Preliminary Investigation of Available Acreage for Project Winter
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Walt Disney and Animation
Name: _________________________ Walt Disney and Animation Directions: Read the passage and answer the questions. Fascinating facts about Walt Disney, Inventor of the Multiplane Camera in 1936. From http://www.ideafinder.com/history/inventors/disney.htm AT A GLANCE: Walt Disney, inventor of the multiplane camera in 1936, is a legend and a folk hero of the 20th century. His worldwide popularity is based upon the ideas his name represents: imagination, optimism, and self-made success in the American tradition. Through his work he brought joy, happiness, and a universal means of communication. Inventor: Walter Elias Disney Criteria: First to invent. First to patent. Entrepreneur.. Birth: December 5, 1901 in Chicago, Illinois. Death: December 16, 1966 Nationality: American Invention: Multiplane Camera in 1936 Function: noun / still frame motion picture camera Definition: Disney’s invention of the multiplane camera brought better looking, richer animation and in 1937, Snow White and the Seven Dwarfs was the first full-length animated film to use the camera. Patent: 2,201,689 (US) issued May 21, 1940 Milestones: 1923 An aspiring cartoonist leaves for Hollywood 1924 Partnered with older brother Roy, and the Disney Brothers Cartoon Studio was officially born. 1928 First Mickey Mouse sound cartoon "Steamboat Willie" released on November 18, in New York. 1930 Mickey made his debut merchandising appearance on pencil tablets, books and comic strips 1936 Walt invents Multiplane Camera to improve the filming quality of his first picture film. 1937 First full-length animated film "Snow White and the Seven Dwarfs" was released. 1954 "Disneyland" anthology series premiered on network television. -
Chapter Template
Copyright by Colleen Leigh Montgomery 2017 THE DISSERTATION COMMITTEE FOR COLLEEN LEIGH MONTGOMERY CERTIFIES THAT THIS IS THE APPROVED VERSION OF THE FOLLOWING DISSERTATION: ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION Committee: Thomas Schatz, Supervisor James Buhler, Co-Supervisor Caroline Frick Daniel Goldmark Jeff Smith Janet Staiger ANIMATING THE VOICE: AN INDUSTRIAL ANALYSIS OF VOCAL PERFORMANCE IN DISNEY AND PIXAR FEATURE ANIMATION by COLLEEN LEIGH MONTGOMERY DISSERTATION Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY THE UNIVERSITY OF TEXAS AT AUSTIN AUGUST 2017 Dedication To Dash and Magnus, who animate my life with so much joy. Acknowledgements This project would not have been possible without the invaluable support, patience, and guidance of my co-supervisors, Thomas Schatz and James Buhler, and my committee members, Caroline Frick, Daniel Goldmark, Jeff Smith, and Janet Staiger, who went above and beyond to see this project through to completion. I am humbled to have to had the opportunity to work with such an incredible group of academics whom I respect and admire. Thank you for so generously lending your time and expertise to this project—your whose scholarship, mentorship, and insights have immeasurably benefitted my work. I am also greatly indebted to Lisa Coulthard, who not only introduced me to the field of film sound studies and inspired me to pursue my intellectual interests but has also been an unwavering champion of my research for the past decade. -
Walt Disney Productions Sunday, April 9, 1978
