Architectural Conservation Overview

Total Page:16

File Type:pdf, Size:1020Kb

Architectural Conservation Overview architectural conservation overview The highly regarded Architectural Conservation programme at Edinburgh College of Art is over forty years old - the longest established architectural conservation course in the UK. The multi-disciplinary programme draws in postgraduate students from a wide range of backgrounds. The teaching combines the academic skills of international conservation scholarship and research with strong practical links to government and voluntary heritage bodies - all within the stimulating environment of a thriving school of architecture. An increasing number of postgraduate taught programmes are delivered jointly with Architecture at the University of Edinburgh, in collaboration with the School of Built Environment at Heriot-Watt University. Staff in the College's school also participate in joint research projects and supervision of research students with both partner institutions. The programme aims to provide students with the broad base of knowledge and skills necessary to embark on a career in one of the many professional sub-disciplines of conservation, ranging from heritage management to conservation architecture: it is one of the few conservation courses in the UK fully recognised by the Institute of Historic Building Conservation, Britain's official organisation of architectural conservation professionals. To complete their studies, students must demonstrate their familiarity with the historical and theoretical foundations and challenges of conservation; the techniques of recording and research and the technologies of building repair; the influences of planning law, contemporary architecture and building economics on the historic built environment; and the special conservation challenges of Modern Movement architecture and urban planning. Students also develop more general practical and intellectual skills, in areas such as project organisation, historical research, or graphic and oral communication. the Scottish Centre for Conservation Studies at eca In the face of the inexorable forces of cultural globalisation, architectural conservation is becoming increasingly important as a way of helping nurture local, regional, and national identity. This programme is conceived as a broad introduction to the knowledge, values, skills, and experiences of architectural conservation - including the broad ethical and conceptual background as well as the technical and hands-on practical aspects. Taught in the Scottish Centre for Conservation Studies (SCCS), a specialist teaching and research unit at Edinburgh College of Art established in 1990, our MSc programme balances these theoretical and practical approaches in a range of projects strongly anchored in the ancient setting of the Edinburgh World Heritage Site, with its uniquely stimulating juxtaposition of monumental medieval and neo-classical ensembles, all set in the stunning natural landscape context of Scotland. The programme is directed towards students from a great diversity of professional and disciplinary backgrounds, including archaeology, art and design, engineering, geology, history, art history and surveying as well as architecture. Students also come from all age groups and career stages, ranging from those newly graduated with first degrees to those embarking on mid-career changes or breaks. Prior knowledge is not expected, but enthusiasm and commitment are! The programme is also strongly international in character, with students stemming both from the UK and Europe, and from elsewhere across the world. For the latter, it offers a unique opportunity - complementary to conservation courses within their own countries - to combine postgraduate study with international travel to Europe, and to focus in depth on the conservation challenges of its historic cities and contemporary environments. Many former students of the programme now occupy senior positions across the UK and internationally, within this specialist area. Despite its long-established status, this is not a programme that ever stands still, and the range of study options available has recently been substantially enhanced and expanded, including new module options; the growing interconnection with Edinburgh University offers promise of further expansion of elective options over the next few years. study options The Scottish Centre for Conservation Studies (SCCS) at Edinburgh College of Art offers three postgraduate degrees (all awarded by the University of Edinburgh): o the mainstream Diploma in Architectural Conservation, or Dip AC (120 credits); o the Diploma in Architecture and Architectural Conservation, or Dip AAC (120 credits); and o the MSc in Architectural Conservation (60 credits). The SCCS postgraduate programme is modular in structure, wirh modules totalling 60 credits in each of semesters 1 and 2 (total: 120 credits); the 60 credit MSc dissertation makes up a total of 180 credits to MSc level. Choosing between the Diploma and the MSc The normal route for study of Architectural Conservation at the SCCS comprises the Dip AC followed by the MSc. The Dip AAC is of more restricted scope: essentially, it is a final-year (Diploma year) option for UK architecture students, and carries exemption from Part 2 of the ARB/RIBA Examination in Architecture; it necessitates taking two modules in Professional Studies. The taught coursework for Dip AAC is also normally followed by four months dissertation work, to attain the MSc degree. Studying full and part time There is a part-time as well as full-time study route. Both Dip AC and Dip AAC