News Section

Total Page:16

File Type:pdf, Size:1020Kb

News Section 100 Tempo 63 (249) 100–104 © 2009 Cambridge University Press doi:10.1017/S0040298209000291 Printed in the United Kingdom news section Composers diana burrell Concerto for Violin with Singer Notes of premières of new works run from three months and Three Ensembles (première) – 15 June London, before to three months following publication of this issue, Christ Church, Spitalfields (Spitalfields Festival)/ i.e. from 1 April to 30 September 2009. There is therefore Trinity College of Music Contemporary Music a three-month overlap between issues, and omissions and Group. late news for the three ‘following’ months of the current issue will be picked up in the three ‘prior’ months of the jonathan dove There Was a Child (première) – next. News of more distant forthcoming premières is given 2 May Norwich, St Andrew’s Hall / Mary Plazas more briefly; full details will be found in subsequent issues. (sop), Toby Spence (ten), City of Birmingham thomas adès Symphony Orchestra, Norwich Festival Chorus, Lieux Retrouvés (première) – 21 June Hewett School Choir c. David Parry. Piano Quintet Snape Maltings, Aldeburgh Festival / Steven Isserlis (première) – 13 June London, Wilton’s Music Hall (vlc), composer (pno). (Spitalfields Festival) Schubert Ensemble. kalevi aho The Bells, Concerto for saxophone quar- tet and orchestra (première) – 23 April Helsinki / brian elias Doubles (première) – 16 May London, Rascher Quartet, Helsinki PO c. John Storgårds. Barbican / BBC Symphony Orchestra c. Jirˇi Beˇlohlávek. julian anderson Fantasia (UK première) – 19 June Aldeburgh Festival / Pierre-Laurent Aimard (pno), anders eliasson Quo Vadis (première) – 15 May BBC Symphony Orchestra c. George Benjamin. Stockholm / Michael Weinius (ten), Swedish Radio Shir Hashirim (première) – 10 August Tanglewood Choir, Swedish Radio SO c. Johannes Gustavssohn. Festival, Tanglewood Music Centre Orchestra. The Comedy of Change (première) – 9 September shiva feshereki insistent distortions (première) – Amsterdam, Concertgebouw / Asko Ensemble c. 12 July Cheltenham Festival / National Youth Wind Oliver Knussen. Ensemble, National Youth Chamber Orchestra c. louis andriessen The Hague Hacking (European Philip Scott. première) – 6 June Amsterdam, Concertgebouw, dai fujikura ATOM (première) – 7 April Tokyo, 70th Birthday concert / Katia & Marielle Labèque Suntory Hall / Yomiuri Nippon Symphony (pnos), Asko & Schoenberg Ensembles c. Reinbert de Orchestra c. Tatsuya Shimono. Leeuw; (UK première) – 17 August London, Royal Albert Hall Proms / same soloists, Philharmonia detlev glanert Fluss ohne Ufer (Shoreless River) Orchestra c. Esa-Pekka Salonen. (première) – 19 June Cologne, Philharmonie / tom arthurs And Distant Shore (première) – WDR Sinfonieorchester Köln / Semyon Bychkov; 31 August London, Cadogan Hall Chamber Music (UK première) – 19 August London, Royal Albert Proms / Aronowitz Ensemble. Hall Proms / BBC Symphony Orchestra c. Semyon Bychkov. richard rodney bennett Lilliburlero Variations (première of orchestral version) – 26 July London, philip glass Symphony No. 7 A Toltec Symphony Royal Albert Hall Proms / BBC Philharmonic c. (UK première) – 12 August London, Royal Albert Tecwyn Evans. Hall Proms / BBC Scottish Symphony Orchestra judith bingham and Chorus c. Dennis Russell Davies. See and Keep Silent (première) – 10 April Cambridge, King’s College / BBC Singers c. alexander goehr Stephen Cleobury. Manere (UK première) – 12 July Cheltenham Festival / Nash Ensemble. sir harrison birtwistle The Corridor (première) – 12 June Aldeburgh Festival / Elizabeth Atherton howard goodall Wide World (première) – 23 June (sop), Mark Padmore (ten), London Sinfonietta Gateshead, The Sage & London, Barbican (live link- c. Ryan Wigglesworth. Bogenstrich (UK première) up) / Massed primary choirs from North East, LSO – 5 July Cheltenham Festival / Adrian Brendel, Till Youth Choir, members of Northern Sinfonia & LSO Fellner, Roderick Williams. c. Tim Redmond. Downloaded from https://www.cambridge.org/core. University of Athens, on 28 Sep 2021 at 21:43:08, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298209000291 news section 101 philip grange Cloud Atlas (première) – 12 July david matthews String Quartet No. 11 (première) Cheltenham Festival / National Youth Wind – 17 June London, St Jude’s Hampstead Garden Ensemble, National Youth Chamber Orchestra c. Suburb / Carducci Quartet. Philip Scott. sir peter maxwell davies Three Sanday Places jonathan harvey Sringara Chaconne (première) (première) – 1 July London, St Mary-le-Bow, – 22 April Montreal, University / Nouvel Ensemble Cheapside (City of London Festival) / Shai Wosner Modern c. Lorraine Vaillancourt. (pno). Violin Concerto No. 2 (UK première) stefan heucke liszt – 8 September London, Royal Albert Hall Proms / new version of Concerto pathé- Daniel Hope (vln), Royal Philharmonic Orchestra c. tique for 2 pianos and large orchestra, with cadenza composer. by Heucke (première) – 8 April Stuttgart, Beethoven- Saal / Andreas Grau, Götz Schumacher (pnos), michael nyman The Musicologist Scores (première) Stuttgart PO c. Gabriel Feltz. Der selbstsüchtige Riese – 25 August London, Royal Albert Hall Proms / The Michael Nyman Band c. composer. (première) – 19 April Schwerin, Mecklenburgisches Staatstheater / Mecklenburgische Staatskapelle c. tarik o’regan The Ecstasies Above (UK première) Judith Kubitz. – 7 May Brighton, The Dome / Brighton Festival heinz holliger (S)irató (UK première) – 4 August Chorus, Brodsky Quartet c. James Morgan. London, Royal Albert Hall Proms / BBC National paul patterson Viola Concerto (première) – 13 Orchestra of Wales c. Thierry Fischer. May Hampstead and Highgate Festival / Sarah-Jane toshio hosokawa Chant for cello and orchestra Bradley (vla), Springfest Orchestra c. George Vass. (première) – 30 April Cologne, Philharmonie / steve reich 2 x 5 (première) – 2 July Manchester, Rohan de Saram (vlc), WDR Sinfonietorchester c. Velodrome / Bang on a Can. Emilio Pomárico. Cloud and Light (UK première) – 24 July London, Royal Albert Hall Proms / Mayumi iris ter schiphorst Dislokationen (première) – Miyata (sho¯), Orchestre de Lyon c. Jun Märkl. 3 July Munich, Herkulessaal / Christoph Grund michael jarrell (pno), Bavarian Radio SO c. Martyn Brabbins. Sillages (première of expanded dieter schnebel version) – 3 August London, Royal Albert Hall Haydn-Destillate for piano trio Proms / Emanuel Pahud (fl), François Leleux (ob), (première) – 30 April Eisenstadt, Schloss Esterházy / Paul Meyer (cl), BBC National Orchestra of Wales c. Haydn Trio Eisenstadt. Theirry Fischer. valentin silvestrov Symphony No. 5 (UK oliver knussen Cleveland Pictures (première) – première) – 22 April London, Royal Festival Hall 6 May Cleveland, Ohio / Cleveland Orchestra c. / London Philharmonic Orchestra c. Vladimir composer; (UK première) – 7 August London, Royal Jurowski. Albert Hall Proms / BBC Symphony Orchestra c. augusta read thomas Violin Concerto No. 3, composer. Juggler in Paradise (première) – 9 September London, john mccabe Trio for oboes and cor anglais Royal Albert Hall Proms / Frank Peter Zimmermann (Erinnerung) (première) – 6 June Manchester, Bridge- (vln), BBC Symphony Orchestra c. Jirˇí Beˇlohlávek. water Hall / Sarah Francis & others. Woefully Arrayed mark-anthony turnage Five Views of a Mouth (première) – 11 August Hereford, St Francis Xavier (première); From All Sides (European première) – Church / Stile Antico. Songs of the Garden (première 18 April Glasgow, The Old Fruitmarket / Dietmar