fall out boy american beautyamerican psycho download rar american beauty/american psycho album download rar. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67db710a5ea20d3e • Your IP : 188.246.226.140 • Performance & security by Cloudflare. American Beauty/American Psycho. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £8.99. American Beauty/American Psycho. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. , Producer - , AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Mark 'Spike' Stent, Mixer, StudioPersonnel - , ComposerLyricist - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Fall Out Boy, Producer, Additional Producer, MainArtist - Michael Bolger, Horn, AssociatedPerformer - Patrick Vaughn Stump, Engineer, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, StudioPersonnel - , Drums, Percussion, AssociatedPerformer, ComposerLyricist - , Guitar, Keyboards, Programmer, AssociatedPerformer, ComposerLyricist - Todd Stopera, Engineer, StudioPersonnel - Geoff Swan, Assistant Mixer, StudioPersonnel. ℗ 2015 , a division of UMG Recordings, Inc. Nikki Sixx, ComposerLyricist - Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Sebastian, Producer - Patrick Stump, ComposerLyricist - Jake Sinclair, Producer, Keyboards, Percussion, Additional Producer, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Engineer, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, StudioPersonnel - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer, ComposerLyricist - Sebastian Akchoté-Bozovic, ComposerLyricist. ℗ 2014 Island Records, a division of UMG Recordings, Inc. Jonathan Rotem, ComposerLyricist - Pete Wentz, ComposerLyricist - Suzanne Vega, ComposerLyricist - Mark 'Spike' Stent, Mixer, StudioPersonnel - Patrick Stump, ComposerLyricist - Jake Sinclair, Producer, Additional Producer - Omega, Producer, Co-Producer - Fall Out Boy, MainArtist - Andy Hurley, ComposerLyricist - Joe Trohman, ComposerLyricist - Jonathan "JR" Rotem, Producer - Lolo, Additional Vocals, AssociatedPerformer - Geoff Swan, Assistant Mixer, StudioPersonnel - Raja Kumari, ComposerLyricist - Justin Tranter, ComposerLyricist - Michael J. Fonesca, ComposerLyricist - Samuel Kalandjian, Engineer, StudioPersonnel. ℗ 2014 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer. ℗ 2014 Island Records, a division of UMG Recordings, Inc. Bob Mosher, ComposerLyricist - Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Mark 'Spike' Stent, Mixer, StudioPersonnel - Jack Marshall, ComposerLyricist - Patrick Stump, ComposerLyricist - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer, ComposerLyricist - Liam O'Donnell, ComposerLyricist - Young Wolf Hatchlings, Producer, Co-Producer - Waqaas Hashmi, ComposerLyricist - Geoff Swan, Assistant Mixer, StudioPersonnel - Jarrel Young, ComposerLyricist. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer, ComposerLyricist - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer - Ryan Lott, ComposerLyricist. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Butch Walker, Producer - Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Patrick Stump, Recording Engineer, StudioPersonnel - Jake Sinclair, Producer, Mixer, Keyboards, Percussion, Additional Producer, Background Vocalist, AssociatedPerformer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer - Todd Stopera, Recording Engineer, StudioPersonnel. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Pete Wentz, AssociatedPerformer, ComposerLyricist, Bass (Vocal) - Jake Sinclair, Producer, Keyboards, Percussion, Background Vocalist, AssociatedPerformer - Claudius Mittendorfer, Mixer, StudioPersonnel - Joseph Trohman, ComposerLyricist - Fall Out Boy, Producer, Additional Producer, MainArtist, ComposerLyricist - Patrick Vaughn Stump, Guitar, Keyboards, Percussion, Vocals, AssociatedPerformer, ComposerLyricist - Andy Hurley, Drums, Percussion, AssociatedPerformer, ComposerLyricist - Joe Trohman, Guitar, Keyboards, Programmer, AssociatedPerformer. ℗ 2015 Island Records, a division of UMG Recordings, Inc. About the album. 1 disc(s) - 11 track(s) Total length: 00:39:01. © 2015 Island Records, a division of UMG Recordings, Inc. ℗ 2015 Island Records, a division of UMG Recordings, Inc. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. Fall Out Boy American Beauty/American Psycho. It’s a story you’ve heard a million times before, with a slightly different ending. A hugely popular mainstream band sees their seemingly unstoppable career momentum grind to a screeching halt, due to forces largely beyond their control. Whether it’s due to changing musical tastes, a genre loosing its mainstream appeal, creative missteps or pure bad luck - something doesn’t go according to plan, and the band falls out of favor because of it, often in spectacularly dramatic fashion. In this case, the victims in question are pop punk stalwarts Fall Out Boy, and the story seems particularly cliched and predictable. As the pop punk genre fell out of fashion in the waning years of the 2000’s, the band fought to combat irrelevancy by releasing the experimental, multi-faceted Folie a Deux , an album that flopped spectacularly on a commercial level, widely dismissed by casual and hardcore fans alike. This led to internal tensions within the group that eventually manifested themselves in an indefinite hiatus. For most bands, that would be the only part of the story worth mentioning. Oh, there would be the eventual cash-in reunion tour to ride the coattails of nostalgia, but nothing notable would come of it other than paychecks. However, Fall Out Boy’s reunion actually produced new music of consequence, and even more improbably, it was nearly as successful as that of their peak. And yet, their detractors would say that they never really came back… those critics argue Fall Out Boy’s new music was successful only in that it co-opted mainstream trends that had taken hold in the group’s absence, and the only way they managed to still have a career at all was by abandoning everything that gave them their own unique identity. Fall Out Boy had “sold out” in the most blatant manner imaginable. End of story, close the chapter, move on to the next book. But it’s not really that simple, is it? How is it that four pop punk kids from Illinois, members of a group that was derided by so many as “just another band”, are so attuned to pop culture that they managed to disappear for nearly half a decade and then reemerge to a level of sustained success that rivals their peak? How is it that “just another emo band” can go straight to #1 on the charts with their comeback album, and then have the follow-up to that comeback album be forecasted to also hit #1? In short, how ? Well dear reader, I’ll tell you how. Fall Out Boy are some of the most clever pop scholars currently operating in the music business today, and their continued success is not an accident. Beneath all the tabloid headlines, woefully inaccurate genre labels and fat frontman jokes, lies four incredibly well rounded musicians and students of the art form of popular music. These men know what it takes to have a hit song, and they have known since the beginning. The same quirky sensibility and penchant for great melodies that made Take This to Your Grave and pop punk classics is in effect on American Beauty / American Psycho , and it grounds the band’s most sonically diverse album to date in the same foundation that has led to success throughout their career - the great songwriting. As soon as the opening trumpets announce the start of “Irresistible”, one thing is clear - this is Fall Out Boy’s well-deserved victory lap, their call to arms to all