Manx Folklore: Fairy Legends, Customs & Superstitions
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Tynwald Court
TYNWALD COURT. D o u g l a s , T h u r s d a y , D e c e m b e r 20, 1394. THE NEW BUILDINGS. The G o v e r n o r said : My Loi'd Bishop, gentle men of the Council, Mr Speaker, and gentlemen of the House of Keys, as this is the first time that we have assembled in this hall, I may, perhaps, be allowed to congratulate the Court upon the possession of such a handsome building, and to express my appreciation of the skill and ability shown by the architect and of the efficiency shown by the builder. (Hear, hear). This Legislature has at length been furnished with an habitation worthy of its ancient lineage, and I am sure that the dignity of debate which has always characterised its proceedings will remain unimpaired in the future. CASTLETOWN HARBOUK. Deem ster D r in k w a t e r submitted the ap pended report, and on his motion, seconded by Mr Martin, it was ordered to be printed and circulated amongst the members of the Court:— The Committee appointed by the Tynwald Court to consider the question of deepening or otherwise improving Castletown Harbour, have the honour to make their report to the Court. At the request of the Committee, Mr Walker, the Engineer to the Harbour Commissioners, prepared a scheme by which the harbour of Castletown, from the weir above the second bridge to the lighthouse, would be deepened throughout to an average of about two feet, running out to nothing at the present level of low water at the lighthouse. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
6. Master and Manxman: Reciprocal Plagiarism in Tolstoy and Hall Caine1 Muireann Maguire
M Reading Backwards An Advance Retrospective on Russian Literature READING BACKWARDS EDITED BY MUIREANN MAGUIRE AND TIMOTHY LANGEN An Advance Retrospective This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. on Russian Literature AGUI —William Mills Todd III, Harvard University Russian authors […] were able to draw their ideas from their predecessors, but also from their successors, R testifying to the open-mindedness that characterizes the Slavic soul. This book restores the truth. E AND —Pierre Bayard, University of Paris 8 This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s L by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how ANGEN reading against linear chronologies can elicit fascinating new patterns and perspectives. Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth- century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who ( plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers EDS (from J.M. Coetzee to Liudmila Petrushevskaia). ) R ) Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original. -
What Lies Beyond an Extended Bestiary for Beyond the Wall and Other Adventures by Colin Chapman
WHAT LIES BEYOND AN EXTENDED BESTIARY FOR BEYOND THE WAll AND OTHER ADVENTURES BY COLIN CHAPMAN Amphisbaena for cruelty and a curious nature. Though not physically A venomous desert-dwelling reptile, the amphisbaena strong, their bites are paralyzing, and small bands of is a large serpent with a head at each end of its sinuous these beings delight in observing and tormenting all body, allowing it to swiftly move in either direction or they encounter. attack with a pair of bites. Its lambent green eyes attract insects to it during the hours of darkness, these being Hit Dice: 1d6 (4 HP) its preferred prey, though it will aggressively protect AC: 15 itself from anything it deems a threat. Attack: +1 to hit, 1d4 damage + poison (bite) Alignment: Chaotic Hit Dice: 2d4 (5 HP) XP: 15 AC: 13 Notes: Poisonous (anyone bitten by a attorcroppe Attack: +2 to hit, 1d6 damage + poison (bite) must make a saving throw versus poison or be para- Alignment: Neutral lyzed for 1d4 hours), True Name (attorcroppes have XP: 60 true names which give their foes power over them), Notes: Poisonous (anyone bitten by an amphisbaena Vulnerable to Iron (attorcroppes take double damage must make a saving throw versus poison or suffer an from iron) immediate extra 2 damage), Two-Headed (the amphis- baena may make two bite attacks per round) Black Dog Large faerie hounds with coats the color of coal and Animated Statue eyes that glimmer red, black dogs silently prowl the Animated via sorcerous means, statues serve as the night, haunting old roads and pathways, running with ideal guardians, ever-vigilant, unmoving, and unrecog- the Wild Hunt, and howling at stormy skies. -