• ·I - ~ • • \ t .' .I • A Tribute to Walt Disney Productions Sunday, April 9, 1978 · Delta Kappa·Aipha's - ~ 39th. Annual Awards Banquet Delta Kappa Alpha National H onorary Cin~ma Fraternity Di<11ision of Cintma UNIV ERSITY oF SouTHERN CALIFORNIA SCHOOL OF PERFORMING ARTS UNIVERSI1Y PARK March 31, 1978 Los ANG!LES, CALIFORNIA 90007 DKA Honoraries folie A..odrewa J'red Astaire Greetings: Lucille Ball !..uc:ieo Ballard AnoeButer On behalf of the Alpha Chapter of Delta Kappa Alpha, Richard Brooks tvrwt~~·~,e the National Honorary Cinema Fraternity, I wish to Staole1 CA>nn extend my warmest welcome to you on the occasion ?.":~.;.."::11 of our thirty-ninth Annual Awards Banqu7t. Delmer Daves ~eb~~eo Allan Dwao The fraternity was established in 1937 and is Blue Edwardo Rudr Fehr dedicated to the furthering of the film arts and to s,lviA Fil>e jobo Flof1 the promotion of better rela~ions between the Glena Ford Ckne Fowler academic and practicing members of the industry, Marjorie Fowler both theatrical and non-thea·trical. Our Greek ~~.<:l.::re Lre Gai"'DtS letters symbolize the Dramatic, Kinematic and GreerGanoo lobo Green Aesthetic aspects of film. Coorad Hall Henry Hathaway Howard Ha"b Edith Head Of our yearly activities, the Banquet is one of A II red Hitchcod< Wilton Holm the most gratifying. It gives us the opportunity Ro. Huorer to recognize the truly talented people in the in I:!::O'::Jc!iton dustry, people who direct its future. ~~~~{;•es Sc:anlg Kiamer l.;~I'V1~1 This year we feel that the honorees are most Sol Lnter Rouben Mamoul iao worthy of such distinction for their tremendous Walter ~htthau Steve Mc:Queto contribution to the art of animation. -
The Walt Disney Company: a Corporate Strategy Analysis
Walt Disney Company: A Corporate Strategy Analysis Carlos Carillo Jeremy Crumley Kendree ftieringer Jeffrey S. Harrison . The Walt Disney Company: A Corporate Strategy Analysis November 2012 "Walt was never afraid to dream. That song from Pinocchio, 'When You Wish Upon a Star,' is the perfect summary of Walt's approach to life: dream big dreams, even hopelessly impossible dreams, because they really can come true. Sure, it takes work, focus and perseverance. But anything is possible. Walt proved it with the impossible things he accomplished."1 It is well documented that Walt Disney had big dreams and made several large gambles to propel his visions. From the creation of Steamboat Willie in 1928 to the first color feature film, “Snow White and the Seven Dwarves” in 1937, and the creation of Disneyland in Anaheim, CA during the 1950’s, Disney risked his personal assets as well as his studio to build a reality from his dreams. While Walt Disney passed away in the mid 1960’s, his quote, “If you can dream it, you can do it,”2 still resonates in the corporate world and operations of The Walt Disney Company. COMPANY HISTORY The Walt Disney Company (“Disney”) originated with its animated characters and expanded into other adjacent businesses with the goal of bringing happiness to families via several different, but related avenues. In October 1923, Walter (“Walt”) and Roy Disney established the Disney Brothers Studio and began creating animated films that would eventually be the foundation of Disney3. In 1937, Disney created Snow White and the Seven Dwarfs. This film is the only animated film to rank in the American Film Institute’s list of the 100 greatest American Films of all time.4 In 1955, Disney opened its first theme park, Disneyland, in Anaheim, California, that spanned over 160 acres. -
Usch Emotion
Delta Kappa Alpha ALPHA CHAPTER NEWS- LETTER FOUNDED 1936 UNIVERSITY OF SOUTHERN CALIFORNIA FALL 1978 Steven Spielberg Given Associate Membership so much, we're capturing emotion. It's very hard to visualize by Peter Pampusch emotion. To m_ake light ~ffervescent and moving and making you On the evening of Wednesday, October 4th, writer-director :vant to walk m!o the light as opposed to running away from Steven Spielberg was the featured guest at a DKA-sponsored 1t .. .We expenmented. Close Encounters is literally an experi mental film." seminar held in. Norris Cinema Theater. Spielberg answered ques tions from moderator Michelle Manning and the near-capacity Spielberg talked about Cary .Guffey, the four year old co-star of Close Encounters; "He has to grow up. I wish he wouldn't. audience, which onsisted of DKA members, their guests, and students in advance·a cinema