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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
Grouplove/51765840/1?Loc=Interstitialskip
December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete. -
Executive of the Week: Dreamville Co-Founder Ibrahim 'Ib
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2021 Page 1 of 20 INSIDE Executive of the Week: Dreamville • How Does Co-Founder Ibrahim ‘Ib’ Hamad Humbleriot Founder Anthony Demby Stay BY DAN RYS Mindful? When J. Cole released his sixth studio album, The Off- tinue breaking new ground and how management has • Identity, Awareness Season, out on Dreamville/Roc Nation/Interscope, it evolved in the decade since he and Cole made their & Representation: An AAPI Heritage Month launched a tidal wave that swept over the charts. The breakthrough in 2011. Conversation With release landed Cole his sixth straight No. 1 on the J. Cole’s The Off-Season became his sixth No. 1 Young the Giant’s Billboard 200, all 12 songs in the top 40 of the Hot album on the Billboard 200. What key decisions Sameer Gadhia 100, a record-tying four in the top 10, and leading to did you make to help make that happen? • Garth Brooks his first-ever time topping the Hot 100 Songwriters I don’t think it’s any one decision that I would sit Remembers chart, the Streaming Songs chart and the Hot Rap here and take credit for personally, because every de- Dewayne Blackwell, Songs and Hot R&B/Hip-Hop Songs charts. cision is made together with Cole. The way Cole and ‘Friends in Low In short, it was a monumental album release in I have grown to work together, we talk about every Places’ Songwriter: a career that has seen several of them. And it earns decision before we press go. -
Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
03/31/2018 Daily Program Listing II 02/05/2018 Page 1 of 124 Start Title Thu, Mar 01, 2018 Subtitle Ster
Daily Program Listing II 43.1 Date: 02/05/2018 03/01/2018 - 03/31/2018 Page 1 of 124 Thu, Mar 01, 2018 Title Start Subtitle Distrib Stereo Cap AS2 Episode 00:00:01 Great Decisions In Foreign Policy NETA (S) (CC) N/A #903H China: The New Silk Road China is the second largest economy in the world, and it's expected to bump the U.S. out of the top rank in less than a decade. Beijing is increasingly looking beyond China's borders, toward investment in Asia and across the world. What does China's massive One Belt One Road initiative mean for America? 00:30:00 In Good Shape - The Health Show WNVC (S) (CC) N/A #508H 01:00:00 The Lowertown Line. APTEX (S) (CC) N/A #124H Bruise Violet 01:30:00 Songs at the Center APTEX (S) (CC) N/A #110H Artists: Tim Easton, Talisha Holmes, Nathan Bell, Mark Brinkman, and hosted by songwriter Eric Gnezda. Tim Easton was nominated twice in the 9th Annual Independent Music Awards, including for Best Americana Song. Originally from Akron, he is now based in Nashville. He tours worldwide. He recently re-released his first album, Special 20, on vinyl. He sings "Elmore James." Talisha Holmes is known for her intimacy and energy as a performer. She has opened for Dwele, John Legend, Styx, Stephanie Mills, Ohio Players and others. With an eclectic style fusing jazz, blues, folk, rock and choral music, Talisha performs regularly with the Columbus Jazz Orchestra. She sings "Follow Me." Nathan Bell composed the music for The Day After Stonewall Died, a movie that was awarded first prize at the 2014 Cannes Short Film Festival. -
Complaint, Cablevision Sys. Corp. V. Viacom Int'l
Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 1 of 60 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ) CABLEVISION SYSTEMS CORPORATION ) and CSC HOLDINGS, LLC, ) ) Civil Action No. 13 CIV 1278 (LTS) Plaintiffs, ) (JLC) -against- ) ) COMPLAINT VIACOM INTERNATIONAL INC. and BLACK ) ENTERTAINMENT TELEVISION LLC, ) REDACTED PUBLIC VERSION ) Defendants. ) ) Plaintiffs Cablevision Systems Corporation and CSC Holdings, LLC (collectively, “Cablevision”), by their attorneys Ropes & Gray LLP, bring this Complaint against Viacom International Inc. and Black Entertainment Television LLC (collectively, “Viacom”) for violations of federal and state antitrust laws, and allege as follows: NATURE OF THE ACTION 1. This case involves Viacom’s abuse of its market power over access to commercially critical networks – its highly popular Nickelodeon, Comedy Central, BET, and MTV networks – to force Cablevision to license and distribute over scarce bandwidth some dozen other Viacom networks, which Viacom calls Suite Networks, that many Cablevision subscribers do not watch and for which