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The 28Th Edition of Aria
The newsletter of the Kiri Te Kanawa Foundation ISSUE 28 | DECEMBER 2019 Dame Kiri comments … My seventy-fifth birthday year has been incredibly busy and filled with memorable moments, but when they told me about the move to attach my name to the Concert Hall in the Aotea Centre it took me by complete surprise. Looking back on those 75 years, for me, this has to be the high point of all the high points! 2019 has been another very interesting year for me – full of surprises and memorable experiences, interesting musical projects and lots of contact with young singers being supported by the Foundations. There is so much good news to report – from the UK Foundation’s 12-monthly report, Manase Latu taking out the Australian Singing Competition with Samson Setu CREDIT JOHN SWANNELL close behind and the appointment of two new trustees. Our current singers in the UK are also continuing to Welcome to the 28th perform and study well. edition of Aria I know you will enjoy this 28th edition of Aria. Featured in this issue . Finally I want to thank my Trustees in New Zealand and Gala Concert honours Dame Kiri 2 the UK for their untiring efforts to achieve our goals and News in brief 3 to wish them, all our enthusiastic supporters and the New UK Trustees 4 singers we are currently helping, a very Happy Christmas UK Foundation reflects 4 and New Year! on a busy year Dame Kiri and the Trustees of the Kiri Te Kanawa Foundations extend their very best wishes for a very happy Christmas to all our supporters and their families and the singers that the Foundations are privileged to work with and support. -
Shining the Spotlight on New Talent Independent Opera
Independent Opera Shining the spotlight on new talent INDEPENDENT OPERA AT SADLER’S WELLS 2005–2020 Introduction Message from Wigmore Hall Thursday 15 October 2020, 7.30pm In this period of uncertainty, Independent Opera at Sadler’s It gives me great pleasure to welcome Independent Opera Wells is grateful to be able to present its annual Scholars’ to Wigmore Hall for its fourth showcase event. Now, more Independent Opera Recital at Wigmore Hall. For this final concert in Independent than ever, such opportunities are vital for young singers. Opera’s 15-year history, we are thrilled to bring together We are immensely grateful to Independent Opera for its four talented singers: tenor Glen Cunningham, soprano pioneering work and for its extraordinary commitment Scholars’ Recital Samantha Quillish, bass William Thomas, mezzo-soprano to young artists when they need it most. Tonight’s concert Lauren Young and renowned pianist Christopher Glynn. is a great example of the spirit of Independent Opera and all that it has represented over so many years. I hope Antonín Dvorˇák The four emerging artists you will hear tonight were Glen Cunningham tenor that you all enjoy this concert. Cigánské melodie, Op. 55 selected from Independent Opera’s partner conservatoires: Royal College of Music No. 1 Má písenˇ zas mi láskou zní Royal College of Music, Royal Academy of Music, Guildhall John Gilhooly Director No. 4 Když mne stará matka zpívat School of Music & Drama and Royal Conservatoire of Samantha Quillish soprano Moravian Duets, Op. 38 Scotland. The Independent Opera Voice Scholarships were Royal Academy of Music No. -
The Wedding of Kevin Roon & Simon Yates Saturday, the Third of October
The wedding of Kevin Roon & Simon Yates Saturday, the third of October, two thousand and nine Main Lounge The Dartmouth Club at the Yale Club New York City Introductory Music Natasha Paremski & Richard Dowling, piano Alisdair Hogarth & Malcolm Martineau, piano Welcome David Beatty The Man I Love music by George Gershwin (1898–1937) arranged for piano by Earl Wild (b. 1915) Richard Dowling, piano O Tell Me the Truth About Love W. H. Auden (1907–1973) Catherine Cooper I Could Have Danced All Night from My Fair Lady music by Frederick Loewe (1901–1988) lyrics by Alan Jay Lerner (1918–1986) Elizabeth Yates, soprano Simon Yates, piano Sonnet 116 William Shakespeare (1564–1616) Lilla Grindlay Allemande from the Partita No.4 in D major, BWV 828 Johann Sebastian Bach (1685–1750) Jeremy Denk, piano Prayer of St. Francis of Assisi Eileen Roon from Liebeslieder Op. 52 Johannes Brahms (1833–1897) text by Georg Friedrich Daumer (1800–1875) translations © by Emily Ezust Joyce McCoy, soprano Jennifer Johnston, mezzo-soprano Matthew Plenk, tenor Eric Downs, bass-baritone Alisdair Hogarth & Malcolm Martineau, piano number 8 Wenn so lind dein Auge mir When your eyes so gently und so lieblich schauet, and so fondly gaze on me, jede letzte Trübe flieht, every last sorrow flees welche mich umgrauet. that once had troubled me. Dieser Liebe schöne Glut, This beautiful glow of our love, lass sie nicht verstieben! do not let it die! Nimmer wird, wie ich, Never will another love you so treu dich ein Andrer lieben. as faithfully as I. number 9 Am Donaustrande On the banks of the Danube, da steht ein Haus, there stands a house, da schaut ein rosiges and looking out of it Mädchen aus. -
Les Séjours D'euridice
Automne et hiver euridice opéra 2006-2007 séjours culturels 5 rue du 4 septembre - 13100 Aix-en-Provence Tél. +33 (0) 442 91 33 91 - Fax +33 (0) 442 91 33 90 [email protected] - www.euridice-opera.com heures d’ouverture culturels séjours du lundi au vendredi de 9 h à 12 h et de 14 h à 18 h Agence de voyages, licence n° LI 013 96 00 98 SARL au capital de 108 000 E - R.C.S Aix-en-Provence B 402 294 730 - NAF 633 Z euridice opéra Garantie financière 99 092 E - Deutsche Bank, 3 avenue de Friedland, 75008 Paris RC Professionnelle - Generali France, 5 rue de Londres, 75009 Paris, Police n° 56.204.843.V La quête éternelle du bonheur trouve son apaisement dans la musique… euridice Edito Calendrier . 4 desmatières Table opéra séjours culturels A feuilleter sans modération, voici notre sélection de Les séjours d’Euridice . 6 voyages lyriques pour l’automne et l’hiver 2006. Vous y Envolée luxueuse à Salzbourg et Vienne . 7 trouverez un large choix de séjours individuels inoubliables. Escapade à Valencia et en Andalousie . 8 Nos forfaits répondent à toutes vos exigences et vous Rembrandt à Amsterdam . 10 laissent la plus grande liberté sur place. Ils sont aussi un cadeau idéal pour fêter avec éclat toute grande occasion. Berlin, Staatsoper Unter den Linden, Nous vous proposons : Deutsche Oper . 11 D’excellentes places de spectacle Budapest, Opera . 18 Une sélection des plus beaux hôtels Copenhague, Det Kongelige Teater . 20 Un service personnalisé de qualité Une grande facilité de réservation Dresde, Semperoper . -
Friday 14 February 2020 12:00 Music Through the Night 6:00 Daybreak
Spanish Songs - Alison Balsom (tpt), G450 - Kazuhito Yamashita (gtr), Phil/Daniel Harding (Virgin 5 45480) Gothenburg SO/Edward Gardner Tokyo String Quartet (RCA RD 60421) (EMI 3 53255) CHOPIN: Ballade No 1 in G minor R SMITH: Air Castles - Ryan Smith HILL: String Quartet No 3 in A minor, Op 23 - Krystian Zimerman (pno) (DG (accordian), Robyn Jaquiery (pno) Carnival - Dominion Quartet (Naxos 423 090) 8.570491) PUCCINI: Oh, saro la piu bella! - Tu, VIVALDI: Violin Concerto in G RV310 Friday 14 February 2020 BACH: Keyboard Concerto in G tu, amore? Tu?, from Manon Lescaut - Adrian Chandler (vln/dir), La Wq43/5 - Trevor Pinnock - Kiri Te Kanawa (sop), José Carreras, Serenissima (Avie AV 2106) 12:00 Music Through the (hpschd/dir), English Concert (CRD Orchestra del Teatro Comunale di Night 3311) Bologna/Richard Cheetham (Decca 7.00 ZIPOLI arr Hunt: Elevazione - SZYMANOWSKI: Nocturne & 475 459) Gordon Hunt (ob/dir), Niklass Tarantella Op 28 - Tasmin Little (vln), KOEHNE: Way Out West - Diana HAYDN: Cello Concerto No 2 in D Veltman (cello), Norrköping SO (BIS Piers Lane (pno) (Chandos CHAN Doherty (ob), Sinfonia HobVIIb/2 (3) - Gautier Capuçon CD 5017) 10940) Australis/Mark Summerbell (ABC 980 (cello), Mahler CO/Daniel Harding LISZT transcr Grainger: Hungarian RACHMANINOV: Prelude No 4 in E 046) (Virgin 5 45560) Fantasy S123 - Ivan Hovorun (pno), Minor, Op 32 - Colin Horsley (pno) DUSSEK: Sinfonia in A - Helsinki Royal Northern College of Music (Atoll ACD 442) Baroque Orch/Aapo Häkkinen RACHMANINOV: Symphony No 2 in Wind Orch/Clark Rundell (Chandos -
Mendelssohn Originally Composed the Work to a German Text, but Upon
