African Literature Readings on Truth and Reconciliation
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1 Sierra Leone
Sierra Leone – Researched and compiled by the Refugee Documentation Centre of Ireland on 18 March 2010 Information as to what recent wars Sierra Leone has been involved in and when they ended. In a section titled “History” the United Kingdom Foreign & Commonwealth Office country profile for Sierra Leone states: “The SLPP ruled until 1967 when the electoral victory of the opposition APC was cut short by the country's first military coup. But the military eventually handed over to the APC and its leader Siaka Stevens in 1968. He turned the country into a one -party state in 1978. He finally retired in 1985, handing over to his deputy, General Momoh. Under popular pressure, one party rule was ended in 1991, and a new constitution providing for a return to multi-party politics was approved in August of that year. Elections were scheduled for 1992. But, by this stage, Sierra Leone's institutions had collapsed, mismanagement and corruption had ruined the economy and rising youth unemployment was a serious problem. Taking advantage of the collapse, a rebel movement, the Revolutionary United Front (RUF) emerged, with backing from a warlord, Charles Taylor, in neighbouring Liberia, and in 1991 led a rebellion against the APC government. The government was unable to cope with the insurrection, and was overthrown in a junior Officers coup in April 1992. Its leader, Capt Strasser, was however unable to defeat the RUF. Indeed, the military were more often than not complicit with the rebels in violence and looting.” (United Kingdom Foreign & Commonwealth Office (25 February 2009) Country Profiles: Sub-Saharan Africa – Sierra Leone) This profile summarises the events of the period 1996 to 2002 as follows: “Strasser was deposed in January 1996 by his fellow junta leaders. -
Title Items-In-Visits of Heads of States and Foreign Ministers
UN Secretariat Item Scan - Barcode - Record Title Page Date 15/06/2006 Time 4:59:15PM S-0907-0001 -01 -00001 Expanded Number S-0907-0001 -01 -00001 Title items-in-Visits of heads of states and foreign ministers Date Created 17/03/1977 Record Type Archival Item Container s-0907-0001: Correspondence with heads-of-state 1965-1981 Print Name of Person Submit Image Signature of Person Submit •3 felt^ri ly^f i ent of Public Information ^ & & <3 fciiW^ § ^ %•:£ « Pres™ s Sectio^ n United Nations, New York Note Ko. <3248/Rev.3 25 September 1981 KOTE TO CORRESPONDENTS HEADS OF STATE OR GOVERNMENT AND MINISTERS TO ATTEND GENERAL ASSEMBLY SESSION The Secretariat has been officially informed so far that the Heads of State or Government of 12 countries, 10 Deputy Prime Ministers or Vice- Presidents, 124 Ministers for Foreign Affairs and five other Ministers will be present during the thirty-sixth regular session of the General Assembly. Changes, deletions and additions will be available in subsequent revisions of this release. Heads of State or Government George C, Price, Prime Minister of Belize Mary E. Charles, Prime Minister and Minister for Finance and External Affairs of Dominica Jose Napoleon Duarte, President of El Salvador Ptolemy A. Reid, Prime Minister of Guyana Daniel T. arap fcoi, President of Kenya Mcussa Traore, President of Mali Eeewcosagur Ramgoolare, Prime Minister of Haur itius Seyni Kountche, President of the Higer Aristides Royo, President of Panama Prem Tinsulancnda, Prime Minister of Thailand Walter Hadye Lini, Prime Minister and Kinister for Foreign Affairs of Vanuatu Luis Herrera Campins, President of Venezuela (more) For information media — not an official record Office of Public Information Press Section United Nations, New York Note Ho. -
Papaoutai Memory Studies Redacted for Pure Dec 2018
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by King's Research Portal King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Norridge, Z. C. (Accepted/In press). Papaoutai? Family Memory, Parental Loss and Rwandan Artists Today. Memory Studies. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
African Freedom Phyllis Taoua Index More Information
