Guide to Formulating Glazes and Root Shadows with Redken Shades EQ
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Paint Codes: 2014 - 2021 Crestliner Color Model Years Used Sierra Color PPG Color Match Codes
2.2 Paint Codes: 2014 - 2021 Crestliner Color Model Years Used Sierra Color PPG Color Match Codes Metallic Clear Coat 2020-2021 n/a HSC941891 Bright White 2019-2021 n/a HSL912859 True Blue Metallic 2019-2021 n/a HSL951442 Fire Red Metallic 2019-2021 n/a HSL951440 Volt Green Metallic 2019-2020 n/a HSL952273 Gunmetal Metallic 2019-2021 n/a HSL951441 Blue Flame Metallic 2014-2018 n/a HSL936056 Red Flame Metallic 2014-2018 n/a HSL936314 Charcoal Metallic 2014/2015 n/a HSL936054Q Storm Blue Metallic 2014-2016 n/a FDGH936057 Silver Metallic 2014-2018 n/a HSL935579 Black Metallic 2014-2018 n/a HSL939695 Pebble 2014/2015 78874 Pebble Tint Grams Amount DMC 900 1007.11 1007.11 DMC 908 19.03 1026.14 DMC 903 37.27 1063.41 DMC 929 3.17 1066.58 DX 995 85.64 1152.23 Summit White 2016-2018 FDGH941677 Canyon Brown 2017-2021 FDGH936055 Metallic Paint Codes: 1996 to 2013 Crestliner Color Model Years Sierra Color PPG Color Match Per Quart Used Tint Grams Amount Admiral Blue 2008 - 2009 78364 Blue DMC 923 268.55 268.55 DMC 900 55.05 323.6 DMC 903 392.21 715.81 DMC 931 209.13 924.94 DMC 929 20.43 945.37 Almond 1998 - 2002 7881 Doe DMC 900 1105.4 DX 995 1200.6 DMC 908 1281.6 DMC 929 1315.9 This data is internal to Brunswick. DMC 923 1325 Aluminum 2002 - 2003 7890 Gray Metallic Low DMC 981 800.61 800.61 Gloss DMC 983 103.94 904.55 Ash Gray 1999 7864 Ranger Light Gray DMC 900 830.1 DMC 984 1015.6 DMC 902 1143.8 DX 995 1234.5 DMC 923 1242.3 Baroque Burgundy 1999 7822 Burgundy 1999 DMC 933 641.4 DX 995 762.1 DMC 900 870.9 DMC 931 966.5 DMC 929 1044.9 DMC 901 1089.3 -
Silver Cas # 7440-22-4
SILVER CAS # 7440-22-4 Agency for Toxic Substances and Disease Registry ToxFAQs July 1999 This fact sheet answers the most frequently asked health questions (FAQs) about silver. For more information, call the ATSDR Information Center at 1-888-422-8737. This fact sheet is one in a series of summaries about hazardous substances and their health effects. It’s important you understand this information because this substance may harm you. The effects of exposure to any hazardous substance depend on the dose, the duration, how you are exposed, personal traits and habits, and whether other chemicals are present. HIGHLIGHTS: Silver is an element found naturally in the environment. At very high levels, it may cause argyria, a blue-gray discoloration of the skin and other organs. This chemical has been found in at least 27 of the 1,177 National Priorities List sites identified by the Environmental Protection Agency (EPA). What is silver? o It may be released into water from photographic process ing. (Pronounced s≥l vír) o Rain may wash silver out of soil into the groundwater. Silver is a naturally occurring element. It is found in the o Silver does not appear to concentrate to a significant environment combined with other elements such as sulfide, extent in aquatic animals. chloride, and nitrate. Pure silver is “silver” colored, but silver nitrate and silver chloride are powdery white and silver sul fide and silver oxide are dark-gray to black. Silver is often How might I be exposed to silver? found as a by-product during the retrieval of copper, lead, o Breathing low levels in air. -
STMGA-GOLD-RED-W-Winter-Rules
STMGA GOLD/RED TEE POLICY Effective February 1, 2015, the STMGA policy to move to or from the gold/red tees is as follows: 1. A STMGA member may, at his discretion, elect to move to the gold/red tees for STMGA events and have his handicap calculated from the gold or red tees on the STMGA handicap list. 2. A player may make one move (either to the gold/red tees or return to the gold/white tees) in any STMGA membership year which is from Oct.1 to Sept. 30. 3. A player must request a change in writing or via email to the STMGA handicap chairman. The change will become effective with the next publication of STMGA handicaps on the 1st and 15th of the month. 4. A player incurring a disability which might cause him to temporarily move to the gold/red tees, may submit a request to the STMGA Handicap Committee for approval at any time. He will not be subject to #2 above. 5. Before playing from the new tees in any Major Tournament* a player must report for handicap calculation at least 5 scores played from the new tees. *(Member/Guest, Spring and Fall Member/Member, Club Championship) Note: this policy in no way should be interpreted as a dictate on which tees a player plays from in non-STMGA events. That decision is up to the player and the group he is playing with. Winter Play Tee Policy: * 1. A player may make a “winter season” decision to move forward one tee box on November 1st and must move back one tee box March 1st, not before. -
