The Cambridge Companion to Ovid
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Epic and Romance Essays on Medieval Literature W
EPIC AND ROMANCE ESSAYS ON MEDIEVAL LITERATURE W. P. KER PREFACE These essays are intended as a general description of some of the principal forms of narrative literature in the Middle Ages, and as a review of some of the more interesting works in each period. It is hardly necessary to say that the conclusion is one "in which nothing is concluded," and that whole tracts of literature have been barely touched on--the English metrical romances, the Middle High German poems, the ballads, Northern and Southern--which would require to be considered in any systematic treatment of this part of history. Many serious difficulties have been evaded (in Finnesburh, more particularly), and many things have been taken for granted, too easily. My apology must be that there seemed to be certain results available for criticism, apart from the more strict and scientific procedure which is required to solve the more difficult problems of Beowulf, or of the old Northern or the old French poetry. It is hoped that something may be gained by a less minute and exacting consideration of the whole field, and by an attempt to bring the more distant and dissociated parts of the subject into relation with one another, in one view. Some of these notes have been already used, in a course of three lectures at the Royal Institution, in March 1892, on "the Progress of Romance in the Middle Ages," and in lectures given at University College and elsewhere. The plot of the Dutch romance of Walewein was discussed in a paper submitted to the Folk-Lore Society two years ago, and published in the journal of the Society (Folk-Lore, vol. -
The Lives of the Saints
Itl 1 i ill 11 11 i 11 i I 'M^iii' I III! II lr|i^ P !| ilP i'l ill ,;''ljjJ!j|i|i !iF^"'""'""'!!!|| i! illlll!lii!liiy^ iiiiiiiiiiHi '^'''liiiiiiiiilii ;ili! liliiillliili ii- :^ I mmm(i. MwMwk: llliil! ""'''"'"'''^'iiiiHiiiiiliiiiiiiiiiiiii !lj!il!|iilil!i|!i!ll]!; 111 !|!|i!l';;ii! ii!iiiiiiiiiiilllj|||i|jljjjijl I ili!i||liliii!i!il;.ii: i'll III ''''''llllllllilll III "'""llllllll!!lll!lllii!i I i i ,,„, ill 111 ! !!ii! : III iiii CORNELL UNIVERSITY LIBRARY l,wj Cornell Unrversity Library BR 1710.B25 1898 V.5 Lives ot the saints. Ili'lll I 3' 1924 026 082 572 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026082572 THE ilibes? of tlje t)atnt0 REV. S. BARING-GOULD SIXTEEN VOLUMES VOLUME THE FIFTH THE ILities of tlje g)amt6 BY THE REV. S. BARING-GOULD, M.A. New Edition in i6 Volumes Revised with Introduction and Additional Lives of English Martyrs, Cornish and Welsh Saints, and a full Index to the Entire Work ILLUSTRATED BY OVER 400 ENGRAVINGS VOLUME THE FIFTH LONDON JOHN C. NFMMO &-• NEW YORK . LONGMANS, GREEN. CO. MDCCCXCVIll / , >1< ^-Hi-^^'^ -^ / :S'^6 <d -^ ^' Printed by Ballantyne, Hanson &> CO. At the Ballantyne Press *- -»5< im CONTENTS PAGE Bernardine . 309 SS. Achilles and comp. 158 Boniface of Tarsus . 191 B. Alcuin 263 Boniface IV., Pope . 345 S. Aldhelm .... 346 Brendan of Clonfert 217 „ Alexander I., Pope . -
De Episcopis Hispaniarum: Agents of Continuity in the Long Fifth Century
Université de Montréal De episcopis Hispaniarum: agents of continuity in the long fifth century accompagné de la prosopogaphie des évêques ibériques de 400–500 apr. J.-C., tirée de Purificación Ubric Rabaneda, “La Iglesia y los estados barbaros en la Hispania del siglo V (409–507), traduite par Fabian D. Zuk Département d’Histoire Faculté des Arts et Sciences Thèse présentée à la Faculté des études supérieures en vue de l’obtention du grade Maître ès Arts (M.A.) en histoire août 2015 © Fabian D. Zuk, 2015. ii Université de Montréal Faculté des etudes supérieures Ce mémoire intitule: De episcopis Hispaniarum: agents of continuity in the long fifth century présenté par Fabian D. Zuk A été évalué par un jury composé des personnes suivantes : Philippe Genequand, president–rapporteur Christian R. Raschle, directeur de recherche Gordon Blennemann, membre du jury iii In loving memory в пам'ять про бабусю of Ruby Zuk iv TABLE OF CONTENTS Résumé / Summary p. v A Note on Terminology p. vi Acknowledgements p. vii List of Figures p. ix Frequent ABBreviations p. x CHAPTER I : Introduction p. 1 CHAPTER II : Historical Context p. 23 CHAPTER III : The Origins of the Bishops p. 36 CHAPTER IV : Bishops as Spiritual Leaders p. 51 CHAPTER V : Bishops in the Secular Realm p. 64 CHAPTER VI : Regional Variation p. 89 CHAPTER VII : Bishops in the Face of Invasion : Conflict and Contenders p. 119 CHAPTER VIII : Retention of Romanitas p. 147 Annexe I: Prosopography of the IBerian Bishops 400–500 A.D. p. 161 Annexe II: Hydatius : An Exceptional Bishop at the End of the Earth p. -
Geoffrey of Monmouth's De Gestis Britonum and Twelfth-Century
Chapter 8 Geoffrey of Monmouth’s De gestis Britonum and Twelfth-Century Romance Françoise Le Saux Geoffrey of Monmouth’s De gestis Britonum had a long and influential after- life. The work was exploited to endow Anglo-Norman Britain with a founda- tion myth on which to build a common (though not unproblematic) political identity, giving rise to a new historiographical tradition in Latin, French, and English. At the same time, the great deeds of past British kings form a treasure house of narratives, with the figure of King Arthur at the heart of a new literary phenomenon, the Arthurian romance. The entertainment potential of the DGB is flagged up by Geoffrey of Monmouth himself in his prologue, where he sketches a context of oral tradi- tion and popular story-telling “about Arthur and the many others who suc- ceeded after the Incarnation” related “by many people as if they had been entertainingly and memorably written down”.1 The exact nature of this pre-existing narrative tradition is not specified, though the archivolt of the Porta della Peschiera of Modena Cathedral, depicting a scene where Arthur and his knights appear to be attacking a castle to free the captive Winlogee (Guinevere?), is proof of the popularity of tales of Arthur in western Europe by 1120–40.2 The huge success of the DGB therefore reinforced and reshaped an already existing tradition, and as such was instrumental in the flowering of the courtly Arthurian romances of the latter 12th century. Geoffrey of Monmouth made King Arthur enter the Latinate cultural mainstream. -
A History of English Literature MICHAEL ALEXANDER
A History of English Literature MICHAEL ALEXANDER [p. iv] © Michael Alexander 2000 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W 1 P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2000 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 0-333-91397-3 hardcover ISBN 0-333-67226-7 paperback A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 09 08 07 06 05 04 03 02 O1 00 Typeset by Footnote Graphics, Warminster, Wilts Printed in Great Britain by Antony Rowe Ltd, Chippenham, Wilts [p. v] Contents Acknowledgements The harvest of literacy Preface Further reading Abbreviations 2 Middle English Literature: 1066-1500 Introduction The new writing Literary history Handwriting -
The Poems of Dracontius in Their Vandalic and Visigothic Contexts
The Poems of Dracontius in their Vandalic and Visigothic Contexts Mark Lewis Tizzoni Submitted in accordance with the requirements for the degree of Doctor of Philosophy. The University of Leeds, Institute for Medieval Studies September 2012 The candidate confinns that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2012 The University of Leeds and Mark Lewis Tizzoni The right of Mark Lewis Tizzoni to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements: There are a great many people to whom I am indebted in the researching and writing of this thesis. Firstly I would like to thank my supervisors: Prof. Ian Wood for his invaluable advice throughout the course of this project and his help with all of the historical and Late Antique aspects of the study and Mr. Ian Moxon, who patiently helped me to work through Dracontius' Latin and prosody, kept me rooted in the Classics, and was always willing to lend an ear. Their encouragement, experience and advice have been not only a great help, but an inspiration. I would also like to thank my advising tutor, Dr. William Flynn for his help in the early stages of the thesis, especially for his advice on liturgy and Latin, and also for helping to secure me the Latin teaching job which allowed me to have a roof over my head. -
UNGVARY-DISSERTATION-2018.Pdf (2.663Mb)
