Drum Innovator Liebezeit of Krautrock Band Can Dies
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Executive Producer)
PRODUCTION BIOGRAPHIES STEVEN SODERBERGH (Executive Producer) Steven Soderbergh has produced or executive-produced a wide range of projects, most recently Gregory Jacobs' Magic Mike XXL, as well as his own series "The Knick" on Cinemax, and the current Amazon Studios series "Red Oaks." Previously, he produced or executive-produced Jacobs' films Wind Chill and Criminal; Laura Poitras' Citizenfour; Marina Zenovich's Roman Polanski: Odd Man Out, Roman Polanski: Wanted and Desired, and Who Is Bernard Tapie?; Lynne Ramsay's We Need to Talk About Kevin; the HBO documentary His Way, directed by Douglas McGrath; Lodge Kerrigan's Rebecca H. (Return to the Dogs) and Keane; Brian Koppelman and David Levien's Solitary Man; Todd Haynes' I'm Not There and Far From Heaven; Tony Gilroy's Michael Clayton; George Clooney's Good Night and Good Luck and Confessions of a Dangerous Mind; Scott Z. Burns' Pu-239; Richard Linklater's A Scanner Darkly; Rob Reiner's Rumor Has It...; Stephen Gaghan'sSyriana; John Maybury's The Jacket; Christopher Nolan's Insomnia; Godfrey Reggio's Naqoyqatsi; Anthony and Joseph Russo's Welcome to Collinwood; Gary Ross' Pleasantville; and Greg Mottola's The Daytrippers. LODGE KERRIGAN (Co-Creator, Executive Producer, Writer, Director) Co-Creators and Executive Producers Lodge Kerrigan and Amy Seimetz wrote and directed all 13 episodes of “The Girlfriend Experience.” Prior to “The Girlfriend Experience,” Kerrigan wrote and directed the features Rebecca H. (Return to the Dogs), Keane, Claire Dolan and Clean, Shaven. His directorial credits also include episodes of “The Killing” (AMC / Netflix), “The Americans” (FX), “Bates Motel” (A&E) and “Homeland” (Showtime). -
FUTURE SOUNDS Wie Ein Paar Krautrocker Die Popwelt Revolutionierten
FVTVRE SOVNDS Wie ein paar »Krautrocker« Christoph Dallach die Popwelt revolutionierten Suhrkamp SV Christoph Dallach FUTURE SOUNDS Wie ein paar Krautrocker die Popwelt revolutionierten Suhrkamp Für Maria (MoisE) Erste Auflage 2021 suhrkamp taschenbuch 4598 Originalausgabe © Suhrkamp Verlag Berlin 2021 Suhrkamp Taschenbuch Verlag Alle Rechte vorbehalten, insbesondere das der Übersetzung, des öffentlichen Vortrags sowie der Übertragung durch Rundfunk und Fernsehen, auch einzelner Teile. Kein Teil des Werkes darf in irgendeiner Form (durch Fotografie, Mikrofilm oder andere Verfahren) ohne schriftliche Genehmigung des Verlages reproduziert oder unter Verwendung elektronischer Systeme verarbeitet, vervielfältigt oder verbreitet werden. Umschlaggestaltung : Büro Dirk Rudolph Druck : C.H.Beck, Nördlingen Printed in Germany ISBN 978-3-518-46598-1 Inhalt Vorwort von Christoph Dallach 7 Kraut 11 DIE FÜNFZIGER Nachkriegsjugend 21 Jazz 50 DIE SECHZIGER Beat 71 Haare 86 WGs 94 1968 103 Neuanfang 127 Drogen 143 Zodiak 153 Kluster 163 DIE SIEBZIGER Kessler 173 Tangerine Dream 187 Kommerz 211 Moog 215 Amon Düül 225 A. R & Machines 244 Eigenpfade 252 Weltenbummler 271 Faust 280 Austausch 314 Can 320 Plank 367 Kraftwerk 376 Neu ! 384 Forst 393 Ausland 404 Staatsfeinde 413 Rolf-Ulrich Kaiser 427 Deutsch 464 Ende 469 Heute 472 Für immer (always) 478 Biografische Notizen 493 Bildnachweise 511 Danksagung 512 Vorwort von Christoph Dallach Meine erste Krautrockplatte gewann ich in einem Preisaus- schreiben. Die Aufgabe bestand darin, innerhalb eines knap- pen Zeitfensters irgendwo anzurufen. Ich kam sofort durch. Vielleicht hatte ich Glück, vielleicht war ich aber auch der einzige Anrufer. Egal, eine Woche darauf war die Platte da : »Movies« von Holger Czukay, mit krakeliger Kugelschreiber- Signatur vom Künstler höchstpersönlich. -
