The White Mountains Free
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Summer 2004 Vol. 23 No. 2
Vol 23 No 2 Summer 04 v4 4/16/05 1:05 PM Page i New Hampshire Bird Records Summer 2004 Vol. 23, No. 2 Vol 23 No 2 Summer 04 v4 4/16/05 1:05 PM Page ii New Hampshire Bird Records Volume 23, Number 2 Summer 2004 Managing Editor: Rebecca Suomala 603-224-9909 X309 [email protected] Text Editor: Dorothy Fitch Season Editors: Pamela Hunt, Spring; William Taffe, Summer; Stephen Mirick, Fall; David Deifik, Winter Layout: Kathy McBride Production Assistants: Kathie Palfy, Diane Parsons Assistants: Marie Anne, Jeannine Ayer, Julie Chapin, Margot Johnson, Janet Lathrop, Susan MacLeod, Dot Soule, Jean Tasker, Tony Vazzano, Robert Vernon Volunteer Opportunities and Birding Research: Susan Story Galt Photo Quiz: David Donsker Where to Bird Feature Coordinator: William Taffe Maps: William Taffe Cover Photo: Juvenile Northern Saw-whet Owl, by Paul Knight, June, 2004, Francestown, NH. Paul watched as it flew up with a mole in its talons. New Hampshire Bird Records (NHBR) is published quarterly by New Hampshire Audubon (NHA). Bird sightings are submitted to NHA and are edited for publication. A computerized print- out of all sightings in a season is available for a fee. To order a printout, purchase back issues, or volunteer your observations for NHBR, please contact the Managing Editor at 224-9909. Published by New Hampshire Audubon New Hampshire Bird Records © NHA April, 2005 Printed on Recycled Paper Vol 23 No 2 Summer 04 v4 4/16/05 1:05 PM Page 1 Table of Contents In This Issue Volunteer Request . .2 A Checklist of the Birds of New Hampshire—Revised! . -
Mount Success
Mount Success Mount Success-South Peak (3364 ft/1025 m) Mount Success-North Peak (3335 ft/1017 m). Latitude/Longitude (WGS84). 44° 28' 17'' N, 71° 2' 21'' W 44.471489, -71.03921 (Dec Deg) 337808 E 4926265 N, Zone 19 (UTM). Lists that contain Mount Success: New Hampshire 3500-foot Peaks (Rank #93) YMCA Alpine Club List (NH) (Rank #74) New Hampshire 52 with a View (Rank #8). Mount Success is the last NH summit encountered by north-bound hikers on the Appalachian Trail and the first of the real Mahoosuc summits. South of here, the range is composed of disorganized lumps and bumps. To the north, it becomes a more coherent range of rugged peaks. In a lot of ways, Success is the anchor mountain for the entire range. Among locals, Mount Success is also known as the site of an airplane crash in 1954. See below. Trails. Epic Success Story?;7. I live around where she says she lives, if I see her I'll make sure to yell out "Epic Mount!" for you. Major Diarrhia, May 10, 2007. #3. Lord Woodlouse Oncoming Storm. Epic mount would be a great nickname. Lord Woodlouse, May 10, 2007. #4. mount -a [-t type] [-O optlist] (usually given in a bootscript) causes all filesystems mentioned in fstab (of the proper type and/or having or not having ... Synopsis. mount [-lhV]. mount -a [-fFnrsvw] [-t vfstype] [-O optlist]. mount [-fnrsvw] [-o option[,option]...] device|dir. mount [-fnrsvw] [-t vfstype] [-o options] device dir. Description. All files accessible in a Unix system are arranged in one big tree, the file hierarchy, rooted at /. -
NHHS Consuming Views
CONTRIBUTORS Heidi Applegate wrote an introductory essay for Hudson River Janice T. Driesbach is the director of the Sheldon Memorial Art School Visions: The Landscapes of Sanford R. Gifford (Metro- Gallery and Sculpture Garden at the University of Nebraska- politan Museum of Art, 2003). Formerly of the National Lincoln. She is the author of Direct from Nature: The Oil Gallery of Art, she is now a doctoral candidate in art history at Sketches of Thomas Hill (Yosemite Association in association Columbia University. with the Crocker Art Museum, 1997). Wesley G. Balla is director of collections and exhibitions at the Donna-Belle Garvin is the editor of Historical New Hampshire New Hampshire Historical Society. He was previously curator and former curator of the New Hampshire Historical Society. of history at the Albany Institute of History and Art. He has She is coauthor of the Society’s On the Road North of Boston published on both New York and New Hampshire topics in so- (1988), as well as of the catalog entries for its 1982 Shapleigh cial and cultural history. and 1996 Champney exhibitions. Georgia Brady Barnhill, the Andrew W. Mellon Curator of Elton W. Hall produced an exhibition and catalog on New Bed- Graphic Arts at the American Antiquarian Society, is an au- ford, Massachusetts, artist R. Swain Gifford while curator of thority on printed views of the White Mountains. Her “Depic- the Old Dartmouth Historical Society. Now executive director tions of the White Mountains in the Popular Press” appeared in of the Early American Industries Association, he has published Historical New Hampshire in 1999. -
