Milton Academy Orchestra Repertoire 1980- Alford
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An Introduction to Aram Khachaturian
CHANDOS :: intro CHAN 2023 an introduction to Aram Khachaturian :: 17 CCHANHAN 22023023 BBook.inddook.indd 116-176-17 330/7/060/7/06 113:16:543:16:54 Aram Il’yich Khachaturian (1903–1978) Four movements from ‘Gayaneh’* 12:31 Classical music is inaccessible and diffi cult. 1 I Sabre Dance 2:34 It’s surprising how many people still believe 2 III Dance of the Rose Maidens 2:23 the above statement to be true, so this new series 3 V Lullaby 4:39 from Chandos is not only welcome, it’s also very 4 VIII Lezghinka 2:55 necessary. I was lucky enough to stumble upon the Suite from ‘Masquerade’* 16:27 wonderful world of the classics when I was a 5 I Waltz 3:57 child, and I’ve often contemplated how much 6 II Nocturne 3:31 poorer my life would have been had I not done so. As you have taken the fi rst step by buying this 7 III Mazurka 2:41 CD, I guarantee that you will share the delights 8 IV Romance 3:08 of this epic journey of discovery. Each CD in the 9 V Galop 3:07 series features the orchestral music of a specifi c composer, with a selection of his ‘greatest hits’ Suite No. 2 from ‘Spartacus’* 20:44 CHANDOS played by top quality performers. It will give you 10 1 Adagio of Spartacus and Phrygia 8:52 a good fl avour of the composer’s style, but you 11 2 Entrance of the Merchants – Dance of a Roman won’t fi nd any nasty surprises – all the music is Courtesan – General Dance 5:30 instantly accessible and appealing. -
Saint Gayane Church
Masarykova univerzita Filozofická fakulta Seminář dějin umění Saint Gayane Church Bakalárska diplomová práca Autor: Michaela Baraničová Vedúci práce: prof. Ivan Foletti, MA, Docteur es Lettres Brno 2020 ii Prehlasujem, že som svoju bakalársku diplomovú prácu vypracovala samostatne a uviedla všetkú použitú literatúru a pramene. .............................................................. Podpis autora práce iii iv On the ancient peak of Ararat The centuries have come like seconds, And passed on. The swords of innumerable lightnings Have broken upon its diamond crest, And passed on. The eyes of generations dreading death Have glanced at its luminuos summit, And passed on. The turn is now yours for a brief while: You, too, look at its lofty brow, And pass on! Avetik Isahakyan, “Mount Ararat”, in Selected Works: Poetry and Prose, ed. M. Kudian, Moscow 1976. v vi My first sincere thanks belong to my thesis’ supervisor, prof. Ivan Foletti, for his observations, talks and patience during this time. Especially, I would like to thank him for introducing me to the art of Caucasus and giving me the opportunity to travel to Armenia for studies, where I spent five exciting months. I would like to thank teachers from Yerevan State Academy of Arts, namely to Gayane Poghosyan and Ani Yenokyan, who were always very kind and helped me with better access of certain Armenian literature. My gratitude also belongs to my friends Susan and colleagues, notably to Veronika, who was with me in Armenia and made the whole experience more entertaining. To Khajag, who helped me with translation of Armenian texts and motivating me during the whole process. It´s hard to express thanks to my amazing parents, who are constantly supporting me in every step of my studies and life, but let me just say: Thank you! vii viii Content Introduction.........................................................................1 I. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
The Snow Queen
P a g e | 1 P a g e | 2 The Snow Queen CAST Greta, Principal Girl Kai, Greta’s brother Batty Bridget, Dame and landlady The Snow Queen, Elin Easter Bunny, Tyson Jingle & Jangle, comedy duo Glitter Dewberry, the Tooth Fairy Sandman Jack Frost, Principal Boy, the Snow Queen’s henchman Bobgoblin The Three Wise Witches, See No, Hear No, and Speak No Chorus & Yeti Scene – the Snow Queen’s palace, the Witches’ cave Time – long ago MUSICAL NUMBERS Song 1 Wake Up Smiling (Go! Go! Go!) – Greta, Kai and Chorus Song 2 Move Along (The All-American Rejects) – Greta, Bridget and Chorus Song 3 Cold As Ice (Foreigner) – Jack, Bobgoblin and Chorus Song 4 Mr Sandman (The Chordettes) – Sandman and Chorus Song 5 I Want To Know What Love Is (Foreigner) – Jack Song 6 Everything