Cambridge University Press 978-1-108-42741-8 — African Freedom Phyllis Taoua Index More Information Index Abani, Chris The Nation Writ Small: African Fictions Graceland, 28, 190, 242–9, 256, and Feminisms, 1958-1988., 18, 19, 282, 293 106 Abrahams, Peter Angola, 215 The Path of Thunder, 111 apartheid, 1, 2, 8, 17, 22, 28, 108, 109, Tell Freedom, 22 110, 111, 112, 113, 114, 115, 116, Achebe, Chinua, 44 117, 119, 136, 157, 159, 160, 193, Anthills of the Savannah, 167 196, 198, 199, 200, 223, 240 Things Fall Apart, 29, 120, 129, 278–81 apartheid state, 1 Adejunmobi, Moradewun popular protest against, 192 “Provocations: African Societies Appiah, Kwame Anthony, and Theories of Creativity” Cosmopolitanism: Ethics in a World of in Rethinking African Cultural Strangers, 261, 283 Production, 20 areas of narrative interest, 16 Adichie, Chimamanda Ngozi expansion of global capital, 16 Purple Hibiscus, 27, 106, 108, 128–35, gender relations, 16 281, 288, 293 introspection and intimate self, 16, 38, Aduaka, Newton 44, 75, 86 Ezra, 254, 263 spiritual realm, 16 African National Congress, 17, 152, 157, the nation, 16, 147–8, 202 158, 159, 160, 192 Armah, Ayi Kwei, 166 post- apartheid challenges, 7 Akan references in novels, 18 African studies The Beautyful Ones Are Not Yet Born, 19, debate about postcolonial theory, 11–13 27, 44, 134, 160–5, 167, 171, 245, African women 248, 293 enter conversation on freedom, 26 critical reception of early novels, 43–5 Agadez Fragments, 26, 45–61, 166, 288 travel to, 11 Fragments and Baako’s nested identity, Ahidjo, Ahmadou, -
An Examination of the Dynamics of Power in Ayi Kwei Armah's
AN EXAMINATION OF THE DYNAMICS OF POWER IN AYI KWEI ARMAH’S THE BEAUTYFUL ONES ARE NOT YET BORN AND THE HEALERS by NAFEESA T. NICHOLS Under the Direction of Karim Traore ABSTRACT After closely reading the works of Ayi Kwei Armah questions about the dynamics of power arose. What are the different conceptions of power? How does Armah use power in his fiction? I closely analyzed two of Armah’s works: The Beautyful Ones Are Not Yet Born (1968) and The Healers (1978). Along with scholarly research, and contextualization I concluded the following: Armah must be understood within the context of his personal experiences, political affiliations, and the historical climate. Armah presented social power dynamics through a scientific, Marxist analysis. He combined social science with an understanding of culture. Finally he used the power of literary aesthetics in the hopes inducing social change. INDEX WORDS: Power, Power dynamics, Ayi Kwei Armah, The Beautyful Ones Are Not Yet Born, The Healers, Post colonial, Neo colonial, Europeans. AN EXAMINATION OF THE DYNAMICS OF POWER IN AYI KWEI ARMAH’S THE BEAUTYFUL ONES ARE NOT YET BORN AND THE HEALERS by NAFEESA T. NICHOLS B.A., Emory University, 1999 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2004 © 2004 NAFEESA T. NICHOLS All Rights Reserved AN EXAMINATION OF THE DYNAMICS OF POWER IN AYI KWEI ARMAH’S THE BEAUTYFUL ONES ARE NOT YET BORN AND THE HEALERS by Nafeesa T. Nichols Major Professor: Karim Traore Committee: R. -
Blackbourn Veronica a 20101
The Beloved and Other Monsters: Biopolitics and the Rhetoric of Reconciliation in Post-1994 South African Literature by Veronica A. Blackbourn A thesis submitted to the Department of English Language and Literature In conformity with the requirements for the degree of Doctor of Philosophy Queen‘s University Kingston, Ontario, Canada (December, 2010) Copyright © Veronica A. Blackbourn, 2010 Abstract This dissertation examines the use of inter-racial relationships as emblems of political reconciliation in South African fiction from and about the transition from apartheid to democracy. Positive representations of the relationships that apartheid prohibited would seem to constitute a rejection of apartheid itself, but through an analysis of novels by Lewis DeSoto, Elleke Boehmer, Zoë Wicomb, Marlene van Niekerk, Ivan Vladislavić, and J.M. Coetzee, I argue that the trope of the redemptive inter-racial relationship in fact reinscribes what Foucault would designate a biopolitical obsession with race as a foundational construct of the nation. Chapter 2 examines an attempt to write against the legacy of apartheid by repurposing the quintessentially South African genre of the plaasroman, but Lewis DeSoto‘s A Blade of Grass (2003) fails to reverse the narrative effects created by the plaasroman structure, implicated as the plaasroman is and has been in a biopolitical framework. Chapter 3 examines Elleke Boehmer‘s rewriting of South African history to insist on the genealogical ―truth‖ of the racial mixing of the country and its inhabitants, but Bloodlines (2000) yet retains the obsession with racial constructs that it seeks to dispute. Zoë Wicomb‘s Playing in the Light (2006), meanwhile, invokes genealogical ―truth‖ as a corrective to apartheid constructions of race, but ultimately disallows the possibility of genealogical and historical narratives as correctives rather than continuations of apartheid. -
