Kit Armstrong

Total Page:16

File Type:pdf, Size:1020Kb

Kit Armstrong © Neda Navaee Kit Armstrong Contemporary BIOGRAPHY Kit Armstrong Described by the New York Times as a “brilliant pianist” who combines “musical maturity and youthful daring in his exceptional playing”, Kit Armstrong performs as a soloist with some of the world’s most famous orchestras while maintaining an active career as a recitalist and composer. Born in 1992, “Armstrong, the amazement-causing artist who can only be described as a musical phenomenon” (Süddeutsche Zeitung) appears today at major international venues such as the Vienna Musikverein, Amsterdam Concertgebouw, Berlin Philharmonie, Hamburg Elbphilharmonie, NHK Hall Tokyo and Palais des Beaux-Arts Brussels. Armstrong collaborates with many of the world’s most sought-after conductors, including among others Christian Thielemann, Herbert Blomstedt, Riccardo Chailly, Kent Nagano, Manfred Honeck, Esa-Pekka Salonen, Mario Venzago, and Robin Ticciati. He has appeared with some of the world’s finest orchestras, including the Vienna Philharmonic, Dresden Staatskapelle, Bavarian Radio Symphony Orchestra, Gewandhaus Orchestra, NHK Symphony Orchestra and the Academy of St Martin in the Fields. He was artist-in-residence at the 2018 festival edition of Festspiele Mecklenburg- Vorpommern, and “Artist-in-Resonance” at Musikkollegium Winterthur, among other prestigious festivals, orchestras and concert halls. In recent seasons Kit Armstrong performed with the DSO Deutsches Symphonie-Orchester Berlin, NDR Elbphilharmonie Orchestra, Musikkollegium Winterthur, Frankfurt Museum Orchestra, Baltimore Symphony Orchestra and Tokyo Metropolitan Symphony Orchestra. He is touring Europe with the Swedish Chamber Orchestra and with his long-standing partners of Akademie für Alte Musik Berlin, one of the world’s leading early music ensembles. Recent solo recitals brought him to the Théâtre des Champs-Elysées, Munich Prinzregententheater, Klavierfestival Ruhr, Philharmonie de Luxembourg and Cologne Philharmonie. A passionate chamber music recitalist, Kit Armstrong has developed close artistic partnerships with other leading instrumental and vocal artists. Together with Renaud Capuçon he presented the complete Mozart violin sonatas at the Salzburg Mozartwoche Festival and at Berlin’s Boulez Hall. With Christiane Karg, Julian Prégardien and others he has performed important Lied repertoire. Armstrong also appeared as an organist in recitals at the Berlin Philharmonie and the Cologne Philharmonie. Edition Peters publishes his compositions. Commissioners include the Leipzig Gewandhaus and the Musikkollegium Winterthur. Armstrong’s solo albums include Liszt: Symphonic Scenes (“handsomely demonstrates the startling rich context given to the Mephisto Waltz when heard after the multi-dimensional Procession by Night” — Gramophone) and Bach, Ligeti, Armstrong (“one of the very few CDs that the world was waiting for” — Kulturradio RBB), both released by Sony Classical. The live performance of a solo recital at Concertgebouw Amsterdam, released on DVD in 2017 (by Unitel) under the title Kit Armstrong Performs Bach’s Goldberg Variations and its Predecessors received worldwide praise as one of the most outstanding performances on record (Instrumental Choice December 2017, BBC Music Magazine). Born in 1992 in Los Angeles, Armstrong studied at the Curtis Institute of Music and at the Royal Academy of Music in London. At 7, he started studying composition at Chapman University and physics at California State University, later also chemistry and mathematics at the University of Pennsylvania and mathematics at the Imperial College London. He earned a master’s degree in pure mathematics at the University of Paris VI. Alfred Brendel, who has guided Armstrong as teacher and mentor since 2005, ascribes to him “an understanding of the great piano works that combines freshness and subtlety, emotion and intellect”. Their relationship was captured in the film Set the Piano