Tse-Tsung Chow Papers
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Reimagining Revolutionary Labor in the People's Commune
Reimagining Revolutionary Labor in the People’s Commune: Amateurism and Social Reproduction in the Maoist Countryside by Angie Baecker A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Asian Languages and Cultures) in the University of Michigan 2020 Doctoral Committee: Professor Xiaobing Tang, Co-Chair, Chinese University of Hong Kong Associate Professor Emily Wilcox, Co-Chair Professor Geoff Eley Professor Rebecca Karl, New York University Associate Professor Youngju Ryu Angie Baecker [email protected] ORCID iD: 0000-0003-0182-0257 © Angie Baecker 2020 Dedication This dissertation is dedicated to my grandmother, Chang-chang Feng 馮張章 (1921– 2016). In her life, she chose for herself the penname Zhang Yuhuan 張宇寰. She remains my guiding star. ii Acknowledgements Nobody writes a dissertation alone, and many people’s labor has facilitated my own. My scholarship has been borne by a great many networks of support, both formal and informal, and indeed it would go against the principles of my work to believe that I have been able to come this far all on my own. Many of the people and systems that have enabled me to complete my dissertation remain invisible to me, and I will only ever be able to make a partial account of all of the support I have received, which is as follows: Thanks go first to the members of my committee. To Xiaobing Tang, I am grateful above all for believing in me. Texts that we have read together in numerous courses and conversations remain cornerstones of my thinking. He has always greeted my most ambitious arguments with enthusiasm, and has pushed me to reach for higher levels of achievement. -
About the Contributors
About the Contributors Special Forum – Charting Transnational Native American Studies JONI ADAMSON is Associate Professor of English and Environmental Humanities in the School of Letters and Sciences and a Senior Research Scholar at the Global Institute of Sustainability at Arizona State University. She is at work on two new collections, Keywords in the Study of Environment and Culture (NYU Press, forthcoming) and American Studies, Ecocriticism, and Citizenship (Routledge, forthcoming 2012). CHADWICK ALLEN is Associate Professor of English and the Coordinator for the American Indian Studies Program at The Ohio State University. He is the author of Blood Narrative: Indigenous Identity in American Indian and Maori Literary and Activist Texts (Duke University Press, 2002) and Trans-Indigenous: Methodologies for Global Native Literary Studies (University of Minnesota Press, forthcoming 2012) and the submissions editor for the journal SAIL: Studies in American Indian Literatures. JOSEPH BAUERKEMPER is Assistant Professor in the Department of American Indian Studies at the University of Minnesota Duluth where he teaches courses in politics, literature, and law. He previously held postdoctoral fellowships in the American Indian Studies Program at the University of Illinois and the Andrew W. Mellon Program for the study of “Cultures in Transnational Perspective” at the University of California, Los Angeles. PHILIP J. DELORIA is the Carroll Smith-Rosenberg Collegiate Professor in the Departments of History and American Culture at the University of Michigan and Associate Dean for Undergraduate Education in the College of Literature, Science, and the Arts. He is the author of Playing Indian and Indians in Unexpected Places, as well as numerous articles, essays, and reviews. -
