A Comparative Study of the Story of the Stone in English and Mongolian Translations (Chapter One)
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INVERSE TRANSLATION in CHINA: a NECESSARY CHOICE OR a NECESSARY EVIL By
ARTICLES INVERSE TRANSLATION IN CHINA: A NECESSARY CHOICE OR A NECESSARY EVIL By JIASHENG SHI Associate Professor and Director of Translation Department, School of Translation and Interpreting, Jinan University, Zhuhai, China. ABSTRACT Inverse translation has long been seen in the negative light in modern translation studies, and has thus been relegated to a sort of second class endeavour. Based on a brief comparative study of English translations of Wenxin Diaolong1, a Chinese literary classic, this paper argues that inverse translation is as legitimate and feasible as direct translation in China, and that the assessment of quality of translation should be based more on the translator's translation competence and translation strategy than on his or her language affiliation. Keywords: Inverse Translation, Direct Translation, Wenxin Diaolong. INTRODUCTION for translation practice that is conducted from a foreign Inverse translation is “a term used to describe a translation, language into one's mother tongue—if they take into either written or spoken, which is done from the translator's account translation practice at all. This biased stance native language, or language of habitual use” concerning inverse translation is not conducive to the (Shuttleworth & Cowie 1997: 90). It is the opposite of direct development of translation studies, and runs contrary to translation, which refers to the translation done into the translation reality, where translation from one's mother translator's native language, or language of habitual use tongue into a foreign language is possible, permissible and (Shuttleworth & Cowie 1997: 41). Inverse translation is also some times even desirable. named “service translation” (Newmark 1988: 52). -
Enfry Denied Aslan American History and Culture
In &a r*tm Enfry Denied Aslan American History and Culture edited by Sucheng Chan Exclusion and the Chinese Communify in America, r88z-ry43 Edited by Sucheng Chan Also in the series: Gary Y. Okihiro, Cane Fires: The Anti-lapanese Moaement Temple University press in Hawaii, t855-ry45 Philadelphia Chapter 6 The Kuomintang in Chinese American Kuomintang in Chinese American Communities 477 E Communities before World War II the party in the Chinese American communities as they reflected events and changes in the party's ideology in China. The Chinese during the Exclusion Era The Chinese became victims of American racism after they arrived in Him Lai Mark California in large numbers during the mid nineteenth century. Even while their labor was exploited for developing the resources of the West, they were targets of discriminatory legislation, physical attacks, and mob violence. Assigned the role of scapegoats, they were blamed for society's multitude of social and economic ills. A populist anti-Chinese movement ultimately pressured the U.S. Congress to pass the first Chinese exclusion act in 1882. Racial discrimination, however, was not limited to incoming immi- grants. The established Chinese community itself came under attack as The Chinese settled in California in the mid nineteenth white America showed by words and deeds that it considered the Chinese century and quickly became an important component in the pariahs. Attacked by demagogues and opportunistic politicians at will, state's economy. However, they also encountered anti- Chinese were victimizedby criminal elements as well. They were even- Chinese sentiments, which culminated in the enactment of tually squeezed out of practically all but the most menial occupations in the Chinese Exclusion Act of 1882. -
Analysi of Dream of the Red Chamber
MULTIPLE AUTHORS DETECTION: A QUANTITATIVE ANALYSIS OF DREAM OF THE RED CHAMBER XIANFENG HU, YANG WANG, AND QIANG WU A bs t r a c t . Inspired by the authorship controversy of Dream of the Red Chamber and the applica- tion of machine learning in the study of literary stylometry, we develop a rigorous new method for the mathematical analysis of authorship by testing for a so-called chrono-divide in writing styles. Our method incorporates some of the latest advances in the study of authorship attribution, par- ticularly techniques from support vector machines. By introducing the notion of relative frequency as a feature ranking metric our method proves to be highly e↵ective and robust. Applying our method to the Cheng-Gao version of Dream of the Red Chamber has led to con- vincing if not irrefutable evidence that the first 80 chapters and the last 40 chapters of the book were written by two di↵erent authors. Furthermore, our analysis has unexpectedly provided strong support to the hypothesis that Chapter 67 was not the work of Cao Xueqin either. We have also tested our method to the other three Great Classical Novels in Chinese. As expected no chrono-divides have been found. This provides further evidence of the robustness of our method. 1. In t r o du c t ion Dream of the Red Chamber (˘¢â) by Cao Xueqin (˘»é) is one of China’s Four Great Classical Novels. For more than one and a half centuries it has been widely acknowledged as the greatest literary masterpiece ever written in the history of Chinese literature. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