can be taken over eight months (full-time) or eighteen months (part-time). The total, combined period of study to MSc level is twelve months (full-time) and thirty months (part-time). For overseas students, the full-time study mode is normally the route followed. Monitoring of programme standards The programme is subject to continual monitoring and review to ensure that the quality and standards of teaching and learning are maintained and improved as necessary. The mechanisms for this involve Subject Area Reviews, Postgraduate Taught Course Committee Reviews, and External Examiners' Reports. Student feedback is an integral and highly valued part of the monitoring and review process: it is secured through representation on the Staff/Student Committee, the Postgraduate Taught Course Committee and through questionnaire evaluation by students of individual modules. programme structure and content The modules and other activities for each semester within the full-time Dip. AC and MSc programme are set out below: for part-time and Dip. AAC variations please contact the Academic Registry. Semester 1 (Diploma Options 1 and 2), September - December History and Theory of Conservation Building Analysis: sources and recording History of Scottish Architecture (elective) Conservation of Modern Architecture (elective) Building Description Planning Law (elective) Glass in Context (elective) World Heritage (special subject) The programme starts with a thorough grounding in the significance and the techniques of methodical recording, description and analysis, and an overview introduction to the historical and theoretical framework of architectural conservation. Although the historical overview stretches back to classical antiquity and the Renaissance, there is a particular focus on the 20th century: the conservation of modern architecture forms the subject of one elective module. Work is assessed by individual written papers, and by a group project and presentation. Two modules focus on the preparation of assessments of cultural significance, especially in World Heritage Sites. Semester 2 (Diploma Options 1 and 2), January - April Conservation Technology (in partnership with the University of Edinburgh) Conservation Masterclasses Design Intervention (elective) Area Conservation Research Methods Overseas Tour (optional) Students are introduced to the variety, nature, performance and repair of traditional building materials and the transformation of buildings and historic environments through contemporary design interventions. Some evening activities, including the weekly Conservation Masterclasses (now in their 28th year) and participation in the cases panel of the Architectural Heritage Society of Scotland, help make this a packed semester. Assessment takes the form of individual written papers, group projects and presentations, design exercises, and report writing. The taught Diploma programme comes to an end with an examination of the issue of the conservation of areas, rather than buildings - including urban ensembles and landscapes - and a specially focused Research Methods module designed to prepare students for MSc study. The semester concludes with an intensive overseas tour, carefully designed to complement the semester 1 History and Theory module. The 2008 trip focused on sites of World War 2 destruction and reconstruction in Germany and the 2009 trip focused on central Italy. Semester 3 (MSc), May - September MSc Dissertation Completion of the two-semester programme results in the attainment of the qualification of Dip. AC or Dip. AAC. During semester 3 (May - September), MSc students research and write their dissertation, a 12,000 - 15,000 word research paper on an aspect of architectural conservation. Supervision is provided throughout the period of research and writing-up. professional experience and validation Professional validation The SCCS programme is one of only a handful of UK conservation courses fully recognised (including for CPD purposes) by the
Recommended publications
  • THE UNIVERSITY of EDINBURGH
    UGP COVER 2012 22/3/11 14:01 Page 2 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus Undergraduate 2012 Entry 2012 THE UNIVERSITY of EDINBURGH Undergraduate Prospectus 2012 Entry www.ed.ac.uk EDINB E56 UGP COVER 2012 22/3/11 14:01 Page 3 UGP 2012 FRONT 22/3/11 14:03 Page 1 UGP 2012 FRONT 22/3/11 14:03 Page 2 THE UNIVERSITY of EDINBURGH Welcome to the University of Edinburgh We’ve been influencing the world since 1583. We can help influence your future. Follow us on www.twitter.com/UniofEdinburgh or watch us on www.youtube.com/user/EdinburghUniversity UGP 2012 FRONT 22/3/11 14:03 Page 3 The University of Edinburgh Undergraduate Prospectus 2012 Entry Welcome www.ed.ac.uk 3 Welcome Welcome Contents Contents Why choose the University of Edinburgh?..... 4 Humanities & Our story.....................................................................5 An education for life....................................................6 Social Science Edinburgh College of Art.............................................8 pages 36–127 Learning resources...................................................... 9 Supporting you..........................................................10 Social life...................................................................12 Medicine & A city for adventure.................................................. 14 Veterinary Medicine Active life.................................................................. 16 Accommodation....................................................... 20 pages 128–143 Visiting the University...............................................