of orchestral version) – 13 August Hereford Cathe- Wiesner (fl), BBC Scottish Symphony Orchestra dral / Carys Lane (sop), Philharmonia c. Adrian c. Ilan Volkov. Out of the Black Dust for bras ensem- Partington. Les Martinets Noirs (UK pre m ière) – ble and percussion (première) – 25 May Berlin / 14 August Hereford Cathedral / Orchestra of the Members of the Berlin Philharmonic. Turnage is Swan c. David Curtis. Study No. 12 (Sonata) composing an opera for The Royal Opera in London, (première) – 31 August London, Cadogan Hall based on the story of Anna Nicole Smith. Chamber Music Proms / Ailish Tynan (pno). unsuk chin Cello Concerto (première) – 13 August james macmillan From Ayrshire (première) – 2 July London, Royal Albert Hall Proms / Alban Gerhardt London, St Lukes / Nicola Benedetti (vln), LSO (vlc), BBC Scottish SO c. Ilan Volkov. Players. edgard varèse (d. 1965) Étude pour Espace (arr. chou colin matthews Violin Concerto (première) – wen-chung) (première) – 14 June Amsterdam, 30 September Symphony Hall, Birmingham / Leila Holland Festival / Asko-Schönberg Ensemble, Josefowicz (vln), CBSO c. Oliver Knussen. Cappella Amsterdam c. Peter Eötvös. Downloaded from https://www.cambridge.org/core. University of Athens, on 28 Sep 2021 at 21:43:08, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://doi.org/10.1017/S0040298209000291 102 tempo ryan wigglesworth The Genesis of Secrecy Books Received (première) – 22 July London, Royal Albert Hall (A listing in this column does not preclude a review in a Proms / Choirs from combined Cambridge Colleges, future edition of Tempo) BBC Symphony Orchestra c. Sir Andrew Davis. adrian williams Cornelius Cardew (1936-1981): a life unfinished by John String Quartet No.4 (première) Tilbury. Copula Books, £45.00 (hardback), £30.00 – 28 August Presteigne Festival / Carducci String (paperback). Quartet. ian wilson Roger Sessions: A Biography by Andrea Olmstead. Double Trio for 3 jazz and 3 classical
Recommended publications
  • Press Information Eno 2013/14 Season
    PRESS INFORMATION ENO 2013/14 SEASON 1 #ENGLISHENO1314 NATIONAL OPERA Press Information 2013/4 CONTENTS Autumn 2013 4 FIDELIO Beethoven 6 DIE FLEDERMAUS Strauss 8 MADAM BUtteRFLY Puccini 10 THE MAGIC FLUte Mozart 12 SATYAGRAHA Glass Spring 2014 14 PeteR GRIMES Britten 18 RIGOLetto Verdi 20 RoDELINDA Handel 22 POWDER HeR FAce Adès Summer 2014 24 THEBANS Anderson 26 COSI FAN TUtte Mozart 28 BenvenUTO CELLINI Berlioz 30 THE PEARL FISHERS Bizet 32 RIveR OF FUNDAMent Barney & Bepler ENGLISH NATIONAL OPERA Press Information 2013/4 3 FIDELIO NEW PRODUCTION BEETHoven (1770–1827) Opens: 25 September 2013 (7 performances) One of the most sought-after opera and theatre directors of his generation, Calixto Bieito returns to ENO to direct a new production of Beethoven’s only opera, Fidelio. Bieito’s continued association with the company shows ENO’s commitment to highly theatrical and new interpretations of core repertoire. Following the success of his Carmen at ENO in 2012, described by The Guardian as ‘a cogent, gripping piece of work’, Bieito’s production of Fidelio comes to the London Coliseum after its 2010 premiere in Munich. Working with designer Rebecca Ringst, Bieito presents a vast Escher-like labyrinth set, symbolising the powerfully claustrophobic nature of the opera. Edward Gardner, ENO’s highly acclaimed Music Director, 2013 Olivier Award-nominee and recipient of an OBE for services to music, conducts an outstanding cast led by Stuart Skelton singing Florestan and Emma Bell as Leonore. Since his definitive performance of Peter Grimes at ENO, Skelton is now recognised as one of the finest heldentenors of his generation, appearing at the world’s major opera houses, including the Metropolitan Opera, New York, and Opéra National de Paris.