NZ Choral Federation Wellington Region Presents the May Workshop 2018 Concert Mozart & Handel Solemn Vespers & Zadok the Priest featuring Susanna Andersson Alexandra Woodhouse Appleby Luka Venter William King Conductor Tecwyn Evans pianist Mark Dorrell and the May Workshop Choir Saturday 5 May, 7:30 pm Salvation Army Citadel Vivian Street, Wellington PROGRAMME George Frederic Handel Zadok the Priest Choir Dal fulgor di questa spada Will from Giulio Cesare in Egitto Endless pleasure, endless love Susanna & chorus from Semele Wolfgang Amadeus Mozart Que del ciel, che degli dei from La clemenza di Tito Choir Smanie implacabili Alex from Cosi Fan Tutte Deh vieni non tardar Susanna from Le nozze di Figaro Ah grazie, si rendano Luka from La clemenza di Tito Vesperae solennes de confessore dixit; confitebor; beatus vir; laudate pueri; laudate dominum: magnificat SUSANNA ANDERSSON – SOPRANO: ALEXANDRA WOODHOUSE APPLEBY – MEZZO SOPRANO LUKA VENTER – TENOR WILLIAM KING – BASS TECWYN EVANS Conductor New Zealand-born conductor Tecwyn Evans studied composition and conducting at the University of Otago; and under aFulbright Scholarship, at the University of Lawrence, Kansas. He began his professional conducting career as Chorusmaster of the Glyndebourne Festival Opera, making his operatic debut conducting La Bohème for the Glyndebourne Touring Opera. He was a finalist in the 2005 Leeds’ Conducting Competition and established ongoing relationships with the BBC Philharmonic, BBC National Orchestra of Wales, and the BBC Singers alongside varied orchestral, choral, and operatic work across 10 countries. He has conducted the world premieres of works by Sir John Tavener, Anthony Ritchie and Ross Harris, among others. Tecwyn has appeared with all the major NZ orchestras and arts organisations, and is much in demand as both an adjudicator and conducting tutor. -
News Section
100 Tempo 63 (249) 100–104 © 2009 Cambridge University Press doi:10.1017/S0040298209000291 Printed in the United Kingdom news section Composers diana burrell Concerto for Violin with Singer Notes of premières of new works run from three months and Three Ensembles (première) – 15 June London, before to three months following publication of this issue, Christ Church, Spitalfields (Spitalfields Festival)/ i.e. from 1 April to 30 September 2009. There is therefore Trinity College of Music Contemporary Music a three-month overlap between issues, and omissions and Group. late news for the three ‘following’ months of the current issue will be picked up in the three ‘prior’ months of the jonathan dove There Was a Child (première) – next. News of more distant forthcoming premières is given 2 May Norwich, St Andrew’s Hall / Mary Plazas more briefly; full details will be found in subsequent issues. (sop), Toby Spence (ten), City of Birmingham thomas adès Symphony Orchestra, Norwich Festival Chorus, Lieux Retrouvés (première) – 21 June Hewett School Choir c. David Parry. Piano Quintet Snape Maltings, Aldeburgh Festival / Steven Isserlis (première) – 13 June London, Wilton’s Music Hall (vlc), composer (pno). (Spitalfields Festival) Schubert Ensemble. kalevi aho The Bells, Concerto for saxophone quar- tet and orchestra (première) – 23 April Helsinki / brian elias Doubles (première) – 16 May London, Rascher Quartet, Helsinki PO c. John Storgårds. Barbican / BBC Symphony Orchestra c. Jirˇi Beˇlohlávek. julian anderson Fantasia (UK première) – 19 June Aldeburgh Festival / Pierre-Laurent Aimard (pno), anders eliasson Quo Vadis (première) – 15 May BBC Symphony Orchestra c. George Benjamin. Stockholm / Michael Weinius (ten), Swedish Radio Shir Hashirim (première) – 10 August Tanglewood Choir, Swedish Radio SO c. -
Remembrance a CONCERT