Is Awesome (Lego Movie) – Tyson, Greta, Glitter, Bridget, Sandman, Jingle, Jangle and Chorus Song 7 It May Be Winter Outside (Love Unlimited) – Tyson, Greta, Glitter, Bridget, Sandman, Jingle, Jangle and Chorus Song 8 I’ll Stand By You (The Pretenders) – Greta Song 9 I Put A Spell On You (Screamin Jay Hawkins/Hocus Pocus Movie) – Three Wise Witches Song 10 I See The Light (Tangled Movie) – Greta and Jack Song 11 Finest Hour (Sara Niemietz and Blake Ewing)– All except Snow Queen Song 12 Let It Go (Frozen movie) (just a section of it) – Snow Queen Song 13 The Sun Has Got Its Hat On – Audience participation Song 14 Walkdown – Wake Up Smiling Song 15 Let It Go – All P a g e | 3 ACT 1 Scene 1 Front of tabs The Voiceover is quite long, so could be either accompanied by a projection or acted out Voiceover Once upon a time in a land far, far north, there lived a young girl named Elin. -
The Snow Queen Educational Material LEGAL NOTICE the Snow Queen Educational Material
The Snow Queen Educational Material LEGAL NOTICE The Snow Queen Educational Material Redaction Deutsche Oper am Rhein Theatergemeinschaft Düsseldorf-Duisburg gGmbH Anja Fürstenberg, Anna-Mareike Vohn, Krysztina Winkel, Eleanor Siden, Junge Oper am Rhein Heinrich-Heine-Allee 16a 40213 Düsseldorf Tel. +49 (0)211.89 25-152 Fax +49 (0)211.89 25-289 [email protected] Adaptation in English by Elisabeth Lasky for OperaVision www.operavision.eu [email protected] Bibliography Hans Christian Andersen • Mönninghoff, Wolfgang : Das große Hans Christian Andersen Buch;, Düsseldorf und Zürich 2005 • Sahr Michael: Andersen lesen. Andersen Märchen für Schüler von heute; Hohengehren 1999 • http://hans-christian-andersen.de/ Marius Felix Lange • http://www.mariuslange.de/ • http://www.sikorski.de/4459/de/lange_marius_felix.html Sheet music and quotes from the book: Original score by Marius Felix Lange Pictures Hans Christian Andersen • http://hans-christian-andersen.de/ • https://de.wikipedia.org/wiki/Hans_Christian_Andersen Production Pictures © Hans Jörg Michel © Deutsche Oper am Rhein 2018 – all rights reserved. 2 The Snow Queen Educational Material Contents Introduction – roles – the story ................................................................................................ 4 1. Context – the author, the composer and the fairy tale ............................................... 7 2. Improvisation - the characters of the opera ................................................................. 11 3. Character study- the trolls and the -
Juilliard AXIOM Program 02-02
AXIOM ii Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu iii The Juilliard School presents AXIOM Jeffrey Milarsky, Conductor Friday, February 2, 2018, 7:30 Peter Jay Sharp Theater HANS Schnee, Ten Canons for Nine Instruments (2006–08) ABRAHAMSEN Canon 1a (b. 1952) Ruhig aber beweglich Canon 1b Fast immer zart und still Canon 2 Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholisch Intermezzo 1 Canon 2b Lustig spielend, aber nicht zu lustig, immer ein bisschen melancholisch Canon 3a Ser langsam, schleppend und mit Trübsinn (im Tempo des “Tai Chi”) Canon 3b Ser langsam, schleppend und mit Trübsinn (im Tempo des “Tai Chi”) Intermezzo 2 (Program continues) Support for this performance is provided, in part, by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. -
SCMS Repertoire List Through 2021 Winter Festival
SEATTLE CHAMBER MUSIC SOCIETY REPERTOIRE LIST, 1982–2021 “FORTY YEARS OF BEAUTIFUL MUSIC” James Ehnes, Artistic Director Toby Saks (1942-2013), Founder Adams, John China Gates for Piano (2013) Arensky, Anton Hallelujah Junction for Two Pianos (2012, 2017W) Piano Quintet in D major, Op. 51 (1997, 2003, 2011W) Road Movies for Violin and Piano (2013) Piano Trio in D minor, Op. 32 (1984, 1990, 1992, 1994, 2001, 2007, 2010O, 2016W) Aho, Kalevi Piano Trio in F minor, Op. 73 (2001W, 2009) ER-OS (2018) Quartet for Violin, Viola and Two Celli in A minor, Op. 35 (1989, 1995, 2008, 2011) Albéniz, Isaac Six Piéces for Piano, Op. 53 (2013) Iberia (3 selections from) (2003) Iberia “Evocation” (2015) Arlen, Harold Wizard of Oz Fantasy (arr. William Hirtz) (2002) Alexandrov, Kristian Prayer for Trumpet and Piano (2013) Arnold, Malcolm Sonatina for Oboe and Piano, Op. 28 (2004) Applebaum "Landscape of Dreams" (1990) Babajanian, Arno Piano