Grammy's 2017

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BALLOT Grammy’s 2017 FEBRUARY 12, 2017, 8:00 PM PST Record Of The Year Album Of The Year Song Of The Year Hello - Adele 25 - Adele Formation - Beyoncé Formation - Beyoncé Lemonade - Beyoncé Hello - Adele 7 Years - Lukas Graham Purpose - Justin Bieber I Took A Pill In Ibiza - Mike Posner Work - Rihanna Featuring Drake Views - Drake Love Yourself - Justin Bieber Stressed Out - Twenty One Pilots A Sailor's Guide To Earth 7 Years - Lukas Graham - Sturgill Simpson Best Pop Solo Performance Best Rock Song Best Rock Album Hello - Adele Blackstar - David Bowie California - Blink-182 Hold Up - Beyoncé Burn The Witch - Radiohead Tell Me I'm Pretty - Cage The Elephant Love Yourself - Justin Bieber Hardwired - Metallica Magma - Gojira Piece By Piece - Kelly Clarkson Heathens - Twenty One Pilots Weezer - Weezer Dangerous Woman - Ariana Grande My Name Is Human - Highly Suspect Death Of A Bachelor - Panic! At The Disco Best Alternative Music Album Best R&B Album Best Rap Song 22, A Million - Bon Iver In My Mind - BJ The Chicago Kid All The Way Up - Fat Joe & Remy Ma Blackstar - David Bowie Lalah Hathaway Live - Lalah Hathaway Famous - Kanye West Post Pop Depression - Iggy Pop Velvet Portraits - Terrace Martin Hotline Bling - Drake A Moon Shaped Pool - Radiohead Healing Season - Mint Condition No Problem - Chance The Rapper The Hope Six Demolition Project Smoove Jones - Mýa Ultralight Beam - Kanye West - PJ Harvey Best Rap Album Best Country Song Best Country Album Coloring Book - Chance The Rapper Blue Ain't Your Color - Keith Urban Big Day In A Small Town - Brandy Clark Major Key - DJ Khaled Die A Happy Man - Thomas Rhett Full Circle - Loretta Lynn Views - Drake Humble And Kind - Tim McGraw Hero - Maren Morris Blank Face LP - ScHoolboy Q My Church - Maren Morris Ripcord - Keith Urban And The Anonymous Nobod Vice - Miranda Lambert A Sailor's Guide To Earth - De La Soul - Sturgill Simpson Your Score:.

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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora.
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