Stool on Fire by Mark Kidel. www.kitarmstrong.com WORK LIST Orchestra Andante (2012) 12’ for orchestra 2.2.2.2 - 2.2.0.0 - str First performed 14 March 2012, Winterthur (CH), by Musikkollegium Winterthur, cond.: Douglas Boyd EP 12813 Zeitreise (2014) 16’ for orchestra 3.2.2.3 - 4.2.3.0 - str First performed 22 June 2014, Kiel (D), by Philharmonisches Orchester Kiel, cond.: Georg Fritzsch EP 14067 Chamber Music Fantasy on B-A-C-H (2011) 11’ for piano solo First performed 01 August 2011, Hitzacker (D), by Kit Armstrong EP 12797 Impressionen (2013) 4’ for piano left hand 1. Nachdenklicher Moment - 2. Aeolus - 3. Unterhaltung First performed 10 March 2015, by Ingrid Marsoner EP 14009 Quintet (2009) 16’ for oboe, clarinet, horn, bassoon and piano First performed 2009, Den Haag (NL), International Chamber Music Festival The Hague, by Lucas Navarro (ob), Lars Wouters van den Oudenweijer (cl), Fons Verspaandonk (hn), Bram van Sambeek (bsn) and Kit Armstrong (pf) EP 14008 Quintett für Klarinette und Streichquartett (2017/18) 18’ nach einem Fragment von W.A. Mozart (KV 516d) EP 14375 Snowfall Fading (2013) 3’ for piano solo EP 12867 Struwwelpeter (2007) 18’ for viola and piano First performed 24 May 2007, New York, ASCAP by Artie Dibble (va) and Kit Armstrong (pf) First performance of the revised version 21 November 2010, Tutzing (D), by Barbara Buntrock (va) and Kit Armstrong (pf) EP 14010 Who stole my Wasabi? (2008) 3’ for violoncello and piano First performed 2008, Dorset (GB), Plush Festival, by Adrian Brendel (vc) and Kit Armstrong (pf) EP 14011 February 2019 Leipzig London New York C. F. Peters Ltd & Co. KG Peters Edition Ltd C. F. Peters Corporation Talstraße 10 2 – 6 Baches Street 70 – 30 80th Street 04103 Leipzig London N1 6DN Glendale NY 11385 Deutschland UK USA ( +49 (0) 341 9897 9231 ( +44 (0) 20 7553 4033 ( + (1) 718 416 7822 * [email protected] * [email protected] * [email protected].
Recommended publications
  • Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
    Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett:
    [Show full text]
  • Kit Armstrong, Piano
    Sunday, November 10, 2019 at 11:00 am Goldberg Variations Kit Armstrong, Piano BACH Goldberg Variations (1741) Aria Variation 1, 2 Variation 3, Canone all’Unisuono Variation 4, 5 Variation 6, Canone alla Seconda Variation 7, Al tempo di Giga Variation 8 Variation 9, Canone alla Terza Variation 10, Fughetta Variation 11 Variation 12, Canone alla Quarta Variation 13, 14 Variation 15, Canone alla Quinta Variation 16, Ouverture Variation 17 Variation 18, Canone alla Sesta Variation 19, 20 Variation 21, Canone alla Settima Variation 22, Alla breve Variation 23 Variation 24, Canone all’Ottava Variation 25, Adagio (continued) Please make certain all your electronic devices are switched off. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Walter Reade Theater White Light Festival The White Light Festival 2019 is made possible by The Shubert Foundation, The Katzenberger Foundation, Inc., Mitsubishi Corporation (Americas), Mitsui & Co. (U.S.A.), Inc., Laura Pels International Foundation for Theater, Culture Ireland, The Joelson Foundation, Sumitomo Corporation of Americas, The Harkness Foundation for Dance, J.C.C. Fund, Japanese Chamber of Commerce and Industry of New York, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Endowment support is provided by The Andrew W. Mellon Foundation and the Blavatnik Family Foundation Fund for Dance Lead Support for Great Performers provided by PGIM, the global investment management business of Prudential Financial, Inc. Additional Support for Great Performers is provided by Rita E. and Gustave M. Hauser, The Shubert Foundation, The Katzenberger Foundation, Inc., Audrey Love Charitable Foundation, Great Performers Circle, Lincoln Center Patrons and Lincoln Center Members Endowment support for Symphonic Masters is provided by the Leon Levy Fund Endowment support is also provided by UBS Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M.
    [Show full text]
  • KIT ARMSTRONG Pianist/Komponist/Organist/Dirigent
    KIT ARMSTRONG Pianist/Komponist/Organist/Dirigent Kaum ein Musiker verdient den Titel „Ausnahme‐Künstler“ wie der 1992 in Los Angeles geborene Kit Armstrong. Von der Süddeutschen Zeitung als „Staunen erregend, nur als musikalisches Phänomen zu charakterisierend“ beschrieben, begeistert der erst 27‐Jährige weltweit nicht nur auf höchstem künstlerischen Niveau am Klavier, sondern auch an der Orgel, am Dirigentenpult und auch als gefragter Komponist. Seit frühester Jugend verzaubert Armstrong das Publikum in Sälen wie dem Musikverein Wien, Concertgebouw Amsterdam, der Philharmonie Berlin, der Hamburger Elbphilharmonie, der NHK Hall Tokio oder dem Palais des Beaux‐Arts Brüssel. Armstrong arbeitet mit bedeutenden Dirigenten wie Christian Thielemann, Herbert Blomstedt, Riccardo Chailly, Kent Nagano, Manfred Honeck, Esa‐Pekka Salonen, Mario Venzago und Thomas Dausgaard zusammen und war bereits bei einigen der wichtigsten Orchester der Welt zu Gast, darunter die Wiener Philharmoniker, die Staatskapelle Dresden, das Symphonieorchester des Bayerischen Rundfunks, Gewandhausorchester, NHK Symphony Orchestra und die Academy of St Martin in the Fields. Bei den Festspielen Mecklenburg‐Vorpommern war Kit Armstrong im Sommer 2018 Preisträger in Residence. Das Musikkollegium Winterthur hat ihn zum „Artist‐ in‐Resonance“ berufen. 2018 erhielt er den Beethoven‐Ring von der Gesellschaft „Bürger für Beethoven“ in der Nachfolge von Igor Levit. Aktuell ist Kit Armstrong als Pianist u.a. zu Gast bei der Deutschen Kammerphilharmonie Bremen, beim Luzerner Sinfonieorchester, beim Münchner Kammerorchester, Stuttgarter Kammerorchester und dem Orchestre National du Capitole de Toulouse. Klavier‐Rezitale führen ihn u.a. ins Wiener Konzerthaus, Lincoln Center in New York, Rheingau Musik Festival, Münchner Prinzregententheater, zum Klavierfestival Ruhr und zur Schubertiade Hohenems. Als Organist freut sich Kit Armstrong auf Konzerte in der Philharmonie de Luxembourg, im Wiener Konzerthaus und beim Brucknerfest Linz.
    [Show full text]
  • Vivaldi Explosion Program
    The following program notes may only be used in conjunction with the one-time streaming term for the corresponding Chamber Music Society of Lincoln Center (CMS) Front Row National program, with the following credit(s): Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center Any other use of these materials in connection with non-CMS concerts or events is prohibited. VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Chamber Music Society of Lincoln Center Allegro giusto Largo Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700.
    [Show full text]
  • CANTATAS of the BACH FAMILY Benjamin Appl BERLINER BAROCK SOLISTEN Reinhard Goebel CANTATAS of the BACH FAMILY KANTATEN Der BACH-FAMILIE
    hänssler CLA SSIC CANTATAS of the BACH FAMILY Benjamin Appl BERLINER BAROCK SOLISTEN Reinhard Goebel CANTATAS of the BACH FAMILY KANTATEN der BACH-FAMILIE Carl Philipp Emanuel Bach 1714 – 1788 Johann Christoph Friedrich Bach 1732 – 1795 Wilhelm Friedemann Bach 1710 – 1784 Benjamin Appl, Bariton „Ich bin vergnügt mit meinem Stande“ „Pygmalion“ Sinfonie B-Dur Falck 71/C5 für Streicher & Basso Kantate für Bass, Streicher & Basso Continuo Kantate auf einen Text von K. W. Ramler Continuo Berliner Barock Solisten Wq/HWV deest (um 1770) – G 50 World Premiere / Weltersteinspielung Reinhard Goebel World Premiere / Weltersteinspielung für Bass, Streicher & Basso Continuo 18. Allegro 4:44 1. Arie 2:52 7. Recitativ 2:10 19. Andante 4:01 2. Recitativ 1:09 8. Arie Allegro 7:56 20. Presto 1:39 3. Arie 5:17 9. Recitativ 0:39 10. Andante 1:52 11. Accomp 1:40 Johann Sebastian Bach 1685 – 1750 „Mons. Bach de Berlin“ 12. Adagio 2:44 „Ich habe genug“ (CPhE ?) Bach 13. Andante 3:38 Kantate BWV 82 für Bass, Oboe, Sinfonie in F-Dur für Streicher & Basso continuo 14. Larghetto 3:02 Streicher & Basso Continuo Wq/HWV deest 15. Arie Allegretto 6:38 (Fassung Leipzig ca. 1747) World Premiere / Weltersteinspielung 16. Recitativ 0:26 21. Arie 6:11 4. (Allegro) 3:37 17. Arie Larghetto 2:55 22. Recitativ 1:17 5. Adagio 2:00 23. Arie 6:22 6. Allegro assai 1:40 24. Recitativ 0:46 25. Arie 3:40 Christoph Hartmann Oboe & Oboe da caccia Gesamtspielzeit / Total time: 79:45 2 3 Bach-Familie Dreißig Jahre lang hatte er durch sein Wirken und den war, daß nicht nur in der Wohnung in der Welt um ihn herum ausgesetzt – und reagierte Allzu leicht gerät bei der Reflexion über Johann Schaffen nolens-volens bestimmt, wo in Sachsen Thomas-Schule oben links die Wände wackelten, auch darauf.
    [Show full text]
  • Bram Van Sambeek Swedish Chamber Orchestra Alexei Ogrintchouk
    MOZART · DU PUY · WEBER MOZART • DU PUY BASSOON CONCERTOS WEBER Bram van Sambeek Swedish Chamber Orchestra Alexei Ogrintchouk BIS-2467 MOZART, Wolfgang Amadeus (1756—91) Bassoon Concerto in B flat major, K 191 (1774) (Bärenreiter) 17'30 1 I. Allegro 7'11 2 II. Andante ma Adagio 6'16 3 III. Rondo. Tempo di Menuetto 3'52 von WEBER, Carl Maria (1786—1826) Bassoon Concerto in F major, Op. 75 (1811/1822) (Vita Musica) 17'08 4 I. Allegro ma non troppo 8'04 5 II. Adagio 4'29 6 III. Rondo. Allegro 4'23 Du PUY, Édouard (c. 1770—1822) Bassoon Concerto in C minor (1812) World Première Recording 30'30 Autograph manuscript (‘Concerto pour le Basson’) at the National Library of Sweden Realisation, editing, score and parts: Marijn van Prooijen and Bram van Sambeek 7 I. Adagio non troppo — Allegro moderato 13'00 8 II. Adagio 6'58 9 III. Rondo. Allegretto 10'19 TT: 66'15 Bram van Sambeek bassoon Swedish Chamber Orchestra Alexei Ogrintchouk conductor 3 Mozart: Bassoon Concerto in B flat major We bassoonists consider Mozart’s bassoon concerto the absolute pinnacle of our repertoire. That is because Mozart is so famous and brilliant but also because his beautiful concerto features at almost any occasion in one’s career, whether it is an audition for an orchestral position or a final round for a competition. The com- position is very well-balanced, in accordance with the style of the period, but even so the first and third movements are extremely playful, with idiomatic jumps and staccato passages in the solo part and cheeky exchanges between the orchestra and the bassoon.
