The Metropolitan Museum of Art Fifth Avenue & 82 Street New York 28, New York
THE WALTER C. BAKER COLLECTION OP DRAWINGS
A Special Loan Exhibition June 2 through September 4, i960 1. FIFTEENTH AND SIXTEENTH CENTURIES
ITALIAN FLORENTINE, First Half of the Fifteenth Century. Page from a Picture Chronicle with King Minos, The Sacrifice of the Daughter of Jephtha, Agamemnon, Menelaus, Priam, Helen of Troy, Paris, Jason with the Ram, and Hector. pen and brown ink, water color, heightened with white and touches of gold, on vellum, 12 l/l6 x 7 13/l6 in.
BACCIO DELIA PORTA, called FRA BARTOLOMMEO, Florentine, 1472-1517. The Adoration of the Magi. Pen and brown ink, 11 x 9 1/2 in.
BACCIO DELIA PORTA, called FRA BARTOLOMMEO, Florentine, 1472-1517. Wooded Approach to a Town. Pen and brown ink, 8 3/4 x 11 9/16 in.
FLORENTINE, First Quarter of the Fifteenth Century. Illustration from a Manuscript. Pen and brush with brown ink on vellum, 7 lA x 5 1/2 in.
FLORENTINE, Fifteenth Century. Saint Stephen. pen and brown ink and black chalk on buff paper, 8 3/4 x 6 l/2 in. FRANCESCO DI SIMONE, Florentine, 1437-1493. Page from a sketch book with studies of a kneeling Madonna for an Adoration, St. Peter, Fides, a Madonna and Child, and a putto. Verso: Various studies for a Madonna and Child, Saint Sebastian and another standing figure. Pen and ink over silvertjoint on pink prepared paper, 10 3A x 7 5/8 in. 2. PIETRO VANUCCI, called PERUGINO, Umbrian, ca. 1450-1523. A youth in monk's habit kneeling In prayer, turned to the right. Head of same or similar youth with cap, turned to the left, in upper left corner. Silver point on white prepared paper, 8 5/8 x 4 1/2 in.
TIZIANO VECELLI, Venetian, 1477?-1576. Study of an Old Man with Raised Hand. Black chalk on gray-blue caper, heightened with white, 9 3/4 x 8 1/8 in.
GAUDENZIO FERRARI, Piedmontese, 1484-1546. Madonna and Child. Brush and bistre, wash, some black chalk, heightened with white and pink, on gray paper, squared with red chalk, 11 3A x 4 in.
DOMENICO CAMPAGNOLA, Venetian, 1500-1552. Landscape. In the foreground an old woman with a spindle watching over three grazing goats. pen and bistre on tan paper, 10 x 14 5/8 in.
GIOVANNI BATTISTA FRANCO, Venetian, ca. 1510-1561. The Unrepentant Thief, study for a Crucifixion. On the lower left, study for a child's head. Old inscription: Bat. Franco. Pen and ink, 13 x 8 3/8 in.
GIOVANNI BATTISTA FRANCO, Venetian, ca. 1510-1561. The Penitent Thief. Study for a Crucifixion, pen and ink. 15 l/2 x 10 1/8 in.
JACOPO ROBUSTI, called TINTORETTO, Venetian, 1518-1594. Study of a Head. Black chalk on blue paper, heightened with white, 6 x 4 in., upper corners cut. 3. JACOPO PALMA, THE YOUNGER, Venetian, 1544-1628. Sheet of Figure studies with Sybil or Allegorical Figure. Verso: Studies for Cain Slaying Abel (?). pen and bistre, 10 x 7 1/4 in.
BATTISTA NALDINI, Florentine, 1537-1591. The Entombment. Pen and ink, brush and brown wash, over traces of black chalk, heightened with white, on prepared tan paper, 12 l/4 x 9 l/8 in.
FLORENTINE, Sixteenth Century. Saint Anne Teaching the Virgin Mary, Pen and bistre, wash, on cream paper, 8 lA x 7 7/8 in.
FLORENTINE, Sixteenth Century. The Baptism of Christ. Pen and brush with ink, 9 l/2 x 6 13/16 in. 4. FRENCH FRANCOIS CLOUET, French, before 1520-1572. Portrait of La Val de Pramence. Black and red chalk, 12 3A x 8 1/2 in.