P R O C E E D I N G S
T Y N W A L D C O U R T O F F I C I A L R E P O R T R E C O R T Y S O I K O I L Q U A I Y L T I N V A A L P R O C E E D I N G S D A A L T Y N HANSARD Douglas, Tuesday, 15th June 2021 All published Official Reports can be found on the Tynwald website: www.tynwald.org.im/business/hansard Supplementary material provided subsequent to a sitting is also published to the website as a Hansard Appendix. Reports, maps and other documents referred to in the course of debates may be consulted on application to the Tynwald Library or the Clerk of Tynwald’s Office. Volume 138, No. 24 ISSN 1742-2256 Published by the Office of the Clerk of Tynwald, Legislative Buildings, Finch Road, Douglas, Isle of Man, IM1 3PW. © High Court of Tynwald, 2021 TYNWALD COURT, TUESDAY, 15th JUNE 2021 Present: The President of Tynwald (Hon. S C Rodan OBE) In the Council: The Lord Bishop of Sodor and Man (The Rt Rev. P A Eagles), The Attorney General (Mr J L M Quinn QC), Mr P Greenhill, Mr R W Henderson, Mrs K A Lord-Brennan, Mrs M M Maska, Mr R J Mercer, Mrs J P Poole-Wilson and Mrs K Sharpe with Mr J D C King, Deputy Clerk of Tynwald. In the Keys: The Speaker (Hon. J P Watterson) (Rushen); The Chief Minister (Hon. -
Freshly Caught Fairy Folk Captured by the Fairy Catcher Catching Fairies Since 1991
Freshly Caught Fairy Folk Captured by The Fairy Catcher catching fairies since 1991 The Fairy Catcher specialises in the capture of fairy folk. Using an ointment made from a four leafed Clover to protect you from their magic powers, but please never let them escape from their jars as we cannot be responsible for the consequences. Good Luck! These pages describe the fairies that we catch. The fairies are all held captive in glass jars, and the following descriptions appear on their individual labels. Please visit www.thefairycatcher.com to see them. Good luck! Pisky Ferrishyn Piskies are from Cornwall and The Ferrishyn are the trooping fairies of although they are fond of The Isle of Man. They love hunting and playing practical jokes have very good hearing, on people who have lost they can hear whatever their way in the countryside is said out of doors. they can bring luck and Every wind stirring good fortune carries the sound to their ears. Take care to speak well of them, then Knocker luck and good fortune Knockers come from Cornwall and used to help the Tin Miners could be yours. by knocking to indicate where a rich batch of ore Buggane could be found. Listen The Buggane is a goblin from The Isle of Man. He lives in a for their knocking, Dub into which the Spooty falls. He will change his shape if there could be he is set free, and it isnot unusual for a Buggane to turn into a rich vein in store a very large water horse! for you! Browney The Browney is a cornish guardian of the bees. -
Fíanaigecht in Manx Tradition FÍANAIGECHT in MANX TRADITION 1
Fíanaigecht in Manx Tradition FÍANAIGECHT IN MANX TRADITION 1 GEORGE BRODERICK University of Mannheim Introduction: The Finn Cycle In order to set the Manx examples of Fíanaigecht in context I cite here Bernhard Maier's short sketch of the Finn Cycle as it appears in Maier (1998: 118). Finn Cycle or Ossianic Cycle. The prose naratives and ballads centred upon the legendary hero Finn mac Cumaill and his retinue, the Fianna. They are set in the time of the king Cormac mac Airt at the beginning of the 3rdC AD. The heroes, apart from Finn, the leader of the Fianna, are his son Oisín, his grandson Oscar, and the warriors Caílte mac Rónáin, Goll mac Morna and Lugaid Lága. Most of the stories concerning F[inn] are about hunting adventures, love-affairs [...] and military disputes [...]. The most substantial work of this kind, combin- ing various episodes within a narrative framework, is Acallam na Senórach . The ballads concerning F[inn] gained in popularity from the later Middle Ages onwards and were the most important source of James Mac- pherson's "Works of Ossian" (Maier 1998: 118). The individual texts of the poems and ballads concerned with the Finn Cycle seemingly date over a period from the learned scribal tradition of the eleventh 2 to the later popular oral tradition of the early seventeenth century. Sixty-nine poems from this corpus survive in a single manuscript dating from 1626-27 known as Duanaire Finn ('Finn's poem book') (cf. Mac Neill 1908, Murphy 1933, 1953, Carey 2003). According to Ruairí Ó hUiginn (2003: 79), Duanaire Finn forms part of a long manuscript that was compiled in Ostend in 1626-7. -
Simply-Hitchcock-1587911892. Print
Simply Hitchcock Simply Hitchcock DAVID STERRITT SIMPLY CHARLY NEW YORK Copyright © 2017 by David Sterritt Cover Illustration by Vladymyr Lukash Cover Design by Scarlett Rugers All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law. For permission requests, write to the publisher at the address below. [email protected] ISBN: 978-1-943657-17-9 Brought to you by http://simplycharly.com Dedicated to Mikita, Jeremy and Tanya, Craig and Kim, and Oliver, of course Contents Praise for Simply Hitchcock ix Other Great Lives xiii Series Editor's Foreword xiv Preface xv Acknowledgements xix 1. Hitch 1 2. Silents Are Golden 21 3. Talkies, Theatricality, and the Low Ebb 37 4. The Classic Thriller Sextet 49 5. Hollywood 61 6. The Fabulous 1950s 96 7. From Psycho to Family Plot 123 8. Epilogue 145 End Notes 147 Suggested Reading 164 About the Author 167 A Word from the Publisher 168 Praise for Simply Hitchcock “With his customary style and brilliance, David Sterritt neatly unpacks Hitchcock’s long career with a sympathetic but sharply observant eye. As one of the cinema’s most perceptive critics, Sterritt is uniquely qualified to write this concise and compact volume, which is the best quick overview of Hitchcock’s work to date—written with both the cineaste and the general reader in mind. -
Pathfinder Bestiary 1
Pathfinder bestiary 1 Continue The following creatures are presented in alphabetical order. The monster version is listed with their main content. B C D E G H I J K L M N O P T U W W Y - Bestiari Bestiary 2 Bestiari 3 Bestiary 4 Bestiari 5 GameMastery Guide Monster Code NP Code 1 Aatheriexa Abaya Abaya Abaya Abolet Abrak Viparner Executed Fisherman, halfling simplicity 4 Achaierai acid drop traps acid terror, human sorcerer 9 / Dragon Apprentice 4 Acolyte, man adept 1 Acolyte, human clergyman 1 Adaro Adherer Adlet Adventures of the Blacksmith, semi-elf fighter 6 Adlet, Shaman Agation, Cervinal Agation, Leonal Agation, Reptile Agationion, Silvanshi Agationion, Vulpine Tasteless Master, Human Monk 20 Akhat Akhuizotl Akaname, Giant Akanam, Giant Akanama Ahlu Alput Almiraj Allouf Archer, Elven Warrior 8 Aulof Scientist, Human Bard 7/Patfinder Chronicler 2 Allephihra Alrau, Giant Amphisbaena Amphiptere Ancient Gravedigger , Ghoul Oracle 10 Android Rogue 1 Angel Slayer, Half-Horde Ranger 15 Animal Lord, Bear Man Ranger 10 Animal Lord, Man Ranger Dog 10 Animal Lord, Cat Man Ranger 10 Animal Lord, Crocodile Man Ranger 10 Animal Lord, Dinosaur Man Ranger 10 Animal Lord, Raptor Man Ranger 10 Animal Lord, Rat Man Ranger Snake Man Ranger 10 Animal Lord, Human Shark Ranger 10 Animated Hair Animated Object (Colossal) Animated Object (Gargantuan) Animated Object (Huge) Animated Object (Big) Animated Object (Middle) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Small) Animated Object (Tiny) -
A Comparative Reading of Manx Cultural Revivals Breesha Maddrell Centre for Manx Studies, University of Liverpool