Can Delay 1968 Mp3, Flac, Wma
Can Delay 1968 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Delay 1968 Country: Germany Released: 1981 Style: Krautrock, Psychedelic Rock, Experimental MP3 version RAR size: 1450 mb FLAC version RAR size: 1540 mb WMA version RAR size: 1282 mb Rating: 4.6 Votes: 357 Other Formats: VOC VOX MP1 WAV AIFF DMF MOD Tracklist A1 Butterfly 8:20 A2 Pnoom 0:26 A3 Nineteen Century Man 4:18 A4 Thief 5:03 B1 Man Named Joe 3:54 B2 Uphill 6:41 B3 Little Star Of Bethlehem 7:09 Companies, etc. Recorded At – Schloß Nörvenich Produced At – Inner Space Studio Credits Bass, Engineer, Edited By – Holger Czukay Drums – Jaki Liebezeit Guitar – Michael Karoli Keyboards – Irmin Schmidt Lacquer Cut By – J.C.* Layout [Hüllengestaltung] – Eveline Grunwald Management – Hildegard Schmidt Photography By – Walter Kirchberger Producer – Can Vocals – Malcolm Mooney Written-By – Czukay*, Schmidt*, Liebezeit*, Mooney*, Karoli* Notes Recorded 1968/69 at Schloss Nörvenich. Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 7395 Matrix / Runout (Label side A): 66.22 735-01-1 Matrix / Runout (Label side B): 66.22 735-01-2 Matrix / Runout (Runout side A, hand-etched): -CAN- "DELAY" Side one 012-A Matrix / Runout (Runout side B, hand-etched): -CAN- "DELAY" Side Two 012-B J.C. Other versions Title Category Artist Label Category Country Year (Format) Spoon Records, Delay 1968 Warner CDSPOON 12, CDSPOON 12, Can (CD, Album, Music Germany 2007 5051442-3553-2-1 5051442-3553-2-1 RE, RM) Group Central Europe Delay 1968 Japan JAL-2301 Can (LP, -
Eurythmics in the Garden Mp3, Flac, Wma
Eurythmics In The Garden mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: In The Garden Country: Germany Released: 1981 Style: New Wave, Pop Rock, Synth-pop MP3 version RAR size: 1257 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1520 mb Rating: 4.8 Votes: 770 Other Formats: VOX XM MP3 MPC AAC WMA RA Tracklist Hide Credits English Summer A1 4:00 Drums – Clem BurkeGuitar – Dave Stewart*, Roger Pomphrey Belinda A2 3:58 Drums – Robert GörlFrench Horn – Holger Czukay Take Me To Your Heart A3 3:32 Drums – Jaki Liebezeit She's Invisible Now A4 3:27 Drums – Clem Burke Your Time Will Come A5 Brass – Holger Czukay, Jaki Liebezeit, Marcus Stockhausen*Drums – Clem BurkeGuitar – 4:30 Holger Czukay, Roger Pomphrey Caveman Head B1 3:56 Drums – Clem BurkeGuitar, Other [Shouting] – Roger Pomphrey Never Gonna Cry Again B2 3:02 Drums – Jaki LiebezeitFrench Horn – Holger CzukaySaxophone – Sir Timothy Wheater* All The Young (People Of Today) B3 4:11 Drums – Jaki Liebezeit Sing-Sing B4 4:03 Drums – Clem BurkeGuitar – Roger Pomphrey Revenge B5 4:31 Drums – Clem BurkeOther [Laughing] – Krista Fast Companies, etc. Made By – RCA Schallplatten GmbH Phonographic Copyright (p) – Dilkusa Music B.V. Recorded At – Conny's Studio Phonographic Copyright (p) – RCA Ltd. Credits Bass, Keyboards, Synthesizer, Backing Vocals – Dave Stewart* Design – Rocking Russian Keyboards, Synthesizer, Percussion, Flute, Vocals – Annie Lennox Photography By – Peter Ashworth Producer – Conny Plank, Eurythmics Written-By – Annie Lennox, Dave Stewart*, Roger Pomphrey (tracks: A1, B1) Notes Recorded at Conny's studio, Cologne between February 81 & June 81. "Jaki Liebezeit" is credited as "Jackie Liebzeik" on the album credits. -
Sundance Film Festival: London Programme Announced – Picturehouse Central Hosts Feature Films, Short Films and Special Events from 1-4 June 2017
