Introduction
Notes Introduction 1. I witnessed the demonstrations against Terrence McNally’s play, Corpus Christi, in 1999 at Edinburgh’s Bedlam Theatre, the home of the University’s student theatre company. But these protests were not taken seriously by any- one I knew: acknowledged as a nuisance, certainly, but also judged to be very good for publicity in the competitive Festival fringe. 2. At ‘How Was it for You? British Theatre Under Blair’, a conference held in London on 9 December 2007, the presentations of directors Nicholas Hytner, Emma Rice and Katie Mitchell, writers Mark Lawson, Kwame Kwei-Armah, Tanika Gupta and Mark Ravenhill, and actor and Equity Rep Malcolm Sinclair all included reflection upon issues of censorship, the policing of per- formance or indirect forms of constraint upon content. Ex-Culture Minister Tessa Jowell’s opening presentation also discussed censorship and the closure of Behzti. 3. Andrew Anthony, ‘Amsterdammed’, The Observer, 5 December 2004; Alastair Smart, ‘Where Angels Fear to Tread’, The Sunday Telegraph, 10 December 2006. 4. Christian Voice went on to organise protests at the theatre pro- duction’s West End venue and then throughout the country on a national tour. ‘Springer protests pour in to BBC’, BBC News, 6 January 2005, http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4152433.stm [accessed 1 August 2007]. 5. Angelique Chrisafis, ‘Loyalist Paramilitaries Drive Playwright from His Home’, The Guardian, 21 December 2005. 6. ‘Tate “Misunderstood” Banned Work’, BBC News, 26 September 2005, http://news.bbc.co.uk/1/entertainment/arts/4281958.stm [accessed 1 August 2007]; for discussion of the Bristol Old Vic’s decision, see Ian Shuttleworth, ‘Prompt Corner’, Theatre Record, 25.23, 6 December 2005, pp.
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