Trio in F sharp minor (2015) Andres, Bernard Narthex for Flute and Harp (2000W) Bach, Johann Sebastian “Aus liebe will mein Heiland sterben” from St. Matthew Passion BWV 244 Anderson, David (for flute, arr. Bennett) (2019) Capriccio No. 2 for Solo Double Bass (2006) Brandenburg Concerto No 3 in G major, BWV 1048 (2011) Four Short Pieces for Double Bass (2006) Brandenburg Concertos (Complete) BWV 1046-1051 (2013W) Capriccio “On the Departure of a Beloved Brother” in B flat major, BWV 992 Anderson, Jordan (2006) Drafts for Double Bass and Piano (2006) Chaconne, from Partita for Violin in D minor, BWV 1004 (1994, 2001, 2002) Choral Preludes for Organ (Piano) (Selections) (1998) Anonymous (arr. -
Stories from Hans Christian Andersen with Illustrations by Edmund Dulac Is a Publication of the Electronic Classics Series
Stories from Hans Christian Andersen with illustrations by Edmund Dulac An ELECTRONIC CLASSICS SERIES PUBLICATION Stories from Hans Christian Andersen with Illustrations by Edmund Dulac is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State Uni- versity nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsi- bility for the material contained within the document or for the file as an electronic transmission, in any way. Stories from Hans Christian Andersen with Illustrations by Edmund Dulac, The Electronic Classics Series, Jim Manis, Editor, PSU-Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publica- tion project to bring classical works of literature, in En- glish, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; all images are by Edmund Dulac and are free of copyright restrictions within the United States Copyright © 2007 - 2013 The Pennsylvania State University is an equal opportunity university. Hans Christian Andersen Contents THE SNOW QUEEN ............................ 5 THE NIGHTINGALE ......................... 44 THE REAL PRINCESS ........................ 56 THE GARDEN OF PARADISE.......... -
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works
RUSSIAN & UKRAINIAN Russian & Ukrainian Symphonies and Orchestral Works Occupying a vast land mass that has long been a melting pot of home-spun traditions and external influences, Russia’s history is deeply encrypted in the orchestral music to be found in this catalogue. Journeying from the Russian Empire through the Soviet era to the contemporary scene, the music of the Russian masters covers a huge canvas of richly coloured and immediately accessible works. Influences of folklore, orthodox liturgy, political brutality and human passion are all to be found in the listings. These range from 19th-century masterpieces penned by ‘The Mighty Five’ (Balakirev, Rimsky-Korsakov, Mussorgsky, Borodin, and Cui) to the edgy works of Prokofiev and Shostakovich that rubbed against the watchful eye of the Soviet authorities, culminating in the symphonic output of one of today’s most noted Russian composers, Alla Pavlova. Tchaikovsky wrote his orchestral works in a largely cosmopolitan style, leaving it to the band of brothers in The Mighty Five to fully shake off the Germanic influence that had long dominated their homeland’s musical scene. As part of this process, they imparted a thoroughly ethnic identity to their compositions. The titles of the works alone are enough to get the imaginative juices running, witness Borodin’s In the Steppes of Central Asia, Rimsky-Korsakov’s The Legend of the Invisible City of Kitezh, and Mussorgsky’s St John’s Night on the Bare Mountain. Supplementing the purely symphonic works, instrumental music from operas and ballets is also to be found in, for example, Prokofiev’sThe Love for Three Oranges Suite, Shostakovich’s four Ballet Suites, and Stravinsky’s Firebird Suite. -
Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy
Holliday, Christopher, and Chris Pallant. "Introduction: Into the burning coals." Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy. Ed. Chris Pallant and Christopher Holliday. New York: Bloomsbury Academic, 2021. 1–22. Bloomsbury Collections. Web. 30 Sep. 2021. <http://dx.doi.org/10.5040/9781501351198-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 30 September 2021, 04:44 UTC. Copyright © Chris Pallant and Christopher Holliday 2021. You may share this work for non- commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 1 Introduction: Into the burning coals Christopher Holliday and Chris Pallant The wicked woman uttered a curse, and she became so frightened, so frightened, that she did not know what to do. At fi rst she did not want to go to the wedding, but she found no peace. She had to go and see the young queen. When she arrived she recognized Snow-White, and terrorized, she could only stand there without moving. Then they put a pair of iron shoes into burning coals. They were brought forth with tongs and placed before her. She was forced to step into the red-hot shoes and dance until she fell down dead. 1 To undertake a scholarly project on the Wonderful World of Disney, in particular one focused on the historical, cultural and artistic signifi cance of its celebrated cel-animated feature fi lm Snow White and the Seven Dwarfs (David Hand, 1937), is an endeavour that often feels like jumping headlong ‘into burning coals’. -
Boston Symphony Orchestra Concert Programs, Summer, 2007
Tanglewood . .. m i BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR summer 2007 INSURANCE INVESTMENTS RETIREMENT < ' *tl\e art 4. If* fimply pari &L wh we ore. A: John Hancock we celebrate the talented perforrm s and artists who bring the arts to life. And proudly continue our legacy of supf: rt for the performing arts n 3 c cu tural institutions that enrich our community. the future is yours RESORT SPA GOLF CLUB QRANWEl^ HISTORIC HOTELS NATIONAL TRUST S PERFORMING LIVE AT CRANWELL THIS SUMMER OPEN TO THE PUBLIC YEAR-ROUND. RT. 20 LENOX MA 800.272.693 WWW.CRANWELL.COM/TWD Dale Chihuly / V - HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE Elm Street, Stockbridge MA www. holstengalleries.co.r 413.298.3044 lAacchia with Red and Yellow Lip Wrap Photo: Teresa Rishel it James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 126th Season, 2006-2007 g^~^ Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman John F Cogan, Jr., Vice-Chairman Robert P. O'Block, Vice-Chairman Diddy Cullinane, Vice-Chairman Roger T. Servison, Vice-Chairman Edmund Kelly, Vice-Chairman Vincent M. O'Reilly, Treasurer I. George D. Behrakis Cynthia Curme Robert J. Mayer, M.D. Arthur Segel Gabriella Beranek William R. Elfers Nathan R. Miller Thomas G. Sternberg Borden P. Wilmer Thomas, Mark G. Nancy J. Fitzpatrick Richard Morse J. Jr. Alan Bressler Charles K. Gifford Ann M. Philbin, Stephen R. Weber Jan Brett Thelma E. Goldberg ex-officio Stephen R. Weiner Samuel B. Bruskin Stephen Kay Carol Reich Robert C. Winters Paul Buttenwieser George Krupp Edward I. -
Kenneth Woods- Repertoire
Kenneth Woods- Conductor Orchestral Repertoire Operatic repertoire follows below Adam, Adolpe: Giselle (complete ballet staged) Adams, John Violin Concerto Arnold, Malcolm: Serenade for Guitar and Strings Concerto for Guitar Scottish Dances Applebaum, Edward: Symphony No. 4 Bach, J.S.: St. John Passion St. Matthew Passion Christmas Oratorio Magnificat Cantata Wachet auf, ruft uns die Stimme BWV 140 Brandenberg Concerti, No.’s 1, 3, 4 and 5 Violin Concerti in A minor and E major Concerto for Two Violins Concerto for Violin and Oboe Orchestral Suite No. 2 in B minor Bacewicz, Grażyna Concerto for String Orchestra Barber, Samuel: Prayer of Kirkegarde Overture to “The School for Scandal” Adagio for Strings Violin Concerto Cello Concerto First Essay Medea’s Meditation and Dance of Vengeance Bartók, Bela: Divertimento for Strings Concerto for Orchestra Two Portraits Violin Concerto No. 2 Piano Concerti No.’s 2 and 3 Viola Concerto Miraculous Mandarin (Complete and Suite) Beethoven, Ludwig van: Symphonies No.’s 1-9 Mass in C Major Overtures: Coriolan, Leonore 1, 2 and 3, Fidelio, Egmont, Creatures of Prometheus, King Stephen Incidental Music to “Egmont” Piano Concerti No.’s 1-5 Kenneth Woods- conductor www.kennethwoods.net Violin Concerto Triple Concerto String Quartet in F minor op. 95, “Serioso,” arr. Gustav Mahler Leonore Overture No. 3 arr. Gustav Mahler Berg, Alban: Three Orchestra Pieces Kammerkonzert Violin Concerto Berio, Luciano: Folk Songs Serenata I for Flute and 14 Intruments Berlioz, Hector: Harold in Italy Symphonie Fantastique Damnation of Faust Overtures: Benvenuto Cellini, Roman Carnival, Corsaire, Beatrice and Benedict Te Deum Bernstein, Leonard: Overture to Candide Symphonic Dances from West Side Story Symphony No.