24 Appendix A – Court of appeals opinion (July 21, 2008, as amended on Aug. -
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan
The Politics of Difference and Authenticity in the Practice of Okinawan Dance and Music in Osaka, Japan by Sumi Cho A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2014 Doctoral Committee: Professor Jennifer E. Robertson, Chair Professor Kelly Askew Professor Gillian Feeley-Harnik Professor Markus Nornes © Sumi Cho All rights reserved 2014 For My Family ii Acknowledgments First of all, I would like to thank my advisor and dissertation chair, Professor Jennifer Robertson for her guidance, patience, and feedback throughout my long years as a PhD student. Her firm but caring guidance led me through hard times, and made this project see its completion. Her knowledge, professionalism, devotion, and insights have always been inspirations for me, which I hope I can emulate in my own work and teaching in the future. I also would like to thank Professors Gillian Feeley-Harnik and Kelly Askew for their academic and personal support for many years; they understood my challenges in creating a balance between family and work, and shared many insights from their firsthand experiences. I also thank Gillian for her constant and detailed writing advice through several semesters in her ethnolab workshop. I also am grateful to Professor Abé Markus Nornes for insightful comments and warm encouragement during my writing process. I appreciate teaching from professors Bruce Mannheim, the late Fernando Coronil, Damani Partridge, Gayle Rubin, Miriam Ticktin, Tom Trautmann, and Russell Bernard during my coursework period, which helped my research project to take shape in various ways. -
From Here to Queer: Radical Feminism, Postmodernism, and The
From Here to Queer: Radical Feminism, Postmodernism, and the Lesbian Menace (Or, Why Can't a Woman Be More like a Fag?) Author(s): Suzanna Danuta Walters Source: Signs, Vol. 21, No. 4, Feminist Theory and Practice (Summer, 1996), pp. 830-869 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3175026 . Accessed: 24/06/2014 17:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org This content downloaded from 199.79.170.81 on Tue, 24 Jun 2014 17:21:49 PM All use subject to JSTOR Terms and Conditions FromHere to Queer: Radical Feminism,Postmodernism, and the Lesbian Menace (Or, WhyCan't a Woman Be More Like a Fag?) Suzanna Danuta Walters Queer defined (NOT!) A LREADY, IN THIS OPENING, I am treadingon thin ice: how to definethat which exclaims-with postmodern cool-its absoluteundefinability? We maybe here(and we may be queer and not going shopping),but we are certainlynot transparentor easily available to anyone outside the realm of homo cognoscenti.Yet definitions,even of the tentativesort, are importantif we are to push forwardthis new discourseand debate meaningfullyits parameters. -
Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith