Interwar Polish-Jewish Emigration to Palestine
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07101944 NZO.Pd
... - ~ ~ ..... ADDRESS REPLY TO •• •• -rHIE ATTORNEY GENERAL" AND REFER TO INITIALS AND NUMIlER DEPARTMENT OF JUSTICE LAK~'JMM/LN WASHINGTON, D. C. ~ ~Q JUL 1. 0 1944 Yo' '8' j = MEMORANDL1M FOR LAURENCE A. KNAPP CHIEF J FOREIGN AGENTS REGISTRATION SECTION Re: New Zioni~t Organization of America I. Identification The New Zionist Organization of America (55 West 42nd Street, New York City) is the official society in this country of Revisionist Zionists. It is affiliated to a number of similar groups using the name of the New Zionist Organization and working in other countries, and its relationship to the world New Zionist Organization will be discussed in some detail below. Among the officials of the New Zionist Organization of America are: President - Col. Morris J. Mendelsohn Chairman of the Executive Board - B. Netanyahu 'Executive Secretary - Joseph Beder . ., .. - Treasurer - L:>uis Germain~-"'·.J ,- ~.," r-~.. --- \ L.. t:.. \;-. , 'The members!rl,p of the American organization does nOi,\excfd 'one tho.and persons and is pro~1.Y' not more than 500 •., r::~V ,,( " _.~.~t~~, )'0- 'J7;r. ~~~ II. World Organization A. History ~'\\~ ~TERNAL , SEQ.umn. ,.QJ& C",O If 'flO ENIltAu~. (> , -' •• •• - 2 Zionism. Each of these movements have a cormnon aim - the estab lishment of a Jewish political state in Palestine. They differ from each other in the methods which they plan to use for the accomplishment of this aim, and. in the type of membership from which they get support. The first three movements have combined to form the World Zionist Organization. ~~l~ The fourth movement, that of the Revisionist Zionists, although affiliated to the World Zionist Organization for a short period, finally formed an independent structure called the New Zionist Organization in 1935. -
“He Was One of Us” – Joseph Conrad As a Home Army Author
Yearbook of Conrad Studies (Poland) Vol. 13 2018, pp. 17–29 doi: 0.4467/20843941YC.18.002.11237 “HE WAS ONE OF US” – JOSEPH CONRAD AS A HOME ARMY AUTHOR Stefan Zabierowski The University of Silesia, Katowice Abstract: The aim of this article is to show how Conrad’s fiction (and above all the novelLord Jim) influenced the formation of the ethical attitudes and standards of the members of the Polish Home Army, which was the largest underground army in Nazi-occupied Europe. The core of this army was largely made up of young people who had been born around the year 1920 (i.e. after Poland had regained her independence in 1918) and who had had the opportunity to become acquainted with Conrad’s books during the interwar years. During the wartime occupation, Conrad became the fa- vourite author of those who were actively engaged in fighting the Nazi regime, familiarizing young conspirators with the ethics of honour—the conviction that fighting in a just cause was a reward in itself, regardless of the outcome. The views of this generation of soldiers have been recorded by the writers who were among them: Jan Józef Szczepański, Andrzej Braun and Leszek Prorok. Keywords: Joseph Conrad, World War II, Poland, Polish Home Army, Home Army, Warsaw Uprising 1 In order to fully understand the extraordinary role that Joseph Conrad’s novels played in forming the ethical attitudes and standards of those Poles who fought in the Home Army—which was the largest underground resistance army in Nazi-occupied Europe—we must go back to the interwar years, during which most of the members of the generation that was to form the core of the Home Army were born, for it was then that their personalities were formed and—perhaps above all—it was then that they acquired the particular ethos that they had in common. -
Jew Taboo: Jewish Difference and the Affirmative Action Debate
The Jew Taboo: Jewish Difference and the Affirmative Action Debate DEBORAH C. MALAMUD* One of the most important questions for a serious debate on affirmative action is why certain minority groups need affirmative action while others have succeeded without it. The question is rarely asked, however, because the comparisonthat most frequently comes to mind-i.e., blacks and Jews-is seen by many as taboo. Daniel A. Farberand Suzanna Sherry have breached that taboo in recent writings. ProfessorMalamud's Article draws on work in the Jewish Studies field to respond to Farberand Sherry. It begins by critiquing their claim that Jewish values account for Jewish success. It then explores and embraces alternative explanations-some of which Farberand Sheny reject as anti-Semitic-as essentialparts of the story ofJewish success in America. 1 Jews arepeople who are not what anti-Semitessay they are. Jean-Paul Sartre ha[s] written that for Jews authenticity means not to deny what in fact they are. Yes, but it also means not to claim more than one has a right to.2 Defenders of affirmative action today are publicly faced with questions once thought improper in polite company. For Jewish liberals, the most disturbing question on the list is that posed by the comparison between the twentieth-century Jewish and African-American experiences in the United States. It goes something like this: The Jews succeeded in America without affirmative action. In fact, the Jews have done better on any reasonable measure of economic and educational achievement than members of the dominant majority, and began to succeed even while they were still being discriminated against by this country's elite institutions. -
Interpreting Tempo and Rubato in Chopin's Music
Interpreting tempo and rubato in Chopin’s music: A matter of tradition or individual style? Li-San Ting A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2013 ABSTRACT The main goal of this thesis is to gain a greater understanding of Chopin performance and interpretation, particularly in relation to tempo and rubato. This thesis is a comparative study between pianists who are associated with the Chopin tradition, primarily the Polish pianists of the early twentieth century, along with French pianists who are connected to Chopin via pedagogical lineage, and several modern pianists playing on period instruments. Through a detailed analysis of tempo and rubato in selected recordings, this thesis will explore the notions of tradition and individuality in Chopin playing, based on principles of pianism and pedagogy that emerge in Chopin’s writings, his composition, and his students’ accounts. Many pianists and teachers assume that a tradition in playing Chopin exists but the basis for this notion is often not made clear. Certain pianists are considered part of the Chopin tradition because of their indirect pedagogical connection to Chopin. I will investigate claims about tradition in Chopin playing in relation to tempo and rubato and highlight similarities and differences in the playing of pianists of the same or different nationality, pedagogical line or era. I will reveal how the literature on Chopin’s principles regarding tempo and rubato relates to any common or unique traits found in selected recordings. -
I. Historical Background of Antisemitism
I. Historical Background of Antisemitism What is it? 1. The Importance of a Definition The word antisemitism first originated in the 1870’s. Wilhelm Marr coined the term to distinguish between old time Jew-hatred and more modern, political, ethnic or racial opposition to the Jewish people. By definition, antisemitism represents policies, views or actions that harm or discriminate against the Jewish people. The following are examples of traditional forms of anti-Semitism: - Blood libel claims, still prevalent today in the Arab world (eg. Distributing/citing the Protocols of the Elders of Zion as a legitimate document. - Holocaust denial or relativizing the Holocaust. - Placards equating the Star of David with a Nazi Swastika - Equating Zionism with racism or Nazism, thus denying the Jewish people the right to a national liberation movement by condemning the Zionist movement. - Labeling Israel an apartheid state similar to apartheid South Africa. 2. A Historic Overview of Antisemitism The Jews have felt antisemitism for thousands of years throughout the world. It was present during the Middle Ages throughout Europe as well as during the Roman Empire; a time when being a Jew meant being a dissenter against Christianity. Once again, the Jews found themselves in the position of dissenters during the Islamic conquest of the Middle East and North Africa. Later on, during the Enlightenment, a time when dictating the religion people should follow was no longer seen as appropriate, religious and blatant forms of antisemitism in Europe shifted towards a more subtle, and ‘scientific’ brand of antisemitism, expressed notably as political and economic antisemitism. The Jews continued to be singled out, but the premise became economic and political rhetoric rather than religious. -
Paderewski, Ignacy Jan | International Encyclopedia of the First World War
Version 1.0 | Last updated 08 January 2017 Paderewski, Ignacy Jan By Andrzej Chojnowski Paderewski, Ignacy Jan Polish pianist, composer, and politician Born 06 November 1860 in Kurilovka, Russian Empire (today: Ukraine) Died 29 June 1941 in New York City, United States of America Ignacy Jan Paderewski was a virtuoso pianist. He made use of his popularity in the United States and western Europe to propagate the idea of Polish independence and state sovereignty. In 20th century Poland, he became a symbol of patriotism and devotion to the national cause. Table of Contents 1 Beginnings of Artistic Career and Political Activity 2 The First World War 3 An Independent Polish State 4 Final Years Notes Selected Bibliography Citation Beginnings of Artistic Career and Political Activity Ignacy Jan Paderewski (1860-1941) was born into a family of petty landowners. His ancestors participated in the struggle for Polish independence by taking part in the anti-Russian January Uprising (1863–1864). He maintained a firm conviction about the necessity of acting for the sake of the homeland deprived of independence, and this remains his political legacy. Paderewski’s greatest passion, however, was music. In 1887 he debuted on stage, initiating a series of successful concerts Paderewski, Ignacy Jan - 1914-1918-Online 1/4 across Europe and the Americas. Paderewski used his success to establish contact with important politicians and disseminate knowledge about the so-called “Polish question.” He chose to open his concerts with patriotic speeches, and he promoted the works of Frederic Chopin (1810–1849), another Polish composer. He also inserted into his own compositions motifs referring to Polish folk music and events from the history of Poland. -
Poland's Postwar Moral Panic
1 ||| Poland’s Postwar Moral Panic Stanisêaw Kozicki (1876–1958), a prominent politician of the nationalist- right camp, re¶ected in 1932 on the numerous challenges that contemporary Poland faced and offered the following summation: “In addition to every- thing that is going on there [in western Europe after the Great War], we are undergoing a transition from slavery to freedom and are exerting a great ef- fort to organize our own state. Can one really be surprised that the transi- tional period is lasting longer and is more complicated?”1 Though it was unpleasant and troubling, it was natural enough, Kozicki reasoned, for the Second Republic to confront monumental problems on all fronts and at all levels. Commentators like Kozicki moved effortlessly from blaming the lin- gering effects of the partitions for the problems evident in the Second Repub- lic, to blaming the Great War and the subsequent border wars, the political structures of the new state, the ethnic minorities, the international situation and geopolitics. But commentators also impugned something far less tangible and potentially far more explosive: the moral health of the nation. A vocabu- lary of infestation and ¤lth, of healing, good ethics, and moral rigor, was heard frequently in the press of the early independence period as many looked to the moral realm as possessing great explanatory power. In an atmo- sphere of economic uncertainty, social tension, and political animosity, cul- tural and moral visions of newly independent Poland were bound to clash. Bit by bit, the contours of a discursive moral panic developed alongside the political crises, the social unrest and the economic ruin. -
The Rhetoric of the “March of Independence” in Poland (2010