Cablevision would prefer to substitute competing networks. Viacom strong-armed Cablevision into carrying Suite Networks by threatening to impose a near $ billion penalty if Cablevision licensed only the Viacom networks Cablevision wanted, networks Viacom calls its Core Networks. Stated differently, unless Cablevision agreed to distribute Viacom’s Suite, Cablevision would pay nearly as much for just the Core (which includes commercially critical networks) than for the Core and Suite 1 Case 1:13-cv-01278-LTS Document 9 Filed 03/07/13 Page 2 of 60 combined. Viacom’s diabolical and coercive scheme, which harms competition, consumers, and Cablevision, constitutes tying and block booking in violation of the Sherman Act and New York law. -
The Oakland Post 21 Oakland University’S Independent Student Newspaper 2016
SEPTEMBER THE OAKLAND POST 21 OAKLAND UNIVERSITY’S INDEPENDENT STUDENT NEWSPAPER 2016 ACTIVE GRIZZLY. HOMECOMING. NEW BEGINNING. Earn rewards for Calendar of sports and Meet the latest getting involved entertainment events swim team recruits PAGE 4 PAGE 6 PAGE 13 RUN GRIZZLIES RUN STUDENT ORG SPOTLIGHT OF THE WEEK: RUNNING CLUB PAGE 5 Photo by Dongfu Han / The Oakland Post ontheweb Online update on the Student Veterans of Oakland University’s Road March to End Hunger, which took place Sept. 9 and doubled last year’s donations thisSeptember 21, 2016week // Volume 42. Issue 4 www.oaklandpostonline.com POLL OF THE WEEK Brad Pitt and Angelina Jolie are getting a divorce. Thoughts? A Love is dead and 2016 is cancelled B My heart will go on . C Literally, who cares? D [GIF of Jennifer Aniston laughing] Vote at www.oaklandpostonline.com LAST WEEK’S POLL What’s your opinion on pumpkin spice? A) #sickofit 13 votes | 24% B) It runs through my veins 15 votes | 28% PHOTO OF THE WEEK C) I’m indifferent 14 votes | 26% TEACH ME HOW TO DOUGIE // Several students competed in a dance-off on the foam-covered floor at Housing’s D) Where’s my peppermint mocha? annual Midnight Block Party last weekend. Participants were given 30 seconds to show off their best Dougie, 12 votes | 22% and a winner was selected based on the crowd’s cheering. MARY MITCHELL // The Oakland Post Submit a photo to [email protected] for a chance to be featured. View all submissions at oaklandpostonline.com THIS WEEK IN HISTORY SEPTEMBER 30, 1966 Oakland University announced a plan to provide transportation to Rochester, Birmingham, the Pontiac Mall, and Northland. -
Content Overhaul in Order for AP World History Curriculum; CHS
Villa CHS Sombreros Diary of Anne students impresses Frank takes dress for in style and the stage success FASHION flavor REVIEW PREVIEW the CarmelA CARMEL HIGH SCHOOL STUDENT PUBLICATION Sandpiper VOLUME XXXVIII NOVEMBER 2018 thesandpiper.org TECHNOLOGY Increased screen time HOMECOMING overwhelming for today’s teens BY ELLAH FOSTER When CHS junior Natalia Miller found out through her settings that she had spent 38 hours on her phone in the past 10 days, she expressed nothing but shock for that exces- sive screen time. However, she’s not alone in her time-consuming technology use. American teenagers spend an average of nine hours online every day, roughly three hours more than adults daily, according to a study released by Common Sense Media. As the first generation to grow up with technol- ogy at their fingertips, the mesmerizing pull of the screen might possibly be too difficult to ignore. This supposed “addiction” began with the creation of the first iPhone in 2007, fol- lowing the craze of flip phones from the de- HOMECOMING PHOTOS cade prior. Within the span of a few short Page 12 photo by CLEMENTINE CHAMBERLAIN years, the global use of tablets, cell phones and iPods exploded. By 2014-2015, Pew Research Center reported that 95 percent of ACADEMICS teens had access to a smartphone. Along with personal devices, students in Carmel Unified School District receive Content overhaul in order for AP World Chromebook laptops in sixth grade for aca- demic reasons, although many game and en- tertainment websites are not blocked. History curriculum; CHS accommodates In an average day at Carmel High, stu- BY KYLIE YEATMAN them for the course is heavily in dis- are going to take that over a Pre-AP,” dents use their computers in almost every cussions, as explained by AP U.S. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Egrove July 14, 2016
