General Concession List of India
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Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
THE USE of WOOD for AIRCRAFT in Tilt UNITED KINGDOM Report of the Forest Products Mission
THE USE Of WOOD FOR AIRCRAFT IN Tilt UNITED KINGDOM Report of the forest Products Mission June 1944 ( No. 1540 ) UNITED STATES REPARTMENT OF AGRICULTURE \FOREST SERVICE OREST RODUCTS LABORATORY Madison, Wisconsin In Cooperation with the University of Wisconsin r%; Y 1 4 9 14. \ THE.USE OF WOOD FOR AIRCRAFT IN THE UNITED KINGDOM Report of the Forest Products Mission INTRODUCTION On July 2, 1943, the British Air Commission in Washington, D, C., on behalf of the Ministry of Aircraft Production extended to the Secretary of the U. S. Department of Agriculture an invitation for representatives of the Forest Products Laboratory to visit England for the purpose of "strengthening the present collaboration between our two countries on researches into the uses of timber in aircraft construction." The Secretar: of Agriculture accepted this invitation. At the same time, similar invitations were extended by the British Air Commission to the U. S. Army Air Forces, the U. S. Navy Bureau of Aeronautics, the U. S. Civil Aeronautics Administration, and to the Canadian Forest Products Laboratories. Due to pressure of work and limi- tation of technical personnel, the Army and Navy were unable to accept the invitation. As finally constituted, the participants in the group, hereinafter referred to as the Forest Products Mission, were as follows: United States Carlile P. Winslow, Director, Forest Products Laboratory, Madison, Wisconsin, Chairman of the Mission. L. J. Markwardt, Assistant Director, Forest Products Laboratory, Madison, Wisconsin. Thomas R. Truax, Principal Wood Technologist, Forest Products Laboratory, Madison, Wisconsin. Charles B. Norris, Principal Engineer, Forest Products Laboratory, Madison, Wisconsin. -
HERBAL 6/28Ct FLAVOR ASSORTED TEA ASSORTED TEA Available Individually
6/28ct HERBAL 6/28ct FLAVOR ASSORTED TEA ASSORTED TEA Available Individually: Herbal: 6/28ct Mint Medley Orange & Spice – I Love Lemon Black Cranberry Apple Tea Cozy Chamomile 10/100ct Empty Tea Chest - Sweet Dreams holds 8 varieties of tea, or 64 tea Empty Tea Rack holds 6 varieties of tea bags Flavored/Green: 6/28ct English Tea Time Earl Grey Green Tea Black Lemon Lift Decaffeinated For more information contact: Green Tea With Pomegranate Tea Tommy Signorile Raspberry Royale 6/48ct (845) 628-0880 Constant Comment [email protected] At Bigelow, Tea is our Passion. Tea trends and your customers: • By offering a variety of teas you are able to appeal to more customers thus increasing sales. Tea is one of the fastest growing beverages and has a high profit vs. cost ratio. • Tea is no longer a Fall/Winter drink… just like coffee it has become a part of everyday life. How value added items can have a positive effect on their bottom line: • All Bigelow Tea is packaged in protective pouches to protect the tea from moisture, ambient smells and water. The pouch also helps to provide a 3 year shelf life. • We supply customers with complimentary tea racks and tea chests as long as they are purchasing our tea; we want to give you all the tools possible to help you grow sales. How our “green items” can help you meet your customer expectations: • Bigelow is an environmentally conscious company; we have added $1.5 million dollars worth of solar panels to our facility which supplies 20% of our energy. -
F All & Winter 2
Fall & winter 2009 MILOTM LOOSE TEA INFUSER DEAR VALUED CUSTOMER, Welcome to Fall/Holiday 2009! With consumer uncertainty settling, on shelf. I have also created the festive and functional Milo tea infuser, we are anticipating a strong and healthy second half of the year. Tea a truly innovative design. Say goodbye to the tea ball and chain!! Forté is uniquely poised— offering elegant and purposeful gift options at accessible price points. We truly are an affordable luxury that And finally, back by popular demand, the 2009 pre-assorted Holiday continues to sell well beyond expectations. Collection! We are appreciative of your enthusiastic feedback regarding the ease of last year’s program and its successful sell through. milo loose tea infuser NEW This season’s design has focused on enhanced merchandising. We And this year’s Collection is even better! Inspired by the simple beauty MEASURES : 6 X 2.75 X 2” have replaced many of our gift boxes with distinguished bands that of natural birch bark, we have developed a line of products that are An easy to use loose tea infuser that is showcase the unique, clean lines of our products. We have redesigned elegant in their simplicity and offer very accessible price points. In the perfect for brewing a cup, mug or small teapot. Just add loose tea to the stainless the interior of our best selling gift sets so that shoppers can easily spirit of the season, we are offering you a financial incentive to purchase steel base, twist on the colorful ceramic see the contents. These changes make dramatic, eye-=catching by the Assortment. -
Batik V I S U a L M a G I C O N F a B R I C
EZCC Batik V I S U A L M A G I C O N F A B R I C Batik is an ancient form of a manual wax- dyes. India had abundant sources of cotton, resist dyeing process, which is practiced in as well as several plant and mineral sources Indonesia, Malaysia, Japan, China, Thailand, from which the dyes could be extracted. Philippines, Sri Lanka, Nigeria, Middle East, Traditional colours of batik have always India and some other countries. The exact been indigo, dark brown and white – origin of batik is not known, but it is widely colours that represent the gods of the practiced in Indonesia. In India, the resist Hindu trinity – Brahma, Vishnu and Shiva. method of printing designs on fabrics can The art probably declined over the years as be traced back 2000 years, to the 1st it was a tedious and labour intensive century AD. Religious tapestries of ancient process. India bear testimony of the fact that batik The word batik means ‘wax writing’, and printing has existed in our country for a involves three major processes – waxing, long time. Also, traditionally batik was done dyeing and de-waxing – and several sub- only on cotton and silk fabrics, using natural processes – starching, stretching the fabric dipped in boiling water to melt off the layers on a frame and outlining the design using a of wax, to get the final pattern. Colours are special Kalamkari pen. Depending on the significantly changed by the preceding number of colours being used, creating a colour on the fabric as the process involves batik print on a fabric can take several days. -
Kalamkari, the Art of Painting with Natural Dyes
Chitrolekha International Magazine on Art and Design, (ISSN 2231-4822), Vol. 5, No. 2, 2015 URL of the Issue: www.chitrolekha.com/v5n2.php Available at www.chitrolekha.com/V5/n2/08_Kalamkari.pdf Kolkata, India. © AesthetixMS Included in Art Full Text (H.W. Wilson), EBSCOHOST, Google Scholar, WorldCat etc. Kalamkari, the Art of Painting with Natural Dyes Sharad Chandra Independent Researcher Kalamkari means painting with a pen. It is an exquisite form of textile art with a heritage dating back to the ancient times. The origin of the term can be traced to the early period of alliance between the Persian and Indian trade merchants which identified all painted textile art from India as Kalamkari. ‘Kalam’ is the Persian word for pen, and ‘kari’ in Urdu implies the craftsmanship involved. Hence, ‘Kalamkari’ denotes the myriad manifestations of hand painted textiles with natural dyes. The pen referred to in the term is a short piece of bamboo or date- palm stick, shaped and pointed at its end to form a nib. Created without the use of chemicals or machine Kalamkari art is entirely a handicraft using natural or vegetable dyes and metallic salts called mordants to fix the dye into the cotton fibers. An exact resist process, complex and careful dyeing, sketching and painting of the design and, occasionally, even the addition of gold or silver tinsel into it are the other integral components of this art. The Kalamkari works are mostly produced in the small towns of Kalahasti, Machilipatnam and other interior regions of Andhra Pradesh by rural craftsmen and women, and is a household occupation passed from generation to generation as heritage. -
Traditional Indian Textiles Students Handbook + Practical Manual Class XII
