Rights Catalog University of Texas Press | Index by Title | Aaron Siskind, Siskind

2fall & winter 014 | rights catalog university of texas press | Index by Title | Aaron Siskind, Siskind . .10 –13 Contents Architectural Vessels of the Moche, Wiersema . . . . .80 –81 Books for the Trade ...... 4–41 Argentine, Mexican, and Guatemalan Photography, Trade Backlist ...... 42–43 Foster ...... 60 – 61 Bazin on Global Cinema, General Interest ...... 44–55 1948–1958, Bazin . . . . .82–83 Becoming Belafonte, Books for Scholars ...... 56–93 Smith ...... 30 –31 Scholars Backlist ...... 94–95 Being Miss America, Shindle ...... 14 –15 New in Paper ...... 96–103 Beyond the Forest, Kantor ...... 38–41 Texas on Texas ...... 104–119 Breaking Out of Beginner’s Spanish (20th anniversary Texas Backlist ...... 120–121 edition), Keenan . . . . . 34–35 Sales Information ...... 122 Bronx Boys, Shames . . . 16–19 The Casa del Deán, Sales Representatives ...... 122–123 Morrill ...... 62–63 Children of Afghanistan, Staff List ...... 124–125 Heath & Zahedi ...... 86 Index by Author ...... 125 The Cinema of Robert Rodriguez, Aldama ...... 85 Rights Information ...... 126 Cinema, Slavery, and Brazilian Nationalism, Gordon . . . . . 84 Competitive Archaeology in Handbook of Latin American The Murals of Cacaxtla, Jordan, Corbett ...... 88 Studies, No. 69, Brittenham ...... 72–75 Courage, Resistance, and McCann & North ...... 66 Women in Ciudad Juárez, Naturally Healthy Mexican Staudt & Méndez ...... 71 Impunity, Human Rights, Cooking, Peyton ...... 36–37 A Cuban in Mayberry, and Democracy, Wright . . . 67 North Africa, Revised Edition, Pérez Firmat ...... 46–47 Into the Field, Dahlby . .50 –51 Naylor ...... 90 The Devil’s Backbone, Jack Allen’s Kitchen, Queer Beirut, Merabet . . . .89 Wittliff ...... 20–23 Gilmore & Dupuy . . . .114 –117 Discovering the Olmecs, Red State, Thorburn ...... 119 Grove ...... 76–77 José Martí, López . . . . .48–49 The Restoration of the Roman Domestic Disturbances, Kurdish Awakening, Forum in Late Antiquity, Mata ...... 70 Bengio ...... 87 Kalas ...... 92–93 Willie Nelson by Michael O’Brien. From The Face of Texas by Michael O’Brien and Elizabeth O’Brien. The Educator’s Guide to Texas The Making of Gone With The Texas on the Table, Thompson- School Law (eighth edition), Wind, Wilson ...... 6–9 Anderson ...... 106–109 We live in an information-rich world. As a publisher of international scope, the University of Texas Walsh et al...... 118 Mario Vargas Llosa, Up Against the Wall, Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around The Face of Texas, O’Brien & O’Brien . . . .110 –113 Williams ...... 68 Casey & Watkins ...... 69 the globe by identifying the most valuable and relevant information and publishing it in books, journals, and The Family Jewels (updated Miguel Covarrubias, Georgia What Makes a Man?, digital media that educate students; advance scholarship in the humanities and social sciences; and deepen edition), Prados ...... 32–33 O’Keeffe Museum ...... 26–29 al-Daif & Helfer ...... 55 humanity’s understanding of history, current events, contemporary culture, and the natural environment. The Fate of Earthly Things, Modern Architecture Who’s Afraid of Meryl Streep?, Bassett ...... 78–79 in Latin America, al-Daif ...... 54 The Flatlanders, Davis . .24–25 Carranza & Lara . . . . . 58–59 With the Saraguros, Foodways and Daily Life Mr. America, Fair . . . . 52–53 Syring ...... 64 in Medieval Anatolia, Trépanier ...... 91 Copyright © 2014 by the University of Texas Press. All rights reserved. Guatemala-U.S. Migration, Front cover photo: Illustration by Jack Unruh. From The Devil’s Backbone by Bill Wittliff. university of texas press Jonas & Rodríguez ...... 65 Catalog design by Simon Renwick books for the trade