ARTICLES WIELOKULTUROWość… Politeja No. 4(61), 2019, p. 149-166 https://doi.org/10.12797/Politeja.16.2019.61.09 Elżbieta WIącEK Jagiellonian University in Kraków [email protected] ThE RhETORIC OF THE “MARCH OF INDEPENDENCE” IN POLAND (2010-2017) AS THE ANswER FOR THE POLICY OF MULTICULTURALIsm IN EU AND THE REFUGEE CRISIS ABSTRact In 2010, Polish far-right nationalist groups hit upon the idea of establishing one common nationwide march to celebrate National Independence Day in Poland. Since then, the participants have manifested their attachment to Polish tradi- tion, and their anti-multicultural attitude. Much of the debate about multicul- turalism and the emergence of conflictual and socially divisive ethnic groupings has addressed ethical concerns. In contrast, this paper focuses on the semiotic and structural level of the problem. Key words: March of Independence, nationalism, refugees, values, patriotism 150 Elżbieta Wiącek POLITEJA 4(61)/2019 fter Poland’s accession to the European Union in May 2004 new laws on national, Aethnic and linguistic minorities were accepted and put into practice.1 However, cur- rent Polish multiculturalism is different from that of multi-ethnic or immigrant societies such as the UK. Indeed, multiculturalism in contemporary Poland can be seen as a his- torical phenomenon, one linked to the long-lasting ‘folklorisation’ of diversity. For in- stance, although ‘multicultural’ festivals are organised in cities, towns and in borderland regions, all of them refer to past ‘multi-ethnic’ or religiously diversified life. Tolerance is evoked as an old Polish historical tradition. The historical Commonwealth of Poland and Lithuania (1385-1795) was in itself diverse linguistically, ethnically and religiously, and it also welcomed various ethnic and religious minorities, especially Jews. -
JABOTINSKY on CANADA and the Unlted STATES*
A CASE OFLIMITED VISION: JABOTINSKY ON CANADA AND THE UNlTED STATES* From its inception in 1897, and even earlier in its period of gestation, Zionism has been extremely popular in Canada. Adherence to the movement seemed all but universal among Canada's Jews by the World War I era. Even in the interwar period, as the flush of first achievement wore off and as the Canadian Jewish community became more acclimated, the movement in Canada functioned at a near-fever pitch. During the twenties and thirties funds were raised, acculturatedJews adhered toZionism with some settling in Palestine, and prominent gentile politicians publicly supported the movement. The contrast with the United States was striking. There, Zionism got a very slow start. At the outbreak of World War I only one American Jew in three hundred belonged to the Zionist movement; and, unlike Canada, a very strong undercurrent of anti-Zionism emerged in the Jewish community and among gentiles. The conversion to Zionism of Louis D. Brandeis-prominent lawyer and the first Jew to sit on the United States Supreme Court-the proclamation of the Balfour Declaration, and the conquest of Palestine by the British gave Zionism in the United States a significant boost during the war. Afterwards, however, American Zionism, like the country itself, returned to "normalcy." Membership in the movement plummeted; fundraising languished; potential settlers for Palestine were not to be found. One of the chief impediments to Zionism in America had to do with the nature of the relationship of American Jews to their country. Zionism was predicated on the proposition that Jews were doomed to .( 2 Michuel Brown be aliens in every country but their own. -
AC Documents Creation of Israel DBQ Document A
