The Study of Malay Magic
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University of Malaya
PERLINDUNGAN DIRI DARIPADA PENYAKIT BAWAAN ALAM GHAIB: PERSPEKTIF TRADISI MASYARAKAT MELAYU KEDAH MUHD ABDUL HADI BIN JOHARI AKADEMI PENGAJIAN MELAYU UNIVERSITI MALAYA UniversityKUALA LUMPUR of Malaya 2019 PERLINDUNGAN DIRI DARIPADA PENYAKIT BAWAAN ALAM GHAIB: PERSPEKTIF TRADISI MASYARAKAT MELAYU KEDAH MUHD ABDUL HADI BIN JOHARI DISERTASI DISERAHKAN SEBAGAI MEMENUHI KEPERLUAN IJAZAH SARJANA PENGAJIAN MELAYU AKADEMI PENGAJIAN MELAYU UNIVERSITI MALAYA KUALA LUMPUR University201 9of Malaya UNIVERSITI MALAYA PERAKUAN KEASLIAN PENULISAN Nama: Muhd Abdul Hadi Bin Johari No. Matrik: JGA130014 Nama Ijazah: Sarjana Pengajian Melayu Tajuk Disertasi (“Hasil Kerja ini”): Perlindungan Diri daripada Penyakit Bawaan Alam Ghaib: Perspektif Tradisi Masyarakat Melayu Kedah Bidang Penyelidikan: Antropologi Kebudayaan Saya dengan sesungguhnya dan sebenarnya mengaku bahawa: (1) Saya adalah satu-satunya pengarang/penulis Hasil Kerja ini; (2) Hasil Kerja ini adalah asli; (3) Apa-apa penggunaan mana-mana hasil kerja yang mengandungi hak cipta telah dilakukan secara urusan yang wajar dan bagi maksud yang dibenarkan dan apa-apa petikan, ekstrak, rujukan atau pengeluaran semula daripada atau kepada mana- mana hasil kerja yang mengandungi hak cipta telah dinyatakan dengan sejelasnya dan secukupnya dan satu pengiktirafan tajuk hasil kerja tersebut dan pengarang/penulisnya telah dilakukan di dalam Hasil Kerja ini; (4) Saya tidak mempunyai apa-apa pengetahuan sebenar atau patut semunasabahnya tahu bahawa penghasilan Hasil Kerja ini melanggar suatu hak cipta hasil kerja -
Rosemary Ellen Guiley
vamps_fm[fof]_final pass 2/2/09 10:06 AM Page i The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS vamps_fm[fof]_final pass 2/2/09 10:06 AM Page ii The Encyclopedia of VAMPIRES, WEREWOLVES, and OTHER MONSTERS Rosemary Ellen Guiley FOREWORD BY Jeanne Keyes Youngson, President and Founder of the Vampire Empire The Encyclopedia of Vampires, Werewolves, and Other Monsters Copyright © 2005 by Visionary Living, Inc. All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Guiley, Rosemary. The encyclopedia of vampires, werewolves, and other monsters / Rosemary Ellen Guiley. p. cm. Includes bibliographical references and index. ISBN 0-8160-4684-0 (hardcover : alk. paper) ISBN 978-1-4381-3001-9 (e-book) 1. Vampires—Encyclopedias. 2. Werewolves—Encyclopedias. 3. Monsters—Encyclopedias. I. Title. BF1556.G86 2004 133.4’23—dc22 2003026592 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can find Facts On File on the World Wide Web at http://www.factsonfile.com Printed in the United States of America VB FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. -
Explore Equip Engage
20 YEARS EXPLORE EQUIP ENGAGE SAHARA CHALLENGE MANUAL 2021 Muslims are searching. Go prepared. Written and compiled by Fouad Masri © 2021 Crescent Project. All rights reserved. No portion of this manual may be reproduced, stored in a retrieval system or transmitted in any form or by any means without prior permission in writing from the publisher. Published in the United States of America. Quotations from the Qur'an are from The Quran Translation, 7th Edition, by Abdullah Yusef Ali (Elmhurst NY: Tahrike Tarsile Quran, Inc., 2001 ). All Scripture quotations, unless otherwise indicated, are taken from the HOLY BIBLE, NEW INTERNATIONAL VERSION®. NIV®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan. All rights reserved. “The thief comes only to steal and kill and destroy; I have come that they may have life, and have it to the full.” – Jesus (John 10:10) Greetings in the name of our Lord and Savior Jesus Christ! I welcome you to Sahara Challenge, an intensive, practical training program designed to prepare Christians for a biblical, effective ministry among Muslims. Crescent Project is an interdenominational Christian ministry focused on helping fulfill the Great Commission to the Muslim world. Our goal is to see every Muslim have an opportunity to respond to the Gospel and be connected to a true follower of Jesus. Millions of Muslims today have never heard the Gospel. Our Challenge is to take the gospel message to the hearts of spiritually thirsty Muslims. They are in need of the living water, our Lord Jesus Christ. Confidence is needed as we minister. -