A Film by Atiq Rahimi "There Is No Better Lycée Than Our Lady of the Nile
A film by Atiq Rahimi "There is no better lycée than Our Lady of the Nile. Nor is there any higher. Twenty-five hundred meters, the white teachers proudly proclaim. “Two thousand four hundred ninety-three meters,” points out Sister Lydwine, our geography teacher. “We’re so close to heaven,” whispers Mother Superior, clasping her hands together." Excerpt from Scholastique Mukasonga "Our Lady of the Nile" OUR LADY OF THE NILE A film by Atiq Rahimi 2019 - France, Belgium, Rwanda - 93 mn - Color - French with some Kinyarwanda SCREENINGS SCHEDULE @ TIFF INTERNATIONAL SALES Nicolas Eschbach ([email protected]) Florencia Gil ([email protected]) PRESS & INDUSTRY Simon Gabriele ([email protected]) SAT 7, 11:45 AM @ Scotiabank 6 Clément Chautant ([email protected]) FRI 13, 12:30 PM @ Scotiabank 8 INTERNATIONAL PRESS PUBLIC Touchwood PR THU 5, 6:45 PM @ TIFF Bell Lightbox Cinema 1 Andrea Grau FRI 6, 12:15 PM @ Jackman Hall [email protected] SAT 14, 8:30 PM @ Scotiabank 8 +1 (416) 347 6749 SYNOPSIS Rwanda, 1973. Young girls are sent to Our Lady of the Nile, a prestigious Catholic boarding school perched on a hill, where they are taught to become the Rwandan elite. With graduation on the horizon, they share the same dormitory, the same dreams and the same teenage concerns. But throughout the land as well as within the school, deep-seated antagonism is rumbling, about to change these young girls’ lives – and the entire country – forever. ATIQ RAHIMI Atiq Rahimi is a novelist and filmmaker. His first feature, EARTH AND ASHES, co-authored with Iranian filmmaker Kambuzia Partovi, was presented in the “Un Certain Regard” section at the 2004 Cannes Film Festival where it was awarded the Prix du Regard vers l’Avenir. -
Atlantic Slavery and the Making of the Modern World Wenner-Gren Symposium Supplement 22
T HE WENNER-GREN SYMPOSIUM SERIES CURRENT ANTHROPOLOGY A TLANTIC SLAVERY AND THE MAKING OF THE MODERN WORLD I BRAHIMA THIAW AND DEBORAH L. MACK, GUEST EDITORS A tlantic Slavery and the Making of the Modern World: Wenner-Gren Symposium Supplement 22 Atlantic Slavery and the Making of the Modern World: Experiences, Representations, and Legacies An Introduction to Supplement 22 Atlantic Slavery and the Rise of the Capitalist Global Economy V The Slavery Business and the Making of “Race” in Britain OLUME 61 and the Caribbean Archaeology under the Blinding Light of Race OCTOBER 2020 VOLUME SUPPLEMENT 61 22 From Country Marks to DNA Markers: The Genomic Turn S UPPLEMENT 22 in the Reconstruction of African Identities Diasporic Citizenship under Debate: Law, Body, and Soul Slavery, Anthropological Knowledge, and the Racialization of Africans Sovereignty after Slavery: Universal Liberty and the Practice of Authority in Postrevolutionary Haiti O CTOBER 2020 From the Transatlantic Slave Trade to Contemporary Ethnoracial Law in Multicultural Ecuador: The “Changing Same” of Anti-Black Racism as Revealed by Two Lawsuits Filed by Afrodescendants Serving Status on the Gambia River Before and After Abolition The Problem: Religion within the World of Slaves The Crying Child: On Colonial Archives, Digitization, and Ethics of Care in the Cultural Commons A “tone of voice peculiar to New-England”: Fugitive Slave Advertisements and the Heterogeneity of Enslaved People of African Descent in Eighteenth-Century Quebec Valongo: An Uncomfortable Legacy Raising -
Austen Belano Burke Bussani Butler Marrone Orlando Pavolini
