Authorities Shut Down Local Methamphetamine Operation
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Sexism Across Musical Genres: a Comparison
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-24-2014 Sexism Across Musical Genres: A Comparison Sarah Neff Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Psychology Commons Recommended Citation Neff, Sarah, "Sexism Across Musical Genres: A Comparison" (2014). Honors Theses. 2484. https://scholarworks.wmich.edu/honors_theses/2484 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. Running head: SEXISM ACROSS MUSICAL GENRES 1 Sexism Across Musical Genres: A Comparison Sarah E. Neff Western Michigan University SEXISM ACROSS MUSICAL GENRES 2 Abstract Music is a part of daily life for most people, leading the messages within music to permeate people’s consciousness. This is concerning when the messages in music follow discriminatory themes such as sexism or racism. Sexism in music is becoming well documented, but some genres are scrutinized more heavily than others. Rap and hip-hop get much more attention in popular media for being sexist than do genres such as country and rock. My goal was to show whether or not genres such as country and rock are as sexist as rap and hip-hop. In this project, I analyze the top ten songs of 2013 from six genres looking for five themes of sexism. The six genres used are rap, hip-hop, country, rock, alternative, and dance. -
2011 Natural Resource Inventory
Natural Resource Inventory APPENDICES Appendices - Natural Resource Inventory, Gilford, NH Appendices - Natural Resource Inventory, Gilford, NH Natural Resource Inventory ________________________________________ APPENDIX A: QUESTIONNAIRE RESULTS Appendices - Natural Resource Inventory, Gilford, NH Appendices - Natural Resource Inventory, Gilford, NH In March of 2009, the Town proposed a public opinion survey to Gilford residents. The survey was introduced as a way of gathering resident input for the natural resource inventory. There were a total of 195 resident responses. The following is an overview of the results. Question 1: Rank each of Gilford’s natural resource features of importance to you using 1-3. (1 = Most Important, 2 = Somewhat Important, 3 = Not Important) For question one, residents found water quality as the most important feature. Residents found cemeteries as the least important feature. The following table contains the percentages of the respondents’ beliefs. Not all 195 residents responded, so the number of respondents is listed as well. Natural Resource Most Somewhat Not Total Important Important Important Respondents Fields/Agriculture 73% 21% 6% 158 Fish/Wildlife 68% 27% 5% 164 Wetlands & Vernal Pools 56% 34% 10% 154 Ridgelines 53% 33% 14% 152 Cemeteries 28% 54% 18% 152 Forests 80% 16% 4% 167 Rivers/Streams 83% 14% 3% 161 Scenic Views & Vistas 74% 21% 5% 165 Rural Atmosphere 67% 25% 8% 157 Ponds & Lakes 87% 10% 3% 167 Open Space 75% 20% 5% 162 Water Quality 92% 4% 4% 162 Historical Features 55% 37% 8% 153 Residents were also given an “Other” category. Under “Other,” the following resources were written in: Human Cultural Resources Beach Country Roads Agriculture Air Quality Small Town Community Gilford Meadows Question 2: In what ways do you enjoy Gilford’s recreational opportunities? Check all that apply. -
Save Rock and Roll: a Look at Rights Afforded to Pre-1972 Sound Recordings and Why Federalization Should Be Granted