SINKRETISME DI KALANGAN MASYARAKAT TEMUAN DI KAMPUNG LUBUK BANDUNG, MELAKA HO HWEE SIAN No. Matrik: 05946"9 Latihan Ilmiah
No. Kelas: ~·. .. No Perolehan: ·•-·-·..:•:•)• .• SINKRETISME DI KALANGAN MASYARAKAT TEMUAN DI KAMPUNG LUBUK BANDUNG, MELAKA HO HWEE SIAN No. Matrik: 05946"9 Latihan Ilmiah Bagi Memenuhi Sebah ag ian Daripada Syarat-syarat Untuk Ijazah Sarjana Muda Sastera Jab a tan Antr.opologi dan Sosiologl, Universiti Malaya, 59100 Kuala Lumpur Sesi 1993/94 Bilik Sumber Jabatan A_ntropologi & Sosiologi Universit1 Malaya 11 P·enghargaan Saya mengucapkan jutaan terima kasih kepada Encik Juli Edo selaku penyelia latihan ilmiah ini. Segala tunjuk ajar, bimbingan dan nasihat beliau tidak akan saya lupakan. Saya juga mengambil kesempatan nu mengucapkan terima kasih kepada Dr. Hood Haji Mohd. Salleh dan Dr. Hasan Mat Nor dari Universiti Kebangsaan Malaysia atas nasihat mereka pada permulaan kajian. Jasa-jasa penduduk Kampung Lubuk Bandung yang telah membolehkan saya menyelesaikan kajian ilmiah ini tidak akan saya lupakan. Saya mengambil kesempatan di sini mengucapkan jutaan terima kasih kepada keluarga Pakcik Ahat b. San Fook iaitu keluarga angkat saya, Abang Chia Fong Sin, Kak Aton dan Pakcik San Ah Kin b. San Fook yang semuanya merupakan informan utama pengkaji. Terima kasih jug a diucapkan kepada pihak J abatan Hal Ehwal Orang Asli Kuala Lumpur dan bahagian Melaka yang banyak memberi kerjasama dan data-data rasmi yang diperlukan. Akhir sekali, terima kasih diucapkan kepada semua yang terlibat secara langsung atau tidak langsung dalam proses penyelesaian latihan ilmiah mi. 111 Sinopsis Kajian fenomena sinkretisme di kalangan niasyarakat Orang Asli Temuan mi merangkumi tiga jerus kepercayaan luar iaitu kepercayaan Cina, Hindu dan Melayu yang menerap masuk ke dalam sistem kepercayaan periduduk Kampung Lubuk Bandung. Penerimaan kepercayaan Cina paling menonjol dan menarik di antara tiga jerus kepercayaan tersebut. -
Examining Gender, Culture and Power in Malaysian Horror Films
Pertanika J. Soc. Sci. & Hum. 24 (4): 1431 - 1444 (2016) SOCIAL SCIENCES & HUMANITIES Journal homepage: http://www.pertanika.upm.edu.my/ The Villainous Pontianak? Examining Gender, Culture and Power in Malaysian Horror Films Lee, Y. B. School of Communication, Universiti Sains Malaysia 11800 Penang, Malaysia ABSTRACT The pontianak is widely recognised as the most dreaded supernatural being in Malay folklore and mythology. Often described as a fearsome mythical creature with vampire-like qualities, she is said to have fangs, possesses ghost-like traits and can only be subdued using a sharp object which is usually a nail struck to the back of her neck. She is also recognised through her high-pitched shrieks, long flowing hair and a fondness for the blood of children. Despite possessing such fearsome and horrifying characteristics, the pontianak peculiarly remains popular among Malaysians as the horror film genre has always been popular among Malaysian and Asian audiences due to its deep roots in religious and superstitious beliefs. Many Asian nations have shared cultural, historical and social characteristics. Cross cultural influences across borders are common in shaping each other’s culture and a number of Malaysian horror films have been influenced by the Noh and Kabuki-influenced ‘shunen’ (revenge) and ‘kaidan’ (ghost mystery) stories. While the horror film is in fact a commercial venture, the genre is also filled with socio-cultural and political contestations. As such, these narratives reflect certain socio-cultural and political anxieties of given moments within the location of the film’s production. This paper therefore examines the pan-Asian cultural influences in the current wave of Malaysian horror. -
Reincarnation in Buddhism: an Analysis from Islamic Perspective
REINCARNATION IN BUDDHISM: AN ANALYSIS FROM ISLAMIC PERSPECTIVE SHEIKHA SAIDAH BINTE MOHAMAD NAJEEB JARHOM DEPARTMENT OF ‘AQIDAH AND ISLAMIC THOUGHT ACADEMY OF ISLAMIC STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR 2014 REINCARNATION IN BUDDHISM: AN ANALYSIS FROM ISLAMIC PERSPECTIVE SHEIKHA SAIDAH BINTE MOHAMAD NAJEEB JARHOM DISSERTATION SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF USULUDDIN DEPARTMENT OF ‘AQIDAH AND ISLAMIC THOUGHT ACADEMY OF ISLAMIC STUDIES UNIVERSITY OF MALAYA KUALA LUMPUR 2014 ABSTRACT Belief in the concept of reincarnation is a sign of true faith among the Buddhists. A Buddhist has to follow the Four Noble Truth and the Eightfold Path in order to achieve enlightenment which is nirvana. They believe in the rebirth of the soul from the last breath to the liberation of soul which entwines the journey of life from death to karma, to rebirth and finally achieving nirvana. Worshippers of Islam on the other hand have to follow the six Pillars of Faith, the five Pillars of Islam and ihsan which is to do good things in life. They believe in resurrection on the day of Judgement. On this day, Muslims after death will be awaken in the frontiers of barzakh and be judged and placed appropriately in either paradise or hell as promised in the holy Qur’an. By collecting data using documentary method which applied to library materials, the researcher has found that there are still a number of Muslims who were influenced by the traditional beliefs of animism, Hinduism and Buddhism. This is because the Malays were Hindus and Buddhists long before they became Muslim. -
Scarlet Heroes
SCARLET HEROES BY KEVIN CRAWFORD ILLUSTRATED BY LUIGI CASTELLANI ERIC LOFGREN NATE FURMAN DYSON LOGOS EARL GEIER IAN MACLEAN RICK HERSHEY JOYCE MAUREIRA DAVID L. JOHNSON MIGUEL SANTOS ©2014, SINE NOMINE PUBLISHING ISBN 978-1-936673-50-6 A WORLD IN NEED OF HEROES... The cities of men are few in these accursed days. Ever since the demon-haunted mists of the Red Tide exiled a scattering of desperate survivors from their ancestral lands, all that remains of humanity are those peoples who cling to survival in the distant Sunset Isles. Their refuges remain perched upon wild shores, men and women gathered together in city-states grown fearful of their neighbors. The Mandarin of Xian broods in his many-towered city as the blood sorcerers of Tien Lung scheme and the Shogun of Hell dreams the red dreams of his masters. The grim pikemen of Hohnberg turn away from their former allies in the east, and in the ancient halls of his Gate Citadel the dwarf-king dwells uneasily upon the change of days. In the west, the Shou howl for vengeance. Driven from their lands by the human exiles, locked in never-ending war against the hated interlop- ers and their own rival neighbors, they lack only a leader to make an irresistible tide of their warriors. Even now their raiding parties harry the western borderlands and thrust deep into once-safe territories. Their savagery lights the midnight skies with the flames of burning villages and make pillars of smoke from the homes of men. The decay festers even within the hearts of the people as the dreams of the Red Tide win fresh cultists to its alien cause. -
'Sundelbolong' As a Mode of Femininity
