LIFF 2018 Catalogue
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A Darkness at the End: the Shadows Know Your Name Free
FREE A DARKNESS AT THE END: THE SHADOWS KNOW YOUR NAME PDF Ruth Frances Long | 448 pages | 12 Sep 2016 | O'Brien Press Ltd | 9781847178633 | English | Dublin, Ireland LARRY GATLIN - LIGHT AT THE END OF DARKNESS LYRICS O'Brien Press uses cookies on this website. They are stored locally on your computer or mobile device. To accept cookies continue browsing as normal. Or go to the cookie policy for more information and preferences. Holly, the fae matriarch, tries to sieze the power of heaven for herself, while Izzy has lost her memory and Jinx is dead The final book in the contemporary fantasy trilogy set in Dublin: and Dubh Linn, the fae world that exists in the cracks and corners of reality. Angels, A Darkness at the End: The Shadows Know Your Name demons and humans are drawn into lethal conflict as the fate of the world hangs in the balance in the final installment in this urban fantasy. Confronted with ancient powers, sacrifice and treachery. War is looming within the ranks of the Sidhe. The angels and the demons begin to draw lines, daring each other to transgress and start another war She studied English Literature, History of Religions, and Celtic Civilisation in college and now works in a specialised library of rare and unusual books. She skilfully melds real Dublin and magical Dubh Linn, making excellent use of the history surrounding the locations. She writes about Dublin as a place of magic and story, making the Irish reader see their place in a new way … a brilliant read, both heart-pounding and heartbreaking. -
Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr. -
Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
Dziga Vertov — Boris Kaufman — Jean Vigo E
2020 ВЕСТНИК САНКТ-ПЕТЕРБУРГСКОГО УНИВЕРСИТЕТА Т. 10. Вып. 4 ИСКУССТВОВЕДЕНИЕ КИНО UDC 791.2 Dziga Vertov — Boris Kaufman — Jean Vigo E. A. Artemeva Mari State University, 1, Lenina pl., Yoshkar-Ola, 424000, Russian Federation For citation: Artemeva, Ekaterina. “Dziga Vertov — Boris Kaufman — Jean Vigo”. Vestnik of Saint Petersburg University. Arts 10, no. 4 (2020): 560–570. https://doi.org/10.21638/spbu15.2020.402 The article is an attempt to discuss Dziga Vertov’s influence on French filmmakers, in -par ticular on Jean Vigo. This influence may have resulted from Vertov’s younger brother, Boris Kaufman, who worked in France in the 1920s — 1930s and was the cinematographer for all of Vigo’s films. This brother-brother relationship contributed to an important circulation of avant-garde ideas, cutting-edge cinematic techniques, and material objects across Europe. The brothers were in touch primarily by correspondence. According to Boris Kaufman, dur- ing his early career in France, he received instructions from his more experienced brothers, Dziga Vertov and Mikhail Kaufman, who remained in the Soviet Union. In addition, Vertov intended to make his younger brother become a French kinok. Also, À propos de Nice, Vigo’s and Kaufman’s first and most “vertovian” film, was shot with the movable hand camera Kina- mo sent by Vertov to his brother. As a result, this French “symphony of a Metropolis” as well as other films by Vigo may contain references to Dziga Vertov’s and Mikhail Kaufman’sThe Man with a Movie Camera based on framing and editing. In this perspective, the research deals with transnational film circulations appealing to the example of the impact of Russian avant-garde cinema on Jean Vigo’s films. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
10700990.Pdf
The Dolby era: Sound in Hollywood cinema 1970-1995. SERGI, Gianluca. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20344/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20344/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Sheffield Hallam University jj Learning and IT Services j O U x r- U u II I Adsetts Centre City Campus j Sheffield Hallam 1 Sheffield si-iwe Author: ‘3£fsC j> / j Title: ^ D o ltiu £ r a ' o UJTvd 4 c\ ^ £5ori CuCN^YTNCa IQ IO - Degree: p p / D - Year: Q^OO2- Copyright Declaration I recognise that the copyright in this thesis belongs to the author. I undertake not to publish either the whole or any part of it, or make a copy of the whole or any substantial part of it, without the consent of the author. I also undertake not to quote or make use of any information from this thesis without making acknowledgement to the author. Readers consulting this thesis are required to sign their name below to show they recognise the copyright declaration. They are also required to give their permanent address and date. -
Known Nursery Rhymes Residencies Fruit Eaten Remembered World
13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
Breaking News: Alcohol Banned at This Year's Law Revue