production courses. Clips from all of He's very special. .. He was chosen at the very last moment. At the very last moment of production he showed up, almost like he Spielberg's films, fro'\n A mblin ', a 35mm short film, to the current dropped out of the sky. It was very strange." Clos_e Encounters of ,the Third Kind, were screened during the Spielberg said that one filmmaker with a great influence on him semmar. was animator Chuck Jones. "His cartoons have had a great influence " When ~s_ked about his cinema school experiences, Spielberg said, on me .. I've known who Chuck Jones was ever since I was a My amb1t1on was to go t:o U.S.C., but I couldn't get in, my grades kid . -
Twenty Years of Disney Vacation Club®
Winter2011 Volume20 Number4 TWENTY YEARS OF DISNEY VACATION CLUB® I know what you’re thinking. Crush and Dory on a holiday cover? Is the art director confused? I can assure you that (1) there’s a perfectly reasonable explanation and (2) our art director is no more confused than usual. Our Disney∙Pixar pals are simply here to deliver good tidings (to you and your kin), along with some encouraging news about sea turtles. I sat down with Dr. Anne Savage, Senior Conservation Biologist for Disney’s Animal Programs, to discuss evidence that Members’ Vol. 20 • No. 4 support of sea turtle conservation efforts at Disney’s Vero Beach Resort may be paying off for our fine flippered friends (pages 3-4). Disney Files Magazine More good tidings arrive in the form of a rare look into the secret Disney Vacation Club world of Walt Disney World Holiday Services (pages 5-6), the massive P.O. Box 10350 Theme Park decorating operation we were asked to explore by Disney Lake Buena Vista, FL 32830 Vacation Club Facebook fans (www.Facebook.com/DisneyVacationClub). Moving on to our Disney Community section, we’ve condensed two decades of Disney Vacation Club history into two pages of magazine space (pages 7-8), All dates, times, events and prices squeezing highlights like Santa’s waistline through a chimney. printed herein are subject to We must’ve enjoyed the tight squeeze, as we did it again on pages 15-16, this time change without notice. (Every time gathering news and notes from throughout our Disney Vacation Club community. -
They All Trust Mickey Mouse": Showcasing American Capitalism in Disney Theme Parks
InMedia The French Journal of Media Studies 7.1. | 2018 Visualizing Consumer Culture “They All Trust Mickey Mouse": Showcasing American Capitalism in Disney Theme Parks Thibaut Clément Electronic version URL: http://journals.openedition.org/inmedia/1021 DOI: 10.4000/inmedia.1021 ISSN: 2259-4728 Publisher Center for Research on the English-Speaking World (CREW) Electronic reference Thibaut Clément, « “They All Trust Mickey Mouse": Showcasing American Capitalism in Disney Theme Parks », InMedia [Online], 7.1. | 2018, Online since 20 December 2018, connection on 08 September 2020. URL : http://journals.openedition.org/inmedia/1021 ; DOI : https://doi.org/10.4000/inmedia. 1021 This text was automatically generated on 8 September 2020. © InMedia “They All Trust Mickey Mouse": Showcasing American Capitalism in Disney Theme... 1 “They All Trust Mickey Mouse": Showcasing American Capitalism in Disney Theme Parks Thibaut Clément 1 In the mid-1950s, and only a few months apart, the United States witnessed two seemingly unrelated developments that were to exert a strong influence on the future of the country’s retail industry. Disneyland, the first theme park ever built, opened on July 17, 1955, in Anaheim, 20 miles south of Los Angeles. The Southdale Shopping Center – the world’s first fully enclosed shopping mall – followed soon after on October 8, 1956, at Medina, in Minnesota’s Twin Cities area. While serving apparently distinct purposes, both addressed new conditions in post-World War II America: the slow decay of downtowns, the need for family-friendly meeting places for middle-class suburbanites, not to mention the rise of shopping and consumption as a leisure activity in its own right. -