the fans whose band of choice was written off by seemingly everyone, even those within the pop punk genre. The message is loud and clear: There are a million reasons to dislike this band, to tell yourself why they shouldn’t matter. This album is a celebration of all the reasons they do matter, and will for a long time to come. From the soaring vocal hook on “Novocaine”, to the Beach Boys-tinged guitar line on the infinitely danceable “Uma Thurman”, to the emotional sucker punch of “The Kids Aren’t Alright”, this is an album that’s comfortable in its own shoes and is a distillation of the core elements that make up great Fall Out Boy songs - clever Pete Wentz lyrical twists, amazing (and improved) vocals from Patrick Stump, and great melodies - spread over a significantly wider sonic canvas. These tracks are full of quirky twists and turns in a way that was largely absent on Save Rock and Roll , and the album is better for it. The huge pop hooks present throughout are undeniable, and they are anchored by characteristically strong verses, complete with some of the most passionate vocal performances Patrick Stump has ever delivered on record. Perhaps surprisingly, the emotional centerpiece of the record isn’t in one of the many high-energy anthems, but in the slower build of “The Kids Aren’t Alright”, in many ways the best track this band has written since their hiatus. The lyrics are on a basic level about giving a former lover a new chance, but they can also be interpreted as a love letter to the band’s loyal fans. The song starts on a melancholy, hopeless note: This moment represents the band members’ collective low point, after Folie a Deux had flopped and they had gone their separate ways, dejected and jaded, leading unsuccessful solo careers. Yet despite all of their self-doubt and cynicism towards the music industry, capped off in an infamous 2012 blog post by Patrick Stump in which he bemoaned being a “27 [year old] has-been” (http://www.absolutepunk.net/showthread.php? t=2649172), the song builds to a triumphant hook: Despite being chewed up and spit out by popular culture, their life’s work being made into a big punchline, the members of Fall Out Boy decided they would do it all again, because they knew there are still kids out there who wanted their favorite band back, who had supported their musical heroes through every setback, even turning Folie a Deux into a cult classic. They are the reason this band still exists, and this record is the band’s way of saying thank you. Coming from a group whose comeback seemed incredibly unlikely a mere two years ago, American Beauty / American Psycho signals loud and clear that the story of Fall Out Boy is still going strong. Fall out boy american beauty/american psycho album download rar. 专辑名： American Beauty / American Psycho 歌手： Fall Out Boy 唱片公司： 无 --> 发行时间： 2015-01-20.

简介： ★3座MTV音乐奖肯定 新生代EMO摇滚天团2015全新大碟 ★专辑预购勇夺iTunes美国另类专辑榜冠军、流行专辑榜TOP 4 ★强打推荐：首支单曲"Centuries"勇夺英国摇滚榜冠军，2015年金球奖最佳动画片提名电影「超能陆战队」主题曲"Immortals" 继2013 年空降全美流行专辑榜与全球27国iTunes专辑榜冠军专辑『Save Rock And Roll』之后，MTV音乐奖最佳乐团Fall Out Boy在2015年开 春再挥摇滚强棒碟【American Beauty/American Psycho】，专辑预购勇夺iTunes美国、加拿大与墨西哥另类专辑榜冠军，iTunes美国流 行专辑榜第4名、iTunes英国流行专辑榜第10名。 来自美国芝加哥的Fall Out Boy乐团在2005年异军突起，连创4张全美流行专辑榜 TOP 10专辑『From Under The Cork Tree』（*#9）、『Infinity Oh High』（*冠军）、『Folie à Deux』（*#8）、『Save Rock And Roll』（*冠军），打 造3首全美热门单曲榜TOP 10畅销曲"Sugar, We're Goin Down"、"Dance, Dance"、"This Ain't A Scene, It's An Arms Race"，以及蝉连英 国摇滚单曲榜8週冠军、抢进英国流行金榜第5名单曲"My Songs Know What You Did In The Dark (Light Em Up)"与英国摇滚金榜冠 军曲"The Phoenix"。乐团获得3座MTV音乐奖与5座全美青少年直选奖，同时也入围2006年葛莱美奖最佳新进艺人。 Fall Out Boy在 第6张专辑【American Beauty/American Psycho】中融合流行庞克、流行摇滚与另类摇滚元素，专辑名称是一个跨越流行文化的融合： 前面的「American Beauty」是2000年奥斯卡最佳影片「美国心•玫瑰情」，同时也是摇滚乐团Grateful Dead的1970年专辑名称，后面的 「American Psycho」来自克里斯汀贝尔在2000年所主演的电影「美国杀人魔」以及电影所改编的洛杉矶小说家Bret Easton Ellis在1991 年出版的同名小说；专辑尝试捕捉介于美国之美与美国疯子之间的门槛、内心的愤怒，还有世人在同一瞬间存在著永恆与暂时的 矛盾感觉。