Traditional Indian Textiles Students Handbook + Practical Manual Class XII CENTRAL BOARD OF SECONDARY EDUCATION Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi-110301 In collaboration with National Institute of Fashion Technology Traditional Indian Textiles – Class XII Students Handbook + Practical Manual PRICE : ` FIRST EDITION : 2014 © CBSE, India COPIES : No Part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means, electronic, mechanical photocopying, recording or otherwise without the prior permission of the publisher. PUBLISHED BY : The Secretary, Central Board of Secondary Education, Shiksha Kendra, 2, Community Centre, Preet Vihar, Delhi - 110301 DESIGNED & LAYOUT : M/s. India Offset Press, A-1, Mayapuri Industrial Area, Phase-1, New Delhi - 110064 Hkkjr dk lafo/kku mísf'kdk ge Hkkjr ds yksx Hkkjr dks ,d ^¿lEiw.kZ izHkqRo&laiUu lektoknh iaFkfujis{k yksdra=kRed x.kjkT;À cukus ds fy,] rFkk mlds leLr ukxfjdksa dks % lkekftd] vkfFkZd vkSj jktuSfrd U;k;] fopkj] vfHkO;fDr] fo'okl] /keZ vkSj mikluk dh Lora=rk] izfr"Bk vkSj volj dh lerk izkIr djkus ds fy, rFkk mu lc esa O;fDr dh xfjek vkSj jk"Vª dh ,drk vkSj v[k.Mrk lqfuf'pr djus okyh ca/kqrk c<+kus ds fy, n`<+ladYi gksdj viuh bl lafo/kku lHkk esa vkt rkjh[k 26 uoEcj] 1949 bZñ dks ,rn~}kjk bl lafo/kku dks vaxhÑr] vf/kfu;fer vkSj vkRekfiZr djrs gSaA 1- lafo/kku ¼c;kfyloka la'kks/ku½ vf/kfu;e] 1976 dh /kkjk 2 }kjk ¼3-1-1977½ ls ÞizHkqRo&laiUu yksdra=kRed x.kjkT;ß ds LFkku ij izfrLFkkfirA 2- lafo/kku ¼c;kfyloka la'kks/ku½ -
Empire of Tea
Empire of Tea Empire of Tea The Asian Leaf that Conquered the Wor ld Markman Ellis, Richard Coulton, Matthew Mauger reaktion books For Ceri, Bey, Chelle Published by Reaktion Books Ltd 33 Great Sutton Street London ec1v 0dx, uk www.reaktionbooks.co.uk First published 2015 Copyright © Markman Ellis, Richard Coulton, Matthew Mauger 2015 All rights reserved No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers Printed and bound in China by 1010 Printing International Ltd A catalogue record for this book is available from the British Library isbn 978 1 78023 440 3 Contents Introduction 7 one: Early European Encounters with Tea 14 two: Establishing the Taste for Tea in Britain 31 three: The Tea Trade with China 53 four: The Elevation of Tea 73 five: The Natural Philosophy of Tea 93 six: The Market for Tea in Britain 115 seven: The British Way of Tea 139 eight: Smuggling and Taxation 161 nine: The Democratization of Tea Drinking 179 ten: Tea in the Politics of Empire 202 eleven: The National Drink of Victorian Britain 221 twelve: Twentieth-century Tea 247 Epilogue: Global Tea 267 References 277 Bibliography 307 Acknowledgements 315 Photo Acknowledgements 317 Index 319 ‘A Sort of Tea from China’, c. 1700, a material survival of Britain’s encounter with tea in the late seventeenth century. e specimen was acquired by James Cuninghame, a physician and ship’s surgeon who visited Amoy (Xiamen) in 1698–9 and Chusan (Zhoushan) in 1700–1703. -
The Living History Classroom (Fall 2015)
FALL 2015 Living History CLASSROOM Through the Wilderness Exploring North Carolina with Lawson, Tuscarora & the First Printing Press A Publication of Tryon Palace “The State of North Carolina from the best Authorities &c.” is a map drawn by Samuel Lewis in 1795. Does it look different from the North Carolina we see today? Mapping Our State Words to Know When traveling today, many of us chart our course by using , which GPS GPS: short for Global Positioning System, relies on information from satellites and maps to make sure we arrive at which uses satellites and maps to determine our intended destination. People living in the 17th and 18th centuries location could not use a computer system. To find their way, they relied on Cartography: the science of making maps for paper maps. defined transportation routes used to trade Cartography is a skill that combines mathematics, geography, and art goods on land and waterways to produce a physical map of the earth. Accurate maps define boundaries Cartographer: a person who combines and settle arguments over land. They also show dangerous waters and observation, math, and drawing to make maps coastlines to help save the lives of sailors. Land surveyor: a person whose job is to Cartographers in the 1600s and 1700s often used surveying skills. measure and examine an area of land Land surveyors used chains to measure the distance between two points. Theodolite: a surveying tool made from a Surveyor’s chains were 66 feet long with 100 links. Each link was about 8 telescope, it sits on a tripod and measures inches long. -