Photo from Bronx Boys by Stephen Shames | film and media studies |

Rights: UT Press and the Harry Ransom Center control all Permissions: some image permissions needed More than 600 rarely seen items from the David O. Sel- znick archive—including on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, restored costumes, and Selznick’s infamous memos—offer fans and film historians alike a must-have behind-the-camera view of the production of this classic movie on its seventy-fifth anniversary

Harry Ransom Center The Making of Gone With The Wind By Steve Wilson Foreword by Robert Osborne

Gone With The Wind is one of the most popular movies of all time. To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic. Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. There were serious concerns about how the film would depict race and violence in the Old South during the Civil War and Reconstruction. While Clark Gable was almost everyone’s choice to play Rhett Butler, there was no clear favorite for Scarlett O’Hara. And then there was the huge challenge of turning Marga- ret Mitchell’s Pulitzer Prize–winning epic into a manageable screenplay and producing it at a reasonable cost. The Making of Gone With The Wind tells these and other surprising stories with fascinating items from the Selznick archive, including

6 University of Texas Press | fall 2014 University of Texas Press | fall 2014 7 on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, gowns worn by Vivien Leigh as Scarlett, and Selznick’s own notoriously detailed memos. This inside view of the decisions and creative choices that shaped the production reaffirm that Gone With The Wind is perhaps the quintessential film of Hollywood’s Golden Age and illustrate why it remains influential and controversial decades after it was released.

STEVE WILSON Copublished with the Austin, Texas Harry Ransom Center at the University of Texas

Wilson is the curator of the film col- (FACING, TOP LEFT) Fanny Elsing: “. . . tearing from her at Austin curls the seed pearl ornaments set in heavy gold . . .” lection at the Harry Ransom Center (p. 185).

(FACING, TOP MIDDLE) Aunt Pittypat’s mourning dress: at the University of Texas at Austin. “Stout, pink cheeked and silver haired . . . too tightly release date | september laced stays . . . too small slippers” . . . (p. 156). He has curated several exhibitions 11 x 11 inches, 352 pages, 628 color (FACING, TOP RIGHT) Design for an unidentified at the Ransom Center, including character. and b&w illustrations (FACING, BOTTOM LEFT) Gerald O’Hara: “A small man . . . heavy of barrel and thick of neck . . . short sturdy Shooting Stars, a display of Hol- legs . . . finest leather boots . . . sixty years old . . . crisp curly hair, silver white . . . hard little blue eyes . . . lywood glamour photography, and ISBN 978-0-292-76126-1 cravat which had slipped awry” (p. 29).

(FACING, BOTTOM MIDDLE) India Wilkes: “Could be Making Movies, a major exhibition $50.00 | £33.00 | C$62.50 described by no other word than plain” (p. 96). “Hair untidy . . . pale hair and eye lashes . . . jutting chin” on film production. hardcover (p. 97). (FACING, BOTTOM RIGHT) One of several designs for Mammy.

(ABOVE) Suellen’s dress for the prayer scene.

(RIGHT) The burgundy ball gown Scarlett O’Hara wore to Ashley’s birthday party.

Top: Costume sketches and a gown worn by Vivien Leigh. Bottom: Screen test of Hattie McDaniel.

Production storyboards for the Burning of Atlanta scene.

8 University of Texas Press | fall 2014 University of Texas Press | fall 2014 9 | photography |

Aaron Siskind Aaron Siskind Introduction by Gilles Mora Text by Charles Traub

Rights: Editions Hazan controls all

The first true retrospective of a towering figure in Ameri- can photography and the only book on Aaron Siskind currently in print, this volume features important, rarely published work and an authoritative text by noted photo historian Gilles Mora

Aaron Siskind (1903–1991) was a major figure in the history of American photography. A leading documentary photographer who was active in the New York Photo League in the 1930s, Siskind moved beyond the social realism of his early work as he increasingly came to view photography as a visual language of signs, metaphors, and symbols—the equivalent of poetry and music. Through the forties and fifties, he developed new techniques to photograph details and frag- ments of ordinary, commonplace materials. This radical new work transformed Siskind’s image-making from straight photography to abstraction, from documentation to expressive art. His concern with shape, line, gesture, and the picture plane prompted immediate comparison with abstract expressionist painting, particularly with the art of Franz Kline and Robert Motherwell. It took some years for Siskind’s unprecedented photography to gain full acceptance, but, by the 1970s, he was an acknowledged master, publishing and exhibiting widely. Aaron Siskind presents the first complete retrospective of this legendary photographer. It highlights important, rarely published San Luis Potosi 16 (1956)

10 University of Texas Press | fall 2014 University of Texas Press | fall 2014 11 Harlem Document (1932–1940) bodies of work from Harlem; from Bucks County architecture; and GILLES MORA from the “Tabernacle,” “Gloucester,” “Martha’s Vineyard,” “Louis Montpellier, France Sullivan,” and “Pleasures and Terrors of Levitation” photo series. The Mora is the author of studies of book also includes an introduction by Gilles Mora, an expert on modern Walker Evans, Edward Weston, and American photography, and texts by critic and photographer Charles W. Eugene Smith and the artistic director of the Pavillon Populaire in Traub. This study, based on the Siskind archives at the Center for Cre- Montpellier. ative Photography and supported by the Aaron Siskind Foundation, fills a resounding editorial void around one of the most challenging and im- CHARLES TRAUB portant figures in the art of American photography. New York, New York Traub is President of the Aaron Siskind Foundation.

Copublished with Editions Hazan, Paris, and the Center for Creative Photography release date | october 10 x 12 inches, 200 pages, 150 duotone photographs

ISBN 978-0-292-76291-6 $65.00 | C$82.00 hardcover Pleasures and Terrors of Levitation (1956) For sale in the United States, its dependencies, and Canada only Self-portrait (c. 1967)

12 University of Texas Press | fall 2014 University of Texas Press | fall 2014 13 | american studies | Gender Studies, Popular Culture

Rights: Sterling Lord Literistic controls all From the book

Kate Shindle weaves an engrossing memoir of her year as As the platform issue became more dominant, some of the pag- Miss America 1998 with a fascinating, insightful history eant faithful began to express displeasure with what they saw as of the pageant to reveal why confident, ambitious young women still compete in a beauty contest that struggles to a new breed of winner: savvy and well-spoken above all, worldly, remain culturally relevant and less calculatedly glamorous than she had been in the past. Miss America was being redefined; she may have still been “the Being Miss America girl next door,” but she was leaning away from head-cheerleader status and more toward that of a thoughtful valedictorian. Of Behind the Rhinestone Curtain course, selling this evolving image to the public required a com- By Kate Shindle plicated equation. Plenty of the pageant’s previously tolerable For nearly a hundred years, young women have competed for the title of Miss America—although what it means to wear the quirks suddenly appeared to be completely anachronistic—not crown and be our “ideal” has changed dramatically over time. The Miss America Pageant began as a bathing beauty contest in 1920s the least of which was the continuation of the much-maligned Atlantic City, New Jersey, sponsored by businessmen trying to ex- tend the tourist season beyond Labor Day. In the post–World War II swimsuit competition. For better or for worse, whether explained years, the pageant evolved into a national coronation of an idealized “girl next door,” as pretty and in terms of tradition, health and well-being, or fitness, the concept decorous as she was rarely likely to speak her mind on issues of of young women parading in swimsuits in order to win college substance. Since the cultural upheavals of the 1960s, the pag- scholarships remained a thorn in the pageant’s side. KATE SHINDLE eant has struggled to find a bal- New York, New York ance between beauty and brains Shindle, who represented the state of as it tries to remain relevant to Illinois, was Miss America 1998. To- women who aspire to become and recounts important moments in the pageant’s story, with a spe- Discovering America day, she is a working stage actor who leaders in the community, not cial focus on Miss America’s iconoclasts, including Bess Myerson Mark Crispin Miller, Series Editor has starred in Broadway musicals, hot babes in swimsuits. (1945), the only Jewish Miss America; Yolande Betbeze (1951), who including Cabaret, Legally Blonde, release date | september Wonderland, and Jekyll & Hyde. She In Being Miss America, Kate crusaded against the pageant’s pinup image; and Kaye Lani Rae 5½ x 9 inches, 232 pages, 29 b&w has worked as a correspondent for Shindle interweaves an engross- Rafko (1987), a working-class woman from Michigan who wanted to photos NBC’s Today, and appeared in TV/ ing, witty memoir of her year as merge her famous title with her work as an oncology nurse. Shindle’s ISBN 978-0-292-73921-5 film projects such as Capote and Miss America 1998 with a fasci- own account of her work as an AIDS activist—and finding ways to $24.95 | £15.99 | C$30.95 Gossip Girl. Shindle continues to nating and insightful history of the pageant. She explores what it circumvent the “gown and crown” stereotypes of Miss America in hardcover speak and write about HIV/AIDS means to take on the mantle of America’s “ideal,” especially consid- order to talk honestly with high school students about safer sex— prevention, marriage equality, and ISBN 978-0-292-76729-4 other issues in the Huffington Post, ering the evolution of the American female identity since the pag- illuminates both the challenges and the opportunities that keep $24.95 salon.com, and Newsweek. eant’s inception. Shindle profiles winners and organization leaders young women competing to become Miss America. e-book

14 University of Texas Press | fall 2014 University of Texas Press | fall 2014 15 | photography | Photojournalism

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In the tradition of Bruce Davidson’s and Helen Levitt’s street photography in New York City, Bronx Boys captures the violence, resilience, and hope of young men growing up in what was one of the toughest and most dangerous neighborhoods in the United States

Bronx Boys By Stephen Shames Text by Martin Dones and José “Poncho” Muñoz

A 1977 assignment for Look magazine took Stephen Shames to the Bronx, where he began photographing a group of boys coming of age in what was at the time one of the toughest and most dangerous neighborhoods in the United States. The Bronx boys lived on streets ravaged by poverty, drugs, violence, and gangs in an adolescent “family” they created for protection and compan- ionship. Shames’s profound empathy for the boys earned their trust, and over the next two-plus decades, as the crack cocaine epidemic devastated the neighborhood, they allowed him extraordinary access into their lives on the street and in their homes and “crews.” Shames’s photo essay captures the brutality of the times—the fights, shootings, arrests, and drug deals— that eventually left many of the young men he photographed dead or in jail. But he also records the joy and humanity of the Bronx boys, who mature, fall in love, and have children of their own. One young man Shames mentored, Martin Dones, provides riveting details of living in the Bronx and get- ting caught up in violence and drugs before caring adults helped him turn his life around. Challenging our perceptions of a neighborhood that is too easily dismissed as irredeemable, Bronx Boys shows us that hope can survive on even the meanest streets.

16 University of Texas Press | fall 2014 University of Texas Press | fall 2014 17 STEPHEN SHAMES From the book Brooklyn, New York Shames is author of seven previous books, in- The Bronx has a terrible beauty, stark and harsh, like the desert. At first cluding Outside the Dream: Child Poverty in glance you imagine nothing can survive. Then you notice life going on America, which won the Kodak Crystal Eagle Award for Impact in Photojournalism, and all around. People adapt, survive, and even prosper in this urban moon- The Black Panthers. He has been profiled by People magazine, CNN, CBS Sunday Morn- scape of quick pleasures and false hopes. . . . Often I am terrified of the ing, Esquire, US News, NPR, the Wall Street Journal, Time, and Photo District News. Bronx. Other times it feels like home. My images reflect the feral vitality release date | october and hope of these young men. The interplay between good and evil, vio- 6¾ x 9 inches, 224 pages, 123 duo- lence and love, chaos and family, is the theme, but this is not documenta- tone photos ISBN 978-0-292-75942-8 tion. There is no story line. There is only a feeling. —Stephen Shames $50.00 | £33.00 | C$62.50 hardcover

18 University of Texas Press | fall 2014 University of Texas Press | fall 2014 19 | fiction |

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Set in wild and woolly Texas and Mexico in the 1880s, this engrossing tale of a boy’s search for his missing Mom- ma is as full of colorful characters, folk wit and wisdom, and unexpected turns of events as the great American quest novel Adventures of Huckleberry Finn

The Devil’s Backbone By Bill Wittliff Illustrated by Jack Unruh

The last the boy Papa saw of his Momma, she was galloping away on her horse Precious in the saddle her father took from a dead Mexican officer after the Battle of San Jacinto, fleeing from his Daddy, Old Karl, a vicious, tight-fisted horse trader. Momma’s flight sets Papa on a relentless quest to find her that thrusts him and his scrappy little dog Fritz into adventures all across the wild and woolly Hill Country of Central Texas, down to Mexico, and even into the realm of the ghostly “Shimmery Peo- ple.” In The Devil’s Backbone, master storyteller Bill Wittliff takes readers on an exciting journey through a rough 1880s frontier as full of colorful characters and unexpected turns of events as the great Ameri- can quest novel Adventures of Huckleberry Finn. Wittliff grew up listening to stories and memories like these in his own family, and in this imaginative novel, they come to vivid life, creating an engrossing story of a Texas Huck Finn that brims with folk wisdom and sly humor. A rogue’s gallery of characters thwart and aid Papa’s path. His adventures draw him ever nearer to a mysterious cave that haunts his dreams—an actual cave that he discovers at last in the canyons of the Devil’s Backbone—but will he find Momma before Old Karl finds him?

20 University of Texas Press | fall 2014 University of Texas Press | fall 2014 21 “A wonderful tale that “Charming and vastly entertaining. . . . It will interest just as does honor to the ancient Mark Twain did, for there is a art of storytelling. It is wry, winking quality to the book.” —Ron Hansen destined to be an Ameri-

can classic.” —Jim Harrison

Old Karl, Papa’s greedy, horse-trading O’Jeffey, a black seer who talks to the father, hell-bent on bringing the boy back spirits but won’t tell Papa what she has to servitude on his farm divined about his Momma

“Unforgettable . . . hypnotic lan- “It’s as if Charles Portis and guage, memorable characters, sly Gabriel García Márquez had collaborated on True Grit.” Mister Pegleg, a three-legged coyote with whom humor, deep wisdom, and fun —Stephen Harrigan Papa forms a poignant, nearly tragic friendship to read. . . . I for one would keep company with Wittliff as long as Calley Pearsall, an enigmatic cowboy BILL WITTLIFF JACK UNRUH with “other Fish to Fry” who might be an Austin, Texas Dallas, Texas he’d let me ride along.” release date | october outlaw or a trustworthy “o’Amigo” —William Broyles Wittliff is a distinguished screen- Unruh is an award-winning 7 x 10 inches, 224 pages, founding editor of Texas Monthly and screenwriter on Cast writer and producer, whose credits illustrator whose art has appeared 25 illustrations Away, Apollo 13, and Polar Express include Lonesome Dove, The Perfect in numerous publications, includ- Storm, The Black Stallion, and Leg- ing Entertainment Weekly, Rolling ISBN 978-0-292-75995-4 $29.95 | £19.99 | C$37.50 ends of the Fall, among others. His fine Stone, Atlantic Monthly, Time, hardcover “Lively . . . a fine read!” art photography has been published in Sports Illustrated, Readers Digest, —Larry McMurtry the books A Book of Photographs from New York Magazine, National ISBN 978-0-292-75997-8 Lonesome Dove, La Vida Brinca, and Geographic, Sports Afield, Field and $29.95 Vaquero: Genesis of the Texas Cowboy. Stream, GQ, and Texas Monthly. e-book