54.03 Application for a Color Trademark Consisting of a Gold Color, Etc
54.03 54.03 Application for a Color Trademark Consisting of a Gold Color, etc. In the case of an application claiming a color trademark, if the color is a metallic color such as gold and silver or any other similar thereto ("gold, etc."), it would be almost impossible to present the color in a trademark sample or define the color under a color specification system such as RGB. An application for such color would be accepted only if the applicant fills out the trademark sample section by presenting a color similar to the claimed color and states, in the section "Detailed explanation of the trademark," the registration number, etc. of the claimed color in a trademark sample book that is widely used. (Example 1) Example of an acceptable trademark sample of a single color trademark consisting of a gold color (Example 1-1) (Example 1-2) Trademark sample expressing a color Trademark sample expressing a color similar to gold by using color gradations similar to gold by presenting an approximate color [Explanation] Gold, etc. is not merely a color but is also a concept including elements of luster and texture. Metallic luster, etc. is caused as a result of mutual interaction between the free electrons in the metal, etc. and the photons coming from outside. It would be possible to present gold, etc. expressing its luster and other characteristics by using color gradations. However, it would be impossible to accurately present the color in a trademark sample. Thus, it would suffice if the applicant presents a color similar to gold in a trademark sample. -
Welcome to the Skagway Historic District Color Palette
Skagway Historic District Architectural Paint Color Palette INTRODUCTION The 80 paint colors listed here are those that may be used on the exterior of buildings in the Skagway Historic District. Unless you have good historical evidence that your building was painted otherwise, you must choose from the colors shown here. Many of the colors in this palette have been identified by laboratory analysis of actual paint samples collected from Skagway’s historic buildings and can be seen on buildings that have been restored by the National Park Service. The remaining colors are those that were offered by U.S. paint manufacturers of the 1897‐1910 period and were likely available in Skagway. Period Aesthetics and Paint Schemes Generally, late Victorian paint schemes (i.e.: c.1870‒1900) were characterized by earth colors and greens, often in surprisingly dark shades. Whites and creams were not in fashion. Closely related body and trim colors were often favored. (An example of this may be seen on the Mascot Saloon building which has been restored by the NPS to its 1898 appearance.) Sash colors were usually dark green, black, or occasionally, red. (Sash refers to the wooden parts of a window that surround the glass. It does not include the trim surrounding the window such as the window frame and sill.) High Victorian style buildings, (The Pack Train building, the Golden North Hotel building, and the Mulvihill house in Skagway are examples of this style), having multiple stories and complicated patterns and structures such as scalloped shingles, multiple beltcourses, bracketed cornices, towers, etc., were often painted with two or three body colors as well as two trim colors, a sash color, and sometimes even an accent color. -
Pressure Ulcer Staging Cards and Skin Inspection Opportunities.Indd
Pressure Ulcer Staging Pressure Ulcer Staging Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored Suspected Deep Tissue Injury (sDTI): Purple or maroon localized area of discolored intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure intact skin or blood-fi lled blister due to damage of underlying soft tissue from pressure and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, and/or shear. The area may be preceded by tissue that is painful, fi rm, mushy, boggy, warmer or cooler as compared to adjacent tissue. warmer or cooler as compared to adjacent tissue. Stage 1: Intact skin with non- Stage 1: Intact skin with non- blanchable redness of a localized blanchable redness of a localized area usually over a bony prominence. area