Veeraa Enterprises Chennai, Tamil Nadu, India
Veeraa Enterprises Chennai, Tamil Nadu, India We are one of the leading manufacturers, suppliers and exporters of fancy fabrics like patchwork, pintuck and printed fabrics. These are used to make a variety of home furnishings and textile items like curtains and covers. Veeraa Enterprises Profile Established in the year 1996, we, “Veeraa Enterprises”, are a noted manufacturer, supplier and exporter of patchwork fabrics, fancy patchwork fabrics, zig zag patchwork fabrics, embroidery patchworks fabrics, blue patchwork fabrics, black patchwork fabrics, US patchwork fabrics, frill patchwork fabrics, denim frinches with applique fabrics, border embroidery applique fabrics, pintuck fabrics, embroidered pintuck fabric, denim pintuck fabrics, printed fabrics, printed patchwork fabrics, printed dobby fabrics, batik print fabrics, batik blue fabrics, kalamkari fabrics, checks fabrics, yarn dyed checks fabrics, madras checks fabrics. These are manufactured using quality raw material and are highly praised for attributes such as colorfastness, durability, ease in washing & maintaining and tear resistance. It is largely due to the quality of our fabrics that we have succeeded in putting together an esteemed group of loyal clients and attain high level of customer satisfaction. Our main business motive is to provide best fabrics at market-leading prices. Our team is aided by our sound infrastructure at all stages of production to ensure that the quality of our fabrics remains high. With the support of an able team and a good infrastructure, we have acquired a special place for ourselves in the industry of textiles and furnishings. As we fully understand the demands of our customers, they have a pleasurable experience while dealing with us. -
Boxes and Packaging Catalogue
Boxes and Packaging Catalogue Self Storage Product Catalogue Please call Egans to place an order (03) 9687 4488 Alternatively, visit our offices at 110 Maribyrnong St, Footscray 3011, VIC Book/Wine Box Crystal Box - Generic Flat Pack - Generic BW / BWLD. CRY FLAT Use with polystyrene insert for pre- Well cushioned double layer box Ideal for use as a lay flat ward- cious wine. Also available as a light provides protection for precious and robe or linen box. Double duty box with no print. fragile items. strength cardboard. 406 X 298 X 431mm 403 x 301 x 330mm 915 x 505 x 320mm Kitchen Box (dividers sold Egans Carry Box Wine/Audio Visual Box seperately) EGANS NSCWINE KITCHBOX KITCHEN DIVIDERS A Great sized strong 1 piece Pack wine in laydown position industrial grade packing box. using the moulded inserts (sold For bowls, cups or wine glasses. Comes with the Egans logo. seperately) or DVD/Stereo. 600 x 300 x 306mm 340 x 450 x 315mm 490 x 325 x 165mm Wine Insert - 6 Bottle Picture Box - Generic Port A Robe - Generic (Rail WINEIN6BG PIC sold seperately) Robe (PR) Rail (H) Moduled Fibre construction provides Durable single layer cardboard. Ideal a protective layer between bottle for small and medium sized pictures, transfer clothes direct from Cup- layers to suit Wine Carton. mirrors, paintings or table tops. board to box. Size fits NSCWINE 1040 x 775 x 75mm 594 x 476 x 1099mm www.egans.com.au Self Storage Product Catalogue Please call Egans to place an order (03) 9687 4488 Alternatively, visit our offices at 110 Maribyrnong St, Footscray 3011, VIC Priority Box Archive Box - Generic Tea Chest - Generic Print PRISAFESPOT SU TC/TCPLAIN The last box to be packed and the Strong all-purpose storage & ar- #1 Moving box. -
Textile Society of America Newsletter 27:2 — Fall 2015 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2015 Textile Society of America Newsletter 27:2 — Fall 2015 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 27:2 — Fall 2015" (2015). Textile Society of America Newsletters. 71. https://digitalcommons.unl.edu/tsanews/71 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 27. NUMBER 2. FALL, 2015 Cover Image: Collaborative work by Pat Hickman and David Bacharach, Luminaria, 2015, steel, animal membrane, 17” x 23” x 21”, photo by George Potanovic, Jr. page 27 Fall 2015 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Ellyane Hutchinson (Website Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) and Vita Plume (Vice President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives.