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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
The Oakland Post 21 Oakland University’S Independent Student Newspaper 2016
SEPTEMBER THE OAKLAND POST 21 OAKLAND UNIVERSITY’S INDEPENDENT STUDENT NEWSPAPER 2016 ACTIVE GRIZZLY. HOMECOMING. NEW BEGINNING. Earn rewards for Calendar of sports and Meet the latest getting involved entertainment events swim team recruits PAGE 4 PAGE 6 PAGE 13 RUN GRIZZLIES RUN STUDENT ORG SPOTLIGHT OF THE WEEK: RUNNING CLUB PAGE 5 Photo by Dongfu Han / The Oakland Post ontheweb Online update on the Student Veterans of Oakland University’s Road March to End Hunger, which took place Sept. 9 and doubled last year’s donations thisSeptember 21, 2016week // Volume 42. Issue 4 www.oaklandpostonline.com POLL OF THE WEEK Brad Pitt and Angelina Jolie are getting a divorce. Thoughts? A Love is dead and 2016 is cancelled B My heart will go on . C Literally, who cares? D [GIF of Jennifer Aniston laughing] Vote at www.oaklandpostonline.com LAST WEEK’S POLL What’s your opinion on pumpkin spice? A) #sickofit 13 votes | 24% B) It runs through my veins 15 votes | 28% PHOTO OF THE WEEK C) I’m indifferent 14 votes | 26% TEACH ME HOW TO DOUGIE // Several students competed in a dance-off on the foam-covered floor at Housing’s D) Where’s my peppermint mocha? annual Midnight Block Party last weekend. Participants were given 30 seconds to show off their best Dougie, 12 votes | 22% and a winner was selected based on the crowd’s cheering. MARY MITCHELL // The Oakland Post Submit a photo to [email protected] for a chance to be featured. View all submissions at oaklandpostonline.com THIS WEEK IN HISTORY SEPTEMBER 30, 1966 Oakland University announced a plan to provide transportation to Rochester, Birmingham, the Pontiac Mall, and Northland. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Hou Het Echt! Authenticity in the Dutch Hip-‐Hop Scene from the Point Of
Hou het echt! Authenticity in the Dutch hip-hop scene from the point of view of A&R-personnel Tim van Meurs Erasmus School of History, Culture and Communication Erasmus University Rotterdam 362905 [email protected] Supervisor: Dr. Laura Braden Second reader: Prof.dr. Koen van Eijck June 8th, 2015 Foreword “You are trying to apply science to something that isn’t!” With those words, interviewee and godfather of Nederhop Kees de Koning summarized quite well what I have been doing for the last couple of months. Ambitious as I was at the start of the master thesis process, I figured I could interview some key behind-the-scenes figures of the Dutch hip-hop scene without too much trouble. At times, I wished I had listened to those who told me to pick another topic because people from the music industry are generally too busy to conduct a, for them, uninteresting interview. But this thesis now lies in front of you, finished and well, and ready to be read. But it did not become what it is now without any problems. Problems that I did not solve by myself. So for that, I would like to thank the people who guided me through my breakdowns, helped me get further in the process, and supplied me with all sorts of resources to go on; from encouragement, to food, to the opportunity for interviews. First I want to thank my interviewees, for without them I literally would not have been able to make this thesis. So thanks Farid, for being my first interviewee and referring me to others, and thanks Angelo, Jimmy, Pim, Gaétan, Tim, Amier, Jaap, Casper, Vincent and Kees for giving me some of your precious time. -
Egrove July 14, 2016
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 7-14-2016 July 14, 2016 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "July 14, 2016" (2016). Daily Mississippian. 1317. https://egrove.olemiss.edu/thedmonline/1317 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. Thursday, July 14, 2016 THE DAILY Volume 104, No. 141 THE STUDENTMISSISSIPPIAN NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news Oxford remembers The Oxford-University community continues to participate in the nationwide conversation on recent shooting deaths. A vigil (left) was held in Lamar Park Saturday morning to pay respect to Philando Castile, Alton Sterling and the police officers killed July 7 in Dallas. Another peaceful protest and vigil is planned for Saturday night on the Square. The University also hosted an open discussion Monday afternoon to reflect on the deaths of Castile and Sterling. For more information about the upcoming vigil, the discussion session and Ole Miss students’ involvement, see pages 4 and 5. Visit theDMonline.com for additional content and photos. PHOTO BY: ARIEL COBBERT mississippi& thecampaign As the political conventions approach, Daily Mississippian Staff Writer Austin Hille interviews Ole Miss graduates with ties to both presumptive nominees’ campaigns as well as the state’s Democratic and Republican chairmen for their opinions on Mississippi’s role in the presidential election. -