the commentatorThe Student Newspaper of the New York University School of Law Volume XLIII, Number 11 March 24, 2010 Breaking News: Alcohol Banned at This Year’s Law Revue Bottles and Loud Patrons Blamed for Policy Change; Pre-Show Parties to Occur Before Every Show BY MICHAEL MIX ’11 “[Dean Richard] Revesz has auditorium aisles and from rowdy administration felt that it had searching of persons before the EDITOR -IN -CHIEF had a lot of issues in the past … crowds in general. Instead of in- no choice but to put the ban in show. In addition, to help maintain mostly because there has been such troducing the alcohol ban then, the place this year. While no alcohol some of Law Revue’s traditional Law Revue, NYU Law’s an- a culture of bottles, bottles running administration made a deal with is allowed, there will not be any place in the community, there will nual music parody, has traditionally down the aisle, bottles clinking, Law Revue in which its members be “pre-parties” before every show, been an alcohol-laden event, as and it seems like the Law Revue would police the 2009 show. These sponsored by different groups on students could bring drinks into audience has to drink as loudly as policing measures included an- Pre-Show Parties campus. A list of pre-parties can nouncements during be found in the accompanying • Apr. 7, 6:30 - 7:45 in Gold- the show, students pa- berg, hosted by student groups sidebar. trolling the aisles, and “One of the positives is that an SBA email asking • Apr. -
Sundance Film Festival: London Programme Announced – Picturehouse Central Hosts Feature Films, Short Films and Special Events from 1-4 June 2017
SUNDANCE FILM FESTIVAL: LONDON PROGRAMME ANNOUNCED – PICTUREHOUSE CENTRAL HOSTS FEATURE FILMS, SHORT FILMS AND SPECIAL EVENTS FROM 1-4 JUNE 2017 UK PREMIERE OF DAVID LOWERY’S A GHOST STORY WILL CLOSE THE FESTIVAL ON 4 JUNE Festival passes now on sale; Individual tickets on sale Tuesday 2 May. Find out more at picturehouses.com/sundance Picturehouse Central, 25 April 2017 — Sundance Institute and Picturehouse announced today the programme of feature films, short films and panel discussions for the 2017 Sundance Film Festival: London, taking place 1-4 June at Picturehouse Central. Festival passes are on sale now, find out more at picturehouses.com/sundance. Priority booking for Picturehouse Members and Passholders opens today. Individual tickets on sale from 9.30am Tuesday 2 May. The festival will present 14 feature films direct from this year's Sundance Film Festival in Park City, Utah, U.S.A., selected for London by the Sundance Institute programming team in collaboration with Picturehouse. As previously announced, the festival will open with the International premiere of Miguel Arteta’s Beatriz at Dinner, and it will close four days later with the UK premiere of David Lowery’s critically acclaimed A Ghost Story, starring Casey Affleck and Rooney Mara. Continuing the focus of the four previous London editions on presenting new work by emerging and established independent filmmakers, the 2017 festival will also include a short film programme with 15 shorts, including a strand dedicated to new UK shorts. The films collectively received 7 awards when they premiered at the Sundance Film Festival in Park City, Utah, including the Audience Award: U.S. -
Representaciones Realistas De Niños, Adolescentes Y Jóvenes Marginales En El Cine Iberoamericano (1990-2003)
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS DEPARTAMENTO DE LINGÜÍSTICA, LENGUAS MODERNAS, LÓGICA Y FILOSOFÍA DE LA CIENCIA, TEORÍA DE LA LITERATURA Y LITERATURA COMPARADA PROGRAMA DE DOCTORADO EN HISTORIA DEL CINE Representaciones realistas de niños, adolescentes y jóvenes marginales en el cine iberoamericano (1990-2003) TESIS DOCTORAL Presentada por: Juan Carlos Vargas Maldonado Director: Dr. Alberto Elena Díaz Madrid, junio de 2008 2 ÍNDICE Introducción 3 1. Las primeras búsquedas “realistas” en el cine 8 1.1 El realismo socialista 11 1.2 El documental etnográfico 13 1.3 El documental social 16 1.4 El realismo poético francés 17 1.5 Dos antecedentes realistas del cine de ficción mexicano y español 19 1.6 El neorrealismo italiano 23 1.7 Ejemplos prototípicos: El Limpiabotas y La tierra tiembla 27 2. Los olvidados: modelo paradigmático sobre los niños, adolescentes y 33 jóvenes marginales 3. La herencia del neorrealismo en las cinematografías venezolana, 42 brasileña, argentina, española, chilena, boliviana y colombiana (1950-1981) 3.1 Venezuela: La escalinata y Soy un delincuente 46 3.2 Brasil: Río 40 grados y Pixote, los olvidados de Dios 54 3.3 Argentina: Tire dié, Crónica de un niño solo y La Raulito 65 3.4 España: Los golfos y Deprisa, deprisa 77 3.5 Chile: Largo viaje y Valparaíso, mi amor 86 3.6 Bolivia: Chuquiago 93 3.7 Colombia: Gamín 97 4. Representaciones realistas 1990-2003 105 4.1 Delincuencia y crimen: Caluga o menta (Chile/España), Lolo (México), 108 Como nacen los ángeles (Brasil) y Ciudad de Dios (Brasil/Francia/Alemania), Pizza, birra, faso (Argentina), Barrio (España/Francia) y Ratas, ratones y rateros (Ecuador/Estados Unidos) 4.2 Sicarios: Sicario (Venezuela) y La virgen de los sicarios 155 (Colombia/España/Francia) 4.3 Niños de la calle: La vendedora de rosas (Colombia), Huelepega, 170 ley de la calle (Venezuela/España), De la calle (México) y El Polaquito (Argentina/España) 5.