    [Show full text]
  • The Fukushima Project for Child Composers: an Interview with Dai Fujikura at Muschildren'17
    ÍMPAR Online journal for artistic research in music Vol. 2, Nº 1, 2018 Music for and by children, p. 63-71 ISSN 2184-1993 The Fukushima project for child composers: An interview with Dai Fujikura at Muschildren’17: Sara Carvalho1, INET-md, Departamento de Comunicação e Arte, Universidade de Aveiro, Portugal Filipe Lopes CIPEM/INET-md, uniMAD; Escola Superior de Media Artes e Design do Instituto Politécnico do Porto, Portugal Aoife Hiney INET-md, Departamento de Comunicação e Arte, Universidade de Aveiro, Portugal Abstract: In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA), organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker. Dai Fujikura was interviewed by Sara Carvalho and Filipe Lopes in relation to the project with which he is involved in Japan, namely a composition project for children in Fukushima, Japan. The following interview discusses Dai Fujikura’s own work as a composer and his experiences with the Fukushima project for child composers. Keywords: Dai Fujikura; composition; experimental music; music education; child composers Introduction In November 2017, the international conference Musichildren’17, which took place at the Department of Communication and Art of the University of Aveiro (UA) and was organised by members of the University of Aveiro’s branch of the research centre INET-md (Instituto de Etnomusicologia – Centro de Estudos em Música e Dança), welcomed the Japanese composer and educator Dai Fujikura as a keynote speaker.
    [Show full text]
  • 1973-Iceland.Pdf
    -----=ca=rn=-.....z:-c, wrn=-:- --. n ===N::ll:-cI - .. • ~ en Place I Monday, June 18 I Tuesday, June 19 I Wednesday, Ju'!e 20 I I Thursday, June 21 I Friday, June 22 I Saturday, June 23 1 Sunday, June 24 10.00--12.00 10.00-12.00 10.00-12.00 Hotel General Assembly General Assembly General Assembly Loftleidir (if necessary) 14.00- 16.00 14.00-16.00 General Assembly General Assembly 12.00 Lvric Arts Trio Charpentier: --- The Symphony --- Nordic 17.00 17.00 22.00 House Norwegian Wood- Harpans Kraft Nonvegian jazz Wind Quintet from Sweden Bibalo, Berge, Salmenhaara, W elin, Mortensen, Nordheim - - -·- [_____ - 20.30 20.00 17.00 14.00 14.00 14.00 Miklatun Reception Tenidis, Kopelent TapeMusic Tape Music Tape Music Tape Music T6masson, Hall- Gilboa, Schurink grlmsson, Leifs Lambrecht, 20.00 20.00 17.00 Benhamou, Kim, Lyric Arts Trio German Trio Gaudeamus Tokunaga, Ishii, Doh!, Quartet Thommesen Zender, de Leeuw I Zimmermann, Raxach I Karkoschka, I Lutoslawski Haubenstock- Ramati, Hoffmann I I ---- --- -- - ' Exhibition of scores sent in by sections daily, at Miklatun --- - ISCM --- --- -- Hask6\abi6 21.00 Iceland Symphony Orchestra ThorarinssQn, Mallnes, Stevens, Endres, Gentilucci, Lachenmann, Krauze - - - - - -- -- -- ~ -- - State 17.00 Radio Icelandic Music on Tape - - - --- - --- -- Arnes Recital: Aitken/ Haraldsson I The President of the ISCM The President of the Icelandic Section In whatever way the 1973 Music Day may enter the history of It is a great pleasure for the Icelandic Section of the ISCM the ISCM, surely it will be remembered as the most Northern to receive the delegates of the sister organisations to the General point ever reached by the Society.
