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Summer 2017 • Volume 26 • Number 2
sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain). -
3) Indiana Jones Proof
CHAPTER EIGHT Hollywood vs. History In my frst semester of graduate school, every student in my program was required to choose a research topic. It had to be related in some way to modern Chinese history, our chosen course of study. I didn’t know much about China back then, but I did know this: if I chose a boring topic, my life would be miserable. So I came up with a plan. I would try to think of the most exciting thing in the world, then look for its historical counterpart in China. My little brainstorm lasted less than thirty seconds, for the answer was obvious: Indiana Jones. To a white, twenty-something-year-old male from American sub- urbia, few things were more exciting in life than the thought of the man with the bullwhip. To watch the flms was to expe- rience a rush of boyish adrenaline every time. Somehow, I was determined to carry that adrenaline over into my research. On the assumption that there were no Chinese counterparts to Indiana Jones, I posed the only question that seemed likely to yield an answer: How did the Chinese react to the foreign archaeologists who took antiquities from their lands? Te answer to that question proved far more complex than I ever could have imagined. I was so stunned by what I discov- ered in China that I decided to read everything I could about Western expeditions in the rest of the world, in order to see how they compared to the situation in China. Tis book is the result. -
The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Disneyland Paris Review by Joan Finder
Disneyland Paris Review By Joan Finder It’s a Magical Morning and I am walking down Main Street USA! Yes, there is City Hall and the Emporium, but why does the hat shop say Chapeaux? Oh well, straight ahead, there it is…. The castle! But somehow it seems a brighter pink and a bit taller. And now the counter service cast member is handing me…. a croque monsieur and café au lait? This IS Disneyland, isn’t it? Yes, it must be—because there he is: Mickey Mouse himself with his wide grin, saying … “Bon Jour”?!? Is this a dream? No, it’s a dream-come-true! I am an American in Paris—Disneyland Paris! I never thought it was possible that a park could be even more beautiful than Magic Kingdom at Walt Disney World, or Walt’s original Disneyland CA, but Disneyland Paris achieves it. The details and the colors are just breathtaking, especially the pinks and blues reminiscent of the Impressionist Art for which Paris is known. Walking up MainStreet USA, which feels comfortingly familiar and yet teasingly strange at the same time, the castle doesn't appear much different than the Walt Disney World castle, until you walk around to the side and see the huge hill, boxed trees, waterfalls and lawns leading up to it. Plus, it even has a sleeping dragon in the cave below who wakes and breathes smoke! And if you go up the stairs, you can read the story of La Belle Au Bois Dormant , in French, of course, or just follow the tale of the Sleeping Beauty through a series of shining stained glass windows and elegant tapestries. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Cineyouth 2021 Film Selection
The 2021 CineYouth Programs and Film Selection The Cinemas of Chicago (Opening Night) Our city has proven once again to be fertile ground for filmmakers to find sources of creative self-expression, and these shorts are a mere sample of what the future holds for Chicago cinema. RAICES Andres Aurelio | Chicago/Mexico | Age 21 Reflecting on his passion for gardening, a man finds the source of this infatuation in Mexico. Now living in the United States, he seeks to plant his pride from the Mexico family garden into his new one. Love Stories Elizabeth Myles | Chicago | Age 21 Unique love stories are touchingly explored from multiple perspectives through experimental animation of archival personal photographs, investigating what it means to love in this world. Miniature Vacation Samantha Ocampo | Chicago| Age 16 In this visual adaptation of her own poem, filmmaker Samantha Ocampo reveals the little local things she appreciates in her life that help her escape the day-to-day banality. The Wolf Comes at Night Nathan Marquez | Chicago | Age 22 An ominous presence comes from out of the darkness, terrorizing a cattle farm where a frightened grandfather and his grandchildren are trying to protect themselves and the farm. Face Me Ty Yamamoto | Chicago | Age 21 This provocative look into Hollywood's history examines the use of yellowface and its continued impact on the Asian-American community by projecting media onto the faces of the younger generation. De Sol a Sol Shira Baron | Chicago | Age 21 On warm summer days you can find Abraham and Ricardo selling ice cream along the Chicago lakefront, but a new perspective offers a glimpse into the often harrowing experiences of ice cream men. -