AC Documents Creation of Israel DBQ Document A SOURCE: Torah portion, Lekh L'kha, taken from the Tanakh: The Holy Scriptures. The Jewish Publication Society. Philadelphia, PA. 1985. Genesis 12:1 - 7 1 The Lord said to Abram, Go forth from your native land and from your father's house to the land that I will show you. 2 I will make of you a great nation, And I will bless you; I will make your name great, And you shall be a blessing. 3 I will bless those who bless you And curse him that curses you; And all the families of the earth Shall bless themselves by you." 4 Abram went forth as the Lord had commanded him, and Lot went with him. Abram was seventy-five years old when he left Haran. 5 Abram took his wife Sarai and his brother's son Lot, and all the wealth that they had amassed, and the persons that they had acquired in Haran; and they set out for the land of Canaan. When they arrived in the land of Canaan, 6 Abram passed through the land as far as the site of Shechem, at the terebinth of Moreh. The Canaanites were then in the land. 7 The Lord appeared to Abram and said, "I will assign this land to your heirs." And he built an altar there to the Lord who had appeared to him. AC Documents Creation of Israel DBQ Document B SOURCE: published in the Official Gazette: Number 1; Tel Aviv, 5 Iyar 5708, 14.5.1948. -
Warsaw in Short
WarsaW TourisT informaTion ph. (+48 22) 94 31, 474 11 42 Tourist information offices: Museums royal route 39 Krakowskie PrzedmieÊcie Street Warsaw Central railway station Shops 54 Jerozolimskie Avenue – Main Hall Warsaw frederic Chopin airport Events 1 ˚wirki i Wigury Street – Arrival Hall Terminal 2 old Town market square Hotels 19, 21/21a Old Town Market Square (opening previewed for the second half of 2008) Praga District Restaurants 30 Okrzei Street Warsaw Editor: Tourist Routes Warsaw Tourist Office Translation: English Language Consultancy Zygmunt Nowak-Soliƒski Practical Information Cartographic Design: Tomasz Nowacki, Warsaw Uniwersity Cartographic Cathedral Photos: archives of Warsaw Tourist Office, Promotion Department of the City of Warsaw, Warsaw museums, W. Hansen, W. Kryƒski, A. Ksià˝ek, K. Naperty, W. Panów, Z. Panów, A. Witkowska, A. Czarnecka, P. Czernecki, P. Dudek, E. Gampel, P. Jab∏oƒski, K. Janiak, Warsaw A. Karpowicz, P. Multan, B. Skierkowski, P. Szaniawski Edition XVI, Warszawa, August 2008 Warsaw Frederic Chopin Airport Free copy 1. ˚wirki i Wigury St., 00-906 Warszawa Airport Information, ph. (+48 22) 650 42 20 isBn: 83-89403-03-X www.lotnisko-chopina.pl, www.chopin-airport.pl Contents TourisT informaTion 2 PraCTiCal informaTion 4 fall in love wiTh warsaw 18 warsaw’s hisTory 21 rouTe no 1: 24 The Royal Route: Krakowskie PrzedmieÊcie Street – Nowy Âwiat Street – Royal ¸azienki modern warsaw 65 Park-Palace Complex – Wilanów Park-Palace Complex warsaw neighborhood 66 rouTe no 2: 36 CulTural AttraCTions 74 The Old -
August Zaleski Papers, 1919-1981
http://oac.cdlib.org/findaid/ark:/13030/tf2s2002bg No online items Register of the August Zaleski Papers, 1919-1981 Processed by Michael Jakobson; machine-readable finding aid created by Xiuzhi Zhou Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] © 1998 Hoover Institution Archives. All rights reserved. Register of the August Zaleski 80163 1 Papers, 1919-1981 Register of the August Zaleski Papers, 1919-1981 Hoover Institution Archives Stanford University Stanford, California Contact Information Hoover Institution Archives Stanford University Stanford, California 94305-6010 Phone: (650) 723-3563 Fax: (650) 725-3445 Email: [email protected] Processed by: Michael Jakobson Date Completed: 1989 Encoded by: Xiuzhi Zhou © 1998 Hoover Institution Archives. All rights reserved. Descriptive Summary Title: August Zaleski Papers, Date (inclusive): 1919-1981 Collection Number: 80163 Creator: Zaleski, August, 1883-1972 Collection Size: 29 manuscript boxes, 1 oversize box, 1 envelope (13 linear feet) Repository: Hoover Institution Archives Stanford, California 94305-6010 Abstract: Correspondence, dispatches, memoranda, and reports, relating to interwar Polish diplomacy, conditions in Poland and diplomacy regarding Poland during World War II, and postwar Polish emigre life. Physical Location: Hoover Institution Archives Language: Polish. Access Collection is open for research. The Hoover Institution Archives only allows access to copies of audiovisual items. To listen to sound recordings or to view videos or films during your visit, please contact the Archives at least two working days before your arrival. We will then advise you of the accessibility of the material you wish to see or hear. Please note that not all audiovisual material is immediately accessible.