    [Show full text]
  • Programm 2016
    Kit Armstrong (Paris) Argerich konzertiert sie weltweit. 2015 hat sie als erste Frau PIANO SOLO KONZERTE 2016 den traditionsreichen Lehrstuhl für Klavier an der Musik- Freitag, 11. März 2016, 20 Uhr im Kreishaus-Saal, 57462 Olpe, Westfälische Str. 75 Universität Wien in direkter Nachfolge von Paul Badura- Spenden von Privatpersonen und Unternehmen ermöglichen William Byrd, "Hugh Ashton's Ground" Skoda und Oleg Maisenberg übernommen. Der Kunstverein seit 1994 die Reihe Piano Solo mit Pianisten von Weltruf Jan Pieterszoon Sweelinck, Variationen über "Mein junges hat ihr Angebot, erneut bei Piano Solo aufzutreten, mit am Konzertflügel Steinway D des Kreises Olpe. Leben hat ein End“ Freude angenommen! Die sympathische Künstlerin widmet ABO- & Einzelkarten-Verkauf: bei Olpe Aktiv e. V., am John Bull, 30 Veränderungen über das Thema Walsingham die erste Hälfte ihres Rezitals eher selten gehörten Stücken Johann Sebastian Bach, Goldberg-Variationen BWV 988 von Robert Schumann und Ludwig van Beethoven. Marktplatz, Westfälische Str. 11, Tel.02761-942913 oder per Vorabüberweisung auf das Konto IBAN: Kit Armstrong, der bereits mit 18 Jahren in Olpe debütierte, DE08462500490000046888 Sparkasse Olpe zählt zu den weltweit auftretenden Pianisten, z. B. im Lise de la Salle (New York / Paris) @-Bestellungen: [email protected] Musikverein Wien, im Concertgebouw Amsterdam, in der Freitag, 16. September 2016, 20 Uhr Internet: www.kunstverein-suedsauerland.de Royal Festival Hall London, in der Berliner und der Kölner Anschrift: c/o K. Droste, Winterbergstr.44, 57462 Olpe Philharmonie, in der NHK Hall Tokio. Mit fünf Jahren Johannes Brahms, Thema mit Variationen d-Moll, op. 18 b Johannes Brahms, Klavierfassung des zweiten Satzes PIANO SOLO im Jahres-Abonnement begann er zu komponieren, mit sieben war er der jüngste Student der Naturwissenschaften an einer US-Universität.
    [Show full text]
  • Masterclasses- and Concertfestival
    Mattheiser Summer Academy Bad Sobernheim International Masterclasses- and Concertfestival masTERCL assES 13 - 27 AUGUST 2017 www.mattheiser.de 1 Welcome to the holiday area The Mattheiser Sommer-Akademie was founded in 1988 Bad Sobernheim! to commemorate the 250th anniversary of the Johann Michael Stumm Organ in Bad Sobernheim. The continuing success of the academy has gained world- wide acclaim. According to the high standard of its Bad Sobernheim, the only Felke health spa in masterclasses, the pedagogical work of the professors as Rhineland-Palatinate, is looking forward to welcoming well as its top-class concerts, it is recognized as a mas- the world-renowned musicians and the participants of terclass festival of eminent international rank. Until now the Mattheiser Summer Academy 2017. approximately 1300 participants from more than 20 nations were attending and enjoyed advanced study and Apart from the masterclasses and the musical inspira- music-making on highest level. tion, you will find many choices for recreation. The 16th festival will enhance its program with two woodwind classes for oboe (David Walter) and bassoon Whether swimming in our outdoor pool, golf, tennis or (Bram van Sambeek), and the Estonian pianist Kalle Randalu will join the teaching faculty . visiting the 'Barfusspfad' (a healthful footpath situated The simultaneous masterclasses and their closeness of along the beautiful riverside) - in Bad Sobernheim you location offer many possibilities for chamber music and will surely find time to relax before and after classes! hospitation. Selected students have possibility to Get more information at: www.bad-sobernheim.de! perform on stage in concerts and matinées during the concert festival.