As Time Passes Over the Land
s Time Passes over theLand A White Mountain Art As Time Passes over the Land is published on the occasion of the exhibition As Time Passes over the Land presented at the Karl Drerup Art Gallery, Plymouth State University, Plymouth, NH February 8–April 11, 2011 This exhibition showcases the multifaceted nature of exhibitions and collections featured in the new Museum of the White Mountains, opening at Plymouth State University in 2012 The Museum of the White Mountains will preserve and promote the unique history, culture, and environmental legacy of the region, as well as provide unique collections-based, archival, and digital learning resources serving researchers, students, and the public. Project Director: Catherine S. Amidon Curator: Marcia Schmidt Blaine Text by Marcia Schmidt Blaine and Mark Green Edited by Jennifer Philion and Rebecca Chappell Designed by Sandra Coe Photography by John Hession Printed and bound by Penmor Lithographers Front cover The Crawford Valley from Mount Willard, 1877 Frank Henry Shapleigh Oil on canvas, 21 x 36 inches From the collection of P. Andrews and Linda H. McLane © 2011 Mount Washington from Intervale, North Conway, First Snow, 1851 Willhelm Heine Oil on canvas, 6 x 12 inches Private collection Haying in the Pemigewasset Valley, undated Samuel W. Griggs Oil on canvas, 18 x 30 inches Private collection Plymouth State University is proud to present As Time Passes over the about rural villages and urban perceptions, about stories and historical Land, an exhibit that celebrates New Hampshire’s splendid heritage of events that shaped the region, about environmental change—As Time White Mountain School of painting. -
Tatewell Gallery
WWW.GRANITEQUILL.COM | OCTOBER 2012 | SENIOR LIFESTYLES | PAGE 17 Tips for seniors on managing health care costs Finding the Medicare coverage that year by switching drug plans. "I thought best fits their needs and their pocket- a mail-order prescription plan was best books is challenging for many seniors. for me, but their specialists proved me Health care plans make changes to their wrong about this, and I am so happy," coverage. People's health conditions she says. change. Not keeping on top of these 3. Be proactive. Having known changes can mean problems. Suddenly and been around seniors, Hercules says seniors may find they don't have needed she is saddened that so many settle for coverage, their doctor no longer takes high costs or keep the same Medicare their plan, or they face steep medical or plan year after year because of a lack of prescription drug costs. niors can capitalize on those savings by understanding. That's why it's essential to review knowing exactly what they are paying Just as seniors review their finances Medicare coverage and individual needs for and shop around for better prescrip- or taxes each year, Medicare annual each year, and to use the Medicare an- tion prices and ask about costs. For addi- enrollment is the ideal time to review nual open enrollment period to make tional savings, use generic medications. health care coverage, Walters says. "It's changes to coverage. 2. Ask for help. In addition to guid- OK to admit it's confusing and that help 1. Be an informed consumer. -
Passing Through: the Allure of the White Mountains
Passing Through: The Allure of the White Mountains The White Mountains presented nineteenth- century travelers with an American landscape: tamed and welcoming areas surrounded by raw and often terrifying wilderness. Drawn by the natural beauty of the area as well as geologic, botanical, and cultural curiosities, the wealthy began touring the area, seeking the sublime and inspiring. By the 1830s, many small-town tav- erns and rural farmers began lodging the new travelers as a way to make ends meet. Gradually, profit-minded entrepreneurs opened larger hotels with better facilities. The White Moun- tains became a mecca for the elite. The less well-to-do were able to join the elite after midcentury, thanks to the arrival of the railroad and an increase in the number of more affordable accommodations. The White Moun- tains, close to large East Coast populations, were alluringly beautiful. After the Civil War, a cascade of tourists from the