DePaul Law Review Volume 66 Issue 1 Fall 2016: Twenty-Sixth Annual DePaul Article 10 Law Review Symposium Save Rock and Roll: A Look at Rights Afforded to Pre-1972 Sound Recordings and Why Federalization Should Be Granted Amanda Alasauskas Follow this and additional works at: https://via.library.depaul.edu/law-review Part of the Law Commons Recommended Citation Amanda Alasauskas, Save Rock and Roll: A Look at Rights Afforded to Pre-1972 Sound Recordings and Why Federalization Should Be Granted, 66 DePaul L. Rev. (2017) Available at: https://via.library.depaul.edu/law-review/vol66/iss1/10 This Comments is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Law Review by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. \\jciprod01\productn\D\DPL\66-1\DPL108.txt unknown Seq: 1 10-APR-17 11:24 SAVE ROCK AND ROLL: A LOOK AT RIGHTS AFFORDED TO PRE-1972 SOUND RECORDINGS AND WHY FEDERALIZATION SHOULD BE GRANTED INTRODUCTION February 15, 1972––an important date in United States copyright protection history, especially as it pertains to sound recordings.1 When Congress rewrote the Copyright Act of 1909,2 it only included under federal protection those sound recordings “fixed” after Febru- ary 15, 1972.3 This left those recordings fixed before this date, affec- tionately known as “pre-1972s,” outside the scope of federal copyright protection and without a public performance right, an exclusive right of federal copyright protection.4 Due to this lack of federal protec- tion, pre-1972 sound recordings are subject to state laws, if any, which leads to vague and inconsistent standards regarding the rights that are afforded to these recordings.5 Unlike its predecessor, the Federal Copyright Act of 19766 provides rights to both the composition7 and sound recording8 of original musi- cal works. -
>>> I ',1!.'. ; a Ince Paramore's 2005 Debut Recording ,11/ We Know Is
,>>> ince Paramore's 2005 debut recording ,11/ We Know Is Falling,the i a wli \ Nashville-based, rock outfitt popularity has grown substantially, garnering ',1!.'. ; lr th.* multiple Grammy nominations as well as plum song placements in soundtracks for motion picture blockbusters like Tutilight, platinum sales and a consistently growing, global audience. They've also developed a reputation for high-energy live shows, fueled as much by their musical chops as by a finely honed sense ofwhat they and their audience need to hear in order for both band and crowd to leave it all on the stage and on the arena floor, respectively, every night. The band is currently touring in support of its fourth release - simply entitled Paramore - representing the first fullJength album and tour they've undertaken since the departure ofguitaristJosh Farro and his brother, drummer ZacFarro. "It hasn't been an easy break," says tavis Bing, Paramore's monitor engineer since 2009. That said, both he and front of house engineer Eddie Mapp had noth- ing but good things to say about the atmosphere on the road when talking with me from Denver, roughly two weeks into the North American leg of the tour. "The feeling is onwards and upwards. Everyone who's here wants to be here, band and crew, and that makes it fun for everyone, even old,jaded road dogs." 16 Live Sound lnternational June 2013 www.ProSoundWeb.com all driven by four d&b D12 amplifiers, per side as fiIls. The Vsubs were a last minute addition, based on a demo at the band's audio supplier, Nashville- based Spectrum Sound, Prior to the tour. -
(You Gotta) Fight for Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena
(You Gotta) Fight For Your Right (To Party!) 3 AM ± Matchbox Twenty. 99 Red Ballons ± Nena. Against All Odds ± Phil Collins. Alive and kicking- Simple minds. Almost ± Bowling for soup. Alright ± Supergrass. Always ± Bon Jovi. Ampersand ± Amanda palmer. Angel ± Aerosmith Angel ± Shaggy Asleep ± The Smiths. Bell of Belfast City ± Kristy MacColl. Bitch ± Meredith Brooks. Blue Suede Shoes ± Elvis Presely. Bohemian Rhapsody ± Queen. Born In The USA ± Bruce Springstein. Born to Run ± Bruce Springsteen. Boys Will Be Boys ± The Ordinary Boys. Breath Me ± Sia Brown Eyed Girl ± Van Morrison. Brown Eyes ± Lady Gaga. Chasing Cars ± snow patrol. Chasing pavements ± Adele. Choices ± The Hoosiers. Come on Eileen ± Dexy¶s midnight runners. Crazy ± Aerosmith Crazy ± Gnarles Barkley. Creep ± Radiohead. Cupid ± Sam Cooke. Don¶t Stand So Close to Me ± The Police. Don¶t Speak ± No Doubt. Dr Jones ± Aqua. Dragula ± Rob Zombie. Dreaming of You ± The Coral. Dreams ± The Cranberries. Ever Fallen In Love? ± Buzzcocks Everybody Hurts ± R.E.M. Everybody¶s