Verse and Conversion: Poetship, Christianity, and the Transformation of the Roman World, AD 400-700 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Ungvary, David. 2018. Verse and Conversion: Poetship, Christianity, and the Transformation of the Roman World, AD 400-700. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:41129133 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Verse and Conversion: Poetship, Christianity, and the Transformation of the Roman World, AD 400-700 A dissertation presented by David Wilson Ungvary to The Department of the Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of Medieval Latin Harvard University Cambridge, Massachusetts March 2018 © David Wilson Ungvary All rights reserved. Dissertation Advisor: Professor Jan Ziolkowski David Wilson Ungvary Verse and Conversion: Poetship, Christianity, and the Transformation of the Roman World, AD 400-700 Abstract This dissertation presents a cultural history of Christian Latin poetic authorship from the late Roman through the post-imperial period. It analyzes the evolution of Latin verse-writing habits, authorial practices, and routines (i.e. “poetship”) within contemporary Christian discourses surrounding spiritual self-formation, self-presentation, and behavior, and in the context of social and political reconfigurations during the period of Roman imperial transition from roughly AD 400 to 700. -
A Selection of Late Antique Epitaphs
PAUCA TAMEN MEMORANS: A SELECTION OF LATE ANTIQUE EPITAPHS COMMEMORATING YOUNG WOMEN ______________________________________ A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia ___________________________________________________ In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy ________________________________________________ by KRISTIN J. HARPER Dr. Dennis Trout, Dissertation Supervisor JULY 2019 © Copyright by Kristin Harper 2019 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled PAUCA TAMEN MEMORANS: A SELECTION OF LATE ANTIQUE EPITAPHS COMMEMORATING YOUNG WOMEN presented by Kristin Harper, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. _______________________________________________ Professor Dennis Trout _______________________________________________ Professor Raymond Marks _______________________________________________ Professor Marcus Rautman _______________________________________________ Professor Barbara Wallach _______________________________________________ Professor Dennis Kelley To my family, friends, the acro yoga community, the AMS department, and to Minnie and Checkers, for their support. To Patrick, Nicolette, Adam, and Tracy Anne for always talking through my thoughts and helping me formulate my ideas. I would not have been able to complete this without their patience, notes on initial drafts, -
An Introduction to the Medieval English: the Historical and Literary Context, Traces of Church and Philosophical Movements in the Literature
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 8 No. 1; February 2017 Australian International Academic Centre, Australia F l o u r is h i ng Cr ea ti v it y & L it e r ac y An Introduction to the Medieval English: The Historical and Literary Context, Traces of Church and Philosophical Movements in the Literature Esmail Zare Behtash English Language Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Seyyed Morteza Hashemi Toroujeni (Correspondence author) English Languages Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Farzane Safarzade Samani English Language Department, Faculty of Management and Humanities, Chabahar Maritime University, Chabahar, Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.8n.1p.143 Received: 19/10/2016 URL: http://dx.doi.org/10.7575/aiac.alls.v.8n.1p.143 Accepted: 23/01/2017 Abstract The Transition from Greek to medieval philosophy that speculated on religion, nature, metaphysics, human being and society was rather a rough transition in the history of English literature. Although the literature content of this age reflected more religious beliefs, the love and hate relationship of medieval philosophy that was mostly based on the Christianity with Greek civilization was exhibited clearly. The modern philosophical ideologies are the continuation of this period’s ideologies. Without a well understanding of the philosophical issues related to this age, it is not possible to understand the modern ones well. The catholic tradition as well as the religious reform against church called Protestantism was organized in this age. -
The Matter of Britain