    [Show full text]
  • BASSO BAILANDOBAILANDO DE FALLA RICK STOTIJN Double Bass MALIN BROMAN Violin LAVINIA MEIJER Harp Swedish Radio Symphony Orchestra 1 RICK STOTIJN Double Bass
    CHANNEL CLASSICS CCS SA 33613 PIAZZOLLA ROTA BASSOBASSO BAILANDOBAILANDO DE FALLA RICK STOTIJN double bass MALIN BROMAN violin LAVINIA MEIJER harp Swedish Radio Symphony Orchestra 1 RICK STOTIJN double bass Rick Stotijn received his first lessons at the age of Festival, Delft Chamber Music Festival and the eight, studied at the Conservatory in Amsterdam International Chamber Music Festival of Janine with his father Peter Stotijn where he graduated Jansen in Utrecht. with the highest distinction. Later on he studied His first Bottesini CD, which came out in 2012, with Bozo Paradzik at the Hochschule in Freiburg. received raving reviews: ... Rick Stotijn is a Rick won several first prizes at a.o the Princess first rate virtuoso, a real master of his instrument Christina Competition, the Young Musical Talent ...Stotijn let his bass sing, his technique is pheno­ Foundation and in 2013 the Netherlands Music menal ... A disc not to be missed, the best Bottesini Prize, which is the highest Dutch Music Award for cd ever?! ... This disc stands on a class of it’s own. young and talented musicians. Many solo Future seasons will present trio concerts with appearances at home and abroad were soon to his sister Christianne Stotijn and pianist Joseph follow including a Carte Blanche series in the small Breinl throughout Europe and USA, concerts with hall of the Concert gebouw Amsterdam. Rick Stotijn Janine Jansen to the major capitals in Europe, performs regularly as soloist with Orchestra’s such and a Japan tour with Luzern Festival Orchestra as the Swedish Radio Symphony Orchestra, and Claudio Abbado.
    [Show full text]
  • Focus on Kimmo Hakola & Rolf Martinsson
    NORDIC HIGHLIGHTS 2/2018 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Focus on Kimmo Hakola & Rolf Martinsson NEWS Rautavaara’s Albert Schnelzer All-Night Vigil Albert Schnelzer News Th e Helsinki Cham- A lot is going on for Albert Schnelzer right ber Choir will be sing- now. BIS Records has just released the portrait Lundqvist Mats Photo: ing Einojuhani Rau- CD Tales from Suburbia , 13 July will see the tavaara’s All-Night Vigil premiere of his opera Norrmalmstorgsdramat several times this sum- (Th e Stockholm Syndrome) at Vattnäs Konsertla- mer: at the Musiq’3 festival in Brussels on 29– da, and during the 2018/2019 season he will be 30 June, the Organ and Aria festival in Finland composer-in-residence with the Västerås Sinfo- on 5 July, the Uspenski Cathedral, Helsinki on nietta. Commissioned by the Swedish RSO, his 16 August and Järvenpää Church on 21 August. Piano Concerto No. 1 composed for American Th e soloists are Niall Chorell, tenor and Tuuk- pianist Conrad Tao, will have its premiere on 14 ka Haapaniemi, bass. Th e choir is also making a March 2019. On 11 April Ilya Gringolts will be new recording of the work. Rautavaara’s popular soloist with the Uppsala Chamber Orchestra in concert version of the Orthodox Vigil has found the fi rst performance of Schnelzer´s Violin Con- its way into the repertoire of professional choirs certo No. 2 – Nocturnal Songs. Th e concerto is the world over. jointly commissioned by the Swedish Chamber Orchestra and Jönköping Sinfonietta. Tommie Haglund Festivals Two big festivals will be devoted to Tommie Haglund’s music during the 2018/2019 sea- Eero Sipilä centenary son.