    [Show full text]
  • Troisième Classe Grise Brutal Glasgow- Brutal Edinburgh Fevrier 2017
    Glasgow, Red Road Flats, 1969 BURNING SCOTLAND TROISIÈME CLASSE GRISE BRUTAL GLASGOW- BRUTAL EDINBURGH FEVRIER 2017 1 Gillespie Kidd & Coia, St Peter’s College, Cardross, 1959-1966 (ruins) ******************************* Barry Gasson & John Meunier with Brit Andreson, Burrell Collection, Glasgow, 1978–83 ******************************* Covell Matthews & Partners Empire House, Glasgow, 1962-1965 ******************************* 2 W. N. W. Ramsay, Queen Margaret Hall, University of Glasgow, 1960-1964 ******************************* T. P. Bennett & Son, British Linen Bank, Glasgow, 1966-1972 ******************************* 3 Wylie Shanks & Partners, Dental Hospital & School, Glasgow, 1962-1970 ******************************* W. N. W. Ramsay Dalrymple Hall, University of Glasgow, 1960-1965 ******************************* 4 Irvine Development Corporation, Irvine Centre, 1960-1976 ******************************* William Whitfield & Partners, University of Glasgow Library, 1963-1968 ******************************* Keppie Henderson & Partners, University of Glasgow - Rankine Building, 1964-1969 ******************************* 5 David Harvey Alex Scott & Associates, Adam Smith Building, University of Glasgow, 1967 ******************************* Scott Brownrigg & Turner, Grosvenor Lane Housing, Glasgow, 1972 ******************************* Keppie Henderson & Partners, Student Amenity Building, University of Glasgow, 1965 (Demolished: 2013 ?) ******************************* 6 Keppie Henderson & Partners, Henry Wood Building, Jordanhill, Glasgow,
    [Show full text]
  • Building Stones of Edinburgh's South Side
    The route Building Stones of Edinburgh’s South Side This tour takes the form of a circular walk from George Square northwards along George IV Bridge to the High Street of the Old Town, returning by South Bridge and Building Stones Chambers Street and Nicolson Street. Most of the itinerary High Court 32 lies within the Edinburgh World Heritage Site. 25 33 26 31 of Edinburgh’s 27 28 The recommended route along pavements is shown in red 29 24 30 34 on the diagram overleaf. Edinburgh traffic can be very busy, 21 so TAKE CARE; cross where possible at traffic light controlled 22 South Side 23 crossings. Public toilets are located in Nicolson Square 20 19 near start and end of walk. The walk begins at NE corner of Crown Office George Square (Route Map locality 1). 18 17 16 35 14 36 Further Reading 13 15 McMillan, A A, Gillanders, R J and Fairhurst, J A. 1999 National Museum of Scotland Building Stones of Edinburgh. 2nd Edition. Edinburgh Geological Society. 12 11 Lothian & Borders GeoConservation leaflets including Telfer Wall Calton Hill, and Craigleith Quarry (http://www. 9 8 Central 7 Finish Mosque edinburghgeolsoc.org/r_download.html) 10 38 37 Quartermile, formerly 6 CHAP the Royal Infirmary of Acknowledgements. 1 EL Edinburgh S T Text: Andrew McMillan and Richard Gillanders with Start . 5 contributions from David McAdam and Alex Stark. 4 2 3 LACE CLEUCH P Map adapted with permission from The Buildings of BUC Scotland: Edinburgh (Pevsner Architectural Guides, Yale University Press), by J. Gifford, C. McWilliam and D.
