Miles Davis Miles in Tokyo Mp3, Flac, Wma

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Miles Davis Miles In Tokyo mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Miles In Tokyo Country: Japan Released: 1969 MP3 version RAR size: 1513 mb FLAC version RAR size: 1374 mb WMA version RAR size: 1420 mb Rating: 4.7 Votes: 263 Other Formats: AIFF MP1 APE AC3 DTS FLAC MP4 Tracklist Hide Credits 1 Introduction 1:11 If I Were A Bell 2 10:18 Composed By – F. Loesser* My Funny Valentine 3 12:52 Composed By – L. Hart - R. Rodgers* So What 4 8:05 Composed By – M. Davis* Walkin' 5 9:16 Composed By – R. Carpenter* All Of You - Theme And Announcement (12:42) All Of You 6.1 Composed By – C. Porter* 6.2 Theme And Announcement Companies, etc. Manufactured By – CBS/Sony Group Inc. Phonographic Copyright (p) – CBS Inc. Recorded At – Koseinenkin Kaikan Credits Bass – Ron Carter Drums – Tony Williams* Engineer – Kenichi Handa Liner Notes – Takao Ogawa MC [M.C.] – Teruo Isono Photography By [Cover Photo] – Akiyoshi Miyashita Piano – Herbie Hancock Producer [Album] – Kiyoshi Itoh Tenor Saxophone – Sam Rivers Trumpet – Miles Davis Notes Dates recorded & location July 14, 1964, at Kohseinenkin Hall, Tokyo Manufactured by CBS/Sony Group Inc. (Tokyo Japan) Ⓟ CBS Inc. Barcode and Other Identifiers Barcode: 4 988009 514628 Matrix / Runout: DPA-237 3 Mastering SID Code: none Mould SID Code: none Rights Society (MRO): JASRAC Other versions Category Artist Title (Format) Label Category Country Year SONX 60064-R, Miles Miles In Tokyo CBS/Sony, SONX 60064-R, Japan 1969 SONX-60064-R Davis (LP, Album, Gat) CBS/Sony SONX-60064-R Miles In Tokyo Miles Sony SRCS 9112 (CD, Album, Ltd, SRCS 9112 Japan 1996 Davis Records RE, RM, Pap) Miles In Tokyo Miles (Miles Davis Live 35DP 67 CBS/Sony 35DP 67 Japan 1983 Davis In Tokyo) (CD, Album) COL 519508 2, Miles In Tokyo Columbia, COL 519508 2, Miles 5195082001, (CD, Album, RE, Columbia, 5195082001, Europe Unknown Davis 519508 2 RM, RP) Legacy 519508 2 Miles Miles In Tokyo 18AP 2064 CBS/Sony 18AP 2064 Japan 1981 Davis (LP, Album, RE) Related Music albums to Miles In Tokyo by Miles Davis Miles Davis - Complete Live At Plugged Nickel 1965 Miles Davis - The Complete Concert 1964 - My Funny Valentine + Four & More Miles Davis Quintet - Plays It Cool Miles Davis - My Funny Valentine - Miles Davis In Concert Herbie Hancock | Wayne Shorter | Ron Carter | Wallace Roney | Tony Williams - A Tribute To Miles Miles Davis - E.S.P. The Miles Davis Quintet - The Very Best Of The Miles Davis Quintet Miles Davis - 'Four' & More - Recorded Live In Concert Miles Davis - Miles In Berlin Miles Davis Quintet - Milan 1964.