SUNDANCE FILM FESTIVAL: LONDON PROGRAMME ANNOUNCED – PICTUREHOUSE CENTRAL HOSTS FEATURE FILMS, SHORT FILMS AND SPECIAL EVENTS FROM 1-4 JUNE 2017 UK PREMIERE OF DAVID LOWERY’S A GHOST STORY WILL CLOSE THE FESTIVAL ON 4 JUNE Festival passes now on sale; Individual tickets on sale Tuesday 2 May. Find out more at picturehouses.com/sundance Picturehouse Central, 25 April 2017 — Sundance Institute and Picturehouse announced today the programme of feature films, short films and panel discussions for the 2017 Sundance Film Festival: London, taking place 1-4 June at Picturehouse Central. Festival passes are on sale now, find out more at picturehouses.com/sundance. Priority booking for Picturehouse Members and Passholders opens today. Individual tickets on sale from 9.30am Tuesday 2 May. The festival will present 14 feature films direct from this year's Sundance Film Festival in Park City, Utah, U.S.A., selected for London by the Sundance Institute programming team in collaboration with Picturehouse. As previously announced, the festival will open with the International premiere of Miguel Arteta’s Beatriz at Dinner, and it will close four days later with the UK premiere of David Lowery’s critically acclaimed A Ghost Story, starring Casey Affleck and Rooney Mara. Continuing the focus of the four previous London editions on presenting new work by emerging and established independent filmmakers, the 2017 festival will also include a short film programme with 15 shorts, including a strand dedicated to new UK shorts. The films collectively received 7 awards when they premiered at the Sundance Film Festival in Park City, Utah, including the Audience Award: U.S. -
Freier Download BA 85 Als
BAD 85 ALCHEMY ORWELLHUXLEYWELT SOFT POWER KRIKELKRAKEL L' IMPARFAIT MULTIPLE DE DIEU ANTHROPOZÄN THE SCIENCE OF SNOW DIE UNSICHTBAREN STÄDTE OLDMANESOX OPOSSUM PRAVDA IF, BWANA LEN!IN DADA PORTRAITS OF MELANCHOLICS SIMULAKREN DRITTER ORDNUNG ROGER CAILLOIS THE HORROR AS WE MOVE LIKE RAZOR BLADES IN THE DARK Urteile sind nur wertvoll, wenn sie bejahen. Wirklich wahr sind wir nur, wo wir anerkennen. Das Feststellen von ‚Fehlern’, und klinge es noch so fein und geistig, ist nicht Urteil, sondern Klatsch. Hermann Hesse There are worse crimes than burning books. One of them is not reading them. Ray Bradbury O Wort, du Wort, das mir fehlt: Henri Alain-Fournier - Der große Meaulnes Jaume Cabré - Das Schweigen des Sammlers Otto Flake - Fortunat; Ein Mann von Welt Marcel Proust - Sodom und Gomorra Sergio Toppi - The Collector 2 Artcore Action Heroes oder "Schlockmasters of the Universe" Für mich als 1,55 m kleinen Muck war es am 21. Februar 2015 höchste Zeit, dem Plastischen Theater Hobbit in Würzburg einen Besuch abzustatten. Aber was wird hier eigentlich gespielt oder anders gefragt: Wer spielt was? Drei Männer und eine Frau mit Gliederpuppen-Actionfiguren auf einer apokalyptischen Spielwiese. Das ist „Artcore Action Heroes“, dem kreativen Kopf des unterfränkischen Künstlers Felix „Schlock- master“ Weber entsprungen, der mit diesem eigenwilligen Theaterstück seine eigenen Comics adaptiert. Superhelden nicht wie ge- wöhnlich auf der großen Leinwand, sondern auf einer kleinen Kellerbühne. „Heidi ist die ALLERschönste! Heidi ist TOTAL toll!“ Heidi, die stärkste Frau der Welt, liebt die Elitesoldatin Jane. Jane ist aber mit dem Ex- Polizisten John verbandelt, der wiederum Heidi liebt. -
Keith Carlock
APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96 -
View the Redux Book Here
