Jojo 2014 En.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tradisi Pemakaian Geta Dalam Kehidupan Masyarakat Jepang Nihon Shakai No Seikatsu Ni Okeru Geta No Haki Kanshuu
TRADISI PEMAKAIAN GETA DALAM KEHIDUPAN MASYARAKAT JEPANG NIHON SHAKAI NO SEIKATSU NI OKERU GETA NO HAKI KANSHUU SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang Oleh: AYU PRANATA SARAGIH 120708064 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2016 i Universitas Sumatera Utara TRADISI PEMAKAIAN GETA DALAM KEHIDUPAN MASYARAKAT JEPANG NIHON SHAKAI NO SEIKATSU NI OKERU GETA NO HAKI KANSHUU SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang Oleh: AYU PRANATA SARAGIH 120708064 Pembimbing I Pembimbing II Dr. Diah Syafitri Handayani, M.Litt Prof. Hamzon Situmorang,M.S, Ph.D NIP:19721228 1999 03 2 001 NIP:19580704 1984 12 1 001 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2016 ii Universitas Sumatera Utara Disetujui Oleh, Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Medan, September 2016 Departemen Sastra Jepang Ketua, Drs. Eman Kusdiyana, M.Hum NIP : 196009191988031001 iii Universitas Sumatera Utara KATA PENGANTAR Segala puji dan syukur penulis panjatkan kepada Tuhan Yesus Kristus, oleh karena kasih karunia-Nya yang melimpah, anugerah,dan berkat-Nya yang luar biasa akhirnya penulis dapat menyelesaikan skripsi ini. Penulis dapat menyelesaikan skripsi ini yang merupakan syarat untuk mencapai gelar sarjana di Fakultas Ilmu Budaya Universitas Sumatera Utara. Adapun skripsi ini berjudul “Tradisi Pemakaian Geta Dalam Kehidupan Masyarakat Jepang”. Skripsi ini penulis persembahkan kepada orang tua penulis, Ibu Sonti Hutauruk, mama terbaik dan terhebat yang dengan tulus ikhlas memberikan kasih sayang, doa, perhatian, nasihat, dukungan moral dan materil kepada penulis sehingga penulis dapat menyelesaikan studi di Sastra Jepang USU, khususnya menyelesaikan skripsi ini. -
Shin Megami Tensei Persona: the Tabletop Roleplaying Game (Production Bible) V
Shin Megami Tensei Persona: The Tabletop Roleplaying Game (Production Bible) v. 0.5 (Beta 1 Hotfix) Principal Author: Will Canady. Supplementary Authors: breadotop, Sebastian Sung, Chris Robichaux, Daina Changelog: - Known Issues: [UNDER CONSTRUCTION] Chapter # - Character Creation [PLEASE WEAR A HARD HAT] Table of Contents [Under Construction] Forward What Kind of Game is This? What is Shin Megami Tensei? What is Persona? What Can You Expect? Character Creation What IS Persona: the RPG? Character Creation Checklist The Basics Dice System Jargon Pathos Classes? The Attributes Attribute Generation Attributes in Detail Muscle Finesse Intellect Charm Magic Power Aegis Background Persona Mechanics and the Major Arcana 2 [UNDER CONSTRUCTION] Chapter # - Character Creation [PLEASE WEAR A HARD HAT] CHARACTER CREATION “Elizabeth! We have a new group of users. They must have intriguing stories to tell…” -Igor, to a new party. Creating a character in Persona may seem daunting at first, especially if this is your first tabletop role-playing game. The sheer complexity of the rules can turn off newcomers to the genre. The jargon may seem incomprehensible and downright inane. That sentiment is totally understandable – tabletop is not for everyone. While a game like Persona is innately complex and due to a complex system, every effort will be made to make sure that character creation is made as simple as possible, and easy enough for anyone to pick up. Why? To give the prospective players, both old and new, an ease of access to the system, without being threatened with jargon and vague bullshit. To begin, let’s outline what Persona: the RPG is. -
Shmanners 180: High Heels (LIVE!) Published September 29Th, 2019 Listen Here on Themcelroy.Family