chapter 4 ‘Sundelbolong’ as a Mode of Femininity Analysis of Popular Ghost Movies in Indonesia Maren Wilger Introduction: Hantu Sundelbolong Indonesian folklore is populated by various kind of ghosts or hantu.1 While they used to haunt the living through ghost stories (cerita hantu), in contempo- rary culture they are presented in multifaceted ways on the silver screen to tell modern ghost stories, and part of the discourse of modernization.2 In this chapter, I start with a short description of the nature of ‘Sundel- bolong’, one of the many vengeful female spirits in Indonesian lore, before providing a brief introduction to the political and cinematic background of 1 Hantu: ‘Spirit’, ‘specter’ (Heuken, 2009: 181). In general terms, ‘hantu’ contains more than the European/Western understanding of ‘spirit’ or the German ‘Geist’. The term hantu is also used to describe possession by demons and presents good and evil supernatural beings. It appears to be insufficient to use Western classifications, such as ‘undead’, ‘spirit’ or ‘vam- pire’ for Southeast Asian beings, since the categories of hantu are much more fluid than the Western ones. While an undead entity in the Western hemisphere is statically characterized as being completely apart from the living—as being dead—, cerita hantu contain the idea that those beings can be tamed and transformed back into a living and human form again. Indeed, hantu Sundelbolong can be transformed back into a human when a knife is driven through her neck. It seems like hantu have greater physical potency and effect the living more than Western spirits, the undead or vampires do. -
SHAMAN, SAIVA and SUFI Table of Contents
SHAMAN, SAIVA AND SUFI Table of Contents SHAMAN, SAIVA AND SUFI.................................................................................................................................1 R. O. WINSTEDT..........................................................................................................................................2 PREFACE......................................................................................................................................................3 I. INTRODUCTION......................................................................................................................................4 II. GODS, SPIRITS AND GHOSTS.............................................................................................................5 (a) PRIMITIVE GODS...............................................................................................................................................6 (b) SIVA AND THE HINDU GODS..........................................................................................................................8 (c) GOOD AND EVIL SPIRITS OF DEAD MORTALS........................................................................................10 (d) PRIMITIVE SPIRITS, FAIRIES AND GHOSTS..............................................................................................13 (e) ANGELS AND DEVILS OF ISLAM.................................................................................................................15 (f) JINN.....................................................................................................................................................................17 -
Encyclopedia of Vampire Mythology This Page Intentionally Left Blank Encyclopedia of Vampire Mythology
Encyclopedia of Vampire Mythology This page intentionally left blank Encyclopedia of Vampire Mythology THERESA BANE McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Bane, Theresa, ¡969– Encyclopedia of vampire mythology / Theresa Bane. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-4452-6 illustrated case binding : 50# alkaline paper ¡. Vampires—Encyclopedias. I. Title. GR830.V3B34 2010 398.21'003—dc22 2010015576 British Library cataloguing data are available ©2010 Theresa Bane. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover illustration by Joseph Maclise, from his Surgical Anatomy, 1859 Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com To my father, Amedeo C. Falcone, Noli nothi permittere te terere. This page intentionally left blank Table of Contents Preface 1 Introduction 7 THE ENCYCLOPEDIA 13 Bibliography 155 Index 183 vii This page intentionally left blank Preface I am a vampirologist—a mythologist who specializes in cross- cultural vampire studies. There are many people who claim to be experts on vampire lore and legend who will say that they know all about Vlad Tepes and Count Dracula or that they can name several different types of vampiric species. I can do that, too, but that is not how I came to be a known vam- pirologist. Knowing the “who, what and where” is one thing, but knowing and more impor- tantly understanding the “why” is another. -