1 Photo: Alex Hurst REDUX This Redux box set is on the 30 Hertz Records label, which I started in 1997. Many of the tracks on this box set originated on 30 Hertz. I did have a label in the early eighties called Lago, on which I released some of my first solo records. These were re-released on 30 Hertz Records in the early noughties. 30 Hertz Records was formed in order to give me a refuge away from the vagaries of corporate record companies. It was one of the wisest things I have ever done. It meant that, within reason, I could commission myself to make whatever sort of record took my fancy. For a prolific artist such as myself, it was a perfect situation. No major record company would have allowed me to have released as many albums as I have. At the time I formed the label, it was still a very rigid business; you released one album every few years and ‘toured it’ in the hope that it became a blockbuster. On the other hand, my attitude was more similar to most painters or other visual artists. I always have one or two records on the go in the same way they always have one or two paintings in progress. My feeling has always been to let the music come, document it by releasing it then let the world catch up in its own time. Hopefully, my new partnership with Cherry Red means that Redux signifies a new beginning as well as documenting the past. -
Au-Delà Du Rock »
ÉRIC DESHAYES Plongeant ses racines dans le contexte psychédélique et contestataire de la fin dessixties , la vague planante, électronique et expérimentale allemande des années soixante-dix a révolutionné les manières de concevoir la pop music. Kraftwerk, Can, Tangerine Dream, Neu!, Cluster, Faust et bien d’autres mènent les musiques populaires AU-DELÀ « au-delà du rock ». Pour les musiciens aventureux d’Allemagne de l’Ouest, affirmer leur identité nécessite de transcender leurs influences, de s’émanciper des modèles dominants anglais et américains. Ils prolongent le rock psychédélique en s’inspirant des DU ROCK LA VAGUE PLANANTE, ÉLECTRONIQUE pratiques d’improvisation du free jazz, des musiques du monde et ET EXPÉRIMENTALE ALLEMANDE en utilisant les synthétiseurs en pionniers. Au-delà du rock relate le DESHAYES ÉRIC DES ANNÉES SOIXANTE-DIX parcours de ces groupes allemands, repérant leurs influences et leur descendance. Il retrace l’itinéraire de quelques personnages clés (producteurs, ingénieurs du son) et présente une vue transversale des principaux labels discographiques qui ont diffusé ces productions hors normes. Né en 1973, Éric Deshayes est passionné par la scène expérimentale et alternative des années soixante-dix. Il est concepteur-rédacteur du webzine Néosphères et a déjà publié les biographies de Kraftwerk et de Can ainsi que L’Underground musical en France aux éditions Le mot et le reste. AU-DELÀ DU ROCK DU AU-DELÀ Prix : 26 euros 9HSMDQB*djhjfb+ M ISBN : 978-2-36139-795-1 — LE MOT ET LE RESTE R couv_audeladurock_2021.indd Toutes les pages 29/04/2021 10:30 ÉRIC DESHAYES AU-DELÀ DU ROCK la vague planante, électronique et expérimentale allemande des années soixante-dix le mot et le reste 2021 À mon oncle AVANT-PROPOS La vague allemande est une phase essentielle dans l’histoire de la musique du XXe siècle. -
A Ghost Story
Presents A GHOST STORY A film by David Lowery (93 min., USA, 2017) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia SYNOPSIS With A GHOST STORY acclaimed director David Lowery (AIN'T THEM BODIES SAINTS, PETE'S DRAGON) returns with a singular exploration of legacy, loss, and the essential human longing for meaning and connection. Recently deceased, a white-sheeted ghost (Academy Award-winner Casey Affleck) returns to his suburban home to console his bereft wife (Academy Award-nominee Rooney Mara), only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away. Increasingly unmoored, the ghost embarks on a cosmic journey through memory and history, confronting life’s ineffable questions and the enormity of existence. An unforgettable meditation on love and grief, A GHOST STORY emerges ecstatic and surreal — a wholly unique experience that lingers long after the credits roll. ABOUT THE PRODUCTION Months before delighting global audiences with the critically acclaimed PETE’S DRAGON remake for the Walt Disney Company in the summer of 2016, writer-director David Lowery was already immersed in his next project — an independently produced, under-the-radar ghost story set in his native Texas that reunites the stars of his breakout feature, AIN'T THEM BODIES SAINTS. -