    [Show full text]
  • The Design Studio Brief in Architecture's
    Charrette:essay Tales and tools: the Design Studio Brief in Architecture’s expanded field. Suzanne Ewing. Edinburgh School of Architecture and Landscape Architecture, University of Edinburgh. ABSTRACT This essay argues that the Design Studio Brief establishes tacit disciplinary practices of architecture, as well as more explicit pursuit of topics of formulated relevance or concern. A series of tales of Design Studio Briefs from the fourth year of study at one UK Architecture School are sampled at dates which coincide with significant moments in Scotland’s recent constitutional history: the 1979 devolution Referendum, the 1997/1999 establishment of the Scottish Parliament, and the 2014 Independence Referendum. The tales are followed by a discussion on tools: towards means and practices which might inform the re-tooling of the Design Studio Brief and its ends. KEYWORDS design studio brief, disciplinary practices, architectural education Over the past forty years the field of global Higher Education economy. Allied to Architecture has expanded in scope and in the funding conditions which redefine national and potential of architectural design as subject and transnational educational responsibilities, what practice.1 Focus has shifted from site to field, educational capital is and what it is for, from static object to moving project.2 requires a refreshed ethical position.5 Preoccupations of Design Studios in architectural education have shifted from Euro- Architectural Design Studios are often known centric sites and artefacts deemed worthy
    [Show full text]
  • The 'When, How and What' of Text Based Wayfinding Instructions For
    The ‘when, how and what’ of Text Based Wayfinding Instructions for Urban Pedestrians William Mackaness1, Phil Bartie2, Candela Sanchez-Rodilla Espeso1 1School of GeoSciences, The University of Edinburgh, Drummond St, Edinburgh EH8 9XP 2School of Natural Sciences, Stirling University, Stirling FK9 4LA [email protected] Keywords: built environment, pedestrian wayfinding, landmark saliency, LBS 1.0 A Context – urban pedestrian wayfinding The smartphone has become a conduit by which we access many different services (Raper et al. 2007; Kray et al 2005) in many different ways (Shneiderman 2004). Increasingly wayfinding in urban environments is supported by smartphone technology using maps and images; these demand our full attention (Gluck 1991; May et al. 2003). But our ambition is technology that is concealed (Weiser and Brown 1998), delivering only spoken instructions (Bartie and Mackaness 2006; Mackaness et al. 2013), thus leaving the pedestrian ‘eyes free’ and ‘hands free’ to enjoy the city. As a precursor to their spoken delivery, we report on the evaluation of a text based system in which subjects were directed by a series of landmark based instructions or street based instructions that were geo-located. Section 2.0 describes the underlying model, Section 3.0 the experiment and subsequent feedback and analysis gained through: trajectory analysis, questionnaires and a focus group. 2.0 A City Model to support Landmark modelling and instruction construction A map is data rich (hence requiring a lot of cognitive effort), whilst a dialogue based system needs to be efficient, and minimalist (we don’t want to bore the pedestrian to death), yet sufficiently robust that the user does not get lost.