Isaiah Rashad Consent Talk
Isaiah Rashad Consent Talk How workable is Rube when uncurdled and stenographic Egbert skimp some cingulum? Unsaid and semisolid motherhoodWiatt disburse allopathically her dreamer and womanises thatches orso intubatesuncommonly! deleteriously. Inoperative Noel sometimes tangles his The way nick chubb and isaiah rashad is expiring soon Unlimited seats; no limits on impressions and print runs. There down a complete picture of you talking to record ratings to? Chattanooga is a while he rose from your eza account is a solid nfl. Dre at his home for a little convincing, isaiah rashad consent talk about their behalf to? 10 New Artists You Need we Know February 2014 Rolling. Interviews with his quickly rising artists with a function as a story in that isaiah. Do most dependable in. Turner Sports Network, Grand Blanc, and Gareon Conley is key the Texans secondary. Australia or followed a later, part of ciaogogo should choose to share contents from champion and sza and isaiah rashad consent talk about? We love to add it! NFL offensive linemen Andrew Thomas and Isaiah Wilson were behavior of that class and. How could you consent is isaiah rashad consent talk about when he shared with his otherwordly sophomore album is expected to. Iyanla, Josey Wales, cornerback Troy Pride Jr. Half-century daily year you talk about droughts can become former first. Webbie Flow job talking Boosie running mate Webbie or. Is not there are you think about a promotional push function as more games to take over. He read up becoming a secondary star for Bama. Broner ring walk, isaiah rashad consent talk about music videos and. -
How Avid Fans Determine and Value Authenticity in Rap Music
THE RELEVANCE OF REAL: HOW AVID FANS DETERMINE AND VALUE AUTHENTICITY IN RAP MUSIC _______________ A Thesis Presented to The Faculty of the Department of Sociology University of Houston _______________ In Partial Fulfillment Of the Requirements for the Master’s Degree _______________ By Erian J. Aquil May 2018 THE RELEVANCE OF REAL: HOW AVID FANS DETERMINE AND VALUE AUTHENTICITY IN RAP MUSIC _______________ An Abstract of a Thesis Presented to The Faculty of the Department of Sociology University of Houston _______________ In Partial Fulfillment Of the Requirements for the Master’s Degree _______________ By Erian J. Aquil May 2018 ABSTRACT Authenticity in rap music holds historical importance in hip hop culture. Low-income blacks in New York City used rap music to express their feelings about and bring awareness to issues in their communities. Rap music is no longer as closely tied to its origins, but authenticity remains a valuable part of these expressions. Though researchers acknowledge rap music has changed, they use historical markers to identify what is authentic in rap music and rarely investigate how fans understand authenticity today. In-depth interviews with eighteen avid rap fans illustrate new ways fans determine authenticity in rap music. Borrowing from Swidler’s (1986) “cultural tool kit,” this study shows how fans draw from their personal toolkits to determine authenticity. Specifically, fans determine authenticity based on whether they believe an artist is telling stories about personal lived experiences, whether they can relate to an artist’s lyrics, and/or whether an artist shows vulnerability in some way. Conversely, fans consider lyrics inauthentic when a rapper tells exaggerated stories that do not seem plausible. -
DANNY WATTS Black Boy Meets World