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Miles Davis - Discografia Essenziale 01/07/01
Miles Davis - Discografia essenziale 01/07/01 Anno Titolo Formazione R Note 1950 Birth of the Cool Gruppo 9 el. M 1954 Bags' Groove Monk, Rollins, M. Jackson M Walkin' Sestetto 1 (0) M Blue & Boogie Sestetto 1 M 1955 The New Miles Davis Quintet Quintetto 1 M (1) Miles and Coltrane " M 1956 Relaxin' with the Miles Davis Quintet Quintetto 1 M Workin' Quintetto 1 M Steamin' Quintetto 1 M Cookin' Quintetto 1 M Round Midnight M Music for Brass Ballads M This is Miles: Acoustic side M 1957 Miles Ahead Gil Evans + orch. 19 el. M L'ascensour pour l'Echefaud Form. francese M 1958 Milestones Sestetto 2 M (2) On Green Dolphin Street Sestetto 2 + B.Evans M Porgy & Bess Gil Evans + orch. S Miles and Monk at Newport 1959 Kind of Blue Sestetto 2 + B.Evans S (3) 1960 Sketches of Spain Gil Evans + orch. S Directions 1961 Some Day my Prince will Come Quintetto 1 M Black Hawk Concerts Quintetto 1 Vivo M.D. at Carnegie Hall Orchestra Vivo Live Miles Vivo 1962 Quiet Nights Gil Evans + orch Antologia 1963 Seven Steps to Heaven Hancock, T.Williams M.D. in Europe Europea Fest. Antibes 1964 Four & More Vivo. Phil. Hall (ritm.) My Funny Valentine Vivo. Phil. Hall (class.) Miles in Tokyo Vivo Miles in Berlin Vivo 1965 E.S.P. Quintetto 2 (4) Live at Plugged Nickel Quintetto 2 5LP 1966 Miles Smiles Quintetto 2 1967 Sorcerer Quintetto 2 Nefertiti Quintetto 2 1968 Miles in the Sky Quintetto 2 + J.McLaughin e al. Filles de Kilimanjaro Quintetto 2 Water Babies 1969 In a Silent Way Quintetto 2 + Zawinul, JML Bitches Brew Quintetto 2 + Zawinul, JML 1970 Live-Evil con K.Jarrett Black Beauty Quintetto 2 Vivo Fillmore West Live at Fillmore West Quintetto 2 Tribute to Jack Johnson Quintetto 2 1972 On the Corner Form.
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The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
THE “SECOND QUINTET”: MILES DAVIS, THE JAZZ AVANT-GARDE, AND CHANGE, 1959-68 A DISSERTATION SUBMITTED TO THE DEPARTMENT OF MUSIC AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Kwami Taín Coleman August 2014 © 2014 by Kwami T Coleman. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/vw492fh1838 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Karol Berger, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. MichaelE Veal, Co-Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Heather Hadlock I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Charles Kronengold Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost for Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format.
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Miles Davis Biografia E Discografia
Miles Davis Biografia e Discografia PDF generato attraverso il toolkit opensource ''mwlib''. Per maggiori informazioni, vedi [[http://code.pediapress.com/ http://code.pediapress.com/]]. PDF generated at: Tue, 05 Jan 2010 08:28:28 UTC Indice Voci Miles Davis 1 Discografia di Miles Davis 27 Note Fonti e autori delle voci 31 Fonti, licenze e autori delle immagini 32 Licenze della voce Licenza 33 Miles Davis 1 Miles Davis Miles Davis [1] Ritratto di Miles Davis (foto Tom Palumbo ) Nazionalità Stati Uniti d'America (crea redirect al codice) Genere Jazz Bebop Hard bop Jazz modale Fusion Periodo di attività 1944 - 1975, 1980 - 1991 Album pubblicati 92 Studio 53 Live 32 Raccolte 17 [2] Sito ufficiale miles-davis.com Si invita a seguire lo schema del Progetto Musica « Per me la musica e la vita sono una questione di stile. » [3] (Miles Davis ) Miles Dewey Davis III (Alton, 26 maggio 1926 – Santa Monica, 28 settembre 1991) è stato un compositore, trombettista jazz statunitense, considerato uno dei più influenti, innovativi ed originali musicisti del XX secolo. È molto difficile disconoscere a Davis un ruolo di innovatore e genio musicale. Dotato di uno stile inconfondibile ed una incomparabile gamma espressiva, per quasi trent'anni Miles Davis è stato una figura chiave del jazz e della musica popolare del XX secolo in generale. Dopo aver preso parte alla rivoluzione bebop, egli fu fondatore di numerosi stili jazz, fra cui il cool jazz, l'hard bop, il modal jazz ed il jazz elettrico o jazz-rock. Le sue registrazioni, assieme agli spettacoli dal vivo dei numerosi gruppi guidati da lui stesso, furono fondamentali per lo sviluppo artistico del jazz.