Shmanners 180: High Heels (LIVE!) Published September 29th, 2019 Listen here on themcelroy.family Teresa: Let me tell you about a shoe. Travis: Bless you. Teresa: No, it's Shmanners! [theme music plays] [audience cheers] [cheering continues and gets louder] Travis: Hello, internet, and Pittsburgh! [audience cheers] Travis: When I started to say the name of the city, for a second nothing came to mind. Teresa: [laughs] Travis: And I almost said another word. I don't know what that other word would've been, but anyways, here we are! I'm your husband host, Travis McElroy. [audience cheers] Teresa: And I'm your wife host, Teresa McElroy! [audience cheers louder and longer] Teresa: They do that on purpose, you know. Travis: I know. [audience laughs] Travis: And you're listening to and watching Shmanners! Teresa: It's extraordinary etiquette… Travis: For ordinary occasions! Hello, my dove. Teresa: Hello, dear. Travis: How are you? Teresa: My feet hurt. [single loud cheer] Teresa: I'm pregnant, so everything hurts. [audience cheers] Travis: There are some people here that are really excited that you're pregnant! [audience laughs] Travis: What do you know? Teresa: Let them be excited. They don't know. Travis: I'm a little sleepy because our darling, darling, beautiful child today decided she did not want a nap. Teresa: Mm. Travis: And, in turn, also did not want me to. Teresa: [laughs] [audience laughs] Travis: And she just wanted me to keep my eyes open and look at her. And finally I said, "Hey. Daddy's gonna sleep for, like, 40 minutes. -
(Iowa City, Iowa), 1957-08-02
, Pres. H. Bowen John~y ~io To Address Grads New Questions Union VI orker, Arise bout Witness Says Maxwell Gluck Member of Associated Press AP Leased Wire and Photo Service Iowa City, Ia., Friday. August 2. 1951 WASIlINGTON (A'! - A former 'WASHINGTON "" _ The Slate ~~stablished in I~ - Fivt' Cenua • Copy labor leader testified Thursday Department, which has run into that racketeer Johnny Dio was once an organizer for the garment criticism over the choice of an union hcaded by Dave Dubinsky. a ambassador to Ceylon, faced some member of the AFL-CJO Ethical questions Thursday about its new Practices Committee. ambassador to Cuba. LIS"r Walhbum, head of the Undersecretary ot State Chris· ohl AFL United Auto Woncerl tian A. Herter spent 2~ hours be· ury from 1943 to 1954, al.o told a Sen Trial ... R.ckets Committee he' tried fore the Senate Foreign Relations and f.illd to .et DubinlkY'1 help Committee Thursday alternoon in In throwing Dio out of the UAW. defense ot the nomination of Max • Dubinsky is president of the In- well H. Gluck, chain store tycoon, ternational Ladies Garment Work ers Union and has been consid to represent the United States in Ceylon. ered in the forefront oC eflorts to PRESIDENT Howard H. Bowen boot criminals and Communists of GriMell College will spe.k at About the same time. press of· Into . Ri'glit s {rom organized labor. SUI'I lummer Commlnclment ficer Lincoln White was asked Reporters intercepted him at an ex.rcises .t 7:30 p.m. Wednel· some questions at the Depart.rrnmt Ethical P r act ice s Committee d.y. -
Berardi Antonella
Modern Kirumono Reformulación del tradicionalismo Japonés en Argentina Berardi Antonella 93940 Diseño textil y de indumentaria Creación y expresión Diseño y producción de objetos, espacios e imágenes. 15/09/2020 0 Índice Introducción. ..............................................................................................................................3 Capítulo 1. Diseño de Autor y Orientalismo. ..................................................................... 12 1.1 Diseño de Autor .............................................................................................................. 12 1.1.1. ¿Qué es el diseño de autor? ...........................................................................13 1.1.2. Diseño de Autor en Argentina. ........................................................................14 1.2. Diseño, colecciones y moda. ....................................................................................... 15 1.2.1. Tipos de colecciones.......................................................................................16 1.2.2. Pasos para la creación de una colección. .......................................................17 1.2.3 Fundamentos del diseño ..................................................................................20 1.3. Orientalismo en la moda. .............................................................................................. 24 1.3.1. ¿Qué es el orientalismo? ................................................................................25 1.3.2 Influencia -