FRENCH OR FLEMISH, Sixteenth Century. Interior with a Man Writing on a Long Table. Pen and ink, gray wash, 7 1/2 x 5 7/8 in.
SWISS NIKLAUS MANUEL DEUTSCH, Swiss, ca., 1484-1530. A Swiss Foot Soldier. Pen and black ink, 11 lA x 7 1/8 in. Inscribed falsely and dated: AG 1522
SWISS, Sixteenth Century. A Horse, seen from the back. Pen and bistre, wash, heightened with white, on black background, 5 5/8x3 1/2 in.
DUTCH AND FLEMISH JAN COCK, Flemish, recorded 1506 (1503?) - died shortly before 1527. The Temptation of St. Anthony. Pen and bistre, heightened with white, on prepared green paper, 6 x 8 in. Inscribed: Gironimo bosch
MATHYS CCCK, Flemish, active 1535 - before 1548. Landscape with a Town by the seashore in the Distance. Pen and bistre on light tan paper, 5 7/8 x 8 in. HANS BOL, Dutch, 1534-1593. The Return of the prodigal son. Pen and Ink, wash, 5 1/2x7 3A in. Signed and dated: 1570 HBol 6. SEVENTEENTH CENTURY ITALIAN ANNIBALE CARRACCI, Bolognese, 1560-1609. The Giant Cacus. About 1593-94. Black chalk, heightened with white, on blue-gray paper, 14 3A x 19 l/8 in.
ANNIBALE CARRACCI, Bolognese, 1560-1609, attributed to. The Seated Virgin Feeding the Child. UDT>er right: Two Studies of the Child Drinking. Pen and bistre, wash, over traces of red chalk, on beige paper, 9 1/2x7 3/4 in.
BOLOGNESE, early seventeenth Century. The Crucifixion. Pen and bistre, wash, over traces of red chalk, heightened with white, on blue-gray paper, 14 3A x 9 3/4 in.
GIOVANNI FRANCESCO BARBIERI, called GUERCINO, Bolognese, 1591-1666, attributed to. Two Male Nudes. Pen and ink, wash, 13 x 14 l/2 in.
GIOVANNI BENEDETTO CASTIGLIONE, Genoese, ca. 1600-1665. Watering Cattle. Brush and red-brown paint, on cream paper, 15 7/8 x 22 3/8 in.
STEFANO DELLA BELLA, Florentine, 1610-1664. Scenes from the Life of Christ and the Parable of the Prodigal Son. Also some groups of figures vihich seem unrelated. Pen and ink, 7 l/2 x 11 in.
GIUSEPPE CESARI D'ARPINO, Roman, 1568-1640. Head of a Warrior. Red chalk, 11 x 7 1/2 in. 7.
PIETRO DA CORTONA, Roman, 1596-1669. Nude Youth Seated. Black chalk, 11 1/2 x 10 lA in.
FRENCH JACQUES CALLOT, French, 1592-1635. Landscape with Houses and a Rider on a Donkey. Pen and ink, 5x7 1/4 in.
LAGNEAU (sometimes called NICOLAS LAGNEAU), French, active First Half of the seventeenth Century. Portrait of an Old Man with a Skull Cap. Black chalk and colored wash, 11 5/8 x 8 3A in.
NICOLAS POUSSIN, French, 1594-1665. Landscape with Trees and a Tower, pen and bistre, wash, 7 5/8 x 10 l/2 in.
JEAN LEMAIRE, French, 1597-1659, attributed to. Landscape with Architecture on a Lake. Pen and bistre, wash, 9 1/2 x 12 3/4 in. 8. DUTCH AND FLEMISH PETER PAUL RUBENS, Flemish, 1577-1640. Hermaphrodite. Red chalk, 9 x 14 5/8 in.
PETER PAUL RUBENS, Flemish, 1577-1640. Study of a Young Man and Head of a Satyr. Black chalk, 10 x 15 3A in.
JAKOB JORDAENS, Flemish, 1593-1678. Head of a Young Peasant Woman. Black and red chalk, heightened with white, on cream paper, 11 1/8 x 8 1/2 in.