lower-middle class to the upper class began choosing the moun- tains as their destination. A new style of travel developed as the middle-class tourists sought amusement and recreation in a packaged form. This group of travelers was used to working and commuting by the clock. Travel became more time-oriented, space-specific, and democratic. The speed of train travel, the increased numbers of guests, and a widening variety of accommodations opened the White Moun- tains to larger groups of people. As the nation turned its collective eyes west or focused on Passing Through: the benefits of industrialization, the White Mountains provided a nearby and increasingly accessible escape from the multiplying pressures The Allure of the White Mountains of modern life, but with urban comforts and amenities. -
Download in New Hampshire – August 2017
AUGUST 2017 IN NewYour Guide to What’s Happening Hampshire in the Granite State Presorted Standard Presorted U.S. POSTAGE U.S. Postal Customer Postal Portsmouth, NH PAID Permit #130 Permit ECRWSS See us online at Dan Houde/ www.granitequill.com Wiseguy Creative FREE Photography PAGE 2 | SUMMER IN NEW HAMPSHIRE | AUGusT 2017 Drive • Tour • Explore MOUNT WASHINGTON Just 20 Minutes North of North Conway DRIVE YOURSELF SHORT SCENIC HIKES Book Online Get $5 Off Per Person On 9:00 AM Guided Tours (24 hours in advance) GUIDED ADVENTURES Rt. 16, Pinkham Notch, Gorham, NH MtWashingtonAutoRoad.com AUGusT 2017 | SUMMER IN NEW HAMPSHIRE | PAGE 3 Seacoast Science Center joins US Light House Passport Program Rye, NH - The Seacoast Science Center in Odiorne Point State Park is now a participant in the United States Light House Society’s Light House Passport Program, and is the only location in New Hampshire and southern Maine where passport holders can collect stamps year-round. From the Park and the Center, you can view four lighthouses, including Portsmouth Harbor, White Island, Whaleback, and Boon Island, as well as the Wood Island Life Saving Station and a U.S. Life Saving Service Key Post. The Key Post, once located on Appledore Island, is on display in the Center, on loan from the Star Island Corporation. You can join the United States Light House Society (USLHS) and purchase your Light House Passport Program Passport Book online at uslhs.org or you can purchase your Passport in the Center’s Nature Store when you visit. By participating in the USLHS Passport Program, you’ll have taken the first step in helping to preserve lighthouses, while having fun viewing or visiting historic light houses around the country. -
Jasper Cropsey, Painter (PDF)
• Motto/Logo: (()Dana Yodice) • Slide Sh ow of Work s: (Megan VanDervoort) • Thesis: (Group) • Place: (Jenn Ric ker d) • Biography: (Dana Yodice) • Lesson Plan: (Jenn Rickerd, Tessa • His tor ical C ont ext : (Tessa Carp ico) Carp ico, Dana Yo dice ) • Overall Influences: (Jenn Rickerd) • Conclusion: (Megan VanDervoort) • Hudson River Valley Influences: • Itinerary: (Group) (Jen Rickerd) • Website: (Dana Yodice/Jen Fowler) Echo Lake Known as “America’s painter of autumn,” Cropsey was most inspired by the Hudson River Valley and its scenic fall foliage. His paintings portra yed the vibrant changing colors of the trees and the reflection of the mountain ranges in the Hudson River. Because of this inspiration, Cropsey was best known as “America’s painter of autumn”. • Founded the American Society of Painters in Water • Born in 1823 Colors • Received early training as • EhibidExhibited at : an architect & set up his • National Academy of own office: 1843. Design • Boston Athenaeum • National Academy of • Royal Academy in Design: 1844 London • Hudson River School • Died in 1900 • Traveled in Europe from 1847 to 1849 •Post civil war •Preoccupation with: •nature •beautiful things •Panoramic image ry Queen Victoria •Ignored industrial setting •Aesthetic symbols •Romantic realist • Architecture • RfNtReverence for Nature • Landscape paintings by • Thomas Cole "Notch in the White Mountains" by Thomas Cole •Claude Lorrain •Trips to Europe •Philosophers and Aestheticians: •Ralph Waldo Emerson •Sir Jos h ua R eyn ol ds "Seaport at Sunset" 1639 - by -
The Nineteenth-Century Roots of the Outdoor Education Movement