The Matter of Britain The Mythological and Philosophical Significance of the British Legends by John J. Davenport Department of Philosophy Fordham University [email protected] In honor of Stephen R. Donaldson Originally composed in 1997 for relatives and friends from the UK, this work has been shared with others since. I make it available to all for any pleasure and insight it may bring. last revised November, 2004 Contents Introduction : The Mystery Part I: The Cycle of Britain 1. Historical Context 2. Archetypal Background 3. Brutus and the Founding of Britain 4. The Paradigmatic Language of Myth and Legend 5. The Development of Arthurian Legend 6. The British Cycle Part II: Themes of the British Legend 7. Spenser's Paean to Arthur 8. The Arthurian Vision 9. The Island Kingdom 10. Impregnable Wierd and the Human Will 11. The Tragic Poignance of Humanity 12. Poignance and the Mark of Mortality 13. The Phenomenology of Poignance Conclusion: Resentiment or Eucatastrophe -- 1 -- The Matter of Britain Introduction Oh England my Lionheart I'm in your garden fading fast in your arms The soldiers soften, the war is over. The air raid shelters are blooming clover; Flapping umbrellas fill the lanes, My London Bridge in rain again... This first stanza of Kate Bush's song, “Lionheart,” evokes a legendary image of ‘Britain' only to relate it to modern imagery, specifically the legacy of World War II. The nostalgic mood, as we learn in the last stanza, reflects a dying soldier’s last vision of the spirit of his country—the desires and symbols native to this land for which he would give his life. -
The Haberdashers' Aske's Boys' School Occasional Papers Series In
1 The Haberdashers’ Aske’s Boys’ School Occasional Papers Series in the Humanities Occasional Paper Number Thirty WHY DID ROME RISE? Christopher Joyce Teacher [email protected] April 2020 A Haberdashers’ Aske’s Occasional Paper. All rights reserved. 2 Haberdashers’ Aske’s Occasional Paper Number Thirty April 2020 All rights reserved WHY DID ROME RISE? Abstract: This essay explores the early centuries of Roman expansion when Rome became the dominant force within the Italian peninsula. It proceeds in four independent stages: 1) the source material; 2) pre-Roman Italy and the foundations of Rome as a political community; 3) Rome’s self- establishment as the head of an alliance in central Italy; and 4) Rome’s rise to become mistress of peninsular Italy. The period covered ranges chronologically over approximately four centuries, from the traditional foundation of Rome in c. 753 BCE on the banks of the river Tiber, to the conclusion of the Third Samnite War in 290 BCE. Its main argument is that Rome’s secret as a successful nascent imperial power lay in the fluidity of her political institutions and national self-awareness, which gave her a cutting-edge advantage over her local Italian rivals and, later, the Hellenistic kingdoms to the east. 1. Preliminaries Writing in the second century BCE, at a time when the cities, tribes and nations inhabiting the Mediterranean basin fell beneath the undisputed mastery of Rome, the Greek historian Polybius set about the formidable task of describing how, over a period of fifty-three years, the city of Rome had risen to become the mistress of the known world.1 Polybius himself was a political hostage from Achaea in southern Greece, private tutor to the young Roman aristocrat Scipio Aemilianus, and erstwhile orator, statesman and activist who had seen the fortunes of his fatherland dwarfed by a rising new power whose first language was not Greek, but Latin. -
When a Knight Meets a Dragon Maiden: Human Identity and the Monstrous Animal Other
When a Knight meets a Dragon Maiden: Human Identity and the Monstrous Animal Other (Detail of ‘Mélusine in the Bath’, illustration to Thüring von Ringoltingen’s Mélusine, 14771) Research Master Thesis Name: Lydia Zeldenrust Student Number: 3440346 Date: 11 July 2011 Supervisor: dr. Katell Lavéant Second Reader: dr. Jelle Koopmans 1 Taken from Françoise Clier-Colombani, La Fée Mélusine au Moyen Age: Images, Mythes et Symboles (Paris: Le Léopard d’Or, 1991), front page and image 15 of the appendix. Acknowledgements I would like to thank several people who have all played a different part in my process of writing this Thesis. Firstly, of course, I would like to thank my supervisor, dr. Katell Lavéant, for all she has done. I would like to express my gratitude and admiration for her daring to take on this topic with me, for her useful feedback, and for all the time she has bestowed upon me. I would naturally also like to thank the second reader, dr. Jelle Koopmans, for being so kind to take on the task. Secondly, I wish to thank dr. Bart Besamusca, not only for being my tutor, but also for being a constant source of support over the past two years. I am happy that he is always willing to listen to my passionate, though perhaps at times somewhat strange, plans and ideas. Finally, I would like to thank several people from outside Utrecht University; dr. Karen Olsen, prof. Simon Gaunt, prof. Karen Pratt, and dr. Sarah Salih, for having helped me with several queries into the world of (medieval) academia, and for allowing me to sit in on their wonderful classes.