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Blues Symphony in Atlanta Two Years Ago, Wynton Marsalis Embarked on a New Challenge: Fuse Classical Music with Jazz, Ragtime and Gospel
01_COVER.qxd 12/10/09 11:44 AM Page 1 DOWNBEAT DOWNBEAT BUDDY GUY BUDDY // ERIC BIBB // JOE HENRY JOE HENRY // MYRON WALDEN MYRON WALDEN DownBeat.com $4.99 02 FEBRUARY 2010 FEBRUARY 0 09281 01493 5 FEBRUARY 2010 U.K. £3.50 02-27_FRONT.qxd 12/15/09 1:50 PM Page 2 02-27_FRONT.qxd 12/15/09 1:50 PM Page 3 02-27_FRONT.qxd 12/15/09 1:50 PM Page 4 February 2010 VOLUME 77 – NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Contributing Designer Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
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Vývojové Fáze Milese Davise
JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Hudební fakulta Katedra jazzové interpretace Hra na trubku Vývojové fáze Milese Davise Bakalářská práce Autor práce: Petr Harmáček, DiS. Vedoucí práce: Mgr. Jan Přibil, DiS. Oponent práce: Mgr. Juraj Bartoš Brno 2014 Bibliografický záznam HARMÁČEK, Petr. Vývojové fáze Milese Davise. Brno: Janáčkova akademie múzických umění v Brně, Hudební fakulta, Katedra jazzové interpretace, 2014. 33 s. Vedoucí diplomové práce Mgr. Jan Přibil, DiS. Anotace Bakalářská práce na téma Vývojové fáze Milese Davise pojednává o jednotlivých hudebních obdobích, kterými Miles Davis prošel, byl jimi ovlivněn, založil je a inspiroval jimi celý hudební svět. V jednotlivých kapitolách jsou popsána nejvýznamnější období a rozebrány jeho nejznámější sóla a skladby, které byly zaznamenány na hudebních nosičích. Annotation Bachelor thesis on the development phase of Miles Davis discusses the various musical periods, which Miles Davis passed, was influenced by them, is founded and inspired by them throughout the music world. The individual chapters are described and analyzed the most important period of his most famous solos and songs that have been recorded on audio media. Klíčová slova Miles Davis, jazz, bebop, cool jazz, hard bop, kvintet, modální jazz, fusion, jazz – rock, funk, blues Keywords Miles Davis, jazz, bebop, cool jazz, hardbop, quintet, modal jazz, fusion, jazz – rock, funk, blues Prohlášení Prohlašuji, že jsem předkládanou práci zpracoval samostatně a použil jen uvedené prameny a literaturu. V Brně, dne 15. dubna 2014 Petr Harmáček Poděkování Na tomto místě bych rád poděkoval svému vedoucímu práce Mgr. Janu Přibilovi DiS., MgA. Janu Daleckému, také hostujícímu profesorovi Mgr. Juraji Bartošovi a v neposlední řadě své rodině za podporu.
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Stretching Out: Miles Davis' “My Funny Valentine”
Stretching out: Miles Davis’ “My Funny Valentine” as a model for a dynamic jazz composition process Mike Fletcher (Royal Birmingham Conservatoire/BCU) [email protected] BIBLID [2605-2490 (2019), 2; 65-81] Stretching out: Miles Davis’ “My Funny Valentine” as a model for compositional tem- porality in jazz In 1983 Brofsky proposed that a series of three recordings of “My Funny Valentine” by Miles Davis could be understood as representing a type of performative composition process. In this article, I account for a further seven recordings and question the analyti- cal and conceptual basis of Brofsky’s thesis. Keywords: Jazz, jazz composition, improvised solos, creative process, Miles Davis, “My Funny Valentine”. Alargando un solo: “My Funny Valentine” de Miles Davis como ejemplo de temporali- dad en la composición de jazz En el año 1983 Brofsky propuso que una serie de tres grabaciones de “My Funny Valen- tine” de Miles Davis podían ser entendidas como un proceso activo de composición. Este artículo trata de examinar la tesis de Brofsky con respecto a siete grabaciones adicio- nales de Davis para cuestionar factores analíticos y conceptuales del artículo original. Palabras clave: jazz, composición, solos improvisados, proceso creativo, Miles Davis, “My Funny Valentine”. Soloa luzatuz: Miles Davis-en “My Funny Valentine” jazzean konposizio-denborazko- tasunaren eredu gisa Miles Davisen “My Funny Valentine” gaiaren hiru grabazio multzoa konposizio prozesu interpretatibo modura uler daitekeela proposatu zuen Brofsky-k 1983. urtean. Artikulu honetan teoria hori beste zazpi grabazioen erreferentziaz aztertzen da, Brofsky-ren tesiaren alderdi analitiko eta kontzeptualak kuestionatuz. Gako-hitzak: jazza, konposizioa, solo inprobisatuak, sormen-prozesua, Miles Davis, “My Funny Valentine”.
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Tony Williams: Análisis Estílistico En El Quinteto De Miles Davis (1963-1969)
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