usually over a bony prominence. Darkly pigmented skin may not have Darkly pigmented skin may not have visible blanching; its color may differ visible blanching; its color may differ from surrounding area. from surrounding area. Stage 2: Partial thickness loss of Stage 2: Partial thickness loss of dermis presenting as a shallow open dermis presenting as a shallow open ulcer with a red pink wound bed, ulcer with a red pink wound bed, without slough. May also present as without slough. May also present as an intact or open/ruptured serum- an intact or open/ruptured serum- fi lled blister. fi lled blister. Stage 3: Full thickness tissue loss. Stage 3: Full thickness tissue loss. Subcutaneous fat may be visible but Subcutaneous fat may be visible but bone, tendon or muscle are not exposed. -
A Visual Guide to Identifying Cats
A Visual Guide to Identifying Cats When cats have similar colors and patterns, like two gray tabbies, it can seem impossible to tell them apart! That is, until you take note of even the smallest details in their appearance. Knowledge is power, whether you’re an animal control officer or animal Coat Length shelter employee who needs to identify cats regularly, or you want to identify your own cat. This guide covers cats’ traits from their overall looks, like coat pattern, to their tiniest features, like whisker color. Let’s use our office cats as examples: • Oliver (left): neutered male, shorthair, solid black, pale green eyes, black Hairless whiskers, a black nose, and black Hairless cats have no fur. paw pads. • Charles (right): neutered male, shorthair, brown mackerel tabby with spots toward his rear, yellow-green eyes, white whiskers with some black at the roots, a pink-brown nose, and black paw pads. Shorthair Shorthair cats have short fur across As you go through this guide, remember that certain patterns and markings the entire body. originated with specific breeds. However, these traits now appear in many cats because of random mating. This guide covers the following features: Coat Length ...............................................................................................3 Medium hair Coat Color ...................................................................................................4 Medium hair cats have longer fur around the mane, tail, and/or rear. Coat Patterns ..............................................................................................6 -
Eggplant, Pepper, Tomato Fungicides (Labeled & Rates/A)
2014 Tomato, Eggplant, Pepper Fungicides NYS TOMATO (T), EGGPLANT (E) and PEPPER (P) FUNGICIDES (Labeled & Rates/A) as of JULY 2014 T. A. Zitter, Dept. Plant Pathology, Cornell University, Ithaca, NY http://vegetablemdonline.ppath.cornell.edu Underlined are Registered for use in NYS and Includes OMRI Listed products; * and † refer to restrictions in NYS; Group Nos. before Products are from the Fungicide Resistance Action Committee and EPA (Mode of Action), while Nos. after refer to Days To Harvest (DTH) ex. [FRAC No. 40 Product 4DTH]; (Warnings and Fungicide Resistance concerns are given in italics) (Important comments also in RED); Because of EB resistance to Strobilurins in NYS, consider Quadris Opti, Quadris Top or Cabrio + Endura, or Tanos tank-mixed with protectant, but never use strobilurins alone for EB control. Systemic fungicides are in BOLD. Major fungicide groups have been color coded to aid in finding and categorizing by MOA: Phosphorous acids = Blue; Strobilurins or Group 11 = violet; Chlorothalonils = Black; Coppers = green; and Sulfurs = orange. Fungicide/nematicide usage for soil application or for Foliar/Greenhouse use has been highlighted as shown. Alphabetical Fungicide List T, P Chili P1Actigard14 50WG (EPA 100-922) REI 12 hrs (acibenzolar-S-methyl, host plant defense induction) (Syngenta); T=Bac. Spot and speck 1/3 to ¾ oz; Chili Pepper=Bac. Spot and Speck, 0.33- 0.75 oz/A. (Do not exceed rate [up to 6 applications] or yield reduction could occur). (Generally for field use, suggesting not applied before thinning or within 5 days of transplant). 14 DTH. T, E, P 33Agri-Fos0 (EPA 71962-1) REI 4 hrs (phosphorous acid) (Liquid Fert.) T = LB, Phytoph RR, 1.5 qts/40 gal; E = Pythium, Phytophthora, 1.25 qts/40 gal; P = Phytophthora RR, 1.5 qts/25 gal. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Green, Grey Or Green-Grey? Decoding Infrastructure Integration and Implementation for Residential Street Retrofits