乐团也在专辑中对2014年8月9日发生在美国密苏里州佛格森市的黑人青少年麦可布朗遭到白人警察戴伦威尔森枪杀 致死的案件表达看法。 专辑由Fall Out Boy与前作『Save Rock And Roll』的製作搭档Butch Walker、Jake Sinclair共同製作，首支单 曲"Centuries"取样了乐团自创唱片厂牌DCD2 Records旗下女歌手Lolo翻唱自Suzanne Vega的1987年畅销曲"Tom's Diner"，单曲发行 首週空降英国摇滚榜冠军，晋升全美摇滚单曲榜亚军、全美另类单曲榜第4名、全美热门单曲榜第14名，全美销售破百万张，在 YouTube与Spotify累积超过5000万串流播出次数；标题曲"American Beauty/American Psycho"取样自华丽/金属摇滚经典乐团Mötley Crüe的1981年首张专辑标题曲"Too Fast For Love"，邀请法国电音DJ SebastiAn跨刀製作，晋升全美摇滚单曲榜第15名；专辑预购推 出的抢先下载单曲"The Kids Aren't Alright"晋升全美摇滚榜第10名；乐团替金球奖提名动画片「大英雄天团」打造的主题 曲"Immortals"获得洛杉矶时报评选为激励人心的摇滚佳作，进驻英国摇滚榜第3名、全美摇滚榜第9名。专辑中还有乐团得到女星 乌玛舒曼同意的创作曲"Uma Thurman"。贝斯手Pete Wentz表示：「摇滚乐是一种革新的想法，要有冒险与未来的空间。」这张专辑就 是乐团又一次的冒险。 American Beauty/American Psycho is the upcoming sixth studio album by American rock band Fall Out Boy. It is set to be released on January 20, 2015 through Island Records, as the follow-up to the band's comeback album Save Rock and Roll (2013). The album's release is preceded by the Platinum top 30 "Centuries", released September 9, 2014. The title track premiered with the album title reveal on November 24, 2014, and will be released digitally as a promotional single along with the second official single "The Kids Aren't Alright" on December 15, 2014.

★3座MTV音乐奖肯定 新生代EMO摇滚天团2015全新大碟 ★专辑预购勇夺iTunes美国另类专辑榜冠军、流行专辑榜TOP 4 ★强 打推荐：首支单曲"Centuries"勇夺英国摇滚榜冠军，2015年金球奖最佳动画片提名电影「超能陆战队」主题曲"Immortals" 继2013年空 降全美流行专辑榜与全球27国iTunes专辑榜冠军专辑『Save Rock And Roll』之后，MTV音乐奖最佳乐团Fall Out Boy在2015年开春再 挥摇滚强棒碟【American Beauty/American Psycho】，专辑预购勇夺iTunes美国、加拿大与墨西哥另类专辑榜冠军，iTunes美国流行专 辑榜第4名、iTunes英国流行专辑榜第10名。 来自美国芝加哥的Fall Out Boy乐团在2005年异军突起，连创4张全美流行专辑榜TOP 10专辑『From Under The Cork Tree』（*#9）、『Infinity Oh High』（*冠军）、『Folie à Deux』（*#8）、『Save Rock And Roll』（*冠军），打造3首 全美热门单曲榜TOP 10畅销曲"Sugar, We're Goin Down"、"Dance, Dance"、"This Ain't A Scene, It's An Arms Race"，以及蝉连英国摇滚 单曲榜8週冠军、抢进英国流行金榜第5名单曲"My Songs Know What You Did In The Dark (Light Em Up)"与英国摇滚金榜冠军曲"The Phoenix"。乐团获得3座MTV音乐奖与5座全美青少年直选奖，同时也入围2006年葛莱美奖最佳新进艺人。 Fall Out Boy在第6张专 辑【American Beauty/American Psycho】中融合流行庞克、流行摇滚与另类摇滚元素，专辑名称是一个跨越流行文化的融合：前面的 「American Beauty」是2000年奥斯卡最佳影片「美国心•玫瑰情」，同时也是摇滚乐团Grateful Dead的1970年专辑名称，后面的 「American Psycho」来自克里斯汀贝尔在2000年所主演的电影「美国杀人魔」以及电影所改编的洛杉矶小说家Bret Easton Ellis在1991 年出版的同名小说；专辑尝试捕捉介于美国之美与美国疯子之间的门槛、内心的愤怒，还有世人在同一瞬间存在著永恆与暂时的 矛盾感觉。乐团也在专辑中对2014年8月9日发生在美国密苏里州佛格森市的黑人青少年麦可布朗遭到白人警察戴伦威尔森枪杀 致死的案件表达看法。 专辑由Fall Out Boy与前作『Save Rock And Roll』的製作搭档Butch Walker、Jake Sinclair共同製作，首支单 曲"Centuries"取样了乐团自创唱片厂牌DCD2 Records旗下女歌手Lolo翻唱自Suzanne Vega的1987年畅销曲"Tom's Diner"，单曲发行 首週空降英国摇滚榜冠军，晋升全美摇滚单曲榜亚军、全美另类单曲榜第4名、全美热门单曲榜第14名，全美销售破百万张，在 YouTube与Spotify累积超过5000万串流播出次数；标题曲"American Beauty/American Psycho"取样自华丽/金属摇滚经典乐团Mötley Crüe的1981年首张专辑标题曲"Too Fast For Love"，邀请法国电音DJ SebastiAn跨刀製作，晋升全美摇滚单曲榜第15名；专辑预购推 出的抢先下载单曲"The Kids Aren't Alright"晋升全美摇滚榜第10名；乐团替金球奖提名动画片「大英雄天团」打造的主题 曲"Immortals"获得洛杉矶时报评选为激励人心的摇滚佳作，进驻英国摇滚榜第3名、全美摇滚榜第9名。专辑中还有乐团得到女星 乌玛舒曼同意的创作曲"Uma Thurman"。贝斯手Pete Wentz表示：「摇滚乐是一种革新的想法，要有冒险与未来的空间。」这张专辑就 是乐团又一次的冒险。 American Beauty/American Psycho is the upcoming sixth studio album by American rock band Fall Out Boy. It is set to be released on January 20, 2015 through Island Records, as the follow-up to the band's comeback album Save Rock and Roll (2013). The album's release is preceded by the Platinum top 30 lead single "Centuries", released September 9, 2014. The title track premiered with the album title reveal on November 24, 2014, and will be released digitally as a promotional single along with the second official single "The Kids Aren't Alright" on December 15, 2014. American Beauty/American Psycho (album) American Beauty / American Psycho by Fall Out Boy. General information. Release Date. Recorded. Genre. Length. Label. Producer(s) Singles. Chronology Previous Current Next PAX