Search Terms 2019.Xlsx
Basic Terms 着物 Kimono 着付け Kitsuke The art and process of dressing in kimono 振袖 Furisode Long-sleeved kimono for young women 訪問着 Houmongi Formal visiting wear kimono 留袖 Tomesode Short-sleeved kimono 黒留袖 Kuro-tomesode Black kimono with designs on hem 色留袖 Iro-tomesode Coloured kimono with designs on hem 色無地 Iromuji Solid-coloured kimono 江戸小紋 Edo-komon Pattern of tiny dots that looks solid 付け下げ Tsukesage Semi-formal kimono 小紋 Komon Casual all-over pattern 浴衣 Yukata Cotton summer kimono 家紋 Kamon Family crest アンサンブル Ensemble 帯 Obi Waist sash 丸帯 Maru obi Formal (semi-obsolete) obi 袋帯 Fukuro obi Full-width formal obi 昼夜帯 Chuuya obi Reversible "day/night" obi 名古屋帯 Nagoya obi Versatile obi with narrow part 半巾帯 Hanhaba obi Narrow casual obi 兵児帯 Heko obi Soft, very casual obi 帯揚げ Obiage Scarf to cover bustle pad in obi 帯締め Obijime Decorative cord to tie obi 三分紐 Sanbu-himo Thin obijime to be worn with obidome 帯留 Obidome Brooch/jewelry for front of obi しごき帯 Shigoki obi Scarf-like accessory for below obi 袴 Hakama Pleated skirt-like garment worn over kimono 襟 Eri Collar 羽織 Haori Short, open jacket 道行 Michiyuki Longer jacket with closing front placket 雨 Ama (rain - use for search with coats, shoes) トンビインバネス Tonbi Coat Victorian-style overcoat 草履 Zori Dressy sandals for wear with kimono 下駄 Geta Wooden sandals for casual wear おこぼ Okobo High platform sandals worn by maiko ポックリ Pokkuri High platform sandals worn by maiko 巾着 Kinchaku Drawstring purse 襦袢 Juban Under-robe 足袋 Tabi Traditional split-toe socks 小物 こもの Komono Small accesories たとう紙 Tatoshi Storage -
Maiko Boom: the Revival of Kyoto’S Novice Geisha
ISSN: 1500-0713 ______________________________________________________________ Article Title: Maiko Boom: The Revival of Kyoto’s Novice Geisha Author(s): Jan Bardsley Source: Japanese Studies Review, Vol. XV (2011), pp. 35 - 60 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xv-2011/bardsley-maiko- boom.pdf MAIKO BOOM: THE REVIVAL OF KYOTO’S NOVICE GEISHA Jan Bardsley University of North Carolina at Chapel Hill Famous as a symbol of old Kyoto, the apprentice geisha known as maiko are enjoying remarkable popularity in Japan in the first decade of the new millennium. One can see this “boom,” to use the Japanese term for a spike in public interest, in the proliferation of all kinds of media and products related to maiko. 1 Maiko blogs, autobiographies, and dance performances, maiko-related goods and services, and even maiko movies and television dramas have all been part of the mix. The vogue for maiko has also led to a notable increase in the number of young women who wish to join the profession. By the spring of 2008, Kyoto could boast of being home to one hundred maiko, the most the city had seen since the 1950s.2 Intriguingly, the attraction of maiko has accompanied a surge of tourism to Kyoto as the site of native tradition, but also comes at a time when girl culture claims much attention in Japan and in Japanese Studies.3 Novels by award-winning writers and pundits‟ essays in Japan demonstrate a curiosity 1 In this case, however, I am the one calling this proliferation of interest in maiko a “boom.” 2 Shigeyuki Murase, “„Maiko‟ Fever Strikes Kyoto,” The Asahi Shimbun, April 18, 2008 (accessed March 23, 2009, http://www.asahi.com/ english/Herald-asahi/TKY200804180064.html). -
Ptg Nov 2010
1 November 2010 Pretty T Girls The Magazine for the most beautiful girls in the world 2 Page A Note From Amy 3 A Letter of Thanks from Barbara Marie 4 A Letter of Thanks from Barbara Jean 5 Three Dates in November - Editorial by Barbara Jean 6 Shoes by Chloe Smith 7 Tips on Being A T Girl by Angel 12 Trans Radio Station 13 Nails and Health—Read the Signs web MD 15 New Use for Common Bathroom Items by Real Simple 17 The Exploits of Barbara Marie 19 Humor—The Turkey 23 Thanksgiving Weather forcast 24 5 Digital Camera Mistakes to Avoid 25 How to Sound Like a Woman 26 Angels in the Centerfold– Cover Girl Contestants. 27 TG Tips By Melissa 30 Stephanie Monroe, My First Trips 36 The Birth of Femville Chapter 8 Disaster Strikes 38 The Two Spirit People of Indigenous North America. 43 TG Images on the Silver Screen by: Melissa Lynn 45 The Gossip Fence—Transgendered in the News 50 Shop Till You Drop 60 Memorial page—Remembering Our Dead 66 November Calendar 67 A SPECIAL THANK YOU TO ALL WHO HAVE SERVED 3 A Word from Amy: The Changing of the Guard About a year ago the Pretty T-Girls group founder, Rachel Williston, found it necessary to step down as moderator for personal reasons. Since Nan and I were co-moderators at the time we became moderator by default. Because of the limited time I had to devote to the group I enlisted Kylie to publish the magazine and later Barbara Marie to co- moderate. -
East Asian Collections in Scottish Museums Glasgow and Strathclyde
Detail of woodblock print from the series Modern Music Like Pine Needles by Keisai Eisen. Japan, Edo Period, c.1830 © The Hunterian, University of Glasgow East Asian Collections in Scottish Museums Glasgow and Strathclyde Glasgow and Strathclyde (East Ayrshire, East Dunbartonshire, East Renfrewshire, Glasgow City, Inverclyde, North Ayrshire, North Lanarkshire, Renfrewshire, South Ayrshire, South Lanarkshire and West Dunbartonshire East) Auld Kirk Museum, East Dunbartonshire Council Glasgow Museums: Glasgow Museums Resource Centre, The Burrell Collection, Kelvingrove Art Gallery and Museum, Paisley Museum, Renfrewshire Leisure Low Parks Museum, South Lanarkshire Leisure and Culture Special Collections, The Mitchell Library, Glasgow Museums and Collections, Glasgow Life The Dick Institute, East Ayrshire Leisure The Hunterian Museum and Art Gallery, University of Glasgow The McLean Museum and Art Gallery (Greenock), Inverclyde Council 181 Auld Kirk Museum, East Dunbartonshire Council Location of Collections Auld Kirk Museum Cowgate, Kirkintilloch Glasgow G66 1HN Published Information Online collections: Not currently available A Wider World Collections Review (1994): Not surveyed Collection Overview There are 7 East Asian items in the collection. China No known Chinese artefacts. Japan 7 items. The collection includes 3 kimono, 3 obi sash belts, and a fan. Korea No known Korean artefacts. Known Donors Donor information is not known. 182 Glasgow Museums: Glasgow Museums Resource Centre, The Burrell Collection, Kelvingrove Art Gallery and Museum Location of Collections Glasgow Museums Resource Centre 200 Woodhead Road Glasgow G53 7NN Published Information Online collections: http://collections.glasgowmuseums.com/mwebcgi/mweb?request=home A Wider World Collections Review (1994): The Burrell Collection: 1,712 objects Kelvingrove Art Gallery and Museum: 3,000 objects A H, The Burrell Collection: Chinese Stonewares and Porcelains (Glasgow: Glasgow Art Gallery; The McLennan Galleries. -
Representation of Geisha in Arthur Golden's Novel
REPRESENTATION OF GEISHA IN ARTHUR GOLDEN’S NOVEL MEMOIRS OF A GEISHA Universitas Islam Negeri SYARIF HIDAYATULLAH JAKARTA Arifah Hilyati NIM. 204026002764 ENGLISH LETTERS DEPARTMENT LETTERS AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2009 APPROVEMENT REPRESENTATION OF GEISHA IN ARTHUR GOLDEN’S NOVEL MEMOIRS OF A GEISHA A Thesis Submitted to Letters and Humanities Faculty In Partial Fulfillment of the Requirements For Strata One Degree (S1) Arifah Hilyati NIM. 204026002764 Approved by: Supervisor Elve Oktafiyani, M. Hum NIP. 150 317 725 ENGLISH LETTERS DEPARTMENT ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY “SYARIF HIDAYATULLAH” JAKARTA 2009 1 LEGALIZATION The thesis entitled “The representation of Geisha on Arthur Golden’s novel Memoirs of a Geisha” has been defended before the Letters and Humanities Faculty’s examination Committee on July 17, 2009. The thesis has already been accepted