Vietnam-China Relations in the 19Th Century: Myth and Reality of the Tributary System
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Hwang, Yin (2014) Victory Pictures in a Time of Defeat: Depicting War in the Print and Visual Culture of Late Qing China 1884 ‐ 1901
Hwang, Yin (2014) Victory pictures in a time of defeat: depicting war in the print and visual culture of late Qing China 1884 ‐ 1901. PhD Thesis. SOAS, University of London http://eprints.soas.ac.uk/18449 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. VICTORY PICTURES IN A TIME OF DEFEAT Depicting War in the Print and Visual Culture of Late Qing China 1884-1901 Yin Hwang Thesis submitted for the degree of Doctor of Philosophy in the History of Art 2014 Department of the History of Art and Archaeology School of Oriental and African Studies, University of London 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. -
Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the Analyses of Historical Data - Description
Sea Voyages to Paracel Islands in the South China Sea Under Emperor Minh Mang (1833-1838), the analyses of historical data - description Ha Minh Hong1, Le Thanh Hoa2, Dai-Long Ngo-Hoang3, Nguy Ngoc Thuy4, Huynh Tam Sang5, Nguyen Thi Thu Thuy6 1,2,3,4,5,6 University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City (VNUHCM-USSH) ABSTRACT The Official Documentation of the Nguyen dynasty is a type of administrative documentation of the House of Nguyen (1802-1945) on which reserved the king's handwritten feedback in red ink. The Official documentation about the implementation of Vietnam's sovereignty over Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos includes 19 documents, 12 of that (from document no. 5 to no. 16) reflect mission sea voyages of the fleet heading to Paracel Islands archipelagos from late March to late June, from 1833 to 1838. The following are the main features of these activities include: (i) in each sea voyage, they had different tasks such as measuring and mapping; bringing materials to build the temple…; (ii) The activities during this period under King Minh Menh clearly showed the strict management and the responsibility of the national leader to the national territory in general and islands in particular; (iii) the territory acquire the nationality in Paracel Islands from 1833 to 1838, which was the continuity of a process established by the Nguyen Lords from hundreds of years ago. Keywords: Paracel Islands archipelagos, the Nguyen dynasty, mission, voyages The mission of the Nguyen Dynasty (Vietnam) to the two groups of Paracel Islands (Paracel) and Truong Sa (Spratly) archipelagos was carried out soon. -
Transformation of the Dualistic International Order Into the Modern Treaty System in the Sino-Korean Relationship
International Journal of Korean History (Vol.15 No.2, Aug.2010) 97 G Transformation of the Dualistic International Order into the Modern Treaty System in the Sino-Korean Relationship Song Kue-jin* IntroductionG G Whether in the regional or global scale, the international order can be defined as a unique system within which international issues develop and the diplomatic relations are preserved within confined time periods. The one who has leadership in such international order is, in actuality, the superpowers regardless of the rationale for their leading positions, and the orderliness of the system is determined by their political and economic prowess.1 The power that led East Asia in the pre-modern era was China. The pre- modern East Asian regional order is described as the tribute system. The tribute system is built on the premise of installation, so it was important that China designate and proclaim another nation as a tributary state. The system was not necessarily a one-way imposition; it is possible to view the system built on mutual consent as the tributary state could benefit from China’s support and preserve the domestic order at times of political instability to person in power. Modern capitalism challenged and undermined the East Asian tribute GGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGGG * HK Research Professor, ARI, Korea University 98 Transformation of the Dualistic International Order into the ~ system led by China, and the East Asian international relations became a modern system based on treaties. The Western powers brought the former tributary states of China into the outer realm of the global capitalistic system. With the arrival of Western imperialistic powers, the East Asian regional order faced an inevitable transformation. -
From 16 October 2013 to 26 January 2
Room 2 Room 1 Indochina Indochina from 1908 to 1956 from 1858 to 1907 entrance Exhibition www.musee-armee.fr - - from 16 October 2013 Open every day from 10 a.m. to 26 January 2014 to 6 p.m. until 31 October, - As of November 1st, from 10 a.m Hôtel des Invalides, to 5 p.m. 129 rue de Grenelle, Closed on 25 December and 1 January 6 boulevard des Invalides (special needs access) Paris VII Located at the crossroads of India and China, in the 16th century the Indochinese peninsula aroused European interest. The Pope gave the Jesuits and missionaries in the foreign missions the task of converting the local people and training a «native» clergy, while the initial commercial relations between Europe and the peninsula were inaugurated by the Portuguese, followed a century later by the Dutch and the English. France, which was only involved from the religious point of view in the 17th century, sought supply points between India and China for the ships belonging to the Compagnie des Indes Orientales (East India Company). The civil war of 1775-1802, coming after a relatively peaceful period between the Vietnamese domains in the North and the South, gave it the opportunity, through Mgr. Pigneau de Béhaine, of signing an assistance treaty which was never applied, between the King of France Louis XVI and the heir Sabre belonging to Gia Long, to the Nguyen dynasty, the future Emperor Gia Long (1802- the Emperor of Annam - 1820). At the same time as the Confucian structures of the Late 18th - early 19th century Steel, gold, jade, coral, pearl, Empire were being renovated, he modernised the army and precious stones and vermeil (c) Paris, Musée de l’Armée (1891). -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Spread of Civilizations in East Asia: Tang & Song Dynasties
Spread of Civilizations in East Asia: Tang & Song Dynasties 500CE-1603CE NOTES Two Golden Ages After the Han dynasty (Wudi, Silk Road) collapsed in 220CE, China remained a divided land for about 400 years. During this period of division, China managed to escape the grim world that Western Europe was experiencing (plague, economic failures, etc.). Farm production in China expanded and technology slowly improved. Buddhism spread, while learning and the arts continued. Even Chinese cities survived despite invaders in the North, as the invaders would often adopt Chinese civilization rather than demolish it. Meanwhile, in the South, various Chinese dynasties rose and fell. THE TANG DYNASTY The first two Tang emperors were father (Li Yuan) and son (Li Shimin), but the son was the main force behind the dynasty. After time, Li Shimin, compelled his aging father to step down and took the throne himself, taking the name Tang Taizong. He was a brilliant general, government reformer, famous historian, and master of the calligraphy brush. He would eventually become the most admired of all Chinese emperors. The Tang Dynasty, under the leadership of Tang Taizong, carried empire building to greater heights, conquering territories deep into Central Asia, as far as present-day Afghanistan. Chinese armies forced neighboring lands of Vietnam, Tibet, and Korea to become tributary states. A tributary state is an independent state that has to acknowledge the supremacy of another state and pay tribute to its ruler. Therefore, while these states remained independent, their rulers had to acknowledge Chinese supremacy and send regular tribute to the Tang emperor. -
Costume, Ceremonial, and the East Asian Order: What the Annamese King Wore When Congratulating the Emperor Qianlong in Jehol in 1790
Front. Hist. China 2012, 7(1): 136–151 DOI 10.3868/s020-001-012-0008-0 LECTURE NOTE Zhaoguang Ge Costume, Ceremonial, and the East Asian Order: What the Annamese King Wore When Congratulating the Emperor Qianlong in Jehol in 1790 Abstract Emperor Qianlong of the Qing dynasty celebrated his eightieth birthday in 1790, for which Vietnam, Korea, the Ryūkyū Islands, Burma, and Mongolia sent delegates to the imperial summer resort at Chengde 承德 to pay homage. Curiously, the Annamese (or, Vietnamese) king NguyễnQuangBình (阮 光平), who had just defeated the Qing army, offered to appear in Qing costume and kowtow to the Qing emperor. The unusual act pleased Emperor Qianlong and infuriated the Korean delegates. What did costume and ceremonial mean in the context of the East Asian political and cultural order? Why did the British embassy to China led by Lord Macartney three years later cause friction with regards to sartorial and ceremonial manners? This lecture will address these questions. Keywords East Asian political and cultural order, costume and ceremonial, Emperor Qianlong , Vietnam, Korea Introduction: Three Thoughts Today, it is my honor to give a talk in the famous Fairbank Center for China Studies. This talk is, to a great extent, a tribute to Professor John Fairbank, because I am going to tell a story that happened on the eve of Western “impact” and East Asia’s “response,” a topic that Fairbank often addressed. My story explores the change and negotiation of the East Asian international order prior to the arrival of strong ships and potent weaponry from the West. -
The Antagonist in the Trickster Tales of Trang Quynh
THE ANTAGONIST IN THE Trang Quynh tales series from TRICKSTER TALES OF the perspective of folklore 1 TRANG QUYNH Trang Quynh3 is a set of Vietnamese tales. It is recognized by Vietnamese folklore 2 Soratee Jaisa-ard scholars as a humorous tale emphasizing amusement. In Vietnamese, it is known as truyÖn c−êi, truyÖn hài h−íc or truyÖn kh«i Abstract hài which denotes a tale designed to entertain and amuse its audience.4 The This article explores the antagonists from story of Trang Quynh touches upon the tales of Trang Quynh, which are well- critical issues in society and social taboos. known trickster tales throughout Vietnam. It also aims at both upper and lower class The main antagonists in Trang Quynh’s people and the protagonist of the story is series comprise those in the royal court, enabled to do anything that he cannot do even the king himself, mandarins, rich in real life. In the world of tales, the landlords and even the mother Goddess at audience can find release from the the village shrine. The tales of Trang oppression that they endure in everyday Quynh can be interpreted as the farmers’ life. This topic will be discussed in more way of alleviating their hardship, as an detail later in this article. expression of their antagonism towards the ruling class and restrictive social According to the Thai scholar, Prakong rules. Meanwhile, Trang Quynh, the Nimmanahaeminda (1911: 20), a protagonist in the story, is regarded as the humorous tale is a “short story of non- hero or the representative of the people. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
1 BEGINNING 1. REASON 1.1.Nguyen Dynasty Is the Last Monarchy of Vietnam and Has Chosen Hue As the Capital City of the Country D
BEGINNING 1. REASON 1.1.Nguyen dynasty is the last monarchy of Vietnam and has chosen Hue as the capital city of the country during 143 years (1802-1945). Along with the establishment of state machine according to the centralization institution, the Nguyen emperors established and executed the ritual regulations and rites abundantly, strictly, methodically days by days, with an aim to affirm and reinforce the legitimacy and orthodoxy of the emperor, the dynasty as well as the noble position of Royal Family. The main ideal thought of the Ministry of Rites is that the system of royal festival has highlighted the aspiration of independence and self-control in the ideal, spiritual lives and in the viewpoint and world view of the Nguyen dynasty with the spirit “a country with a thousand years of civilization is now a united country” of an independent country which is different from China, and even Japan and South Korea which are countries of the same handwriting. Those ritual heritages are often called Nguyen court’s royal festival. From the influences originated from China, experiencing Dai Viet monarchies, Nguyen court’s royal festival was formed in the harmonious combination of Southern native factors with Western factors from the XVIIIth-XIXth century. Therefore, they are very typical, full of Vietnamese identities and stuff. Hence, royal festival is an important factor forming Hue culture, creating typical identity of Hue in the comparison with other cultures of the country. However, up to now, the assessments and researches on Nguyen court’s royal festival are insufficient. Statistics of Ministry of Culture and Information on festivals all over the country since 2003 didn’t mention Nguyen court’s royal festivals. -
China Versus Vietnam: an Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo
A CNA Occasional Paper China versus Vietnam: An Analysis of the Competing Claims in the South China Sea Raul (Pete) Pedrozo With a Foreword by CNA Senior Fellow Michael McDevitt August 2014 Unlimited distribution Distribution unlimited. for public release This document contains the best opinion of the authors at the time of issue. It does not necessarily represent the opinion of the sponsor. Cover Photo: South China Sea Claims and Agreements. Source: U.S. Department of Defense’s Annual Report on China to Congress, 2012. Distribution Distribution unlimited. Specific authority contracting number: E13PC00009. Copyright © 2014 CNA This work was created in the performance of Contract Number 2013-9114. Any copyright in this work is subject to the Government's Unlimited Rights license as defined in FAR 52-227.14. The reproduction of this work for commercial purposes is strictly prohibited. Nongovernmental users may copy and distribute this document in any medium, either commercially or noncommercially, provided that this copyright notice is reproduced in all copies. Nongovernmental users may not use technical measures to obstruct or control the reading or further copying of the copies they make or distribute. Nongovernmental users may not accept compensation of any manner in exchange for copies. All other rights reserved. This project was made possible by a generous grant from the Smith Richardson Foundation Approved by: August 2014 Ken E. Gause, Director International Affairs Group Center for Strategic Studies Copyright © 2014 CNA FOREWORD This legal analysis was commissioned as part of a project entitled, “U.S. policy options in the South China Sea.” The objective in asking experienced U.S international lawyers, such as Captain Raul “Pete” Pedrozo, USN, Judge Advocate Corps (ret.),1 the author of this analysis, is to provide U.S. -
The Complex of Hue Monuments, Introduction of Its
The Complex of Hue Monuments, introduction of its significances and considering for the future tourism development: Case study of Kim Long village and its frontal base town Le Vinh An Faculty of Architecture, Duy Tan University, Da Nang City, Viet Nam. Abstract First phrase of this paper aimed to introduce in general the significance of the Hue as a first UNESCO World Heritage site in Vietnam which has been recognized since December, 1993. Ancient Capital City of Hue (the Heritage site) located in the middle region of Vietnam developed as a base of Nguyen Dynasty and thrived as a capital of the Country from the early 19th century to middle 20th century. The Heritage site contained full concept of the typical Ancient Capital City of Vietnam which including the Citadel, Imperial Palaces, Impe- rial Tombs, Temples, Religious facilities and its surroundings great natural environment well known as Feng-shui concept are still remained. In second phase, this paper examines for considering on the current issues of Kim Long village and its frontal base town for future development. Kim Long village is well known as a first base of the Capital city of Hue during 17thcentury to 18th century under period of Nguyen Lords in Cochin-china of Vietnam. Located at West-South side of the Hue Citadel, Kim Long village is famous for tourism, well known as interfere zone between politic center and religious center of the Heritage site, which hasn’t been cultivated for development yet. Keywords: Vietnam | Hue | Nguyen Dynasty | UNESCO | World Heritage Selected paper: Seminar and Workshop Establishment of the Network for Safeguarding and Development of the Cultural Heritage in the Mekong Basin Countries.