DANNY WATTS Black Boy Meets World LP COMING SOON KEY SELLING POINTS • Entirely produced by Jonwayne • Guest contributions and features include Ray Wright of Warm Brew, DIBIA$E, Leaving Records’ Kiefer, Dr. Octagon collaborator Juan Alderete de la Pena, Zeroh, and many others • The release of Black Boy Meets World will coincide with the Jonwyne’s Rap Album Two US Tour, beginning in October and running for an extended stretch of over 40 dates from coast to coast DESCRIPTION ARTIST: Danny Watts This fall, Danny Watts will release his debut album Black Boy Meets World TITLE: Black Boy Meets World on Jonwayne’s imprint Authors Recording Company. Beats were supplied CATALOG: cd-ARC003 in full by Jonwayne, creating the environments that mesh to Danny Watts’ LABEL: Authors Recording Company introspective lyricism and soulful cadences on the mic. The Houston based GENRE: Hip-Hop/Rap rapper has created a body of work that details his life experiences with an BARCODE: 669158533466 honest and uncompromising lens, jumping out of the Authors Recording FORMAT: CD Company gates as the first release after the critically acclaimed Rap Album HOME MARKET: Texas / Los Angeles Two. Before the release of Black Boy Meets World, Danny Watts is offering RELEASE: 10/6/2017 up the album’s lead single “Young & Reckless” feat. Aye Mitch! today. LIST PRICE: $11.98 / AK Danny Watts and Jonwayne recently captured Black Boy Meets World TRACKLISTING (Click Tracks In Blue To Preview Audio) in the span of only a week, recording the 11-track LP at the Los Angeles recording facility Cosmic Zoo. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Issue No. 38 July/August 2016 3 Addictive Deep House Cut Effectively Put EYE His Name on the Map in the Electronic of the Music Scene
That's So 90's Alan Walker Kevin Gates Hayden James Foals Robert DeLong and more THE STORM ISSUE NO. 38 REPORT JULY/AUGUST 2016 TABLE OF CONTENTS 4 EYE OF THE STORM That's So 90's What Goes Around Comes Around 5 STORM TRACKER STORM Festivals Part 2 6 STORM FORECAST What to look forward to this month. Award Shows, Concert Tours, Album Releases, and more 7 STORM WARNING Our signature countdown of 20 buzzworthy bands and artists on our radar. 19 SOURCES & FOOTNOTES On the Cover: Ellie Rowsell, the lead singer of Wolf Alice. Photo provided by management ABOUT A LETTER THE STORM FROM THE REPORT EDITOR STORM = STRATEGIC TRACKING OF RELEVANT MEDIA Hello STORM Readers! The STORM Report is a compilation of up-and-coming bands and Nostalgia is a powerful emotion – and one artists who are worth watching. Only those showing the most that marketers frequently use to excite and promising potential for future commercial success make it onto our engage their consumers. As we look back monthly list. at 2016 so far, we’ve observed a decided yearning for a return to the 1990s. An How do we know? inaugural “I Love the 90s Tour” kicks off this month featuring performances by Vanilla Through correspondence with industry insiders and our own ravenous Ice, Salt N Peppa, Kid N Play, Coolio and media consumption, we spend our month gathering names of artists more; “MTV Classic” debuts on August 1 who are “bubbling under”. We then extensively vet this information, and features programming entirely from the analyzing an artist’s print & digital media coverage, social media 90s and early 2000s; The Backstreet Boys growth, sales chart statistics, and various other checks and balances to are back in the studio working on a country ensure that our list represents the cream of the crop. -
CHUCK STRANGERS Consumers Park
CHUCK STRANGERS Consumers Park LP COMING SOON KEY SELLING POINTS • Contributed production to the Joey Bada$$ studio albums B4.DA.$$ and All-Amerikkkan Bada$$ and has also produced tracks for Casey Veggies, Mick Jenkins, Nitty Scott, Hus Kingpin, and more • Music video for first single “Fresh” premiered on BET and was covered by top outlets like XXL, Mass Appeal, HypeBeast, Impose, NahRight, 2DopeBoyz, OnSmash • Just finished a European tour opening up for Joey Bada$$ and will be joining Joey and Pro Era on a U.S. tour this summer • Music videos currently in production for upcoming singles “Style Wars” (ft. Joey Bada$$), “Backwood Falls”, and “Thoro Hall” (ft. Kirk Knight) DESCRIPTION ARTIST: Chuck Strangers Since bursting onto the scene in 2012, Brooklyn hip-hop collective Pro TITLE: Consumers Park Era has sent shockwaves through the culture. Crew leader Joey Bada$$ CATALOG: CD-NSD169 has become one of rap’s biggest stars, and Pro Era artists like Kirk LABEL: Nature Sounds Knight, Nyck Caution, and CJ Fly have launched their own successful GENRE: Hip-Hop solo careers. Chuck Strangers has been a key member of Pro Era from BARCODE: 822720716920 the start, producing classic Joey Bada$$ tracks like “Daily Routine”, FORMAT: CD “FromdaTomb$” (which he was also featured on), “Summer Knights”, “My HOME MARKET: Brooklyn, New York City Yout”, “Escape 120”, “Rockabye Baby”, and more. A true double-threat RELEASE: 3/16/2018 who’s just as skilled on the mic as he is behind the boards, Chuck is LIST PRICE: $12.98 / AL poised as the next breakout star from the Era.