as a partial fulfillment of the requirement for the degree of Strata One. Jakarta, July 17, 2009 Examination Committee Chair Person, Secretary, Dr. Muhammad Farkhan, M.Pd Drs.A.Saefuddin, M.Pd NIP. 150 229 480 NIP. 150 261 902 Members: Examiner I Examiner II, Dr. Muhammad Farkhan, M.Pd Inayatul Chusna, M. Hum NIP. 150 229 480 NIP. 150 331 233 2 DECLARATION I hereby declare that this submission is my own work and that, to the best of my knowledge and belief, it contains no material previously published or written by another person nor material which to a substantial extent has been accepted for the award of any other degree or diploma of the university or other institute of higher learning, except where due acknowledgement has been made in the text. -
100 Anos Da Imigração Japonesa Em Piracicaba
日本人移民ピラシカーバ入植100周年 Centenário da Imigração JaponesaCENTENARY OF THE emJAPANESE Piracicaba IMMIGRATION IN PIRACICABA Autor CECÍLIO ELIAS NETTO Coautores RONALDO VICTÓRIA ARNALDO BRANCO FILHO PATROCINADORES (COTA OURO) O CINTURÃO VERDE PIRACICABANO PEDRO ISAMU MIZUTANI A vocação pela agricultura marcou a presença dos japoneses em terras piracicabanas e, também, em outras cidades do Estado de São Paulo e do (COTA PRATA) Brasil. Dos cafezais, passaram para o cultivo de feijão, arroz, batata, algodão, ANDREZANI ADVOGACIA EMPRESARIAL GUSTAVO SHOJI ONO soja e, mais à frente, para o cultivo de frutas, verduras e legumes, incorporando IRINEU YUSO TAKAKI experiências e com a introdução de suas técnicas na preparação do solo. JOSÉ ANTONIO PORTEIRO CARDOSO Iniciaram, assim, o denominado Cinturão Verde na cidade de Piracicaba e região. NORIO IKARI PLÍNIO NASTARI CONSULTORIA E PARTICIPAÇÕES S/A (COTA BRONZE) ADRIANA BUGIN AKEMI OKAMOTO AMELIA TAKAKI TAMORA ANGELAISA TOYOTA ANTONIO DE PÁDUA RODRIGUES CECÍLIA OTSUBO CÉSAR AUGUSTO PERDIZA COOPERATIVA DOS PLANTADORES DE CANA DO ESTADO DE SÃO PAULO CRISTINA HARADA IUANAMI ELIZABETE SATO EMILIA TAKAKI ERIKA MAYUMI MIZUTANI EUNICE MIYUKI MIZUTANI EVERSON SHIGUEKI TAKAKI FABIO TOMA HELENA MIZUHIRA HELIO TAKAKI HILDA AKIO MIAZATO HATTORI IMARI MORI INÊS TAKAKI YANAGIWARA IRACEMA DE SOUZA LIMA FRANCO IRIO TAKUMI KAWASIMA ISABEL PRESCILA TAKAKI GASPARINI JOÃO CARLOS GOMES JOSÉ VITÓRIO TARARAM JULIA SHIRASAWA JULIANA TAMY YOSHINO KÁSSIA KISHINO KAWAI LETÍCIA YUMIY ONO LUIS CARLOS VEGUIN LUIZ HIROSHI KOSHIMIZU -
20170411 Innovation P073-075.Pdf
Збірник тез доповідей II міжвузівської науково-практичної конференції «Інноваційнітенденції підготовки фахівців в умовах полікультурного та мультилінгвального глобалізованого світу» THE MAIN FEATURES OF JAPANESE NATIONAL COSTUME Скрипка Альона, Київський національний університет технологій та дизайну Науковий керівник - старший викладач Ренська І.І. Japan is a sovereign island nation in Eastern Asia. Located in the Pacific Ocean, it lies off the eastern coast of the Asia Mainland (east of China, Korea, Russia) and stretches from the Sea of Okhotsk in the north to the East China Sea and Taiwan in the southwest. The culture of Japan has evolved greatly over the millennia, from the country's prehistoric Jōmon period, to its contemporary modern culture, which absorbs influences from Asia, Europe, and North America. The inhabitants of Japan experienced a long period of relative isolation from the outside world during the Tokugawa shogunate after Japanese missions to Imperial China, until the arrival of "The Black Ships" and the Meiji period. «The «kimono» is the traditional dress of Japan, and it is worn nowadays on formal occasions. It is sometimes accused of being an impractical form of dress, but it has the advantage of giving the wearer a graceful and elegant deportment. A long undergarment called nagajuban is worn underneath the kimono and top of the normal underclothes. The obiage supports the obi. The obi is a sash for a kimono. The obijime the obi in position. The baggy sleeves are called taoto. The material is silk, dyed in various patterns. Furisode is the formal kimono with long baggy. Married women wear the noral-sleeved tomesode.