    [Show full text]
  • 29 July–29 August 2021 Edinburghartfestival.Com #Edartf
    Platform: 2021 Art Across the Capital Commissions Programme Art is Back Explore Platform: 2021, our exhibition for early As galleries reopen after many months of closure, Our 2021 programme features new commissions We are so delighted to return this year, to work career artists, with new work from Jessica Higgins, this year, more than any, we are proud to cast a and UK premieres by leading international artists, with partners across the city, to showcase the work Danny Pagarani, Kirsty Russell and Isabella Widger spotlight on the uniquely ambitious, inventive and including new work by Sean Lynch co-commissioned of artists from Scotland, the UK and around the world. presented at our festival home in the Institut français thoughtful programming produced each year by with Edinburgh Sculpture Workshop and by Emeka Some exhibitions are newly made in response to the d’Ecosse. While visiting you can also browse festival Edinburgh’s visual art community. Ogboh with Talbot Rice Gallery; alongside the UK seismic shifts of the past year; others have been many merchandise and find out more about the exhibitions premiere of Isaac Julien’s Lessons of the Hour, presented years in the planning; but all are the unique, authentic, and events taking place across the city at our With over 20 partner galleries across the capital, in partnership with National Galleries of Scotland. and thoughtful products of our city’s extraordinarily Festival Kiosk. we encourage you to explore the programme and We are also proud to collaborate with Associate Artist, rich visual art scene. support the incredible visual art organisations that Tako Taal, on her programme What happens to desire… Festival Kiosk the city has to offer.
    [Show full text]
  • Architecture & Landscape Architecture, Art, Design, History of Art & Music
    Architecture & Landscape Architecture, Art, Design, History of Art & Music Postgraduate Opportunities 2019 Influencing the world since 1583 The University of Edinburgh Edinburgh College of Art Postgraduate Opportunities 2019 01 02 Introduction “ Edinburgh isn’t so much a city, more 04 Taught masters programmes a way of life … I doubt I’ll ever tire of 32 Research at Edinburgh College of Art 33 Research opportunities exploring Edinburgh, on foot or in print.” 44 About Edinburgh College of Art Ian Rankin 45 Facilities and resources Best-selling author and alumnus 50 Community 51 Employability and graduate attributes 52 Applications and fees 54 Funding 56 Campus map 57 Get in touch www.eca.ed.ac.uk The University of Edinburgh 02 Edinburgh College of Art Postgraduate Opportunities 2019 03 For more than 400 years the University of Influencing the Edinburgh has been changing the world. Our TOP 50 staff and students have explored space, won We’re consistently ranked one of Nobel Prizes and revolutionised surgery. They’ve published era-defining books, run the country, the top 50 universities in the world. world since 1583 th made life-saving breakthroughs and laid the We’re 18 in the 2019 QS World foundations to solve the mysteries of the universe. University Rankings. Our distinguished alumni include NASA astronaut TH Piers Sellers, former MI5 Director-General Dame 4 Stella Rimington, Olympians Sir Chris Hoy and We’re ranked fourth in the UK for 14 Nov 2018 Katherine Grainger and historical greats such research power, based on the 2014 Postgraduate Open Day as philosopher David Hume, suffragist Chrystal Research Excellence Framework.* Macmillan, who founded the Women’s International www.ed.ac.uk/ postgraduate-open-day League for Peace and Freedom, and physicist and mathematician James Clerk Maxwell.
    [Show full text]
  • Annual Review 2017–18 National Galleries of Scotland Annual Review
    Annual Review 2017–18 national galleries of scotland annual review annual of scotland galleries national 2017–18 www.nationalgalleries.org froNt cover reverse Back cover reverse Facts and Figures visitor nuMBers NatioNal Galleries of s cotlaNd Board of t rustees Total visitors to National Galleries of 2,533,611 Benny Higgins Chairman Scotland sites in Edinburgh Tricia Bey Alistair Dodds 1,601,433 Scottish National Gallery Edward Green Lesley Knox 562,420 Scottish National Gallery of Modern Art Tari Lang Catherine Muirden Professor Nicholas Pearce Scottish National Portrait Gallery 369,758 Willie Watt Nicky Wilson virtual v isitors seNior MaNaGeMeN t t eaM www.nationalgalleries.org website visits 1,989,101 Sir John Leighton Director-General educational v isits Chris Breward 33,210 Total number of participants from schools, Director of Collection and Research higher and further education Nicola Catterall Chief Operating Officer 19,479 Total number of adult participants at talks, Jo Coomber lectures and practical workshops Director of Public Engagement Jacqueline Ridge 4,333 Total number of community and Director of Conservation and Collections Management outreach participants Elaine Anderson 6,919 Total number of families with children at Head of Planning and Performance drop-in events fiNaNce friends Full Annual Accounts for 2017–18 are available on the National Galleries of Scotland website: 13,188 Friends at 31 March 2018 www.nationalgalleries.org volunteers froNt cover The Road Through the Rocks, Total number of volunteers Detail from Scottish National Gallery Scottish National Portrait Gallery Scottish National Gallery 166 Port-Vendres, 1926–27 by Charles of Modern Art One Rennie Mackintosh The Scottish National Gallery comprises The Scottish National Portrait Gallery is Back cover three linked buildings at the foot of the about the people of Scotland – past and Home to Scotland’s outstanding national The Road Through the Rocks, Port-Vendres, Mound in Edinburgh.