Fool ± Evanescence. Everywhere I go ± Hollywood undead. Evolution ± Korn. FACK ± Eminem. Faith ± George Micheal. Feathers ± Coheed And Cambria. Firefly ± Breaking Benjamin. Fix Up, Look Sharp ± Dizzie Rascal. Flux ± Bloc Party. Fuck Forever ± Babyshambles. Get on Up ± James Brown. Girl Anachronism ± The Dresden Dolls. Girl You¶ll Be a Woman Soon ± Urge Overkill Go Your Own Way ± Fleetwood Mac. Golden Skans ± Klaxons. Grounds For Divorce ± Elbow. Happy ending ± MIKA. Heartbeats ± Jose Gonzalez. Heartbreak Hotel ± Elvis Presely. Hollywood ± Marina and the diamonds. I don¶t love you ± My Chemical Romance. I Fought The Law ± The Clash. I Got Love ± The King Blues. I miss you ± Blink 182. -
It's Not a Fashion Statement
Gielis /1 MASTER THESIS NORTH AMERICAN STUDIES IT’S NOT A FASHION STATEMENT. AN EXPLORATION OF MASCULINITY AND FEMININITY IN CONTEMPORARY EMO MUSIC. Name of student: Claudia Gielis MA Thesis Advisor: Dr. M. Roza MA Thesis 2nd reader: Prof. Dr. F. Mehring Gielis /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza and Prof. Dr. F. Mehring Title of document: It’s Not a Fashion Statement. An exploration of Masculinity and Femininity in Contemporary Emo Music. Name of course: MA Thesis North American Studies Date of submission: 15 August 2018 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Claudia Gielis Gielis /3 Abstract Masculinity and femininity can be performed in many ways. The emo genre explores a variety of ways in which gender can be performed. Theories on gender, masculinity and femininity will be used to analyze both the lyrics and the music videos of these two bands, indicating how they perform gender lyrically and visually. Likewise a short introduction on emo music will be given, to gain a better understanding of the genre and the subculture. It will become clear that the emo subculture allows for men and women to explore their own identity. This is reflected in the music associated to the emo genre as well as their visual representation in their music videos. This essay will explore how both a male fronted band, My Chemical Romance, and a female fronted band, Paramore, perform gender. All studio albums and official music videos will be used to investigate how they have performed gender throughout their career. -
2013 Victoria's Secret Fashion Show
PRESS ROOM EXCLUSIVELY FOR THE MEDIA THIS JUST IN… …from CBS Entertainment SEVEN-TIME GRAMMY® AWARD WINNER TAYLOR SWIFT AND GRAMMY AWARD-NOMINATED ARTIST FALL OUT BOY TO PERFORM ON “THE VICTORIA’S SECRET FASHION SHOW,” TUESDAY, DEC. 10 ON THE CBS TELEVISION NETWORK A Great Big World and UK Newcomers Neon Jungle Will Also Perform Seven-time GRAMMY® Award-winning artist Taylor Swift, GRAMMY Award-nominated artist Fall Out Boy, A Great Big World and Neon Jungle will perform on THE VICTORIA’S SECRET FASHION SHOW, to be broadcast Tuesday, Dec. 10 (10:00-11:00 PM, ET/PT) on the CBS Television Network. This year’s fashion show will include world-famous Victoria’s Secret Angels Adriana Lima, Alessandra Ambrosio, Lily Aldridge, Candice Swanepoel, Lindsay Ellingson, Karlie Kloss, Doutzen Kroes, Behati Prinsloo and many more. The lingerie runway show will also include pink carpet interviews, model profiles and a behind-the-scenes look at the making of the world’s most celebrated fashion show. Lauded by The New York Times as “one of the most important pop artists of the last decade,” and by Rolling Stone as “one of the few genuine rock stars we’ve got these days,” singer/songwriter Taylor Swift is a seven-time GRAMMY winner, and at 20, was the youngest winner in history of the music industry’s highest honor, the GRAMMY for Album of the Year in 2010. She is the only female artist in music history (and just the fourth artist ever) to twice have an album hit the one million first-week sales figure, and is the first artist since the Beatles (and the only female artist in history) to log six or more weeks at #1 with three consecutive studio albums. -
Palmetto Pages Second Edition