Lincoln University Digital Thesis Copyright Statement The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). This thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: you will use the copy only for the purposes of research or private study you will recognise the author's right to be identified as the author of the thesis and due acknowledgement will be made to the author where appropriate you will obtain the author's permission before publishing any material from the thesis. Green, Grey or Green-Grey? Decoding infrastructure integration and implementation for residential street retrofits. A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Landscape Architecture at L I N C O L N U N I V E R S I T Y New Zealand by K S E N I A I. A L E K S A N D R O V A Lincoln University 2016 A B S T R A C T New-world countries are often characterized by large areas of sprawling post-war suburban development. The streets of these suburbs are often criticized for being unattractive transport corridors that prioritize cars at the cost of the pedestrian environment and ecological health of their neighbourhoods. Green infrastructure (LID) street retrofits, as well as grey infrastructure-dominated traffic calming schemes have been used as partial solutions to the adverse effects of post-war street design. There is, however, a lack of implementation of these measures, along with some confusion as to what is defined as green and grey infrastructure at the street scale. -
Copper Alloys
THE COPPER ADVANTAGE A Guide to Working With Copper and Copper Alloys www.antimicrobialcopper.com CONTENTS I. Introduction ............................. 3 PREFACE Conductivity .....................................4 Strength ..........................................4 The information in this guide includes an overview of the well- Formability ......................................4 known physical, mechanical and chemical properties of copper, Joining ...........................................4 as well as more recent scientific findings that show copper has Corrosion ........................................4 an intrinsic antimicrobial property. Working and finishing Copper is Antimicrobial ....................... 4 techniques, alloy families, coloration and other attributes are addressed, illustrating that copper and its alloys are so Color ..............................................5 adaptable that they can be used in a multitude of applications Copper Alloy Families .......................... 5 in almost every industry, from door handles to electrical circuitry to heat exchangers. II. Physical Properties ..................... 8 Copper’s malleability, machinability and conductivity have Properties ....................................... 8 made it a longtime favorite metal of manufacturers and Electrical & Thermal Conductivity ........... 8 engineers, but it is its antimicrobial property that will extend that popularity into the future. This guide describes that property and illustrates how it can benefit everything from III. Mechanical -
M/Izeeuican%Usdllm
M/izEeuican%Usdllm PUBLISHED BY THE AMERICAN MUSEUM OF NATURAL HISTORY CENTRAL PARK WEST AT 79TH STREET, NEW YORK 24, N.Y. NUMBER 2 2 II MARCH I 7, I 965 Descriptions of Three New Species of the Bee Genus Calliopsis (Hymenoptera, Andrenidae) BY ALVIN F. SHINN1 The species below are described at the present time to make their names available for use in connection with biological studies recently completed on them. The species are closely related and belong in a group with Calliopsis coloradensis Cresson, C. chlorops Cockerell, and C. coloratipes Cockerell. Evidence for interspecific mating in the group is given. The presence of all three new species, as well as others in their group, at the Southwestern Research Station of the American Museum of Natural History offers an unparalleled opportunity for the study of ecological differentiation in these closely related Calliopsis bees. I wish to thank the following collectors and museum curators who have lent so generously of their own specimens or of specimens in their care which have been used in this study: Dr. G. E. Bohart, United States Department of Agriculture, Wild Bee Pollination Investigations, Utah State University, Logan; Drs. G. D. Butler, Jr., and F. G. Werner, University of Arizona, Tucson; Dr. P. D. Hurd, Jr., California Insect Survey, University of California, Berkeley; Dr. W. E. LaBerge, Uni- versity of Nebraska, Lincoln; Dr. C. D. Michener, the University of Kansas, Lawrence; Dr. E. S. Ross, the California Academy of Sciences, San Francisco; Dr. J. G. Rozen, Jr., the American Museum of Natural History, New York City; Mr.