AM Days American Beauty / American Psycho Make America Psycho Again American Beauty/American Psycho (sometimes abbreviated as AB/AP ) is the sixth studio album by American rock band Fall Out Boy, released on January 16, 2015 through Island Records as the follow-up to the band's comeback album Save Rock and Roll (2013). The band wrote music while on tour with mid-2014 and it developed into a new album. The album's release was preceded by the 4× Platinum top 10 lead single "Centuries", released September 9, 2014 while the album was still being completed. The album's title track was released as the second single in the UK on December 15, 2014, receiving a radio premiere a month before on November 24, 2014. American Beauty/American Psycho debuted at No. 1 on the US Billboard 200 album chart, selling 218,000 equivalent copies in its first week alone and becoming the band's third No. 1 album, later being certified gold UK and Canada. On March 1, 2016, the album was certified platinum in the US after selling 1 million units. In support of the record, Fall Out Boy played at Soundwave in Australia, made TV appearances, and have embarked two concert tours: the American Beauty/American Psycho Tour and the Wintour. On October 30, a remix album entitled Make America Psycho Again was released with a different rapper on each song, which drew in over 13,000 equivalent copies in its debut week. Contents. Background and Recording [ ] Fall Out Boy began writing for their sixth studio album in the summer of 2014 while still promoting their previous release Save Rock and Roll (2013) on the Monumentour concert tour with fellow American band Paramore. Recording began soon after, with the track "Centuries" being the first songs to be written and recorded. By late November, all the songs were written and the album was 80% complete but still needed finishing. While making their previous album, the band was just beginning to realise that music recording methods have differed since their hiatus, but have fully embraced the changes for recording American Beauty/American Psycho . Producer Jake Sinclair made the band realise that parts recorded as demos on laptops are able to make it to the final product. Since the release of "Centuries", the band stated that the album could be released as early as "early 2015". Regarding its sound, bassist Pete Wentz described the new material as "David versus Goliath", as Wentz stated: "[Brian Hiatt] tweeted[,] “[The] problem with is it [isn't modern,]” something [I] and we had been feeling in general. [Rock] should not be relegated to a quaint little corner of guitar center for dads to find. [In] reaching out to SebastiAn we wanted to make something that was a throwback instead futuristic." According to Patrick Stump, "All I can say is, some people will love it. Some people will hate it. The four of us like it a lot, so we're happy". Composition [ ] Music [ ] The band felt influences from playing with different artists and expanded on boundaries further than Save Rock and Roll did. Stump's goal was to make a more stylistically cohesive album than Save Rock and Roll , "where you pick any track and it sounds like it’s from the same album". He wanted an album that "understood what it was the whole time". Meanwhile, Wentz was focused on making relevant to pop culture (and thus requiring radio play) that could also be played in big venues; maintaining their legacy as a "big currently relevant rock band." Wentz said, "Rock ’n’ roll is this progressive idea, [with] room to be dangerous and futuristic. To think it's this idea that has to be set in stone is just, like, making it not only not dangerous but this quaint little thing. It's not what it is to me. To fence yourself into this little area and chain yourself to the doghouse has never been what I thought rock music