Enjoy the Magic of Walt Disney World All Year Long with Celebrations Magazine! Receive 6 Issues for $29.99* (Save More Than 15% Off the Cover Price!) *U.S
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: “A World of Fantasy”, photo by Tim Devine Issue 9 Fantasyland: 42 Contents Yesterday., Today and Letters ..........................................................................................6 Tomorrow Calendar of Events ............................................................ 8 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic by Tim Foster............................................................................16 Space Mountain: Explorer Emporium by Lou Mongello .....................................................................18 Blasting Off to the 50 Hidden Mickeys by Steve Barrett .....................................................................20 Future Photography Tips & Tricks by Tim Devine .........................................................................22 Pin Trading & Collecting by John Rick .............................................................................24 -
Celebrations-Issue-6-DV93756.Pdf
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 6 issues for $29.99* (save more than 15% off the cover price!) *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. To subscribe to Celebrations magazine, clip or copy the coupon below. Send check or money order for $29.99 to: YES! Celebrations Press Please send me 6 issues of PO Box 584 Celebrations magazine Uwchland, PA 19480 Name Confirmation email address Address City State Zip You can also subscribe online at www.celebrationspress.com. On the Cover: Journey Through Adventureland, photo by Tim Foster Volume 1 • Number 6 Adventureland: 44 Contents Journey Into Letters ..........................................................................................6 the Unknown Calendar of Events .............................................................9 Disney News & Updates................................................10 MOUSE VIEWS ......................................................... 15 Guide to the Magic by Tim Foster............................................................................16 Discovery Island Explorer Emporium by Lou Mongello .....................................................................18 52 Hidden Mickeys by Steve Barrett .....................................................................20 Disney Style by Cara Goldsbury................................................................22 Photography Tips & Tricks by Tim Devine .........................................................................24 -
Entrepreneurship the Disney Way
ENTREPRENEURSHIP THE DISNEY WAY BY MICHAEL G. GOLDSBY AND ROB MATHEWS Contents Figure I.1 Entrepreneurial Leadership Instrument 3 Figure I.2 Entrepreneurial Leadership Sample 4 Figure I.3 Entrepreneurial Leadership Profile 5 Figure I.4 What the ELI Measures 6 Figure I.5 Entrepreneurial Leadership Styles 7 Figure I.6 Entrepreneurial Leadership Style: Artist 8 Figure I.7 Entrepreneurial Leadership Style: Scientist 9 Figure I.8 Entrepreneurial Leadership Style: Builder 10 Figure I.9 Entrepreneurial Leadership Style: 11 Evangelist Figure 1.1 Entrepreneurial Leadership Style: Artist 12 Figure 2.1 Entrepreneurial Leadership Style: Scientist 13 Figure 3.1 Entrepreneurial Leadership Style: Builder 14 Figure 4.1 Entrepreneurial Leadership Style: 15 Evangelist Figure 5.1 Disney Leadership Timeline 16 Figure 5.2 Roy O. Disney: Builder 17 Figure 5.3 Roy E. Disney: Artist With Just Enough 18 Evangelist Figure 5.4 Michael Eisner: Artist With Just Enough 19 Evangelist Figure 5.5 Bob Iger: Builder With a Touch of 20 Scientist Figure 5.6 The Next CEO: What Is Needed? 