Krautrock and the West German Counterculture
“Macht das Ohr auf” Krautrock and the West German Counterculture Ryan Iseppi A thesis submitted in partial fulfillment of the requirements for the degree of BACHELOR OF ARTS WITH HONORS DEPARTMENT OF GERMANIC LANGUAGES & LITERATURES UNIVERSITY OF MICHIGAN April 17, 2012 Advised by Professor Vanessa Agnew 2 Contents I. Introduction 5 Electric Junk: Krautrock’s Identity Crisis II. Chapter 1 23 Future Days: Krautrock Roots and Synthesis III. Chapter 2 33 The Collaborative Ethos and the Spirit of ‘68 IV: Chapter 3 47 Macht kaputt, was euch kaputt macht: Krautrock in Opposition V: Chapter 4 61 Ethnological Forgeries and Agit-Rock VI: Chapter 5 73 The Man-Machines: Krautrock and Electronic Music VII: Conclusion 85 Ultima Thule: Krautrock and the Modern World VIII: Bibliography 95 IX: Discography 103 3 4 I. Introduction Electric Junk: Krautrock’s Identity Crisis If there is any musical subculture to which this modern age of online music consumption has been particularly kind, it is certainly the obscure, groundbreaking, and oft misunderstood German pop music phenomenon known as “krautrock”. That krautrock’s appeal to new generations of musicians and fans both in Germany and abroad continues to grow with each passing year is a testament to the implicitly iconoclastic nature of the style; krautrock still sounds odd, eccentric, and even confrontational approximately twenty-five years after the movement is generally considered to have ended.1 In fact, it is difficult nowadays to even page through a recent issue of major periodicals like Rolling Stone or Spin without chancing upon some kind of passing reference to the genre. -
Booklet Gormenghast
A FANTASY OPERA BY IRMIN SCHMI DT Irmin Schmidt, founder of the legendary group CAN, has written an opera: GORMENGHAST. Commissioned by Wuppertaler Bühnen, the work was performed in the English language and premiered at the Operahouse Wuppertal on 15. November 1998. Inspired by Mervyn Peake’s masterpiece of gothic fantasy, English novelist Duncan Fallowell wrote the libretto in St. Petersburg, combining romance, comedy and futurism into an adventure of epic strangeness peopled by unforgettable characters. The opera is in 3 acts and centres on the rise and fall of Steerpike, a courageous, clever and charming kitchen-boy who becomes by degrees the murderous tyrant of Gormenghast Castle and its domain. In the process he bewitches and destroys Fuchsia the daughter of Gormen ghast’s opium-addicted ruler. Finally he meets his own dramatic death. The other inhabitants of this vivid decaying realm are drawn into the terrible tale. Irmin Schmidt, who studied under Ligeti and Stockhausen, not only created in CAN one of the most influential of avant garde groups, but is also a classical conductor and pianist and has com- posed music for over 70 film productions. His work transforms elements of the popular, ethnic and classical into a wholly original musical language . In both libretto and music, this integration of high culture and popular culture is not like any- thing which has gone before: it is achieved with perfect naturalness, carrying the art of opera forward into a new phase. The result is both accessible and magically unexpected: GORMENGHAST is a major addition to the world of musical theatre.