was." Guitarist Joe Trohman said of the album, "Musically, it has hip-hop grooves with guitars on it," with "more in your face guitar than Save Rock and Roll ". In an industry increasingly focused on singles, Stump still regards the music album as an important form of art—"I put a ton of thought into this new record, making sure it was an experience where the running order matters and the keys and tempo and everything. It all matters to me because records still matter to me." "Centuries" contains a sample of the song "Tom's Diner" by Suzanne Vega re-recorded by American singer Lolo for the track, which Stump described as "a tip of the hat" to, as the band wanted to "re-inject" it into pop culture. The song "American Beauty/American Psycho" samples Motley Crüe's song "Too Fast for Love". Annie Zaleski of Alternative Press described it as a "mix of fluid grooves, punky riffs and outré pop sensibilities." The title track is Patrick Stump's favorite track from the album; he stated, "It's the right level of artistically interesting, but also just fun." The track "Uma Thurman" is named after the American actress, and samples The Munsters' s theme song. Thurman heard the song and allowed the band to legally use her name. "Irresistible" is an "arena-rocking" horn-driven song about deadly love, with lyricist Pete Wentz drawing inspiration from the fatal attraction between Sex Pistols bassist Sid Vicious and Nancy Spungen. The track "Fourth of July" includes a heavy sample of the song "Lost It To Trying" by Son Lux from the 2013 album Lanterns . "Twin Skeleton's (Hotel in NYC)" contains a psychedelic bridge. Lyrics [ ] The band's primary lyricist, Wentz felt that had "more perspective" on his personal life to write more about it. "The idea behind some of the songs is addressing modern love or what's going on with my head and my life [more] than Save Rock and Roll did. I think Save Rock and Roll was a little more broader when it came to that." "Centuries" was written with the aim to inspire. Some topical issues including the 2014 Ferguson unrest are addressed. Wentz stated, "as an artist that has a platform, there’s certain things that if you believe, you should say." However, he restated that Fall Out Boy is not a political band. Title [ ] The "American Beauty" half of the album's title comes from the album by the Grateful Dead and the 1999 film. The "American Psycho" half references the book by Bret Easton Ellis and the subsequent 2000 film. Promotion [ ] TV Performances [ ] On November 24, 2014, the band announced the album's title and release details for January 20, 2015. Fall Out Boy performed "Centuries" live for the first time on Jimmy Kimmel Live! on September 17, 2014. They next played it on The Ellen DeGeneres Show with Suzanne Vega as a special guest on October 29, 2014. The band performed "Centuries" on The Voice 's season finale with contestant Matt McAndrew in December 2014. The band also performed "Centuries" at the People's Choice Awards on January 7, 2015, which Billboard called the "most memorable" performance of the night. To begin their album release week television blitz, the band played "Centuries" on the morning The Today Show and again on the late night talk show The Tonight Show Starring Jimmy Fallon on 21 January. A guest appearance on the morning talk show Live! with Kelly and Michael was televised on January 23. On January 25, 2015 they performed "My Songs Know What You Did in the Dark (Light Em Up)" and "Centuries" at the National Hockey League All-Star Game exhibition event. A performance for troops at Luke Air Force Base as a pre-Super Bowl event was set for January 30 to air live on VH1. Fall Out Boy starred in a Pepsi TV ad which aired during the 57th Grammy Awards, performing "Uma Thurman" in record-pressing plant. Fall Out Boy performed "Centuries" and "My Songs Know What You Did in the Dark (Light Em Up)" on CBS's The Talk on March 12 and it aired in Australia on March 29. In early April the band performed "Immortals" on Japanese TV show Sukkiri!! ( スッキリ!! ). Fall Out Boy will be the first inductees to the "Hall of Wood" at the 2015 MtvU Woodie Awards and will also perform. They had won the Streaming Woodie award for "Grand Theft Autumn/Where Is Your Boy" at the first ceremony in 2004. Tours [ ] Main articles: Singles [ ] "Centuries" was released as the album's lead single on September 8, 2014 and peaked at No. 10 on the Billboard Hot 100 chart in its 20th week. It reached No. 13 on Mainstream Top 40 and No. 4 on Alternative Songs as a crossover success. A gladiator-style directed by Syndrome was later released on October 14, 2014 and features a cameo from American rapper Rick Ross. The title track premiered on BBC Radio 1 on November 24, 2014 and released a month later on December 15, 2014 as the album's second UK single. Its music video also premiered the same day. "Uma Thurman" was released to United States modern rock radio as the album's third single week ending February 10, 2015. On January 12, it was released for digital download as the third promotional song and overall the fifth preceding American Beauty/American Psycho , and reached the top position on iTunes. "Irresistible" was released as the third UK single, and its music video was released on February 19, 2015. Other Songs [ ] "Immortals" was released on October 14, 2014 and is featured in the 2014 Walt Disney Animation Studios film Big Hero 6 . Disney asked the band to write and perform the song for the film's sequence in which the Big Hero 6 team is transformed from a group of super smart individuals to a band of high-tech heroes. An alternative version is featured on the album. As part of a pre-order deal on iTunes, the song "The Kids Aren't Alright" was additionally released as a promotional single on December 15, 2014. The full album track listing and artwork was also revealed with the preorder. Two additional digital songs were announced for January 5 and January 12 respectively. The first, "Irresistible", immediately debuted at No. 1 on iTunes. It has been described as a "booming, brass-backed anthem." On January 13, 2015, all the unreleased songs from the album were streamed onto the band's channel. Reception [ ] Commercial Performance [ ] American Beauty/American Psycho debuted at No. 1 on the US Billboard 200 with 192,000 first week sales and 218,000 equivalent album units. It became Fall Out Boy's third No. 1 album and second highest sales week behind ' s 260,000 debut. 204,000 individual song sales and almost 9 million streams made up AB/AP 's 26,000 non-album equivalent units. A week before the album's release, forecasters predicted that it would sell 150,000 copies in its opening week, before being upgraded to 175,000-200,000 days later due to estimates that the album would strongly reach 100,000 digital preorders at the time of release. After 1.5 days of sales, Billboard predicted that first week album sales could reach 190,000, with over 220,000 in equivalent album units. In its second week, it fell to No. 6 with 55,000 equivalent album units, a 75% decline. It dropped to No. 13 in its third week and has spent twenty-four weeks in the top 20. The album was certified Gold by the RIAA on September 18, 2015, and Platinum on February 24, 2016. As of October 2015, the album has sold 572,000 copies in the US. In Canada, American Beauty/American Psycho also debuted at No. 1 with 14,000 first week sales, becoming the band's second Canadian No. 1 and fourth Canadian top 10. On March 24, 2015, it was certified Gold in Canada for 40,000 shipments. The album debuted at No. 4 on the Official New Zealand Music Chart. In Australia, it