    [Show full text]
  • Download Publication
    CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts.
    [Show full text]
  • NMC227-Matthews-Wyastone Booklet-28-04-16.Indd
    Colin Matthews Violin Concerto Cortège Cello Concerto No.2 Leila Josefowicz violin BBC Symphony Orchestra Oliver Knussen conductor Anssi Karttunen cello Rumon Gamba conductor Royal Concertgebouw Orchestra Riccardo Chailly conductor 2 Violin Concerto 20’00 1 Movement 1 10’38 Colin 12 Movement 2 9’22 Leila Josefowicz violin Matthews BBC Symphony Orchestra Oliver Knussen conductor Recorded live by BBC Radio 3 for the BBC Proms 3 Cortège 18’35 Royal Concertgebouw Orchestra Riccardo Chailly conductor Cello Concerto No.2 26’40 4 I Declamation. Sostenuto 4’40 5 II Song without text. Molto sostenuto 4’00 6 III Scherzo. Allegro energico 4’40 7 IV Song without text. Sostenuto 4’09 8 V Resolution. Sostenuto - Vigoroso 9’41 Anssi Karttunen cello BBC Symphony Orchestra • Rumon Gamba conductor Total 66’09 Rumon Gamba appears on this recording with the kind permission of Chandos Records Riccardo Chailly appears courtesy of Decca Music Group photo © Fiona Garden The critic Paul Griffiths, as usual, hits at least one nail on the in 2012, the other, from 2015, And there has, of course, been head. Colin Matthews, he writes, is “… the Isambard Kingdom another restrained work exploring more orchestral music. Traces Brunel of contemporary music: master of great time machines, silence, bring the tally to five. For Remain (2012-13) is an ingenious Claire Booth he has set Rilke in the summoning back and re-imagining steamy with energy derived from pulse and from massive, short cycle The Island (composed of discarded or unfinished fragments surging harmony, and openly displaying their structural in 2007-8, exactly a hundred years of others’ work, primarily the Robert engineering, all finished with a craftsman’s care.” after the words were written), Johnson lute song which may be accompanying soprano with seven all that remains of Shakespeare’s Since the inevitable but helpfully composer, made orchestral versions instruments.
    [Show full text]
  • Friday 14 February 2020 12:00 Music Through the Night 6:00 Daybreak
    Spanish Songs - Alison Balsom (tpt), G450 - Kazuhito Yamashita (gtr), Phil/Daniel Harding (Virgin 5 45480) Gothenburg SO/Edward Gardner Tokyo String Quartet (RCA RD 60421) (EMI 3 53255) CHOPIN: Ballade No 1 in G minor R SMITH: Air Castles - Ryan Smith HILL: String Quartet No 3 in A minor, Op 23 - Krystian Zimerman (pno) (DG (accordian), Robyn Jaquiery (pno) Carnival - Dominion Quartet (Naxos 423 090) 8.570491) PUCCINI: Oh, saro la piu bella! - Tu, VIVALDI: Violin Concerto in G RV310 Friday 14 February 2020 BACH: Keyboard Concerto in G tu, amore? Tu?, from Manon Lescaut - Adrian Chandler (vln/dir), La Wq43/5 - Trevor Pinnock - Kiri Te Kanawa (sop), José Carreras, Serenissima (Avie AV 2106) 12:00 Music Through the (hpschd/dir), English Concert (CRD Orchestra del Teatro Comunale di Night 3311) Bologna/Richard Cheetham (Decca 7.00 ZIPOLI arr Hunt: Elevazione - SZYMANOWSKI: Nocturne & 475 459) Gordon Hunt (ob/dir), Niklass Tarantella Op 28 - Tasmin Little (vln), KOEHNE: Way Out West - Diana HAYDN: Cello Concerto No 2 in D Veltman (cello), Norrköping SO (BIS Piers Lane (pno) (Chandos CHAN Doherty (ob), Sinfonia HobVIIb/2 (3) - Gautier Capuçon CD 5017) 10940) Australis/Mark Summerbell (ABC 980 (cello), Mahler CO/Daniel Harding LISZT transcr Grainger: Hungarian RACHMANINOV: Prelude No 4 in E 046) (Virgin 5 45560) Fantasy S123 - Ivan Hovorun (pno), Minor, Op 32 - Colin Horsley (pno) DUSSEK: Sinfonia in A - Helsinki Royal Northern College of Music (Atoll ACD 442) Baroque Orch/Aapo Häkkinen RACHMANINOV: Symphony No 2 in Wind Orch/Clark Rundell (Chandos