LUCAS VAN UDEN, Flemish, 1595-1672. Landscape with Trees. Black chalk, heightened with white, on blue paper, 8 x 16 in.
JAN VAN GOYEN, Dutch, 1596-1666. River Scene with Cows. Black chalk and wash, 4 3/8 x 7 1/2 in. Signed with monogram and dated: VG 1653
JAN VAN GOYEN, Dutch, 1596-1666. Landscape with River and Three Figures In the Foreground. Pen and ink, 4 1/8 x 6 3A in.
ANTHONY VAN DYCK, Flemish, 1599-1641. The Crucifixion. Verso: saint Jerome Reading by Candlelight, and Sketch of Male Torso. Black chalk, heightened with white, on blue paper, 16 l/2 x 9 3A in. Inscribed: AD 9. ANTHONY VAN DYCK, Flemish, 1599-1641. A Group of Trees. Pen and ink, wash, 6 7/8 x 7 1/2 in.
SALOMON VAN RUYSDAEL, Dutch, 1600-1670. Landscape with Figures. Pen and ink, wash, 4 l/2 x 9 in.
REMBRANDT HARMENSZ. VAN RYN, Dutch, 1606-1669. The Entombment. Copy after an Engraving by Mantegna. Pen and bistre, wash, over preparatory lines in red chalk, heightened with white, on Japanese paper, with the arched part on top added to the main sheet, il x 15 in.
DUTCH, Seventeenth Century. Landscape with Farm House and a Steeple in the Distance. Pen and bistre, wash, 6 l/8 x 8 in.
CONSTANTYN HUYGENS, Dutch, 1628-1697. Landscape with Houses in the Distance. Pen and bistre, wash, 4 x 7 in. Dated: Lainsan 10. Oct. 1675
JAN DE BISSCHOP, called JOHANNES EPISCOPIUS, Dutch, 1628-1671. The Village of Wasschout. Pen and ink, wash (with "Bisschop's ink"), 3 3A x 6 1/8 in. 10. EIGHTEENTH CENTURY ITALIAN GIOVANNI BATTISTA PIAZZETTA, Venetian, 1683-1754. Feeding the Dog. (A boy holding a brioche is feeding a dog while a girl is watching. Another boy on the left, with a plumed cap, is looking at the spectator.) Black and white chalk, on grayish-brown paper, 15 x 20 in.
GIOVANNI BATTISTA PIAZZETTA, Venetian, 1683-1754. Selling the Capon. (A young girl is showing a capon to a young woman on the right while a boy on the left offers an egg.) Black and white chalk, on grayish-brown paper, 15 x 20 In.
GIOVANNI BATTISTA TIEPOLO, Venetian, 1696-1770. Head of a Man with a High Collar. Pen and bistre, wash, 10 5/8 x 8 in.
GIOVANNI BATTISTA TIEPOLO, Venetian, 1696-1770. A Bearded Oriental in a Long Coat. Pen and bistre, wash, 8 7/8 x 5 7/8 in.
ANTONIO BIBIENA, Bolognese, 1700-1774. Design for the Decoration of a Palace salon. Pen and bistre, wash, 8 x 12 in. Inscribed: Bibiena
BARTOLOMMEO NAZARI, Venetian, 1699-1758. Portrait of a Man. Black chalk, heightened with white, on gray paper, 11 3/4 x 8 7/8 in. FRANCESCO GUARDI, Venetian, 1712-1793. Lagoon Capriceio with Towers. Pen and bistre, wash, over traces of black chalk, 10 x 18 3/4 in. 11. FRANCESCO GUARDI, Venetian, 1712-1793. Piazza San Marco, toward San Giacomo, decorated for the Festa della sensa, 1776. Pen and bistre, wash, 10 x 20 in.
GIOVANNI BATTISTA PIRANESI, Venetian, 1720-1778. Two Men with Sticks. Reed pen and Ink, 6 1/2 x 8 1/4 in* Inscribed: (undeciphered)
BERNARDO BELLOTTO, Venetian, 1720-1780. View of Padua with San Francesco and the salone in the Distance, pen and ink, 7 l/2 x 10 5/8 in.
GIACOMO GUARDI, Venetian, 1764-1835, in the manner of. San Giorgio Maggiore. Gouache, 3 1/2 x 4 in.
