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Art Architecture Design New Titles the MIT Press Picturing Science and Engineering Felice C
Art Architecture Design New Titles The MIT Press Picturing Science and Engineering Felice C. Frankel “As we create ever more sophisticated tools to explore the micro and macro universe, it’s easy to become detached from agape understanding and appreciation of what we can’t see, feel, and sense. Felice Frankel’s work brings those worlds within reach, so that we can appreciate not only the technical marvels but also the enormous beauty and infinite variety of creation, both natural and manmade.”—Yo-Yo Ma “With the clarity of an expert and the passion of a true aficionado, Frankel once again proves to be crucial in bridging scientific discovery and public consciousness.” —Paola Antonelli, Senior Curator, Architecture & Design, Director, Research & Development, The Museum of Modern Art One of the most powerful ways for scientists to document and communicate their work is through photography. In this book, celebrated science photographer Felice Frankel offers a guide for creating science images that are both accurate and visually stunning. Picturing Science and Engineering provides detailed instructions for making science photographs using the DSLR camera, the flatbed scanner, and the phone camera. The book includes a series of step-by-step case studies, describing how final images were designed for cover submissions and other kinds of visualizations. Lavishly illustrated in color throughout, the book encourages the reader to learn by doing, following Frankel as she recreates the stages of discovery that lead to a good science visual. Felice C. Frankel is an award-winning science photographer whose photographs have appeared in many publications. A research scientist in the Department of Chemical Engineering at MIT, she is the author of Envisioning Science (MIT Press), No Small Matter (with G. -
The Internet As Playground and Factory November 12–14, 2009 at the New School, New York City
FIRST IN A SERIES OF BIENNIAL CONFERENCES ABOUT THE POLITICS OF DIGITAL MEDIA THE INTERNET AS PLAYGROUND AND FACTORY NOVEMBER 12–14, 2009 AT THE NEW SCHOOL, NEW YORK CITY www.digitallabor.org The conference is sponsored by Eugene Lang College The New School for Liberal Arts and presented in cooperation with the Center for Transformative Media at Parsons The New School for Design, Yale Information Society Project, 16 Beaver Group, The New School for Social Research, The Change You Want To See, The Vera List Center for Art and Politics, New York University’s Council for Media and Culture, and n+1 Magazine. Acknowledgements General Event Support Lula Brown, Alison Campbell, Alex Cline, Conference Director Patrick Fannon, Keith Higgons, Geoff Trebor Scholz Kim, Ellen-Maria Leijonhufvud, Stephanie Lotshaw, Brie Manakul, Lindsey Medeiros, Executive Conference Production Farah Momin, Heather Potts, Katharine Trebor Scholz, Larry Jackson Relth, Jesse Ricke, Joumana Seikaly, Ndelea Simama, Andre Singleton, Lisa Conference Production Taber, Yamberlie Tavarez, Brandon Tonner- Deepthie Welaratna, Farah Momin, Connolly, Jolita Valakaite, Cynthia Wang, Julia P. Carrillo Deepthi Welaratna, Tatiana Zwerling Production of Video Series Voices from Registration Staff The Internet as Playground and Factory Alison Campbell, Alex Cline, Keith Higgons, Assal Ghawami Geoff Kim, Stephanie Lotshaw, Brie Manakul, Overture Video Lindsey Medeiros, Heather Potts, Jesse Assal Ghawami Ricke, Joumana Seikaly, Andre Singleton, Deepthi Welaratna, Tatiana Zwerling Video -
Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE Mcgonigal
Reality Is Broken a Why Games Make Us Better and How They Can Change the World E JANE McGONIGAL THE PENGUIN PRESS New York 2011 ADVANCE PRAISE FOR Reality Is Broken “Forget everything you know, or think you know, about online gaming. Like a blast of fresh air, Reality Is Broken blows away the tired stereotypes and reminds us that the human instinct to play can be harnessed for the greater good. With a stirring blend of energy, wisdom, and idealism, Jane McGonigal shows us how to start saving the world one game at a time.” —Carl Honoré, author of In Praise of Slowness and Under Pressure “Reality Is Broken is the most eye-opening book I read this year. With awe-inspiring ex pertise, clarity of thought, and engrossing writing style, Jane McGonigal cleanly exploded every misconception I’ve ever had about games and gaming. If you thought that games are for kids, that games are squandered time, or that games are dangerously isolating, addictive, unproductive, and escapist, you are in for a giant surprise!” —Sonja Lyubomirsky, Ph.D., professor of psychology at the University of California, Riverside, and author of The How of Happiness: A Scientific Approach to Getting the Life You Want “Reality Is Broken will both stimulate your brain and stir your soul. Once you read this remarkable book, you’ll never look at games—or yourself—quite the same way.” —Daniel H. Pink, author of Drive and A Whole New Mind “The path to becoming happier, improving your business, and saving the world might be one and the same: understanding how the world’s best games work. -