Novembre 2010 Anno XXVJI-N. 11 Austen Belano Marrone Burke Orlando Bussani Pavolini Butler Roché Starnone Dumas Tatafiore Tellkamp Van Niekerk LIBRO DEL MESE: quel rissoso, trasversale, onnivoro OdB INTELLIGENCE: chi racconta e chi manipola, di FABIO MINI Quando la LINGUA ferisce e discrimina Come un REGIME blandisce gli INTELLETTUALI www. Un di ceonì ine. co m MENSILE D'INFORMAZIONE - POSTE ITALIANE s.p.a SPED. N ABB POST. DI. 353/2003 (conv in L 27/02/2004 n" 46] art. I, comma ì, DCB Torino ISSN'0393-3903 Editoria Come nasce un caso letterario A partire da questo di ottobre (cfr. "L'Indice" numero dell'"Indice" il di- 2010, n. 10, p. I), scriveva di Gian Carlo Ferretti segno di Franco Matticchio (tra tante possibili e amene qui a fianco segnalerà le attività...) "preferisco con- n best seller, un "caso" e, ricerca recente già nel suo titolo: recensioni o gli articoli che frontare la mia intelligenza Uin generale, un successo li- Non è un caso che sia successo. potranno essere commenta- - se ne ho - con quella di brario o letterario, sono sempre Storie editoriali di best seller ti sul sito. Non è una novità qualcuno che ha dato segni difficili da spiegare. Si incontra- (pp. 144, € 8, Educatt, Milano assoluta, perché in realtà di averla". Questa semplice no e scontrano in proposito in- 2010). Titolo brillante, giocato molti lettori già scrivevano affermazione sintetizza l'in- terpretazioni diverse e opposte. sulla implicita possibilità-neces- ai recensori attraverso la tento di questa operazione, Anche questo primo articolo (al sità di non considerare il succes- mail pubblicata in calce ai ma a ben vedere incarna so (e il caso) come indecifrabile loro testi, ma si è trattato di anche il senso profondo di quale ne seguirà un altro nel questo giornale da sempre. -
English Language and Literature (ENGL) 1 English Language and Literature (ENGL)
English Language and Literature (ENGL) 1 English Language and Literature (ENGL) * ENGL 005b / AFAM 013b, Counterarchives: Black Historical Fictions Elleza Kelley While historical records have long been the source from which we draw our picture of the past, it is with literature and art that we attempt to speculatively work out that which falls between the cracks of conventional archival documentation, that which cannot be contained by historical record—emotion, gesture, the sensory, the sonic, the inner life, the aerlife, the neglected and erased. This course examines how contemporary black writers have imagined and attempted to represent black life from the late 17th to the early 20th centuries, asking what fiction can tell us about history. Reading these works as alternative archives, or “counterarchives,” which index the excess and fugitive material of black histories in the Americas, we probe the uses, limits, and revelations of historical fictions, from the experimental and realist novel, to works of poetry and drama. Drawing on the work of various interdisciplinary scholars, we use these historical fictions to explore and enter into urgent and ongoing conversations around black life & death, African-American history & memory, black aesthetics, and the problem of “The Archive.” Enrollment limited to first-year students. Preregistration required; see under First-Year Seminar Program. HU * ENGL 006a / AFAM 017a, Black Nature: African American Nature Writing Jonathan Howard What stories do we tell about nature? How are the stories we are able to tell about nature informed by race? And how do these stories shape our understanding of what it means to be human? In contrast to a largely white tradition of nature writing that assumes a superior position outside of Nature, this course undertakes a broad survey of African American nature writing. -
Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
Saskia Lourens Writing His-1
UvA-DARE (Digital Academic Repository) Writing history : national identity in André Brink's post-apartheid fiction Lourens, S.T. Publication date 2009 Document Version Final published version Link to publication Citation for published version (APA): Lourens, S. T. (2009). Writing history : national identity in André Brink's post-apartheid fiction. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:30 Sep 2021 WRITING HISTORY: NATIONAL IDENTITY IN ANDRÉ BRINK’S POST-APARTHEID FICTION ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr. D. C. van den Boom ten overstaan van een door het college voor promoties ingestelde commissie, in het openbaar te verdedigen in de Aula der Universiteit op woensdag 28 oktober 2009, te 10:00 uur door Saskia Theodora Lourens geboren te Port Elizabeth, Zuid Afrika 1 Promotiecommissie Promotor: prof.