Remembrance A CONCERT SHELDONIAN THEATRE OXFORD SATURDAY 2 JUNE 7.30 PM I. POST-WAR: COMMEMORATION, RECONSTRUCTION, RECONCILIATION Tonight’s concert is the culmination of Post-War: Commemoration, Reconstruction, Reconciliation, a Mellon-Sawyer Seminar Series which has been running at the Univer- sity of Oxford and Oxford Brookes University in 2017–18. It has brought together academics from many different fields, politicians, people who have played a role in peace negotiations and leading figures from cultural policy and the charitable sector. They have been joined by novelists, poets, artists and musicians whose work has marked war in some way. Featured speakers have included author Aminatta Forna, architect Daniel Libeskind and composer Jonathan Dove. The Series has been divided into three strands: Textual Commemoration (Octob er– December 2017), Monumental Commemoration (January–March 2018) and Aural Commemoration (April–June 2018). Each strand was launched by an event featuring an internationally-renowned figure from the arts. These launch events were followed by two panel -led workshops each term. There have also been three events aimed directly at post-graduates: a training day in object-based research methods, a postgraduate forum and a one-day conference. Tonight’s Concert and the Series as a whole have been funded by the Andrew W. Mellon Foundation in memory of John E. Sawyer. Thanks, too, to Villa Maria for its support. The Launch of the Textual Strand: Award- Winning Novelist Aminatta Forna, OBE in Conversation with Professor Elleke Boehmer. Image credit: John Cairns Photography. PROGRAMME SIMON OVER | conductor ANNABEL DRUMMOND | violin ANNA LEESE | soprano JON STAINSBY | baritone TESSA PETERSEN | guest concertmaster CITY CHOIR DUNEDIN (NEW ZEALAND) THE PARLIAMENT CHOIR SOUTHBANK SINFONIA VAUGHAN WILLIAMS | The Lark Ascending AUGUSTA HOLMÈS | La Nuit et l’Amour RAVEL | Le Tombeau de Couperin INTERVAL (20 minutes) ANTHONY RITCHIE | Gallipoli to the Somme (European première) 1. -
Elizabeth Maconchy the Sofa and the Departure
INDEPENDENT OPERA at Sadler’s Wells presents Elizabeth Maconchy The Sofa and The Departure Lilian Baylis Theatre Welcome Messages from Independent Opera It gives me great pleasure to welcome back INDEPENDENT INDEPENDENT OPERA is moving forward in new directions. OPERA at Sadler’s Wells for their second season in our Our artists will present concerts at the Wigmore Hall and at The Sofa Lilian Baylis Theatre. Last year's season was a triumph, the opening of the V&A Jewellery Gallery in the spring of Opera in one act presenting high-quality opera in an intimate setting and 2008. We have also accepted an invitation to revive our giving young artists a platform. This year they are also production of Orlando at the Prague Spring Festival in 2009. providing a rare opportunity to enjoy the work of The October launch of INDEPENDENT OPERA Artist Support is Music by Elizabeth Maconchy Elizabeth Maconchy in these two chamber operas. particularly gratifying. This broad initiative of scholarships Libretto by Ursula Vaughan Williams I applaud the pioneering work of Independent Opera, not and fellowships, available to singers, directors, designers, Freely adapted from Le sofa by Crebillon fils only for its commitment to these annual productions but choreographers and conductors, provides longer-term support also for the extensive fellowship programme that they have in a way that fulfils our goal of encouraging new talent. By arrangement with Chester Music Limited just announced. Details are shown at the back of the programme. I would also like to thank Independent Opera for its Our decision this year to mark Elizabeth Maconchy’s generous support to enable the refurbishment both inside centenary with two of her one-act operas demonstrates our and in the foyer to the Lilian Baylis Theatre, which we hope commitment to a wide range of repertoire. -
Italian Love Songs
ITALIAN LOVE SONGS Anna Leese soprano Stephen De Pledge piano ITALIAN LOVE SONGS VINCENZO BELLINI (1801–1835) TRE ARIETTE In the early months of 1868, Emilio Broglio, Italy’s Minister of Public Education, 1 Il fervido 02’09 announced that the nation’s network of music conservatories should be reformed. 2 Dolente immagine 02’59 The politician, who confessed that he knew nothing about music, wrote to Rossini 3 Vaga luna 03’18 to enlist the elderly composer’s support for his plan, belittling the status of Italian musicians at home and overseas with ill-informed rhetoric: ‘We are reduced to music 4 LA FARFALETTA 02’12 that you cannot listen to, because there is no one left who knows how to sing,’ he 5 MA RENDI 02’24 observed. ‘Since Rossini, that is, for the last forty years, what have we had? Four operas by Meyerbeer and [nothing else]. How can we cure such sterility?’ Broglio’s GIACOMO PUCCINI (1858–1924) broadside misfired. Giuseppe Verdi, whose operas were feted worldwide, was 6 TERRA E MARE 02’36 outraged when he saw a copy of the letter. He made his displeasure known by 7 E L’UCCELLINO 01’33 refusing to accept his appointment by the government as Commander of the Order 8 STORIELLA D’AMORE 06’37 of the Italian Cross, instructing an intermediary to relay his views to the press. ‘As 9 SOLE E AMORE 01’59 for [Broglio’s] … project for the rehabilitation of music … I have nothing to say, and probably never will have,’ the composer noted. -
David POPPER
POPPER Cello Concertos Martin Rummel, Cello Mari Kato, Piano Czech Chamber Philharmonic Orchestra Pardubice Tecwyn Evans David Popper (1843–1913) Cello Concertos The cellist David Popper was born in Prague in 1843, the element in the repertoire of aspirant cellists, while his and recorded here with piano accompaniment, a medium followed by the inevitable dotted rhythms of the rapid final son of the Prague Cantor. He studied the cello there other works include compositions that give an opportunity to which it is well suited. It is introduced by the piano, with movement, recalling elements of the opening. Suggesting under the Hamburg cellist Julius Goltermann, who had for virtuoso display. dotted rhythms that have a continuing part to play in the chamber music rather than a concerto, the work adds to taken up an appointment at the Prague Conservatory in Popper’s Cello Concerto No. 1 in D minor, Op. 8, whole work. The cello enters with a display of double- the series of four concertos that reflect Popper’s growing 1850. It was through Liszt’s then son-in-law, the pianist was published in Mainz in 1871 and dedicated to his stopping and is later to introduce a secondary lyrical maturity as a composer, with music rather than technical and conductor Hans von Bülow, that Popper was former teacher, Julius Goltermann. After two bars of theme. The following short Lento assai , starts in a sombre virtuosity at the heart of the final concerto. recommended in 1863 to a position as Chamber Virtuoso orchestral introduction, the soloist enters with an F major F minor, gradually assuming a more lyrical mood, as it at the court of the Prince Friedrich Wilhelm Konstantin ascending arpeggio, an indication of some harmonic leads, through a short cadenza, to a third movement, Keith Anderson von Hohenzollern, who had had a new residence with a ambiguity. -
Glasgow Season 09/10 City Halls
City Halls Glasgow Season 09/10 bbc.co.uk/bbcsso Donald Runnicles Chief Conductor Ilan Volkov Principal Guest Conductor Stefan Solyom Associate Guest Conductor Jerzy Maksymiuk Conductor Laureate Elizabeth Layton Leader I am delighted to welcome you to the BBC Scottish Symphony Orchestra’s 2009/10 City Halls Thursday Night Series, in my first season as Chief Conductor of this wonderful orchestra. We can promise you a superbly varied musical diet, filled with marvellous music including a few pieces you may not have come across before. I’m joined by a distinguished group of conductors and soloists whose artistry will bring something special to the orchestra’s performances and I’m especially happy that my brilliant predecessor Ilan Volkov maintains his close association with the orchestra as Principal Guest Conductor. We can promise you some exciting music making; I hope you’ll want to join us! Donald Runnicles 2009/2010 Season The BBC Scottish Symphony Orchestra’s BOHEMIAN RHAPSODIES 2009/10 Series is our fourth at City Halls and the first under new Chief Conductor Donald 2009 is the 50th anniversary of the death of Runnicles. These 15 concerts are packed with the Bohemian Czech composer Bohuslav great masterpieces in programmes that also Martinů, and the 20th anniversary of ‘The introduce some new and neglected pieces, Velvet Revolution’ so we take the opportunity making our Thursday night concerts in Glasgow to celebrate the great tradition of Czech music truly fresh and exciting. Our home since in five concerts that include Martinů’s five piano its opening in 2006 after extensive rebuilding, concertos.