    [Show full text]
  • Your Guide to Heriot-Watt University's Heritage
    TWO CENTURIES OF LEARNING YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE CONTENTS A TRULY SCOttISH UNIVERSIty INTRODUCTION 1 WIth GLOBAL REACH 27 THE EDINBURGH SCHOOL OF ARTS: SCIENCE AND ENGINEERING 29 thE FIRST MECHANICS INSTITUTE 3 LIFE SCIENCES 31 A REVOLUTION IN EDUCATION 5 BUSINESS, MANAGEMENT EARLY DAYs – thE WAtt CONNECTION 7 AND LANGUAGES 33 THE PEOPLE’S COLLEGE 9 COMPUTING, MAthEMATICS AND thE BUILT ENVIRONMENT 35 NEW HOME, NEW NAME – THE HERIOT CONNECTION 11 TEXTILES AND DESIGN 37 ACADEMIC RECOGNITION 13 THE WAtt CLUB 39 AMBITIOUS EXPANSION 15 FIND OUT MORE 40 FROM COLLEGE TO UNIVERSIty 17 A NEW CAMPUS: FOCUSED ON thE FUTURE 19 OUR NAMESAKes – JAMES WAtt AND GEORGE HERIOT 21 HERIOt‑WAtt UNIVERSIty ARMS 23 800 YEARS OF CAMPUS HISTORY: THE HIDDEN HISTORY OF RICCARTON 25 TWO CENTURIES OF LEARNINg – YOUR GUIDE TO HERIOT-WAtt UNIVERSIty’S HERITAGE 1 INTRODUCTION Today, Heriot‑Watt University is a vibrant forward looking University at the forefront of innovation in research and teaching. But if you delve into our history you will discover that our international reputation as one of the leading UK universities for business and industry can be traced back almost 200 years. Our rich and inspiring story begins in 1821 with the World’s first Mechanics Institute, a revolutionary concept in education which gave life changing opportunities for generations of young people. If you would like to find out more about our journey from a room in Edinburgh’s Old Town to Scotland’s most international university, read on to discover how we earned our special place in Edinburgh and Scottish history.
    [Show full text]
  • THE HOME of the ROYAL SOCIETY of EDINBURGH Figures Are Not Available
    THE HOME OF THE ROYAL SOCIETY OF EDINBURGH Figures are not available Charles D Waterston The bicentennial history of the Royal Society of Edinburgh1, like previous accounts, was rightly concerned to record the work and achievements of the Society and its Fellows. Although mention is made of the former homes and possessions of the Society, these matters were incidental to the theme of the history which was the advancement of learning and useful knowledge, the chartered objectives of the Society. The subsequent purchases by the Society of its premises at 22–28 George Street, Edinburgh, have revealed a need for some account of these fine buildings and of their contents for the information of Fellows and to enhance the interest of many who will visit them. The furniture so splendidly displayed in 22–24 George Street dates, for the most part, from periods in our history when the Society moved to more spacious premises, or when expansion and refurbishment took place within existing accommodation. In order that these periods of acquisition may be better appreciated it will be helpful to give a brief account of the rooms which it formerly occupied before considering the Society's present home. Having no personal knowledge of furniture, I acknowledge my indebtedness to Mr Ian Gow of the Royal Commission on the Ancient and Historical Monuments of Scotland and Mr David Scarratt, Keeper of Applied Art at the Huntly House Museum of Edinburgh District Council Museum Service for examining the Society's furniture and for allowing me to quote extensively from their expert opinions.