Ultimate Character Day Data
Different Posted In Wait & Total Costumes Unique Queues Character Location Wait Queue Completed Interaction 1 1 1 Tigger Magic Kingdom Crystal Palace 8:19 2 2 2 Piglet Magic Kingdom Crystal Palace 8:30 3 3 3 Eyeore Magic Kingdom Crystal Palace 8:53 4 4 4 1 Rapunzel Magic Kingdom City Hall 8:57 9:22 25 5 5 5 2 Snow White Magic Kingdom Town Square 9:24 9:24 0 6 6 6 3 Mary Poppins Magic Kingdom Town Square 9:26 9:26 0 7 7 7 4 Aladdin Magic Kingdom Agrabah 9:29 9:49 20 8 8 8 Jasmine Magic Kingdom Agrabah 9 9 9 5 Ariel Magic Kingdom Verandah 9:51 10:15 24 10 10 10 Prince Eric Magic Kingdom Verandah 11 11 11 6 Peter Pan Magic Kingdom Adventureland 10:16 10:24 8 12 12 12 7 Anastasia Magic Kingdom Castle 10:26 10:31 5 13 13 13 Drisella Magic Kingdom Castle 14 14 14 Lady Tremaine Magic Kingdom Castle 15 15 15 8 Alice Magic Kingdom Mad Tea Party 10:33 10:42 9 16 16 16 White Rabbit Magic Kingdom Mad Tea Party 17 17 17 9 Fairy God Mother Magic Kingdom Castle 10:44 10:56 12 18 18 18 10 Donald - Davy Crocket Magic Kingdom Frontierland 10:59 11:02 3 19 19 19 11 Goofy - Pirate Magic Kingdom POTC 11:05 11:10 5 20 20 20 12 Stitch Magic Kingdom Tomorrowland 11:19 11:20 1 21 21 21 13 Chip - Spaceman Magic Kingdom Tomorrowland 11:21 11:28 7 22 22 22 Dale - Spaceman Magic Kingdom Tomorrowland 23 23 23 14 Dug Animal Kingdom It's Tough To Be a Bug 12:19 12:33 14 24 24 24 Russell Animal Kingdom It's Tough To Be a Bug 25 25 15 Donald - Safari Animal Kingdom Camp MM 12:39 12:44 5 26 26 16 Goofy - Safari Animal Kingdom Camp MM 12:44 12:49 5 27 27 25 17 Minnie - -
Why No Wonder Woman?
Why No Wonder Woman? A REPORT ON THE HISTORY OF WONDER WOMAN AND A CALL TO ACTION!! Created for Wonder Woman Fans Everywhere Introduction by Jacki Zehner with Report Written by Laura Moore April 15th, 2013 Wonder Woman - p. 2 April 15th, 2013 AN INTRODUCTION AND FRAMING “The destiny of the world is determined less by battles that are lost and won than by the stories it loves and believes in” – Harold Goddard. I believe in the story of Wonder Woman. I always have. Not the literal baby being made from clay story, but the metaphorical one. I believe in a story where a woman is the hero and not the victim. I believe in a story where a woman is strong and not weak. Where a woman can fall in love with a man, but she doesnʼt need a man. Where a woman can stand on her own two feet. And above all else, I believe in a story where a woman has superpowers that she uses to help others, and yes, I believe that a woman can help save the world. “Wonder Woman was created as a distinctly feminist role model whose mission was to bring the Amazon ideals of love, peace, and sexual equality to ʻa world torn by the hatred of men.ʼ”1 While the story of Wonder Woman began back in 1941, I did not discover her until much later, and my introduction didnʼt come at the hands of comic books. Instead, when I was a little girl I used to watch the television show starring Lynda Carter, and the animated television series, Super Friends. -
Walt Disney and Animation
Name: _________________________ Walt Disney and Animation Directions: Read the passage and answer the questions. Fascinating facts about Walt Disney, Inventor of the Multiplane Camera in 1936. From http://www.ideafinder.com/history/inventors/disney.htm AT A GLANCE: Walt Disney, inventor of the multiplane camera in 1936, is a legend and a folk hero of the 20th century. His worldwide popularity is based upon the ideas his name represents: imagination, optimism, and self-made success in the American tradition. Through his work he brought joy, happiness, and a universal means of communication. Inventor: Walter Elias Disney Criteria: First to invent. First to patent. Entrepreneur.. Birth: December 5, 1901 in Chicago, Illinois. Death: December 16, 1966 Nationality: American Invention: Multiplane Camera in 1936 Function: noun / still frame motion picture camera Definition: Disney’s invention of the multiplane camera brought better looking, richer animation and in 1937, Snow White and the Seven Dwarfs was the first full-length animated film to use the camera. Patent: 2,201,689 (US) issued May 21, 1940 Milestones: 1923 An aspiring cartoonist leaves for Hollywood 1924 Partnered with older brother Roy, and the Disney Brothers Cartoon Studio was officially born. 1928 First Mickey Mouse sound cartoon "Steamboat Willie" released on November 18, in New York. 1930 Mickey made his debut merchandising appearance on pencil tablets, books and comic strips 1936 Walt invents Multiplane Camera to improve the filming quality of his first picture film. 1937 First full-length animated film "Snow White and the Seven Dwarfs" was released. 1954 "Disneyland" anthology series premiered on network television. -