China's Last Great Classical Novel at the Crossroads Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Klaipeda University Open Journal Systems 176 RES HUMANITARIAE XIV ISSN 1822-7708 August Sladek – Flensburgo universiteto germanistikos prof. dr. pensininkas. Moksliniai interesai: matematinė lingvistika, lyginamoji filologija, filosofija, ontologija. Adresas: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek – retired professor of Germanistik, Univer- sity of Flensburg. Research interests: mathematical linguistics, comparative philology, philosophy, ontology. Address: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek University of Flensburg CHINA’S LAST GREAT CLASSICAL NOVEL AT THE CROSSROADS OF TRADITION AND MODERNIZATION1 Anotacija XVII a. viduryje parašytas „Raudonojo kambario sapnas“ yra naujausias iš Kinijos ketu- rių didžiųjų klasikos romanų. Tradicinių nusidavimų romanų kontekste jis apima daugybę pasakojimo būdų – realistinį, psichologinį, simbolinį, fantastinį. Parašytas kasdiene kalba (Pekino dialektu), jis tapo svarbus moderniosios, standartinės kinų kalbos (putong hua) formavimo šaltiniu naujojo kultūros judėjimo procese nuo praeito amžiaus 3-iojo dešim- tmečio. Mao Zeddongo labai vertinamam romanui komunistai bandė uždėti „progresyvų“ antspaudą. Romano paslėpta religinė (budizmo) intencija liko nepastebėta nei skaitytojų, nei religijotyrininkų. PAGRINDINIAI ŽODŽIAI: kinų literatūra, klasikinis romanas, tradicija ir modernumas. Abstract “The Red Chamber’s Dream” from the middle of 18th century is the youngest of Chi- nas “Four Great Classical Novels”. In the cloak of traditional story-telling it deploys a 1 Quotations from the novel as well as translations of names and terms are taken from Hawkes & Minford (1973–1986). References to their translation are given by the number of volume (Roman numerals) and of pages (Arabic numerals). -
Booklist Email: [email protected] Tel: 020-6258330 Fax: 020-6205794 0321-1
MING YA BOOKS CO. www.mingyabooks.com Booklist Email: [email protected] Tel: 020-6258330 Fax: 020-6205794 0321-1 Poetry Title Author Publisher Page EURO 100 Ancient Chinese Poems(Abridged Chin. Classical Series) With pinyin + 1 MP3 Zhu Hongda/Wu Jiemin Sinolingua 164 16,95 100 English love poems English-Chinese edition Huang Gaoxin(tr) Commercial Press 295 22,50 100 Modern English poems (Chinese-English edition) Zhang W.Y. Commercial Press 434 21,80 100 Tang Poems (Chin-English-French Ed.) Ying-Fa shuang yi Tang shi 100 shou Xie Baikui Zhongguo Chuban Jituan 200 12,95 100 Tang Poems With Pinyin Chinese Classical Treasury(Chin-Eng Ed.) Zhang Tingchen/Wilson(tr) Zhongguo Chuban Jituan 298 8,50 1000 Character Classic Tan Chee Teik Asiapac Books 252 24,90 300 Tang Poems (Chinese-English edition) Chiang Yee(tr) Far East Book Co. 830 34,95 300 Tang Poems With Pinyin (Chin-Eng Ed) Classified By Theme Xu Yuanchong(tr) Zhongguo Chuban Jituan 376 12,50 500 Opzichters v.500 bibliotheken doven de licht.-Gedicht.uit China,Taiwan,korea Crevel/Idema/Bleyerveld Plantage Uitgeverij 208 13,60 Anthology of popular ancient Chin.poems (Chinese-English edition) Guo Zhuzhuang/Fu Huisheng Wuhan University Press 534 10,20 Art of Writing, The Teachings of the Chinese masters Tony Barnstone/Chou Ping Shambhala Publications 94 18,50 Bai Juyi - Gedichten en proza (Po Tsju-i 772-846) Gekozen, vertaald door Idema WL Bai Juyi/Idema W.L.(tr) Atlas 552 29,95 Beautiful English Lyric Poems (Eng-Chin Edition) Zui mei Ying wen shu qing shi Zhang Zhengyu Foreign Languages Press 310 14,95 Beyond spring-T'zu poems of the Sung Dynasty Landau J. -
Chinese Writing and Calligraphy
CHINESE LANGUAGE LI Suitable for college and high school students and those learning on their own, this fully illustrated coursebook provides comprehensive instruction in the history and practical techniques of Chinese calligraphy. No previous knowledge of the language is required to follow the text or complete the lessons. The work covers three major areas:1) descriptions of Chinese characters and their components, including stroke types, layout patterns, and indications of sound and meaning; 2) basic brush techniques; and 3) the social, cultural, historical, and philosophical underpinnings of Chinese calligraphy—all of which are crucial to understanding and appreciating this art form. Students practice brush writing as they progress from tracing to copying to free-hand writing. Model characters are marked to indicate meaning and stroke order, and well-known model phrases are shown in various script types, allowing students to practice different calligraphic styles. Beginners will fi nd the author’s advice on how to avoid common pitfalls in writing brush strokes invaluable. CHINESE WRITING AND CALLIGRAPHY will be welcomed by both students and instructors in need of an accessible text on learning the fundamentals of the art of writing Chinese characters. WENDAN LI is associate professor of Chinese language and linguistics at the University of North Carolina at Chapel Hill. Cover illustration: Small Seal Script by Wu Rangzhi, Qing dynasty, and author’s Chinese writing brushes and brush stand. Cover design: Wilson Angel UNIVERSITY of HAWAI‘I PRESS Honolulu, Hawai‘i 96822-1888 LI-ChnsWriting_cvrMech.indd 1 4/19/10 4:11:27 PM Chinese Writing and Calligraphy Wendan Li Chinese Writing and Calligraphy A Latitude 20 Book University of Hawai‘i Press Honolulu © 2009 UNIVERSITY OF HAWai‘i Press All rights reserved 14â13â12â11â10â09ââââ6 â5â4â3â2â1 Library of Congress Cataloging-in-Publication Data Li, Wendan. -
Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism
Journal of chinese humanities 3 (���7) �77-�0� brill.com/joch Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism Johannes Kaminski Postdoctoral Researcher, Academia Sinica, Taiwan [email protected] Abstract Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm for Dream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this para- dox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unques- tioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class. Keywords class struggle – Dream of the Red Chamber – Hong Lou Meng – Mao Zedong – On Contradiction literature * I am grateful to the Academia Sinica in Taipei, in particular to the Department of Chinese Literature and Philosophy. Dr. Peng Hsiao-yen’s intellectual and moral support facilitated the research work that went -
China Oxford Newsletter Autumn 2016 #45.Pub
China Oxford Scholarship Fund Autumn 2016 www.chinaoxford.org Oxford Alumni Welcome Inside this Issue: Vice‐Chancellor to China Oxford VC’s visit to China 1 2016—2017 Scholars 2‐5 Corpus Christi’s Fellow Prof. Yang Jingnian 6 Oxford in Autumn by Chiang Yee 7 Make a Donation Today 8 . Alumni and supporters gave Prof. Louise Richardson a warm reception as she made her first visit to China and Hong Kong as Vice‐Chancellor of the University of Oxford. Prof. Richardson’s first stop was in Beijing at the Chang An Club on the 30th August with nearly a hundred peo‐ ple welcoming her to the Chinese capital. Her China reception was followed a few days later on the 1st September in Hong Kong with Oxonians gathering at the Bankers Club in the Landmark Building in Central where alumni had the chance to engage in a Q&A session with the Vice‐Chancellor. Prof. Richardson became the Vice‐Chancellor at 268 the start of this year. Previously, she spent seven years as Principal and Vice‐Chancellor of the University of St. Andrews in Scotland. She Number of COSF received a BA in History from Trinity College in Dublin and an MA in Political Science at UCLA in the US. She also earned her MA and PhD scholarships in Government from Harvard University. Prof. Richardson is a political awarded since 1992 scientist by training specialising in international security issues. Page 2 2016 ‐2017 COSF Scholars Congratulations to the new scholarship recipients for the upcoming academic year. The Fund would like to thank all the benefactors, sponsors and donors for supporting our educational initia‐ tive by making these scholarships possible. -
In Memory of Hu Shi: Friend Or Foe?
In Memory of Hu Shi: Friend or Foe? Biographical Writing on Hu Shi in the PR China Yvonne Schulz Zinda (Hamburg) 1. Introduction Hu Shi 胡適 (1891–1962) is one of the most controversial figures in Chinese discourse on the intellectual history of the Republican era.1 Known as the “he- ro” of the May Fourth Movement, treated as the new Confucius, and even ad- mired by Mao Zedong,2 he became persona non grata during the great anti-Hu Shi campaign of 1954 and 1955. Immediately following the campaign, eight volumes of anti-Hu Shi critiques were published, including an official selection of texts that had been printed in newspapers and journals.3 A further “best of” volume came out in 1959. 4 A different collection of texts was published in 2003,5 which included articles published between 1949 and 1980. Taken to- gether, they are proof of the crucial role anti-Hu Shi critiques played in the formation of the PRC’s academic identity. After the Cultural Revolution, how- ever, Hu Shi was rediscovered and re-evaluated. This paper will examine the impact of the anti-Hu Shi campaign in 1954 and 1955 on the production of later biographical writing on Hu Shi, and its role in the formation of a collective memory. First, the biographical data available in the eight volumes of anti-Hu Shi critiques will be used to paint a biographical portrait of him. The analysis will focus on recurring themes in the discussions of Hu’s academic achievements, and his political positions on crucial historical events. -
The Dreaming Mind and the End of the Ming World
The Dreaming Mind and the End of the Ming World The Dreaming Mind and the End of the Ming World • Lynn A. Struve University of Hawai‘i Press Honolulu © 2019 University of Hawai‘i Press This content is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license (CC BY-NC-ND 4.0), which means that it may be freely downloaded and shared in digital format for non-commercial purposes, provided credit is given to the author. Commercial uses and the publication of any derivative works require permission from the publisher. For details, see https://creativecommons.org/licenses/by-nc-nd/4.0/. The Creative Commons license described above does not apply to any material that is separately copyrighted. The open-access version of this book was made possible in part by an award from the James P. Geiss and Margaret Y. Hsu Foundation. Cover art: Woodblock illustration by Chen Hongshou from the 1639 edition of Story of the Western Wing. Student Zhang lies asleep in an inn, reclining against a bed frame. His anxious dream of Oriole in the wilds, being confronted by a military commander, completely fills the balloon to the right. In memory of Professor Liu Wenying (1939–2005), an open-minded, visionary scholar and open-hearted, generous man Contents Acknowledgments • ix Introduction • 1 Chapter 1 Continuities in the Dream Lives of Ming Intellectuals • 15 Chapter 2 Sources of Special Dream Salience in Late Ming • 81 Chapter 3 Crisis Dreaming • 165 Chapter 4 Dream-Coping in the Aftermath • 199 Epilogue: Beyond the Arc • 243 Works Cited • 259 Glossary-Index • 305 vii Acknowledgments I AM MOST GRATEFUL, as ever, to Diana Wenling Liu, head of the East Asian Col- lection at Indiana University, who, over many years, has never failed to cheerfully, courteously, and diligently respond to my innumerable requests for problematic materials, puzzlements over illegible or unfindable characters, frustrations with dig- ital databases, communications with publishers and repositories in China, etcetera ad infinitum. -
Tea in the Story of the Stone: Meaning and Function
『 ICU比較文化』39〔2007〕 ICU Comparative Culture Article accepted December 7, 2007 No.39 [2007], pp. 83-118 Tea in The Story of The Stone: Meaning and Function ZHAN, Haiyan This article examines tea scenes in the eighteenth century classic The Story of The Stone or A Dream of Red Chambers (Hong Rou Meng). As a novel of manners portraying habits, modes and manners of contemporary life, it provides a panoramic view of Qing Chinese society through depiction of four aristocratic families. Tea features in many scenes, ubiquitous as it was in contemporary Chinese life. Tea serves to switch topics, foretell hints in the development of the plot, and tell stories that words on the pages cannot. Paying attention to the role of tea helps to understand characters in the novel through small details in their lives and provides insight into a deeper world of hidden and suppressed feeling. To know tea gives us a clearer understanding of individual situations. Tea is also an effective medium building invisible bridges to connect segregated groups of people or ideas, and to propel the development of the plot to produce unexpected results and contrasts. The Book of The Story of The Stone and its Tea Scenes Cao Xueqin (1715-1763), author of The Story of The Stone, is considered to be one of the greatest novelists China has produced, but little is known of his life. An unconventional and versatile man, he came from an eminent and wealthy family which suffered a reversal of fortune in 1728 after the death of the Kangxi Emperor and a power struggle between his sons. -
The Embodied Art: an Aesthetics of Chinese Calligraphy
The Embodied Art: An Aesthetics of Chinese Calligraphy A thesis submitted in partial fulfilment of the requirements for the Degree of Doctor of Philosophy in Art History and Theory at the University of Canterbury by Xiongbo Shi UNIVERSITY OF CANTERBURY 2017 Abstract This thesis uses present-day aesthetic terminology to elucidate traditional Chinese calligraphic theories. It examines four aspects of Chinese calligraphy: (1) the calligraphic artwork, specifically stone inscriptions, sutra transcriptions, and letters, all of which underwent transformations from utilitarian writings to artistic calligraphy works; (2) calligraphic xing (form) and its dependence on shi (force; dynamic configuration); (3) calligraphic creation as a psychosomatic process, that is, the coordination between the mind (xin) and the hand (shou); and (4) appreciation of Chinese calligraphy is identified with the Confucian value of de (virtue), and the process of reconstructing the calligrapher’s creation of the work. ii Contents iv Acknowledgements v List of Illustrations vii Notes to the Reader 1 Introduction PART 1 Calligraphic Work and Form 18 Chapter 1 Casual Letters from Famous Calligraphers are Sure to be Treasured (chidu bi zhen 尺牘必珍) 45 Chapter 2 Calligraphic Xing and Shi are Mutually Reflected (xingshi xiangyin 形勢相映) PART 2 Calligraphic Practice and Creation 69 Chapter 3 Being a Disciple of the Past (yu gu wei tu 與古為徒) 86 Chapter 4 Mind and Hand Acting in Harmony (xin shou shuang chang 心手雙暢) PART 3 Calligraphic Evaluation and Appreciation 154 Chapter 5 Calligraphy Mirrors the Calligrapher (shu ru qiren 書如其人) 182 Chapter 6 Calligraphic Appreciation is Like One Witnessed the Creation (ming ru qin du 明如親睹) 220 Conclusion 224 Appendix: Zhang Yinlin: A Preface to Chinese Calligraphy Criticism (1931) 261 Glossary 265 Bibliography iii Acknowledgements I am deeply grateful to my supervisors, Dr Richard Bullen and Professor Paul Millar, whose guidance, support, and encouragement has meant a great deal. -
The English Translation of Chinese Calligraphic Culture
Lingnan University Digital Commons @ Lingnan University All Open Access Theses and Dissertations Theses and Dissertations 7-20-2018 Re-conceptualizing foreignness : the English translation of Chinese calligraphic culture Ge SONG Follow this and additional works at: https://commons.ln.edu.hk/otd Part of the Translation Studies Commons Recommended Citation Song, G. (2018). Re-conceptualizing foreignness: The English translation of Chinese calligraphic culture (Doctor's thesis, Lingnan University, Hong Kong). Retrieved from https://commons.ln.edu.hk/otd/29/ This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ Lingnan University. It has been accepted for inclusion in All Open Access Theses and Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. RE-CONCEPTUALIZING FOREIGNNESS THE ENGLISH TRANSLATION OF CHINESE CALLIGRAPHIC CULTURE SONG GE PHD Lingnan University 2018 RE-CONCEPTUALIZING FOREIGNNESS THE ENGLISH TRANSLATION OF CHINESE CALLIGRAPHIC CULTURE by SONG Ge A thesis submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in Translation Lingnan University 2018 ABSTRACT Re-conceptualizing Foreignness The English Translation of Chinese Calligraphic Culture by SONG Ge Doctor of Philosophy Foreignness is one primary concern of Translation Studies. Chinese calligraphy, with its unique aesthetic pursuits and cultural underpinnings, presents an unusual case of foreign otherness in relation to the English language. Thus, theories derived from the translation of Chinese calligraphic culture into English can contribute to our existing knowledge of the nature of translation.