GIACOMO GUARDI, Venetian, 1764-1835, in the manner of. The Piazza San Marco toward San Giacomo. Gouache, 3 l/2 x 4 in.
FRENCH JEAN ANTOINE WATTEAU, French, 1684-1721. Landscape with an Old Woman with a Spindle Watching over Three Grazing Goats. Red chalk, 10 x 12 lA in. (after a drawing by Campagnola of the same subject, see No. 10)
JEAN ANTOINE WATTEAU, French, 1684-1721. Study of a Nude Man Holding Two Bottles. Black, red and white chalk, 10 15/16 x 8 7/8 in. 12. JEAN ANTOINE WATTEAU, French, 1684-1721, attributed to. A Bishop with Raised Hands, seen from below. Red chalk on pink paper, 5 lA x 7 5/8 in.
FRANCOIS BOUCHER, French, 1703-1770. Seated Female Nude. Red chalk, heightened with white, on pink paper, 12 1/2 x 10 l/2 in. CHARLES MICHEL-ANGE CHALLE, French, 1718-1778. Architectural Fantasy. Pen and ink, wash, 9 x 12 in.
GABRIEL DE SAINT-AUBIN, French, 1724-1780. The Upturned Head of a Young Boy in Profile. Black chalk on gray paper, 4 x 5 in. Upper right inscribed: pour....(not deciphered)
GABRIEL DE SAINT-AUBIN, French, 1724-1780. Portrait of the Artist's Niece and Nephew, Rose and Germain- August in de saint-Aubin. Black chalk and wash, 7 l/8 x 4 3A in. Inscribed across the bottom: G. de s. Aubin et Rose de s. Aubin dessine par leur oncle Gabriel.
JEAN-HONORE FRAGONARD, French, 1732-1806. The Village. Pen and ink, brush and wash, over red chalk, 13 3/4 x l8 7/8 in.
JEAN-HONORE^ FRAGONARD, French, 1732-1806. The Sultan. Pen and wash in brown ink, 14 1/2 x 10 7/8 in. 13. HUBERT ROBERT, French, 1733-1808. A Niche in the Exterior of St. Peter's, Rome. Red chalk, 17 1/2 x 13 in.
HUBERT ROBERT, French, 1733-l808. View through an Archway. Red chalk, 17 1/2 x 13 in. Dated: 1763
HUBERT ROBERT, French, 1733-l808. The Artist Sketching. Red chalk, 10 x 13 1/4 in.
HUBERT ROBERT, French, 1733-l8o8. The Young Artists. Red chalk, 13 3/4 x 16 lA in.
CHARLES LOUIS CHATELET, French, 1753-1794. View of the Hollow Road which leads to the Grotto of Posilipo. Pen and ink with watercolor, 8 1/2 x 5 3/4 in.
SPANISH FRANCISCO GOYA, Spanish, 1746-1828. Portrait of the Artist. Verso: Two studies for a Portrait of the Artist. Red chalk, 7 x 5 in.
FRANCISCO GOYA, Spanish, 1746-1828, attributed to. Hanged Man. Pen and brush, wash, 7x4 5/l6 in. 14. BRITISH RICHARD WILSON, British, 1714-1782. View of St. Peter's and the Vatican from the Janiculum. Elack chalk and stump, heightened with white, on gray paper, 11 1/4 x 16 5/8 in. Signed and dated: R. Wilson f. Romae 1754.
NINETEENTH CENTURY FRENCH JACQUES LOUIS DAVID, French, 1748-1825. Standing Man in a Pose of Proclamation. Pen and ink on tan paper, 14 7/8 x 9 3A in.
JACQUES LOUIS DAVID, French, 1748-1825. Portrait of Cardinal Fesch, in profile. Pencil, 6 7/8x5 l/8 in.
PIERRE PAUL PRUD'HON, French, 1758-1823. Seated Nude Girl, the Left Arm Raised over Her Head. Verso: Standing Nude Man, unfinished study. Black and white chalk on blue paper, 22 x 15 in.