“A Preliminary Discussion of Literary Reform” by Hu Shi
Primary Source Document with Questions (DBQs) “ A PRELIMINARY DISCUSSION OF LITERARY REFORM” By Hu Shi Introduction Beginning around 1917, Chinese intellectuals began to engage each other in serious discussion and debate on culture, history, philosophy, and related subjects — all with an eye to the bigger problem of China’s weakness and the possible solutions to that problem. This period of intellectual debate, labeled the May Fourth Movement, lasted to around 1921. Hu Shi (1891-1962) was one of the leading May Fourth intellectuals. A student of agriculture at Cornell University, and then of philosophy under John Dewey at Columbia University, Hu led the way in the movement to write Chinese in the vernacular, as opposed to the elegant, but (to the average Chinese) incomprehensible classical style. Hu also played a leading role in the cultural debates of the time. The following document represents Hu’s ideas on literary reform. Document Excerpts with Questions (Longer selection follows this section) From Sources of Chinese Tradition: From 1600 Through the Twentieth Century, compiled by Wm. Theodore de Bary and Richard Lufrano, 2nd ed., vol. 2 (New York: Columbia University Press, 2000), 357-360. © 2000 Columbia University Press. Reproduced with the permission of the publisher. All rights reserved. “A Preliminary Discussion of Literary Reform” By Hu Shi I believe that literary reform at the present time must begin with these eight items: (1) Write with substance. (2) Do not imitate the ancients. (3) Emphasize grammar. (4) Reject melancholy. (5) Eliminate old clichés. (6) Do not use allusions. (7) Do not use couplets and parallelisms. -
Beijing, a Garden of Violence
Inter-Asia Cultural Studies ISSN: 1464-9373 (Print) 1469-8447 (Online) Journal homepage: http://www.tandfonline.com/loi/riac20 Beijing, a garden of violence Geremie R. Barmé To cite this article: Geremie R. Barmé (2008) Beijing, a garden of violence, Inter-Asia Cultural Studies, 9:4, 612-639, DOI: 10.1080/14649370802386552 To link to this article: http://dx.doi.org/10.1080/14649370802386552 Published online: 15 Nov 2008. Submit your article to this journal Article views: 153 View related articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=riac20 Download by: [Australian National University] Date: 08 April 2016, At: 20:00 Inter-Asia Cultural Studies, Volume 9, Number 4, 2008 Beijing, a garden of violence Geremie R. BARMÉ TaylorRIAC_A_338822.sgm10.1080/14649370802386552Inter-Asia1464-9373Original200894000000DecemberGeremieBarmé[email protected] and& Article Francis Cultural (print)/1469-8447Francis 2008 Studies (online) ABSTRACT This paper examines the history of Beijing in relation to gardens—imperial, princely, public and private—and the impetus of the ‘gardener’, in particular in the twentieth-century. Engag- ing with the theme of ‘violence in the garden’ as articulated by such scholars as Zygmunt Bauman and Martin Jay, I reflect on Beijing as a ‘garden of violence’, both before the rise of the socialist state in 1949, and during the years leading up to the 2008 Olympics. KEYWORDS: gardens, violence, party culture, Chinese history, Chinese politics, cultivation, revolution The gardening impulse This paper offers a brief examination of the history of Beijing in relation to gardens— imperial, princely, socialist, public and private—and the impetus of the ‘gardener’, in particular during the twentieth century. -
Notes Made in China in May 1990 for the BBC Radio Documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy* Gregory B
Notes made in China in May 1990 for the BBC radio documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy* Gregory B. Lee To cite this version: Gregory B. Lee. Notes made in China in May 1990 for the BBC radio documentary *The Urgent Knocking: New Chinese Writing and the Movement for Democracy*. 2019. hal-02196338 HAL Id: hal-02196338 https://hal-univ-lyon3.archives-ouvertes.fr/hal-02196338 Preprint submitted on 28 Jul 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Gregory B. Lee. URGENT KNOCKING, China/Hong Kong Notebook, May 1990. Notes made in China in May 1990 in connection with the hour-long radio documentary The Urgent Knocking: New Chinese Writing and the Movement for Democracy which I was making for the BBC and which was broadcast on BBC Radio 3 on 4the June 1990 to coincide with the 1st anniversary of the massacre at Tiananmen. My Urgent Knocking notebook is somewhat cryptic. I was worried about prying eyes, and the notes were not made in chronological, or consecutive order, but scattered throughout my notebook. Probably, I was hoping that their haphazard pagination would withstand a cursory inspection. -
Comparing Lu Xun and Joyce: Two Contrasted Modes of Modernism
Paper Number: 109 March 2011 Paralysis and Paranoia: Comparing Lu Xun and Joyce: Two Contrasted Modes of Modernism Tsoi Sze Pang, Pablo Hong Kong Baptist University Pablo Sze-pang Tsoi lectures English language and literature at College of International Education, Hong Kong Baptist University. Tsoi received his PhD in Comparative Literature, on James Joyce and Lacanian psychoanalysis, from The University of Hong Kong. He has previously published (March 2007), in the Series, on Joyce and his Chinese reception, and is currently working on a topic comparing the politics and art of Lu Xun with European modern art, e.g. Munch’s and Kollwitz’s influences on the modern woodcut movement in China that Lu Xun initiated. The authors welcome comments from readers. Contact details: E-mail: [email protected] David C. Lam Institute for East-West Studies (LEWI) Hong Kong Baptist University (HKBU) LEWI Working Paper Series is an endeavour of David C. Lam Institute for East-West Studies (LEWI), a consortium with 28 member universities, to foster dialogue among scholars in the field of East-West studies. Globalisation has multiplied and accelerated inter-cultural, inter-ethnic, and inter-religious encounters, intentionally or not. In a world where time and place are increasingly compressed and interaction between East and West grows in density, numbers, and spread, East-West studies has gained a renewed mandate. LEWI’s Working Paper Series provides a forum for the speedy and informal exchange of ideas, as scholars and academic institutions attempt to grapple with issues of an inter-cultural and global nature. Circulation of this series is free of charge. -
Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
The Becoming Self-Conscious of Zawen”: Literary Modernity and Politics of Language in Lu Xun’S Essay Production During His Transitional Period
Front. Lit. Stud. China 2014, 8(3): 374−409 DOI 10.3868/s010-003-014-0021-6 RESEARCH ARTICLE Xudong ZHANG “The Becoming Self-Conscious of Zawen”: Literary Modernity and Politics of Language in Lu Xun’s Essay Production during His Transitional Period Abstract While Lu Xun’s early works of fiction have long established his literary reputation, this article focuses on the form and content of his zawen essays written several years later, from 1925 to 1927. Examining the zawen from Huagai ji, Huagai ji xubian (sequel), and Eryi ji (Nothing more), the author views these as “transitional” essays which demonstrate an emergent self-consciousness in Lu Xun’s writing. Through close reading of a selection of these essays, the author considers the ways in which they point toward a state of crisis for Lu Xun, as well as a means of tackling his sense of passivity and “petty matters.” This crisis-state ultimately yields a new literary form unique to the era, a form which represents a crucial source of Chinese modernity. From sheer impossibility and a “negating spirit” emerges a new and life-affirming possibility of literary experience. Keywords Lu Xun, zawen, crisis, consciousness, revolution, education, writing Introduction We might say the basic contours of the figure of Lu Xun can ultimately be determined through his zawen writings. A great deal of preparatory work must be done in order to address these zawen in their entirety. Today I will speak of what I deem to be the “transitional phase” of two or three collected zawen works, in order to determine whether several characteristics of Lu Xun’s zawen writings can be summed up therein. -
Hong Lou Meng
Dreaming across Languages and Cultures Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong Dreaming across Languages and Cultures: A Study of the Literary Translations of the Hong lou meng By Laurence K. P. Wong This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Laurence K. P. Wong All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5887-0, ISBN (13): 978-1-4438-5887-8 CONTENTS Preface ....................................................................................................... vi Acknowledgements ................................................................................... ix Note on Romanization ............................................................................... xi Note on Abbreviations .............................................................................. xii Note on Glossing .................................................................................... xvii Introduction ................................................................................................ 1 Chapter One ............................................................................................. -
Private Life and Social Commentary in the Honglou Meng
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History March 2007 Authorial Disputes: Private Life and Social Commentary in the Honglou meng Carina Wells [email protected] Follow this and additional works at: https://repository.upenn.edu/hist_honors Wells, Carina, "Authorial Disputes: Private Life and Social Commentary in the Honglou meng" (2007). Honors Program in History (Senior Honors Theses). 6. https://repository.upenn.edu/hist_honors/6 A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hist_honors/6 For more information, please contact [email protected]. Authorial Disputes: Private Life and Social Commentary in the Honglou meng Comments A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hist_honors/6 University of Pennsylvania Authorial Disputes: Private Life and Social Commentary in the Honglou meng A senior thesis submitted in partial fulfillment of the requirements for Honors in History by Carina L. Wells Philadelphia, PA March 23, 2003 Faculty Advisor: Siyen Fei Honors Director: Julia Rudolph Contents Acknowledgements………………………………………………………………………...i Explanatory Note…………………………………………………………………………iv Dynasties and Periods……………………………………………………………………..v Selected Reign