Game Changer: Investing in Digital Play to Advance Children’S Learning and Health, New York: the Joan Ganz Cooney Center at Sesame Workshop
Game 2 changer: June 2009 Investing in digital play to advance children's learning and health Ann My Thai David Lowenstein Dixie Ching David Rejeski The Joan Ganz Cooney Center at Sesame Workshop © The Joan Ganz Cooney Center !""#. All rights reserved. The mission of the Joan Ganz Cooney Center at Sesame Workshop is to foster innovation in children’s learning through digital media. The Center supports action research, encourages partnerships to connect child development experts and educators with interactive media and technology leaders, and mobilizes public and private investment in promising and proven new media technologies for children. For more information, visit www.joanganzcooneycenter.org. The Joan Ganz Cooney Center is committed to disseminating useful and timely research. Working closely with our Cooney Fellows, national advisers, media scholars, and practitioners, the Center publishes industry, policy, and research briefs examining key issues in the $eld of digital media and learning. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, or any information storage and retrieval system, without permission from The Joan Ganz Cooney Center at Sesame Workshop. A full-text PDF of this document is available for free download from www.joanganzcooneycenter.org. Individual print copies of this publication are available for %&' via check, money order, or purchase order sent to the address below. Bulk-rate prices are available on request. For permission to reproduce excerpts from this report, please contact: Attn: Publications Department The Joan Ganz Cooney Center Sesame Workshop One Lincoln Plaza New York, NY &""!( p: !&! '#' ()'* f: !&! +,' ,("+ [email protected] Suggested citation: Thai, A., Lowenstein, D., Ching, D., & Rejeski, D. -
June 2009 University of Illinois at Chicago, School of Art and Design
LINDSAY D. GRACE | PROFESSORGRACE.COM EDUCATION June 2009 University of Illinois at Chicago, School of Art and Design Master of Fine Art, Electronic Visualization (focus: interactive systems) Grade Point Average: 3.75/4.0 September 2005-January 2007 University of Illinois at Chicago, School of Engineering Ph.D. Computer Science, Electronic Visualization Lab (degree not completed-chose to pursue MFA) August 2003 Northwestern University, School of Engineering Master of Science in Computer Information Systems Grade point average: 3.94 / 4.0 June 1998 Northwestern University, College of Arts and Science B.A. in English with a concentration in Drama ACADEMIC EXPERIENCE: August 2018-present University of Miami, Miami, FL Knight Chair in Interactive Media and Associate Professor School of Communication § Conduct and support research at the apex of journalism and interactive media, create new courses in eSports, game studies and varied initiatives. June 2014-August 2018 American University Game Lab Studio, Washington, DC Director § Found and direct independent academic game studio, providing creative and strategic leadership for a portfolio in excess of $850,000+ in contracts between 2014-2018. Clients include the World Bank, WGBH-Boston, Education Testing Services (ETS), National Institutes of Mental Health, et al. Funders include James L and John S. Knight Foundation and the Institute of Museum and Library Sciences (IMLS) § Direct architects and interior designers for construction of new 2800 square ft game facility (1 classroom, open format -
Pardee Center Task Force Games for a New Climate Task Force Members
Pardee Center Task Force Games for a New Climate Task Force Members Carina Bachofen joined the Red Cross/Red Crescent Climate Centre as technical advisor in December 2011. She supports the Partners for Resilience program in Nicaragua and Guatemala. Carina specializes in capacity building and training in the areas of vulnerability and adaptation. In addition to working for the Climate Centre, Carina is Global Coordinator for the Ecosystems and Livelihoods Adaptation Network (ELAN), a partnership between the International Union for Conservation of Nature (IUCN), World Wildlife Fund (WWF-US), the International Institute for Environment and Development (IIED) and CARE International. Carina holds a Masters degree in Global Politics from the London School of Economics and Political Science (LSE). Nick Fortugno is a game designer and entrepreneur of digital and real-world games based in New York City, and a founder of Playmatics, a NYC game development company. Playmatics has created a variety of games including the CableFAX award winning Breaking Bad: The Interrogation and the New York Public Library's centennial game Find the Future with Jane McGonigal. For the past 10 years, Nick has been a designer, writer and project manager on dozens of commercial and serious games, and served as lead designer on the downloadable blockbuster Diner Dash and the award-winning serious game Ayiti: The Cost of Life. Nick is also a co-founder of the Come Out and Play street games festival hosted in New York City and Amsterdam since 2006, and co-creator of the Big Urban Game for Minneapolis/St. Paul in 2003. Nick teaches game design and interactive narrative design at Parsons The New School of Design, and has participated in the construction of the school's game design curriculum. -
Hood Museum Of
1 Opening Minds to the Arts 1 Investing in Arts Education for a New Generation October 19 AVA Gallery & Art Center, Lebanon, NH October 20 Kersarge Regional Middle School, North Sutton, NH The conference brings big thinkers to New Hampshire for an exchange of ideas among school administrators parents scientists community arts arts arts supporters educators advocates CEUs awarded for professional development 12 partial scholarships for teachers are available The artwork on the cover of this brochure and on the conference postcard has been adapted from Frank Gregory’s mural Mind and Matter. You can see his mural at the Grappone Center at NHTI in Concord, NH. Please visit his website at: https://sites.google.com/site/frankgregorystudios/ Many thanks to our conference presenters and teaching artists for contributing photos to this brochure. 2 Day 1 Agenda Friday, October 19 (subject to change) AVA Gallery & Art Center, Lebanon Registration and most workshops take place at AVA Gallery & Art Center 8:30-9:30 am Registration, Coffee & Networking 9:30 am Welcome & Opening Remarks 10:00 am- noon Morning Workshops 1) FULL-The Creativity Cycle - Marek Bennett, Shiao-Ping Wang Chu, Julianne Gadoury & Erin Sweeney 2) Crossing Cultures: Contemporary Aboriginal Australian Art (Hood Museum, Hanover) - Rebecca L. Karp 3) Sights, Sounds & Settings: The Basics of Technical Theatre (Lebanon Opera House) - John Hatab & Dan Merlo 4) Going Beyond the Four Walls: Giving a Hand to the Future of Arts & Crafts - Kit Cornell 5) Artistic Expression & the Natural World: -
Games, Design and Play
Praise for Games, Design and Play “Sharp and Macklin break down the design process in detail from concept to code to completion. What I particularly like about this book is its inclusion of prototyping methods and design patterns that are often overlooked by others. I suspect it will be helpful to designers looking to break new ground outside the AAA space.” —Brenda Romero, Game Designer, Romero Games “There are many books you can read about games. But Games, Design, and Play is something new. Colleen Macklin and John Sharp don’t just explain what games are—they detail the game design process itself.” —Eric Zimmerman, Game Designer & Arts Professor, NYU Game Center “Game, Design and Play is a detailed, thoughtful, and well-researched primer on the multifaceted discipline that is game design.” —Mare Sheppard, President, Metanet Software “I’ve been studying and teaching game design for over a decade and this is the first time I’ve read a book that catalogs so many diverse aspects of the game design process. Colleen and John dissect and examine games of all types (not just videogames) and then expertly show you how to put all the pieces together to form your own unique design.” —Stone Librande, Lead Designer, Riot Games “The authors share a wealth of experience, making for a text full of great concepts, thorough process and applied practice. Throughout they provide pertinent examples and use engaging exercises which makes it useful, informative and insightful.” —Drew Davidson, Director and Teaching Professor, Entertainment Technology Center, Carnegie Mellon University “This is a book that fills the much needed space between systems thinking and play theory. -
Curriculum Vitae
Curriculum Vitae Roger Altizer, Jr., Ph.D. University of Utah 801.915.9057 [email protected] Education Ph.D., 2012 University of Utah, Salt Lake City, UT - Communication M.S., 2005 University of Utah, Salt Lake City, UT - Communication B.A., 1997 Northwest College, Kirkland, WA - Religion & Philosophy Academic Positions Senior Research Fellow Science and Engineering Faculty, EECS, CHI Division, Queensland University of Technology, January 2019-January 2020 Associate Director Entertainment Arts and Engineering Program, University of Utah, January 2015-present Director Therapeutic Games and Apps Lab (The Gapp), University of Utah, January 2014 - present Director of Digital Medicine Center for Medical Innovation, University of Utah, January, 2014 - present Associate Professor, Lecturer Entertainment Arts and Engineering, University of Utah, July 2013 - present Adjunct Assistant Professor Department of Population Health Sciences, University of Utah, January 2015 - present Adjunct Assistant Professor School of Computing, University of Utah, July 2011 - present Adjunct Assistant Professor Department of Film and Media Arts/Entertainment Arts and Engineering, University of Utah, July 2008 - present Director of Game Design and Production, Master Games Studio, University of Utah, July 2010 - July 2014 Director Center for Interdisciplinary Art and Technology (CIDAT), July 2008 - June 2009 Adjunct Assistant Professor Arts Tech Certificate program, University of Utah July 2006 - June 2008 - Designed and taught videogame development courses, as well as videogame design courses. Taught web design, and writing for new media. Teaching Fellow Department of Communication, University of Utah, July 2003 - June 2006. - Teacher of record for public speaking, web design, and mass communication law courses. Substitute Instructor Assistant Debate Coach, Northwest College, Kirkland, WA, 2002 - 2003 Substitute Teacher Junior & Senior High School, Bellevue Christian School, Bellevue, WA, 2001-02 - Taught various courses as needed. -
Ea Reports Fourth Quarter and Fiscal Year 2008 Results
EA REPORTS FOURTH QUARTER AND FISCAL YEAR 2008 RESULTS Record GAAP Net Revenue of $3.665 Billion and Non-GAAP Net Revenue of $4.020 Billion in Fiscal 2008 More Than Fifteen New Games Scheduled for Release in Fiscal 2009 REDWOOD CITY, CA – May 13, 2008 – Electronic Arts (NASDAQ: ERTS) today announced preliminary financial results for its fiscal fourth quarter and fiscal year ended March 31, 2008. Full Year Results Net revenue for the fiscal year ended March 31, 2008 was $3.665 billion, up 19 percent as compared with $3.091 billion for the prior year. Beginning in fiscal 2008, EA no longer charges for its service related to certain online-enabled packaged goods games. As a result, the Company recognizes revenue from the sale of these games over the estimated service period. The Company ended the year with $387 million in deferred net revenue related to its service for certain online-enabled packaged goods games, which will be recognized in future periods. Non-GAAP net revenue* was $4.020 billion, up 30 percent as compared with $3.091 billion for the prior year. EA had 27 titles that sold more than one million copies in the year as compared with 24 titles in the prior year. Net loss for the year was $454 million as compared with net income of $76 million for the prior year. Diluted loss per share was $1.45 as compared with diluted earnings per share of $0.24 for the prior year. Non-GAAP net income* was $339 million as compared with $247 million a year ago, up 37 percent year-over-year. -
John Riccitiello Chief Executive Officer
John Riccitiello Chief Executive Officer 1 Safe Harbor Statement Some statements contained in this presentation contain forward-looking statements that involve risks and uncertainties. Statements including words such as "anticipate", "believe" or "expect" and statements in the future tense are forward-looking statements. These forward- looking statements are subject to business and economic risks and actual events or actual future results could differ materially from those set forth in the forward-looking statements due to such risks and uncertainties. Some of the factors which could cause our results to differ materially from our expectations include the following: competition in the interactive entertainment industry; the timely release and availability of an adequate supply of hardware units; our ability to predict consumer preferences among competing hardware platforms; consumer spending trends; the seasonal and cyclical nature of the interactive game segment; timely development and release of our products; our ability to manage expenses during fiscal year 2008; our ability to secure licenses to valuable entertainment properties on favorable terms; our ability to attract and retain key personnel; changes in our effective tax rates; adoption of new accounting regulations and standards; potential regulation of our products in key territories; developments in the law regarding protection of our products; fluctuations in foreign exchange rates; and other factors described in our annual report on Form 10-K for the year ended March 31, 2007 -
The Neverhood Doug Tennapel and Mike Dietz Take Us on a Full Tour of the Neverhood, a Cutting-Edge Studio Which Uses Claymation to Create Interactive Games
Vol.Vol. 22 IssueIssue 99 December 1997 Gaming!Gaming! JetJet PilotPilot ReviewsReviews FlightFlight SimsSims GamesGames onon thethe WebWeb ToolsTools 101101 Multimedia Down Under InsideInside TheThe Plus: A Conversation NeverhoodNeverhood with Jerzy Kucia and Piotr Dumala Table of Contents December 1997 Vol. 2, . No. 9 4 Editor’s Notebook It’s getting to be time to pay attention... 5 Letters: [email protected] GAMING! 7 Welcome To The Neverhood Doug TenNapel and Mike Dietz take us on a full tour of The Neverhood, a cutting-edge studio which uses claymation to create interactive games. 11 Plus: Mike Dietz explains The Neverhood’s unique stop-motion animation process in detail. 13 Multimedia Down Under Mark Morrison gives us the lowdown on the Australian multimedia world. Despite government support and eager talent, distance and distribution remain two challenges. 18 PlayStation:An Unassuming Jack Why is the Sony PlayStation becoming the most popular home gaming console? Joseph Szadkowski sheds light on their shrewd, and simple, business plan. 22 Tools of the Trade:What Do I Need to Create Interactive Games? Interactive producer Tim Samoff describes his favorite tools for making interactive games. 25 Online Gaming: From Avatars to Wizards Christopher Harz explains how to get started in the new world of cyberspace. 29 MIPCOM Meets MILIA MIPCOM consultant Frederique Doumic answers her most frequently asked questions regarding the merging of the gaming and animation industries. 34 Russia: Gaming for Everybody Natalya Loukinykh gives us an inside look at the potential of Russia’s digital future. 37 1997 Gaming Report:The Best of the Bunch Animation World Magazine’s picks for the top animated games of 1997.