    [Show full text]
  • Challenges, Changes, Achievements a Celebration of Fifty Years of Geography at the University Plymouth Mark Brayshay
    Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University Plymouth Mark Brayshay Challenges, Changes, Achievements A Celebration of Fifty Years Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth Mark Brayshay Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth IV Challenges, Changes, Achievements A Celebration of Fifty Years of Geography at the University of Plymouth MARK BRAYSHAY University of Plymouth Press V VI Paperback edition first published in the United Kingdom in 2019 by University of Plymouth Press, Roland Levinsky Building, Drake Circus, Plymouth, Devon, PL4 8AA, United Kingdom. ISBN 978-1-84102-441-7 Copyright © Mark Brayshay and The School of Geography, Earth and Environmental Sciences, University of Plymouth, 2019 A CIP catalogue record of this book is available from the British Library. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the author and The School of Geography, Earth and Environmental Sciences, University of Plymouth Printed and bound by Short Run Press Limited, Bittern Road, Sowton Industrial Estate, Exeter EX2 7LW This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.
    [Show full text]
  • 7 Questions for Harri Wessman Dante Anarca
    nHIGHLIGHTS o r d i c 3/2016 n EWSLETTE r F r o M G E H r MA n S M U S i KFÖ r L A G & F E n n i c A G E H r MA n 7 questions for Harri Wessman dante Anarca NEWS Rautavaara in memoriam Colourstrings licensed in China Fennica Gehrman has signed an agreement with the lead- Einojuhani Rautavaara died in Helsinki on 27 July at the age ing Chinese publisher, the People’s Music Publishing of 87. One of the most highly regarded and inter nationally House, on the licensing of the teaching material for the best-known Finnish com posers, he wrote eight symp- Colourstrings violin method in China. The agreement honies, vocal and choral works, chamber and instrumen- covers a long and extensive partnership over publication of tal music as well as numerous concertos, orchestral works the material and also includes plans for teacher training in and operas, the last of which was Rasputin (2001–03). China. The Colourstrings method developed byGéza and Rautavaara’s international breakthrough came with his Csaba Szilvay has spread far and wide in the world and 7th symphony, Angel of Light (1994) , when keen crit- is regarded as a first-class teaching method for stringed ics likened him to Sibelius. His best-beloved orchestral instruments. work is the Cantus arcticus for birds and orchestra, for which he personally recorded the sounds of the birds. Apart from being an acclaimed composer, Rautavaara had a fine intellect, was a mystical storyteller and had a masterly command of words.
    [Show full text]
  • Mendelssohn Originally Composed the Work to a German Text, but Upon
    NZ Choral Federation Wellington Region Presents the May Workshop 2018 Concert Mozart & Handel Solemn Vespers & Zadok the Priest featuring Susanna Andersson Alexandra Woodhouse Appleby Luka Venter William King Conductor Tecwyn Evans pianist Mark Dorrell and the May Workshop Choir Saturday 5 May, 7:30 pm Salvation Army Citadel Vivian Street, Wellington PROGRAMME George Frederic Handel Zadok the Priest Choir Dal fulgor di questa spada Will from Giulio Cesare in Egitto Endless pleasure, endless love Susanna & chorus from Semele Wolfgang Amadeus Mozart Que del ciel, che degli dei from La clemenza di Tito Choir Smanie implacabili Alex from Cosi Fan Tutte Deh vieni non tardar Susanna from Le nozze di Figaro Ah grazie, si rendano Luka from La clemenza di Tito Vesperae solennes de confessore dixit; confitebor; beatus vir; laudate pueri; laudate dominum: magnificat SUSANNA ANDERSSON – SOPRANO: ALEXANDRA WOODHOUSE APPLEBY – MEZZO SOPRANO LUKA VENTER – TENOR WILLIAM KING – BASS TECWYN EVANS Conductor New Zealand-born conductor Tecwyn Evans studied composition and conducting at the University of Otago; and under aFulbright Scholarship, at the University of Lawrence, Kansas. He began his professional conducting career as Chorusmaster of the Glyndebourne Festival Opera, making his operatic debut conducting La Bohème for the Glyndebourne Touring Opera. He was a finalist in the 2005 Leeds’ Conducting Competition and established ongoing relationships with the BBC Philharmonic, BBC National Orchestra of Wales, and the BBC Singers alongside varied orchestral, choral, and operatic work across 10 countries. He has conducted the world premieres of works by Sir John Tavener, Anthony Ritchie and Ross Harris, among others. Tecwyn has appeared with all the major NZ orchestras and arts organisations, and is much in demand as both an adjudicator and conducting tutor.
    [Show full text]
  • Notes from Our Composers We Asked Our Composers How They Have Been Doing This Exceptional Spring
    C I D OR N HIGHLIGHTS 2/2020 NEWSLETTER FROM GEHRMANS MUSIKFÖRLAG & FENNICA GEHRMAN Notes from our composers Repertoire tips & new publications Notes from our composers We asked our composers how they have been doing this exceptional spring. What new works are in the pipeline? What music have they been listening to at home? What books have they read, and what TV-series and films do they recommend? These interviews were partly published on Facebook and Instagram during April and May. KALEVI AHO territories in my creativity where light and con- My daily schedule has become very regular dur- solation are to show the way. Then I’m adding ing Covid. In the morning, I compose 1–2 pages. a couple of things to my symphony, some genu- In the afternoon, I’ve been for walks lasting 1–3 inely romantic sections. The symphony, will be hours near home or further afield; sometimes I performed by the Aarhus Symphony Orchestra might spend longer at the most distant points. in Denmark, and by the same orchestra during We have some wonderful outdoor recreation the next Tommie Haglund Festival in Halm- routes near Käpylä, where I live. The Old Town stad, Sweden in April 2021. Bay is a unique nature paradise. Nor are the fine I am currently listening to music by the 17th Paloheinä forests far away, and the Sipoonkorpi century English composer William Lawes, who National Park is only about 20 minutes’ drive by wrote interesting polyphonic music that is im- car. Cecilia and her rabbit Viljo. mensely stimulating to study and listen to.
    [Show full text]
  • Battles Around New Music in New York in the Seventies
    Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis.
    [Show full text]
  • One of the Pleasures of Spitalfields Music's
    “ One of the pleasures of Spitalfields Music’s festivals is their human warmth.” Daily Telegraph, June 2012 “ I will never forget that day – people stood up and they were cheering!” Phoenix School participant, June 2012 Spitalfields Music ANNUAL REVIEW 2011/12 1 WELCOME Welcome to our annual review of prestigious Royal Philharmonic importantly though, participation 2011/12. This was a year of which Society Music Awards with not in the arts is one of the best all those who work in Spitalfields one, but two, awards. ways to develop individuality and Music and all its supporters can creativity, which in turn develop all be proud. Our aim is to stimulate Of course none of this would of those components which make so enthusiastic a response to be possible without the efforts for successful, happy people who the music we provide in our two of a great number of people. achieve things both for themselves Festivals, Summer and Winter, One of the most inspiring things and for others. The risk seems that we can maintain and increase about Spitalfields Music is that it twofold: firstly, of course, that our year-round Learning & all happens through the force of spending in this area is reduced Participation Programme in our collective endeavour. I am grateful to such a level as to endanger the CONTENTS local community in Tower Hamlets. to our 100+ volunteers, our brilliant arts and what they can achieve; We can claim to have gone a long staff team and our many different and secondly that thinking around way to achieving that aim: our supporters, from our three creativity and its value is lost from Festivals were acknowledged to be statutory funders Arts Council public policy.
    [Show full text]