e-Keltoi: Journal of Interdisciplinary Celtic Studies Volume 2 Cultural Survival Article 4 5-8-2006 Of Demolition and Reconstruction: a Comparative Reading of Manx Cultural Revivals Breesha Maddrell Centre for Manx Studies, University of Liverpool Follow this and additional works at: https://dc.uwm.edu/ekeltoi Part of the Celtic Studies Commons, English Language and Literature Commons, Folklore Commons, History Commons, History of Art, Architecture, and Archaeology Commons, Linguistics Commons, and the Theatre History Commons Recommended Citation Maddrell, Breesha (2006) "Of Demolition and Reconstruction: a Comparative Reading of Manx Cultural Revivals," e-Keltoi: Journal of Interdisciplinary Celtic Studies: Vol. 2 , Article 4. Available at: https://dc.uwm.edu/ekeltoi/vol2/iss1/4 This Article is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in e-Keltoi: Journal of Interdisciplinary Celtic Studies by an authorized administrator of UWM Digital Commons. For more information, please contact open- [email protected]. Of Demolition and Reconstruction: a Comparative Reading of Manx Cultural Revivals Breesha Maddrell, Centre for Manx Studies, University of Liverpool Abstract This paper accesses Manx cultural survival by examining the work of one of the most controversial of Manx cultural figures, Mona Douglas, alongside one of the most well loved, T.E. Brown. It uses the literature in the Isle of Man over the period 1880-1980 as a means of identifying attitudes toward two successive waves of cultural survival and revival. Through a reading of Brown's Prologue to the first series of Fo'c's'le Yarns, 'Spes Altera', "another hope", 1896, and Douglas' 'The Tholtan' – which formed part of her last collection of poetry, Island Magic, published in 1956 – the differing nationalist and revivalist roles of the two authors are revealed. -
Encyclopedia of CELTIC MYTHOLOGY and FOLKLORE
the encyclopedia of CELTIC MYTHOLOGY AND FOLKLORE Patricia Monaghan The Encyclopedia of Celtic Mythology and Folklore Copyright © 2004 by Patricia Monaghan All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Monaghan, Patricia. The encyclopedia of Celtic mythology and folklore / Patricia Monaghan. p. cm. Includes bibliographical references and index. ISBN 0-8160-4524-0 (alk. paper) 1. Mythology, Celtic—Encyclopedias. 2. Celts—Folklore—Encyclopedias. 3. Legends—Europe—Encyclopedias. I. Title. BL900.M66 2003 299'.16—dc21 2003044944 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Text design by Erika K. Arroyo Cover design by Cathy Rincon Printed in the United States of America VB Hermitage 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. CONTENTS 6 INTRODUCTION iv A TO Z ENTRIES 1 BIBLIOGRAPHY 479 INDEX 486 INTRODUCTION 6 Who Were the Celts? tribal names, used by other Europeans as a The terms Celt and Celtic seem familiar today— generic term for the whole people. -
Bfi London Film Festival Archive Gala: World
BFI LONDON FILM FESTIVAL ARCHIVE GALA: WORLD PREMIERE SCREENING OF BFI NATIONAL ARCHIVE RESTORATION OF HITCHCOCK’S THE MANXMAN (1929) CLIMAX OF BFI’S ‘GENIUS OF HITCHCOCK’ PROJECT Carl Brisson and Anny Ondra in The Manxman (1929) dir. Alfred Hitchcock The BFI is pleased to announce that the grand finale of The Genius of Hitchcock project (June – October 2012) will be the BFI London Film Festival’s Archive Gala screening, presented in association with The Krasner Fund for the BFI, of the world premiere of the BFI National Archive’s new restoration of Hitchcock’s The Manxman (1929). This powerful love triangle set among the fishing community on the Isle of Man will be shown at The Empire, Leicester Square with a new score by Stephen Horne on 19 October 2012. The BFI London Film Festival runs from 10 -21 October 2012. Clare Stewart, BFI Head of Exhibition & Artistic Director, BFI LFF said, “The Manxman as the BFI London Film Festival Archive Gala will be a fitting culmination to the BFI’s extraordinary series of screenings of Hitchcock's newly restored silent films this summer. Critics and audiences alike have thrilled to see these films afresh, transformed by great new music and exciting settings. We are delighted to be showing The Manxman at The Empire, a cinema which Hitchcock knew, with an accompaniment from Stephen Horne, a hugely talented composer who is guaranteed to produce something worthy of the LFF’s prestigious archive presentation. This screening marks the start of a valuable partnership with Ella Krasner, whose significant donation launches The Krasner Fund for the BFI: supporting film treasures in the BFI Collections.