JEAN AUGUSTE DOMINIQUE INGRES, French, 1780-1867. Lancelot Theodore, Comte de Turpin de Crisse' Pencil, 10 3A x 8 lA in. Signed: Ingres
JEAN AUGUSTE DOMINIQUE INGRES, French, 1780-l867. La Comtesse de Turpin de Crisse. Pencil, 11 5/16 x 8 7/l6 in. Signed: Ingres 15. JEAN AUGUSTE DOMINIQUE INGRES, French, 1780-1867. Portrait of an Old Lady. Black chalk, heightened with white, on buff paper, 11 5/8 x 8 1/2 in. Signed: Ing
THEODORE GERICAULT, French, 1791-1824. Six studies of Heads for the painting "The Raft of Medusa" (1818, Louvre). Pencil, 10 x 15 l/2 in. Signed: Gericault
JEAN BAPTISTE CAMILLE COROT, French, 1796-1875. View of Italian Hill Town with Crucifix. Pencil, 7 1/4 x 14 3/4 in.
ANTOINE-LOUIS BARYE, French, 1796-1875. A Royal Tiger in a Landscape. Water color and gouache, 12 x 28 in. Signed: BARYE
EUGENE DELACROIX, French, 1798-1863. The Daughter of the Dragoman, Abraham-ben-Chimol, and Her servant. Water color over pencil, 8 13/16 x 6 5/l6 in. Signed: Eug Delacroix
EUGENE DELACROIX, French, 1798-1863. 1 The Head of a Recumbent Lion. Black chalk, 6 1/4 x 10 1/2 in.
CONSTANTIN GUYS, French, l802-l892. The senator Returning from the Vatican. Pen and ink, wash, 10 x 16 l/8 in. y 16. HONORE DAUMIER, French, 1808, 1&79. The spectators. Water color, pen and ink, 13 lA x H V2 in. Signed: H. Daumier JEAN-FRANCOIS MILLET, French, 1814-1&75. A Shepherd and His Sheep. Black crayon, 7 1/8 x 11 3/4 in.
THEODORE CHASSERIAU, French, l8l9-l856. The Baroness Duperre and her Daughters. Pencil, 13 3/4 x 1° 5/8 in. Signed and dated: Th. Chasseriau l84l
EDGAR HTLAIRE GERMAIN DEGAS, French, 1834-1917. Portrait of the Artist. Black crayon, heightened with white, 11 3/4 x 9 in.
EDGAR HTIAIRE GERMAIN DEGAS, French, 1834-1917. Portrait of Hortense Valpin$on (Mme Jacques Fourchy). Conte crayon on white paper, 13 x 10 3/4 in. Inscribed: Hortense/Menil-Hubert/ ao^it 1883
EDGAR HTLAIRE GERMAIN DEGAS, French, 1834-1917. A Jockey on His Horse. Black chalk, brush and gouache on pink paper, 11 1/2 x 6 3A in.
PAUL CEZANNE, French, 1839-1906. Portrait of the Artist. Pencil, 13 x 10 3/4 in. 17, PIERRE AUGUSTE RENOIR, French, l841-1919. A Girl Reading. Ur>per right: slight sketch of Sitting Woman. Black crayon, 23 3A x 18 1/2 in. Signed with initial: R
GEORGES SEURAT, French, l859-l89l. Still Life with Hat, Umbrella and Clothes on a Chair. Black conte crayon on Ingres naper, 12 x 9 l/4 in.
GEORGES SEURAT, French, l859-l89l. Landscape with Houses. Black conte crayon on Ingres paper, 9 3/4 x 12 1/2 in.
BRITISH JOSEPH MALLORD WILLIAM TURNER, British, 1775-1851. Sisteron, Basses Alpes. Water color, 7 3/4 x H in.
JOHN CONSTABLE, British, 1776-1836. Derbyshire Landscape. Pencil and brown wash, 8 x 16 1/2 in.
DUTCH VINCENT VAN GOGH, Dutch, 1853-1890. Gardens on the Laan van Meerdervoort. Pencil, black chalk, pen and brush with black and brown ink, heightened with white tempera, 11 1/2 x 23 in. Signed: Vincent 18. TWENTIETH CENTURY CHARLES DESPIAU, French, 1874-1946. Recumbent Figure of a Male Nude. Red chalk, 11 1/2 x 15 5/8 in. Signed: C Despiau
PABLO PICASSO, Spanish, l88l- Young Girl with Folded Hands. Black crayon, 24 x 14 in.
LEONID (LEONID BERMAN), American, l896- The Old Maple Tree. Pen and ink over pencil, 22 1/2 x l8 1/8 in. Inscribed, signed and dated: The old maple-tree Leonid. 49.
PAVEL TCHELITCHEW, American, 1898-1957. Landscape with Figures and Clouds. The Marne. Pen and senia Ink, wash, 10 1/2 x 14 l/2 in. Signed and dated: p. Tchelitehew 32
PAVEL TCHELITCHEW, American, 1893-1957. First study for the painting "The Drop of Water". Pen and ink, wash, 15 x 10 7/8 in. Signed and dated: P. Tchelitehew 1939
PAVEL TCHELITCHEW, American, 1898-1957. Mother and child. Silverpoint on prepared paper, 11 3A x 15 1/4 in. Signed and dated: P. Tc he lite hew 38. 19. KURT SELIGMANN, Swiss, 1900- Sketch for the painting "Prometheus". Pen and black ink, 23 1/2 x 28 in. Drawn in 1946.
VAN DAY TRUEX, American, 1904- The American Academy, Rome. Pen and ink, wash, 21 1/4 x 14 l/4 in. Signed: Truex
VAN DAY TRUEX, American, 1904- View of Urbino, II. Pen and gray-black ink and gray wash, 8 x 11 3A in. Signed: Truex
VAN DAY TRUEX, American, 1904- View of Urbino, V. Pen and brown ink with gray wash, 13 lA x 19 3A in. Signed: Truex
PETER BLUME, American, 1906- Twisted Wood. Charcoal, 10 1/2 x 14 3A in. Signed and dated: Peter Blume 1939
PETER BLUME, American, 1906- Pala tine III. Pen and black ink, 8 1/4 x 11 in. Signed and dated: P. Blume 1957
KENNETH CALLAHAN, American, 1906- Cascade Mountain Landscape, series II, no. 11. Pen and ink, wash, 20 x 24 in. Signed: Kenneth Callahan 20. ' KENNETH CALLAHAN, American, 1906- "Nebula". Gouache, 12 x 16 l/2 in. Signed and dated: Kenneth Callahan '57
KENNETH CALLAHAN, American, 1906- Insect. Verso: Maine Landscape, pen and black ink, 17 3A x 24 in. Signed, and dated: Kenneth Callahan '59
MORRIS GRAVES, American, 1906- Flowers. Brush and Sumi ink, 9 l/2 x 13 in. Signed, and dated: Graves '57
ROBIN IRONSIDE, British, 1912- "The Assyrian Came Down Like a Wolf on the Fold". Water color and gouache, 7 1/8 x 10 1/2 in.
ROBIN IRONSIDE, British, 1912- "The Muses Forsaking Poetry Beneath the Bosom of the sea". Water color and gouache, 8 3/4 x 10 7/8 in.
WALTER STUEMPFIG, American, 1914- "Homage for Eakins'. Figure of a Standing Youth. Pen and ink with water color, 13 l/2 x 6 1/2 in. Signed: Walter Stuempfig
EDWARD MELCARTH, American, 1915- Rescued sailors. Study for a painting. Pen, touches of brush, and ink, 18 1/2 x 13 l/2 In. Signed and dated: Melcarth 12/10A4 21. EDWARD MELCARTH, American, 1915- "II Trevisano". Portrait of a Youth. Pen and ink, brush and wash, 11 1/2 x 8 1/2 in. Signed and inscribed: Melcarth/ll Trevisano
STEPHEN GREENE, American, 1917- Woman in a Bathrobe. Pencil with some pen and ink, over traces of black crayon, on prepared paper, 1^x8 5/8 in. Signed; Greene
STEPHEN GREENE, American, 1917- Seated Man. Pen and ink, wash, on cream naper, 9 3/8 x 11 lA in. Signed: Greene
HAZEL JANICKI, American, 19l8- Retreat. Pencil, wax crayon and water color, 17 x 24 in. Signed: Hazel Janicki
HAROLD ALTMAN, American, 1925?- The Lonely One, III. Pen and black ink, 10 l/2 x 24 3/4 in. Signed: Altman