Boston University OpenBU http://open.bu.edu Theses & Dissertations Boston University Theses & Dissertations 2015 Crafting an outdoor classroom: the nineteenth-century roots of the outdoor education movement https://hdl.handle.net/2144/16023 Boston University BOSTON UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES Dissertation CRAFTING AN OUTDOOR CLASSROOM: THE NINETEENTH-CENTURY ROOTS OF THE OUTDOOR EDUCATION MOVEMENT by PAUL JOHN HUTCHINSON B.A., Gettysburg College, 1998 M.S., Minnesota State University-Mankato, 2001 Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 © Copyright by PAUL JOHN HUTCHINSON 2015 Approved by First Reader Nina Silber, Ph.D. Professor of History Second Reader William D. Moore, Ph.D. Associate Professor of American Material Culture DEDICATION This dissertation is more than just the culmination of a Ph.D. program; it is the product of twenty years of professional experience in outdoor education as well as a dozen years of Scouting before that. As a result, there are decades full of contributors to the ideas presented here. As the Scoutmaster in Troop 38 in Adams, Massachusetts, Don “Bones” Girard has taught the importance of community, responsibility, and a love of adventure to generations of Scouts at the foot of Mount Greylock, including me. John Regentin of the Gettysburg Recreational Adventure Board at Gettysburg College introduced me to the professional world of experiential education when I was a student, teaching me not only the technical skills of backcountry travel, but also the importance of professionalism in the outdoors and the value of a true friend. Dr. Jasper S. Hunt, my graduate school advisor at Minnesota State University-Mankato, showed me the intellectual depth of experiential education. -
Mountain View
Randolph, N.H. April 2011 Volume 21, Number 3 Mountain View A newsletter by and for the Randolph Community, published by the Randolph Foundation A Wild Pursuit By Scott Lang This is the third and final segment of a top 10 placing es- say in the Annual Waterman Fund Contest written by former Jefferson resident, RMC member and author Scott Lang. On the edge of my vision I began to notice stretches of white and gray, like lines at first, but they had height to them. They were intermittent, but they had the look of being somewhat organized, a pattern. This simply could not be, I told myself, not here amidst such isolation. Was this really possible? A stone wall? I had to know, this potential discovery could be the greatest of my young years. As I ap- proached, much to my amazement it was unbelieva- bly true. Like the spine of some forsaken animal, it arose from the earth. These stones had been inten- Night time visitor to Grassy Lane. B. Arnold photo tionally set, and I might add, a good job at that. I could not fathom this, and I knew that no one else One might conclude that this discovery ruined my would either. I walked away in a daze, my mind try- wild experience. Quite to the contrary, it taught me a ing to engage rational thought. Had I been cheated lesson about wild, forlorn places. I had come here to out of what I thought was pristine wilderness? Could empty myself and let the pervasive wild fill me in. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Community Forests: a Path to Prosperity and Connection
Community Forests: A path to prosperity and connection A case-study approach to understanding the range of economic benefits provided by Community Forests in the U.S. Community Forests: A path to prosperity and connection A case-study approach to understanding the range of economic benefits provided by Community Forests in the U.S. 1 The Trust for Public Land creates parks and protects land for people, ensuring healthy, livable communities for generations to come. The Trust for Public Land MAY 2021 2 Table of Contents About ............................................................................................................................... 5 Acknowledgments ........................................................................................................... 6 Executive summary ......................................................................................................... 7 Map ................................................................................................................................. 9 Introduction ................................................................................................................... 10 Defining community forests ........................................................................................... 12 Study areas ................................................................................................................... 13 Case studies ................................................................................................................. 14