debuted at No. 3 behind Mark Ronson, whose Uptown Special debuted at No. 2, while Taylor Swift's 1989 reigned at No. 1. The record became the band's fourth consecutive top 10 in Australia. American Beauty/American Psycho was also in a close sales race to the top position against Mark Ronson on the UK Chart and led by 1500 copies mid-week, but fell short by the end of the tracking week to debut at No. 2 with 31,497 first week sales (1883 units behind No. 1). However, it made No. 1 on the UK Albums Download Chart. On June 8, 2015, it was certified Gold by the British Phonographic Industry for 100,000 copies shipped. The album saw a No. 6 debut in Ireland. Critical Response [ ] American Beauty/American Psycho received mostly positive reviews upon its release. The aggregate review site Metacritic gave the album a 72 out of 100 based on 15 reviews. Kyle Anderson of gave it an A, commending the band for being able to make "big-venue sing-alongs that also reward deep headphone analysis." He appreciated the tracks "Favorite Record" and "Fourth of July", stating that they are "thrillingly layered." Evan Lucy of Alternative Press gave the album 4 stars out of 5, mentioning the heavy sampling in some of the album's songs: "The more interesting aspect of American Beauty/American Psycho is the band’s newfound emphasis on samples," calling the band as a whole "newly reinvented." He goes on to praise Stump's vocals, Wentz's lyrics, and states that "Fall Out Boy are currently producing some of the most interesting music of their career." Caroline Sullivan of gave an equally positive review, awarding the album 4 stars out of 5. She praised the band's "nervy ambition" on the album and called it "one of their better releases." Annie Zaleski of The A.V. Club also gave the album a positive review. She wrote that "American Beauty/American Psycho’s playful musical vibe masks lyrics plagued by flashbulb memories of failed relationships and ill-fated romantic dalliances. Thankfully, there’s no self-pity in sight on these songs, only heightened self-awareness." The Times was also highly positive while commenting negatively on the second half of the album. "The result, at least for the first half, is almost comically exciting, one fist-pump adrenaline rush after another. Alas, Stump and his bandmates run out of steam by the end of American Beauty/American Psycho." AllMusic was also fairly positive. "Fall Out Boy have taken great efforts to incorporate whatever was happening on the charts, an inclination that isn't quite as necessary in the great digital disassociation of the 2010s, yet this inclination does give American Beauty/American Psycho a bit of a kinetic kick." "Uma Thurman" has often been identified as the centrepiece of the album. On the other hand, Collin Brennan of Consequence of Sound gave a more mixed review. He felt that the album lacked direction, stating that "Fall Out Boy loses its way more often than not in its latest stab at rock radio dominance." He furthermore opined that the songwriting was lacking as a result of the album's heavy use of samples. Caryn Ganz of also gave a mixed review. " Joe Trohman and drummer Andy Hurley's most virtuosic playing is buried under blaring production, reducing what might be Metallica-heavy riffage into background buzz." However, the reviewer had some positive comments as well: "When everything connects – like on the single "Centuries" – FOB are a glorious nexus of Seventies glitter rock, Eighties radio pop, Nineties R&B and Aughts electro stomp." The album was ranked at number 5 in Alternative Press 's "10 Essential Records of 2015" list. Cassie Whitt of Alternative Press wrote that the band pushed their fan base with "rock songs structured like hip-hop tracks". The album was ranked at number 26 on AbsolutePunk's top albums of 2015 list.