PALMETTO PAGES SECOND EDITION PALMETTO PAGES Palmetto Pages Editors Zachary Cannon/Haley Davenport !1 PALMETTO PAGES SECOND EDITION Palmetto Mustangs C-team Football Coaches use the iPad for the players to watch their games and practices. We use hudl for watching games and practices. Palmetto vs Belton 35-0-W Palmetto vs Walhalla 8-30-L Palmetto vs Liberty 16-32-L Palmetto vs Powdersville 14-21-L Palmetto vs West Oak 36-14-W Palmetto vs Pickens 38-34-W Palmetto vs Starr Iva 22-8-W Palmetto vs Riverside 22-18-L By: Zachary Cannon iPad Tips and tricks • Battery life can be increased by turning brightness down, turning the device on airplane mode, or turning the iPad off while charging. • To mute the iPad, rapid-tap the volume button or hold down the volume button. • Use spotlight search to find Apps quickly instead of flipping through all the pages. To do so pull down on the home screen. • Make a link to a favorite websites on the home screen by clicking the open-in/share tab and click add to home screen. • Turn on caps-lock by double-tapping shift. • There are hidden keys on the keyboard. To access them by swiping up or holding shift and tapping an Icon. • Take a big screenshot of a picture and use as a wallpaper. • Triple-click the home button to perform certain actions. Do this by going into settings> general> accessibility> accessibility shortcut. • Use the magnifying glass to edit text or perform actions by holding a finger over the letter and finding the spot. -
Tabla Base De Datos
Gaspar Garcia Juan Carlos Grupo:309 FECHA 16/11/2010 Base de datos de los gustos musicales del grupo 307 Equipo Integrantes Genero Musical Interprete Canción Año de Lanzamiento Núm. Discografia Biografia Foto Slipknot es una banda norteamericana de metal alternativo formada en 1995 en Des Moines, Iowa. Desde el año 1999, mantiene su formación después de diversos cambios en la misma. Sus integrantes son Chris Fehn, Corey Taylor, Craig Jones, James Root, Joey Jordison, Mick Thomson, Shawn Crahan, Sid Wilson y Paul Gray, hasta el fallecimiento de éste último el 24 de mayo de 2010. Slipknot es Samantha Punk-Funk-Gotic Slipknot Spit 2010 4 conocida por las máscaras características de cada uno de sus miembros. 1 A mediados de la década del sesenta unos jóvenes se reúnen para formar un grupo que represente sus gustos musicales. El nombre de la banda nace en honor a un pueblo del Estado de Sinaloa, ubicado a 80 kilómetros del norte de Mazatlán, de ahí el nombre de La Arrolladora Banda El Limón. Claudia Banda - Pop Arrolladora Niña de mi Corazon 2010 13 La Sonora Dinamita es una agrupación colombiana de música cumbia, formada en el año de 1960, creada por el propietario de Discos Fuentes como un proyecto cuyo líder de la agrupación fue el fallecido cantante Lucho Argaín, nombre artístico que le impone Antonio Fuentes por el homónimo de un cantante mexicano llamado Luís Pérez Meza. Wendolyne Banda - Cumbia Sonora Dinamita Mil Horas 2000 14 2 Selena Marie Gomez (Grand Prairie, TX, Estados Unidos, 22 de julio de 1992) es una actriz y cantante estadounidense mejor conocida por su papel de Alex Russo en la serie original de Disney Channel ganadora del Emmy[1] , Wizards of Waverly Place. -
Bicycling and Walking: Transportation Choices for New Hampshire's Lakes Region
Bicycling and Walking: Transportation Choices for New Hampshire's Lakes Region March 2012 Cover: (top) Mural along the WOW Trail painted by Sarah Snow, Jami Harmon and Megan Buckner; (bottom left) Sewall Woods Trail, Wolfeboro; (bottom right) Meredith boardwalk ii Bicycling and Walking: Transportation Choices for New Hampshire's Lakes Region Prepared by the Lakes Region Planning Commission 103 Main Street, Suite 3 Meredith, NH 03253 March 2012 www.lakesrpc.org This report was funded in part through a grant from the Federal Highway Administration, U.S. Department of Transportation (U.S. DOT) and administered by the New Hampshire Department of Transportation (NH DOT). The views and opinions expressed herein do not necessarily state