21 Evangelist With Just Enough Artist? Figure 6.1 Disney Parks & Resorts Success Model 22 Figure 6.2 Leading Chaordic Tension at Disney 23 EVANGELIST ARTIST BUILDER SCIENTIST This inventory is designed to describe your entrepreneurial leadership style. The aim is to describe how you lead entrepreneurial ventures, not to evaluate leadership abilities. Instructions: In each horizontal set assign a 4 to the word which best characterizes your approach to the world, a 3 to the word which next best characterizes your approach to the world, a 2 to the next characteristic word, and a 1 to the word which is least characteristic of your approach to the world. -
"Messing with the Mouse": Copyright, Parody and The
"MESSING WITH THE MOUSE": COPYRIGHT, PARODY AND THE COUNTERCULTURAL WARS IN WALT DISNEY V. THE AIR PIRATES by TERENCE CHUA (Under the Direction of Peter Hoffer) ABSTRACT In 1971, Disney sued a group of underground comic artists calling themselves the Air Pirates, who published two comics portraying Walt Disney characters in sex and drug-related situations. The resulting case lasted 8 years and ended in a settlement where both sides claimed victory. This thesis uses the case to examine the development of the law of copyright and parody as a defense and demonstrate that the court tends to rule against the parodist if the work is offensive or obscene, although these are irrelevant concerns. It also examines the case itself and the cultural and personal forces motivating the parody. INDEX WORDS: Walt Disney, Air Pirates, Dan O'Neill, counterculture, copyright infringement, parody, fair use, underground comics "MESSING WITH THE MOUSE": COPYRIGHT, PARODY AND THE COUNTERCULTURAL WARS IN WALT DISNEY V. THE AIR PIRATES by TERENCE CHUA LL.B. (Hons), Queen Mary College, University of London, United Kingdom, 1994 Diploma in Singapore Law, National University of Singapore, Singapore, 1995 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Terence Chua All Rights Reserved "MESSING WITH THE MOUSE": COPYRIGHT, PARODY AND THE COUNTERCULTURAL WARS IN WALT DISNEY V. THE AIR PIRATES by TERENCE CHUA Major Professor: Peter Hoffer Committee: Laura Mason David Shipley Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2005 iv DEDICATION To my family, both blood and chosen, for their love, faith and support. -
注 まえがき (1)Bill Burnett, “Walt Disney Is Frozen: He'll Be Back in 1975,” National Spotlite, N.D., Walt Disney
注 まえがき (1)Bill Burnett, “Walt Disney Is Frozen: He’ll Be Back in 1975,” National Spotlite, n.d., Walt Disney Archive, Burbank, Calif. (hereinafter WDA). (2)Pierre Grillet, “Disney In Deep Freeze Awaiting Resurrection,” National Tattler, Jun. ?, 1969, WDA. (3)Frank Cusimano, “Walt Disney Is Being Kept Alive in Deep Freeze,” Midnight, Oct. 4, 1971, WDA. (4)Robert Hughes, “Disney: Mousebrow to Highbrow,” Time, Oct. 15, 1973, p. 91. (5)Quoted in Randy Bright, Disneyland: The Inside Story (New York: Harry N. Abrams, 1987), p. 29. (6)Peter Blake, “The Lessons of the Parks,” in Christopher Finch, The Art of Walt Disney: From Mickey Mouse to the Magic Kingdom, rev. ed. (New York: Harry N. Abrams, 1993). (7) Robert Hughes, “Disney: Mousebrow to Highbrow,” Time, Oct. 15, 1973. (8)John Gardner, “Saint Walt: The Greatest Artist the World Has Ever Known, Except for Possibly, Apollonius of Rhodes,” New York, Nov. 12, 1973, p. 68. (9)Robert D. Feild, The Art of Walt Disney (New York: Macmillan, 1942), p. 23. (10)John Bright, “Disney’s Fantasy Empire,” Nation Mar. 6, 1967. (11)Art Babbitt quoted in Leonard Mosley, Disney’s World: A Biography (New York: Stein & Day, 1985), p. 204. (12)Richard Schickel, The Disney Version: The Life, Times, Art and Commerce of Walt Disney, 3rd ed. (1968; reprint Chicago: Elephant Paperbacks, 1997), p. 339. (13) John Gardner, “Saint Walt: The Greatest Artist the World Has Ever Known, Except for Possibly, Apollonius of Rhodes,” New York, Nov. 12, 1973, p. 64. (14)Max Apple, “Uncle Walt,” Esquire, Dec. 1983, p.