Kajh23s22016 09.Pdf
KEMANUSIAAN Vol. 23, Supp. 2, (2016), 161–174 From International Horror Films to the Local Filem Seram: Examining the Cinematic Identity and Roles of the Malaysian Pontianak *LEE YUEN BENG SARATA BALAYA School of Communication, Universiti Sains Malaysia, 11800 USM Pulau Pinang, Malaysia *Corresponding author: [email protected] Published online: 30 December 2016 To cite this article: Lee Yuen Beng and Sarata Balaya. 2016. From international horror films to the local filem seram: Examining the cinematic identity and roles of the Malaysian Pontianak. KEMANUSIAAN the Asian Journal of Humanities 23(Supp. 2): 161–174, https://doi.org/ 10.21315/kajh2016.23.s2.9 To link to this article: https://doi.org/10.21315/kajh2016.23.s2.9 Abstract. Malaysian horror films describe the pontianak as a supernatural entity with overflowing hair, vampire-like traits and a beautiful woman capable of seducing, charming and alluring her male victims. Once she has her target trapped, she transforms back into an unsightly pontianak and exacts her vengeance. Her capability of resurrecting from the afterlife and using her sexuality in seeking for death and destruction to those who have wronged her could position her as a villain or antagonist due to the chaos, destruction and murder to those regardless of innocence. Short of being labelled as a vamp or femme fatale, the pontianak continues being stereotyped as oppressive and monstrous for she gains supernatural strength and destablises a film's equilibrium. In short, the pontianak is seen as a threat towards partriachal order and such forms of representations are similarly shared in horror films globally. -
The Haunting of Fatimah Rock: History, Embodiment and Spectral Urbanism in Singapore
THE HAUNTING OF FATIMAH ROCK: HISTORY, EMBODIMENT AND SPECTRAL URBANISM IN SINGAPORE NUR ‘ ADLINA MAULOD NATIONAL UNIVERSITY OF SINGAPORE 2009 THE HAUNTING OF FATIMAH ROCK: HISTORY, EMBODIMENT AND SPECTRAL URBANISM IN SINGAPORE NUR ‘ADLINA MAULOD (B. Soc. Sci. (Hons.), NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF SOCIAL SCIENCES DEPARTMENT OF SOCIOLOGY NATIONAL UNIVERSITY OF SINGAPORE 2009 ACKNOWLEDGEMENTS This work displays the traces of a few people to whom I am considerably indebted- Professor Chua Beng Huat for his persistent “So what?”, “What do you mean?” questions that pushed me to revise and rewrite drafts leading to this present work.; Assoc. Professor Maribeth Erb, for her support with regards to the administrative nightmare of this thesis; My guru, Dr Suriani Suratman, who first taught me what it actually means to be Malay in Singapore and whose lessons I will remember for life. Small is indeed beautiful; Lee Kiat Jin for all the first-tier aspirations and satire. Your encouragement was invaluable during the writing up of this thesis. My friends: Juliana June Rasul, for inviting me to press conferences masquerading as a journalist and allowing me the chance to insert my Pontianak here and there even when the subject was totally unrelated. Siti Nuraidah, for tolerating my early morning narcissisms - from which you might have already compiled an anthology on my life. Nadia Abdullah, because the jokes on me. Shafaa Yang Razali, who taught me friendship through the best drama of 2008. My parents, Maulod and Noryati, for tolerating my curiosity and understanding my need to be free.