or reflect those of the U.S. DOT or the NH DOT. iii THE LAKES REGION PLANNING COMMISSION Tamworth Sandwich Freedom Holderness Effingham A Moultonborough s h Ossipee la n d or r b Tuftonboro Hebron r e ar te t H a en w e C dg ri B n Meredith to Alexandria p Bristol m a H Wolfeboro ew N Laconia Gilford Danbury Hill Sanbornton Alton F r a Tilton Belmont n k l Andover i n Gilmanton Northfield Barnstead LRPC COMMISSIONERS 2011-2012 Alexandria Belmont Franklin Hill New H ampton Tamworth Janet Towse Vacant Robert Sharon Vacant Dr. George Luciano Patricia Farley Karen McNiff Alton Bridgewater Freedom Holderness Northfield Tom Peters, Alt. David Hussey Vacant Vacant Todd Elgin Wayne Crowley Robert Snelling Douglas Read Tilton Andover Bristol Gilford Joseph Jesseman John Cotton Steve Favorite Scott Dunn Laconia Ossipee Nancy Teach Richard Waitt Dean Anson, II Dr. -
Frank A, Mckeown
UNITED STATES GEOLOGICAL SURVEY TEI-67 RECONNAISSANCE OF RADIOACTIVE ROCKSJDF VERMONT, NEW HAMPSHIRE, CONN&TICUT, RHODE ISLAND AND SOUTHEASTERN NEW YORK By Frank A, McKeown This preliminary report is released without editorial and technical review for conformity with official standards and nomenclature, to make the information available to interested organizations and to stimulate the search for uranium deposits. June 1951 20844 Prepared by the Geological Survey for tho UNITED STATES ATOMIC ENERGY COMMISSION Technical Information Service, Oak Ridge, Tennessee 3 P T rh •)•> P '- T n "7 i) J ,^ j^ ^ 'I) O.. 3 CONTENTS Abstract .................................................... 5 Introduction ................................................ 5 Prospecting methods ......................................... 7 Distribution of radioactivity ................"............... 10 The Hudson and Housatonie radioactive province. .,*.,......... 11 Geology 0 ..,, 0 .........................o................... 11 Badioactivity ............................................» 12 Hudson Highlands, southeastern New York ................... 13 Bear Mountain area ...................................... 1J Locality A............................................. 13 Locality B ............................................ 20 Locality C and D ...................................... 21 Conclusions............................................ 21 Traverse north of Bear Mountain.......................... 22 Housatonic Highlands of western Connecticut................ 22 -
Paramore Riot! Mp3, Flac, Wma
Paramore Riot! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Riot! Country: US Released: 2007 MP3 version RAR size: 1639 mb FLAC version RAR size: 1904 mb WMA version RAR size: 1590 mb Rating: 4.8 Votes: 177 Other Formats: AIFF MOD TTA MP3 MP4 WMA AU Tracklist Hide Credits A1 For A Pessimist, I'm Pretty Optimistic 3:48 That's What You Get A2 3:40 Vocals – Jeremy Davis, Steve "Untitled" Smith, Zac Farro Hallelujah A3 3:23 Programmed By [Drum, Keyboards] – Boots Vocals – John Bender Misery Business A4 3:31 Performer [Mariachi Intro] – Mariachi Real de Mexico When It Rains A5 3:35 Organ [B3] – John FreundPiano – Sebastian Davis A6 Let The Flames Begin 3:18 B1 Miracle 3:29 crushcrushcrush B2 Programmed By [Drum, Keyboards] – Boots Vocals – Bekah Sheets, Jeremy Davis, Zac 3:09 Farro We Are Broken B3 3:38 Organ [B3] – John FreundPiano – Sebastian DavisStrings – John Bender Fences B4 3:18 Piano – Sebastian Davis Born For This B5 Vocals – Carl Delbuono, Derek Robinson, Jeremy Davis, Kate Bonney, Kathleen Smith, 4:03 Mary Bonney, Sarah Wood, Taylor Robinson, Zac Farro Credits Bass – Jeremy Davis Bass [Additional] – Brian Weaver Drums – Zac Farro Edited By [Digital], Engineer – Dan Korneff, Kato Khoadwala Engineer [Assistant Mix] – Isaiah Abolin Guitar – Josh Farro Mastered By – Ted Jensen Mixed By, Percussion, Producer, Programmed By [Loops], Synthesizer – David Bendeth Vocals – Hayley Williams, Josh Farro (tracks: A1 to A3, B1, B2, B5) Notes Black vinyl release. Limited to 400 pressings. Barcode and Other Identifiers Barcode