    [Show full text]
  • Renaud Capuçon Violon Kit Armstrong Piano 25.09.2018 20:00 Salle De
    2018 20:00 25.09.Salle de Musique de Chambre Mardi / Dienstag / Tuesday Soirées de musique de chambre Renaud Capuçon violon Kit Armstrong piano Wolfgang A. Mozart (1756–1791) Sonate für Violine und Klavier F-Dur (fa majeur) KV 376 (1781) Allegro Andante Rondeau: Allegro grazioso 18’ Wolfgang A. Mozart Sonate für Violine und Klavier Es-Dur (mi bémol majeur) KV 380 (1781) Allegro Andante con moto Rondo: Allegro 21’ — Wolfgang A. Mozart Sonate für Violine und Klavier G-Dur (sol majeur) KV 379 (1779–1781) Adagio Allegro Thème: Andantino cantabile 17’ Wolfgang A. Mozart Sonate für Violine und Klavier A-Dur (la majeur) KV 526 (1787) Molto allegro Andante Presto 22’ De Kamelleknécheler Le célèbre caricaturiste allemand Der renommierte deutsche Karika- Martin Fengel (connu notamment turist Martin Fengel (bekannt u. a. pour ses contributions dans le aus dem Zeit-Magazin) begleitet Zeit-Magazin) ponctue les pro- die Abendprogramme der Saison grammes du soir de la saison 2018/19 mit Momentaufnahmen 2018/19 d’instantanés sur le thème zum Thema geräuschvollen Stö- des nuisances sonores dans les rens im Konzertsaal. Lassen Sie salles de concert. Laissez-vous sich durch die vergnügliche Dar- inspirer par cette présentation stellung zu rücksichtsvollem Musik- ludique, pour savourer la musique genuss inspirieren. en toute tranquillité. Histoire de la sonate en duo : quelques jalons d’une longue fermentation Marie-Anne Maršálek Souvent affranchie des orientations contemporaines, la program- mation des salles de concert perpétue, voire revivifie, certains genres et certaines formes hérités des siècles passés. La sonate et la symphonie se sont-elles même jamais si bien portées qu’au- jourd’hui en termes de répertoire joué ? Esquissées à l’époque baroque, codifiées au 18e siècle et ô combien mises à parti par les 19e et premier 20e siècles, ni l’une ni l’autre ne constituent pourtant plus des absolus depuis les années 1950.
    [Show full text]
  • Vivaldi Explosion Program
    Program notes by Laura Keller, CMS Editorial Manager © 2020 Chamber Music Society of Lincoln Center VIVALDI EXPLOSION PROGRAM ANTONIO VIVALDI (1678-1741) Sonata in A minor for Cello and Continuo, RV 43 (c. 1739) Largo Allegro Largo Allegro Efe Baltacigil, cello; Dane Johansen, cello; Paul O’Dette, lute; John Gibbons, harpsichord VIVALDI Concerto in G minor for Flute, Oboe, and Bassoon, RV 103 Allegro ma cantabile Largo Allegro non molto Sooyun Kim, flute; Stephen Taylor, oboe; Bram van Sambeek, bassoon VIVALDI Concerto in F major for Three Violins, Strings, and Continuo, RV 551 (1711) Allegro Andante Allegro Todd Phillips, violin; Bella Hristova, violin; Chad Hoopes, violin; Sean Lee, violin; Aaron Boyd, violin; Pierre Lapointe, viola; Timothy Eddy, cello; Anthony Manzo, bass; Michael Sponseller, harpsichord --INTERMISSION (Discussion with artists)-- VIVALDI Sonata in D minor for Two Violins and Continuo, RV 63, “La Follia” (published c. 1705) Adam Barnett-Hart, violin; Aaron Boyd, violin; Brook Speltz, cello; Jason Vieaux, guitar VIVALDI Concerto in D major for Mandolin, Strings, and Continuo, RV 93 (1730-31) Allegro giusto Largo Chamber Music Society of Lincoln Center Allegro Avi Avital, mandolin; Paul Huang, violin; Danbi Um, violin; Ani Kavafian, violin; Chad Hoopes, violin; Mihai Marica, cello; Daniel McDonough, cello; Anthony Manzo, bass; Jiayan Sun, harpsichord NOTES ON THE PROGRAM Violin virtuosity reached a new height around the year 1700. From the start of the Baroque Period a hundred years earlier, skilled craftsmen like Gasparo da Salò advanced string instrument building technique until it reached its apex with the instruments of Antonio Stradivari and Giuseppe Guarneri. The burgeoning music publishing industry also inspired composers to write pieces that would stand out and establish their international reputations.
    [Show full text]