    [Show full text]
  • School of Art
    SCHOOL OF ART www.eca.ed.ac.uk Undergraduate degree programme information ART | Architecture & Landscape Architecture | School of Art | School of Design | SCHOOL OF History of Art | Reid School of Music | CORONAVIRUS UPDATE: CONTENTS WELCOME TO THE APRIL 2020 SCHOOL OF ART Welcome to the School of Art 3 Choose to study Art and you will join a stimulating We intend to begin the 2020-21 community of students, artists and theorists. Offering Our degree programmes 4 academic year as usual in September. specialist study in intermedia, painting, photography This brochure reflects these Why choose Edinburgh? 5 and sculpture, you’ll be encouraged to demonstrate intentions. imaginative responses to the world through curiosity Introduction to your degree 6 and exploration. We will let you know of any changes, and confirm start dates in Intermedia BA (Hons) 8 Through successive projects and courses, you will our pre-arrival communications. develop your specialist practice, your professional, Painting BA (Hons) 8 technical and organisational skills, and your Photography BA (Hons) 9 knowledge and application of critical contexts. Sculpture BA (Hons) 9 We encourage you to demonstrate inventive responses to the world through curiosity and Detailed degree content 10 exploration and we prepare you to do this with depth, breadth and ambition. Example year by year degree content 14 Teaching 16 By the time you graduate, you’ll be equipped with the talent, knowledge and expertise to lead, Facilities 18 rather than simply respond to, future innovation in art
    [Show full text]
  • Welcome to ​Thinking Chile: Sharing Ideas in Edinburgh 2018
    Welcome to Thinking Chile: Sharing Ideas in ​ Edinburgh 2018 An event developed in collaboration with ChileGlobal Seminars UK and supported by the Chilean Society of the University of Edinburgh, ChileGlobal, The Anglo Chilean Society, The Embassy of Chile in the UK, and The Institute for Academic Development of the University of Edinburgh. February 2018 Edinburgh, Scotland, UK Thinking Chile: Sharing Ideas in Edinburgh 2018 Welcome! The Chilean Society of The University of Edinburgh and ChileGlobal Seminars UK welcomes student and researchers to the seminar: "Thinking Chile: Sharing ideas in Edinburgh 2018". Thinking Chile: Sharing Ideas in Edinburgh 2018 has the aim to reinforce The University of Edinburgh as a centre of thinking and development, to promote new and innovative knowledge for the development of Chile through a strong networking based on a multidisciplinary perspective. The aim of the seminar is to provide a space for sharing and disseminating ideas grounded on high quality research carried out by Chilean students and researchers in the UK, as well as the creation of links in an environment of companionship and cooperation. Welcome to Thinking Chile: Sharing Ideas in Edinburgh 2018 1 Welcome! 2 Code of Conduct 4 Organizer Committee 5 Keynote Speakers 6 Professor Liz Grant 6 Stacey Hunter, PhD 6 Schedule 7 Thursday 22 February 7 Friday 23 February 7 Speakers 11 Camilo Anabalon 11 Felipe Aguilera Millacura 11 Begoña Arellano Jaimerena 12 Magdalena Cattan Lavin 12 María Contesse 13 Yennifer Cortes 14 Camila Dentone 15 Daniel Díaz Vera 15 Felipe Espic 16 Alejandro Espinosa-Rada 17 Bárbara Fernández Melleda 17 Fabián Fuentes González 18 Richard Guerrero 19 Claudio Molina - Camacho 19 Silvia Ojeda García 20 Luis Paiva 21 Ignacio Pérez 22 Diego Rates 22 Felipe Rivera 23 2 Thinking Chile: Sharing Ideas in Edinburgh 2018 Daniela Rodríguez Gutiérrez 24 Vicente Silva 24 Simón C.
    [Show full text]