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 7-14-2016 July 14, 2016 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "July 14, 2016" (2016). Daily Mississippian. 1317. https://egrove.olemiss.edu/thedmonline/1317 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. Thursday, July 14, 2016 THE DAILY Volume 104, No. 141 THE STUDENTMISSISSIPPIAN NEWSPAPER OF THE UNIVERSITY OF MISSISSIPPI SERVING OLE MISS AND OXFORD SINCE 1911 Visit theDMonline.com @thedm_news Oxford remembers The Oxford-University community continues to participate in the nationwide conversation on recent shooting deaths. A vigil (left) was held in Lamar Park Saturday morning to pay respect to Philando Castile, Alton Sterling and the police officers killed July 7 in Dallas. Another peaceful protest and vigil is planned for Saturday night on the Square. The University also hosted an open discussion Monday afternoon to reflect on the deaths of Castile and Sterling. For more information about the upcoming vigil, the discussion session and Ole Miss students’ involvement, see pages 4 and 5. Visit theDMonline.com for additional content and photos. PHOTO BY: ARIEL COBBERT mississippi& thecampaign As the political conventions approach, Daily Mississippian Staff Writer Austin Hille interviews Ole Miss graduates with ties to both presumptive nominees’ campaigns as well as the state’s Democratic and Republican chairmen for their opinions on Mississippi’s role in the presidential election. -
The Duel Observer Volume XXVI, Issue X “Knowe Thyself, Not Be Thyself.” November 6, 2015
THE DUEL OBSERVER Volume XXVI, Issue X “Knowe Thyself, Not Be Thyself.” November 6, 2015 SPAC CoffEEHOUSE NOW SpoNsoRED BY FOLGERS Allows only commercial jingle tributes ARM ARTY NLY frat parties), effectively negating the pressure of scarcity PRING ONCERT F P O on this particular system. Also, if you’re gonna bring Bud S C SUSTAINABLE PARTY MODEL Light, you might as well not come at all.” QUESTIONNAIRE ONLY LISTS Never actually ends “I can’t believe they thought of this bring-your- EAD S AND By Ms. Suder ’18 CAB H ’ B own-booze thing before we did,” Garrison Portage ’19 Campus community agrees it wants T-Pain Econ Majors Finally Have Something To said, having been interviewed in the middle of an Econ Ms. Warren ’18 Study Dept. 101 crawl. “We ran out of alcohol on, like, the first stop. “Subtle” Self-Promotion Dept. (A DITCH BEHIND THE SOCCER FIELD) Because there was only one stop. Because I was the (MY.HAMILTON.EDU/SURVEY-MANAGER) Last weekend’s community farm rager caught the atten- only one participating in the crawl. What I mean is, I Despite hoping to see at least one culturally rele- tion of campus economics students and grounds keep- wish I had paid enough attention in class to come up vant musical group on CAB’s Spring Concert ques- ers alike when it remarkably succeeded in going on for with the idea of making people bring me beer.” tionnaire, students were bitterly disappointed last seventy-two straight hours, due to a clever adjustment of “Wait, so Parker actually ran with that bullshit, Wednesday. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS MARCH 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Morris, Brown Top Charts Brandy Clark Makes A Personal >page 4 Statement On The Record Nashville Works Toward Recovery Ten seconds into Brandy Clark’s Your Life Is a Record, a the listener to an expectant conclusion of what turns out to be >page 9 languid grunting tone emerges, unconventionally planting a breakup album, released by Warner on March 6. “The Past a baritone sax into the opening moments of what’s ostensibly Is the Past,” she declares in that glassy finale, with fragile a country album. guitar arpeggios supporting a It’s a tad mysterious. In transitional journey into some Dan + Shay Launch context, it could be a bassoon or unknown future. Putting that Arena Tour a bass clarinet — Clark thought upbeat sentiment at the end >page 10 it was a cello the first time she of the project rather than the heard it — but it reveals to the beginning was one of the few listener that Your Life Is a Record, places where she dug in her heels produced by Jay Joyce (Eric with the label. Current News: Church, Miranda Lambert), “I wanted it that way because Just LeDoux It is not quite like either of the to me, ‘The Past Is the Past’ is >page 10 previous records the award- bittersweet, but it’s hopeful,” winning singer-songwriter has she explains. “It’s like, ‘OK, we’ve launched in the marketplace. gone through all this and I’m still Makin’ Tracks: “I said to Jay when I heard sad about it, but I’m letting you Pardi’s Strait Talk that baritone sax thing, ‘Man, go.’ And I’m driving away — like, >page 14 I know this is crazy ’cause it’s a I literally feel like I’m in the car slow, sad song.