Mickey Mouse Bingo Instructions
Mickey Mouse Bingo Instructions Host Instructions: · Decide when to start and select your goal(s) · Designate a judge to announce events · Cross off events from the list below when announced Goals: · First to get any line (up, down, left, right, diagonally) · First to get any 2 lines · First to get the four corners · First to get two diagonal lines through the middle (an "X") · First to get all squares (a "coverall") Guest Instructions: · Check off events on your card as the judge announces them · If you satisfy a goal, announce "BINGO!". You've won! · The judge decides in the case of disputes This is an alphabetical list of all 25 events: 101 DALMATIANS, ALADDIN, ANNA, ARIEL, BELLA, CHIP AND DALE, CINDERELLA, DAISY DUCK, DONALD DUCK, GOOFY, HUEY DEWEY AND LOUIE, JASMINE, JIMINY CRICKET, LILO, MAX GOOF, MICKEY MOUSE, MINNIE MOUSE, MOANA, MORTIMER MOUSE, MULAN, OLAF, PLUTO, PUMBAA, STITCH, TIMON. BuzzBuzzBingo.com · Create, Download, Print, Play, BINGO! · Copyright © 2003-2021 · All rights reserved Mickey Mouse Bingo Call Sheet This is a randomized list of all 25 bingo events in square format that you can mark off in order, choose from randomly, or cut up to pull from a hat: MINNIE LILO TIMON JASMINE MULAN MOUSE HUEY CHIP DEWEY MICKEY AND ANNA PUMBAA AND MOUSE DALE LOUIE 101 JIMINY DONALD DAISY GOOFY DALMATIANS CRICKET DUCK DUCK MAX MOANA PLUTO OLAF BELLA GOOF MORTIMER ALADDIN ARIEL STITCH CINDERELLA MOUSE BuzzBuzzBingo.com · Create, Download, Print, Play, BINGO! · Copyright © 2003-2021 · All rights reserved B I N G O HUEY MAX DEWEY MOANA ALADDIN OLAF GOOF AND LOUIE 101 TIMON LILO ARIEL BELLA DALMATIANS MICKEY CINDERELLA PUMBAA FREE STITCH MOUSE CHIP MINNIE JIMINY JASMINE MULAN AND MOUSE CRICKET DALE DONALD DAISY MORTIMER ANNA GOOFY DUCK DUCK MOUSE This bingo card was created randomly from a total of 25 events. -
Children's DVD Titles (Including Parent Collection)
Children’s DVD Titles (including Parent Collection) - as of July 2017 NRA ABC monsters, volume 1: Meet the ABC monsters NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) PG A.C.O.R.N.S: Operation crack down (CC) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 PG Adventure planet (CC) TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) TV-G Adventures in babysitting (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Top gear trucks TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Ichabod and Mr. Toad (2014) (SDH) G The adventures of Milo and Otis (CC) PG The adventures of Panda Warrior (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with -
Jim Schlenker Art Direction, Set Design, Visual Development
Jim Schlenker Art Direction, Set Design, Visual Development Represented By Ellen Ann Mersereau, Esq. [email protected] 323-461-3316 JimSchlenker.com [email protected] 626 755-5077 IMDb Linkedin Education Art Center College of Design Pasadena, California BFA, Illustration 2017_2020 DreamWorks Animation Art Director: Where’s Waldo 2015- 2017 Walt Disney Television Animation Location Designer: Tangled, Big Hero 6 2014-2015 Nickelodeon Animation Studios Location BG Design Supervisor: Dora and Friends 2010- 2013 DisneyToon Studios Feature Animation Vis/Dev Artist, Set Designer: Planes 1,2, and 3 2009- 2010 Bento Box Entertainment Location BG Design Supervisor: Neighbors from Hell 2004-2009 Universal Cartoon Studios Background Designer Supervisor, VisDev: Curious George Television Background Designer: Brer Rabbit, The Land Before Time (TV series), Curious George 2: Follow That Monkey! 2003- 04 Warner Bros. Animation Art Director: Tom & Jerry Blast off to Mars! 2000- 03 Walt Disney Toons Animation Layout: Tarzan II Production Designer: Piglet’s Big Movie 1998- 2000 Walt Disney Feature Animation Journeyman VisDev, Workbook, Layout: Dinosaur, Atlantis 1989- 96 Walt Disney Television Animation Key Background Designer: Lion King II, Pith Possum, the Little Mermaid, Aladdin, Bonkers, Goof Troop, Darkwing Duck, Tail Spin, Winnie the Pooh, Lilo & Stitch: the Series 1983-89 Mihahn Incorporated Background Painter: Starchaser: the Legend of Orin, Bagdasarian Productions Layout: The Chipmunk Adventure 1983-89 DIC Productions Key Background Designer: