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The Metropolitan Museum of Art Fifth Avenue & 82 Street New York 28 The Metropolitan Museum of Art Fifth Avenue & 82 Street New York 28, New York THE WALTER C. BAKER COLLECTION OP DRAWINGS A Special Loan Exhibition June 2 through September 4, i960 1. FIFTEENTH AND SIXTEENTH CENTURIES ITALIAN FLORENTINE, First Half of the Fifteenth Century. Page from a Picture Chronicle with King Minos, The Sacrifice of the Daughter of Jephtha, Agamemnon, Menelaus, Priam, Helen of Troy, Paris, Jason with the Ram, and Hector. pen and brown ink, water color, heightened with white and touches of gold, on vellum, 12 l/l6 x 7 13/l6 in. BACCIO DELIA PORTA, called FRA BARTOLOMMEO, Florentine, 1472-1517. The Adoration of the Magi. Pen and brown ink, 11 x 9 1/2 in. BACCIO DELIA PORTA, called FRA BARTOLOMMEO, Florentine, 1472-1517. Wooded Approach to a Town. Pen and brown ink, 8 3/4 x 11 9/16 in. FLORENTINE, First Quarter of the Fifteenth Century. Illustration from a Manuscript. Pen and brush with brown ink on vellum, 7 lA x 5 1/2 in. FLORENTINE, Fifteenth Century. Saint Stephen. pen and brown ink and black chalk on buff paper, 8 3/4 x 6 l/2 in. FRANCESCO DI SIMONE, Florentine, 1437-1493. Page from a sketch book with studies of a kneeling Madonna for an Adoration, St. Peter, Fides, a Madonna and Child, and a putto. Verso: Various studies for a Madonna and Child, Saint Sebastian and another standing figure. Pen and ink over silvertjoint on pink prepared paper, 10 3A x 7 5/8 in. 2. PIETRO VANUCCI, called PERUGINO, Umbrian, ca. 1450-1523. A youth in monk's habit kneeling In prayer, turned to the right. Head of same or similar youth with cap, turned to the left, in upper left corner. Silver point on white prepared paper, 8 5/8 x 4 1/2 in. TIZIANO VECELLI, Venetian, 1477?-1576. Study of an Old Man with Raised Hand. Black chalk on gray-blue caper, heightened with white, 9 3/4 x 8 1/8 in. GAUDENZIO FERRARI, Piedmontese, 1484-1546. Madonna and Child. Brush and bistre, wash, some black chalk, heightened with white and pink, on gray paper, squared with red chalk, 11 3A x 4 in. DOMENICO CAMPAGNOLA, Venetian, 1500-1552. Landscape. In the foreground an old woman with a spindle watching over three grazing goats. pen and bistre on tan paper, 10 x 14 5/8 in. GIOVANNI BATTISTA FRANCO, Venetian, ca. 1510-1561. The Unrepentant Thief, study for a Crucifixion. On the lower left, study for a child's head. Old inscription: Bat. Franco. Pen and ink, 13 x 8 3/8 in. GIOVANNI BATTISTA FRANCO, Venetian, ca. 1510-1561. The Penitent Thief. Study for a Crucifixion, pen and ink. 15 l/2 x 10 1/8 in. JACOPO ROBUSTI, called TINTORETTO, Venetian, 1518-1594. Study of a Head. Black chalk on blue paper, heightened with white, 6 x 4 in., upper corners cut. 3. JACOPO PALMA, THE YOUNGER, Venetian, 1544-1628. Sheet of Figure studies with Sybil or Allegorical Figure. Verso: Studies for Cain Slaying Abel (?). pen and bistre, 10 x 7 1/4 in. BATTISTA NALDINI, Florentine, 1537-1591. The Entombment. Pen and ink, brush and brown wash, over traces of black chalk, heightened with white, on prepared tan paper, 12 l/4 x 9 l/8 in. FLORENTINE, Sixteenth Century. Saint Anne Teaching the Virgin Mary, Pen and bistre, wash, on cream paper, 8 lA x 7 7/8 in. FLORENTINE, Sixteenth Century. The Baptism of Christ. Pen and brush with ink, 9 l/2 x 6 13/16 in. 4. FRENCH FRANCOIS CLOUET, French, before 1520-1572. Portrait of La Val de Pramence. Black and red chalk, 12 3A x 8 1/2 in. FRENCH OR FLEMISH, Sixteenth Century. Interior with a Man Writing on a Long Table. Pen and ink, gray wash, 7 1/2 x 5 7/8 in. SWISS NIKLAUS MANUEL DEUTSCH, Swiss, ca., 1484-1530. A Swiss Foot Soldier. Pen and black ink, 11 lA x 7 1/8 in. Inscribed falsely and dated: AG 1522 SWISS, Sixteenth Century. A Horse, seen from the back. Pen and bistre, wash, heightened with white, on black background, 5 5/8x3 1/2 in. DUTCH AND FLEMISH JAN COCK, Flemish, recorded 1506 (1503?) - died shortly before 1527. The Temptation of St. Anthony. Pen and bistre, heightened with white, on prepared green paper, 6 x 8 in. Inscribed: Gironimo bosch MATHYS CCCK, Flemish, active 1535 - before 1548. Landscape with a Town by the seashore in the Distance. Pen and bistre on light tan paper, 5 7/8 x 8 in. HANS BOL, Dutch, 1534-1593. The Return of the prodigal son. Pen and Ink, wash, 5 1/2x7 3A in. Signed and dated: 1570 HBol 6. SEVENTEENTH CENTURY ITALIAN ANNIBALE CARRACCI, Bolognese, 1560-1609. The Giant Cacus. About 1593-94. Black chalk, heightened with white, on blue-gray paper, 14 3A x 19 l/8 in. ANNIBALE CARRACCI, Bolognese, 1560-1609, attributed to. The Seated Virgin Feeding the Child. UDT>er right: Two Studies of the Child Drinking. Pen and bistre, wash, over traces of red chalk, on beige paper, 9 1/2x7 3/4 in. BOLOGNESE, early seventeenth Century. The Crucifixion. Pen and bistre, wash, over traces of red chalk, heightened with white, on blue-gray paper, 14 3A x 9 3/4 in. GIOVANNI FRANCESCO BARBIERI, called GUERCINO, Bolognese, 1591-1666, attributed to. Two Male Nudes. Pen and ink, wash, 13 x 14 l/2 in. GIOVANNI BENEDETTO CASTIGLIONE, Genoese, ca. 1600-1665. Watering Cattle. Brush and red-brown paint, on cream paper, 15 7/8 x 22 3/8 in. STEFANO DELLA BELLA, Florentine, 1610-1664. Scenes from the Life of Christ and the Parable of the Prodigal Son. Also some groups of figures vihich seem unrelated. Pen and ink, 7 l/2 x 11 in. GIUSEPPE CESARI D'ARPINO, Roman, 1568-1640. Head of a Warrior. Red chalk, 11 x 7 1/2 in. 7. PIETRO DA CORTONA, Roman, 1596-1669. Nude Youth Seated. Black chalk, 11 1/2 x 10 lA in. FRENCH JACQUES CALLOT, French, 1592-1635. Landscape with Houses and a Rider on a Donkey. Pen and ink, 5x7 1/4 in. LAGNEAU (sometimes called NICOLAS LAGNEAU), French, active First Half of the seventeenth Century. Portrait of an Old Man with a Skull Cap. Black chalk and colored wash, 11 5/8 x 8 3A in. NICOLAS POUSSIN, French, 1594-1665. Landscape with Trees and a Tower, pen and bistre, wash, 7 5/8 x 10 l/2 in. JEAN LEMAIRE, French, 1597-1659, attributed to. Landscape with Architecture on a Lake. Pen and bistre, wash, 9 1/2 x 12 3/4 in. 8. DUTCH AND FLEMISH PETER PAUL RUBENS, Flemish, 1577-1640. Hermaphrodite. Red chalk, 9 x 14 5/8 in. PETER PAUL RUBENS, Flemish, 1577-1640. Study of a Young Man and Head of a Satyr. Black chalk, 10 x 15 3A in. JAKOB JORDAENS, Flemish, 1593-1678. Head of a Young Peasant Woman. Black and red chalk, heightened with white, on cream paper, 11 1/8 x 8 1/2 in. LUCAS VAN UDEN, Flemish, 1595-1672. Landscape with Trees. Black chalk, heightened with white, on blue paper, 8 x 16 in. JAN VAN GOYEN, Dutch, 1596-1666. River Scene with Cows. Black chalk and wash, 4 3/8 x 7 1/2 in. Signed with monogram and dated: VG 1653 JAN VAN GOYEN, Dutch, 1596-1666. Landscape with River and Three Figures In the Foreground. Pen and ink, 4 1/8 x 6 3A in. ANTHONY VAN DYCK, Flemish, 1599-1641. The Crucifixion. Verso: saint Jerome Reading by Candlelight, and Sketch of Male Torso. Black chalk, heightened with white, on blue paper, 16 l/2 x 9 3A in. Inscribed: AD 9. ANTHONY VAN DYCK, Flemish, 1599-1641. A Group of Trees. Pen and ink, wash, 6 7/8 x 7 1/2 in. SALOMON VAN RUYSDAEL, Dutch, 1600-1670. Landscape with Figures. Pen and ink, wash, 4 l/2 x 9 in. REMBRANDT HARMENSZ. VAN RYN, Dutch, 1606-1669. The Entombment. Copy after an Engraving by Mantegna. Pen and bistre, wash, over preparatory lines in red chalk, heightened with white, on Japanese paper, with the arched part on top added to the main sheet, il x 15 in. DUTCH, Seventeenth Century. Landscape with Farm House and a Steeple in the Distance. Pen and bistre, wash, 6 l/8 x 8 in. CONSTANTYN HUYGENS, Dutch, 1628-1697. Landscape with Houses in the Distance. Pen and bistre, wash, 4 x 7 in. Dated: Lainsan 10. Oct. 1675 JAN DE BISSCHOP, called JOHANNES EPISCOPIUS, Dutch, 1628-1671. The Village of Wasschout. Pen and ink, wash (with "Bisschop's ink"), 3 3A x 6 1/8 in. 10. EIGHTEENTH CENTURY ITALIAN GIOVANNI BATTISTA PIAZZETTA, Venetian, 1683-1754. Feeding the Dog. (A boy holding a brioche is feeding a dog while a girl is watching. Another boy on the left, with a plumed cap, is looking at the spectator.) Black and white chalk, on grayish-brown paper, 15 x 20 in. GIOVANNI BATTISTA PIAZZETTA, Venetian, 1683-1754. Selling the Capon. (A young girl is showing a capon to a young woman on the right while a boy on the left offers an egg.) Black and white chalk, on grayish-brown paper, 15 x 20 In. GIOVANNI BATTISTA TIEPOLO, Venetian, 1696-1770. Head of a Man with a High Collar. Pen and bistre, wash, 10 5/8 x 8 in. GIOVANNI BATTISTA TIEPOLO, Venetian, 1696-1770. A Bearded Oriental in a Long Coat. Pen and bistre, wash, 8 7/8 x 5 7/8 in.
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