22 University of Texas Press | fall 2014 University of Texas Press | fall 2014 23 | music | From the book

Rights: UT Press controls all If a pickup truck with Lewis Carroll and Will Rogers ran a stop sign Spotlighting three legends of American music—Joe Ely, in Wichita Falls and sideswiped a ’56 Cadillac with Oscar Wilde and Jimmie Dale Gilmore, and Butch Hancock, The Flat- Hank Williams inside and they all went into a beer joint to swap in- landers recounts the band’s epic forty-year journey from surance information, they might have collaborated on the best of Butch a living room in Lubbock, Texas, to the release of their Hancock’s repertoire. extraordinary long-lost demo, The Odessa Tapes According to Terry Allen, “Joe is completely restless. It’s almost like the stage is kind of a cage for him. Normally, he would be out going 100 miles an hour in a car, or going from one pool hall to another. Somehow on The Flatlanders stage, that energy is confined and it comes out in that music.” Now It’s Now Again On the road one night, Jimmy Dale Gilmore found himself circling By John T. Davis above—yes!—the Dallas/Fort Worth airport. As he told the New York Times, no one recognized him, but the front half of the plane burst into A group of three friends who made music in a house in JOHN T. DAVIS Lubbock, Texas, recorded an album that wasn’t released and went a spontaneous sing-along of [his song] “Dallas.” “It took every ounce of Austin, Texas their separate ways into solo careers. That group became a legend self-restraint I had not to yell, ‘I wrote that song!’” The author of Austin City Lim- and then—twenty years later—a band. The Flatlanders—Joe Ely, its: 25 Years of American Music, Jimmy Dale Gilmore, and Butch Hancock—are icons in American Davis has written about the music, personalities, and culture of Texas music, with songs blending country, folk, and rock that have in- and the Southwest for numerous fluenced a long list of performers, including Robert Earl Keen, the publications, including the Austin Cowboy Junkies, Ryan Bingham, Terry Allen, John Hiatt, Hayes Also in the American Music Series American-Statesman, Austin Carll, Lucinda Williams, Steve Earle, and Lyle Lovett. Chronicle, Austin Monthly, Texas In The Flatlanders: One Road More, Austin author and music Monthly, Texas Highways, San An- tonio magazine, Billboard, Newsday, journalist John T. Davis traces the band’s musical journey from the and the website culturemap.com. He house on 14th Street in Lubbock to their 2013 sold-out concert at has been interviewed by VH-1, CMT, Carnegie Hall. He explores why music was, and is, so important in and NPR and has appeared in the Lubbock and how earlier West Texas musicians such as Buddy Hol- documentary film Lubbock Lights. ly and Roy Orbison, as well as a touring Elvis Presley, inspired the American Music Series young Ely, Gilmore, and Hancock. Davis vividly recreates the Lub- Peter Blackstock and bock countercultural scene that brought the Flatlanders together and David Menconi, Editors recounts their first year (1972–1973) as a band, during which they Merle Haggard Ryan Adams Dwight Yoakam release date | october recorded the songs that, decades later, were released as the albums The Running Kind Losering, a Story of Whiskeytown A Thousand Miles from Nowhere 5 x 8 inches, 174 pages More a Legend Than a Band and The Odessa Tapes. He follows the by david cantwell by david menconi by don mcleese three musicians through their solo careers and into their first decade ISBN 978-0-292-74554-4 ISBN 978-0-292-71771-8 ISBN 978-0-292-72584-3 ISBN 978-0-292-72381-8 $19.95 | £12.99 | C$24.50 as a (re)united band, in which they cowrote songs for the first time $19.95 | £12.99 $19.95 | £12.99 $19.95 | £12.99 paperback on the albums Now Again and Hills and Valleys and recovered their paperback paperback paperback extraordinary original demo tape, lost for forty years. Many roads ISBN 978-0-292-75417-1 ISBN 978-0-292-74576-6 ISBN 978-0-292-74279-6 ISBN 978-0-292-76732-4 $19.95 $19.95 $19.95 $19.95 later, the Flatlanders are finally both a legend and a band. e-book e-book e-book e-book

24 University of Texas Press | fall 2014 University of Texas Press | fall 2014 25 | art | Artist Monographs

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This Georgia O’Keeffe Museum exhibition catalogue broadens our understanding of modernism by exploring Mexican artist Miguel Covarrubias’s substantial cosmopolitan contributions to twentieth-century art

Miguel Covarrubias Drawing a Cosmopolitan Line

Georgia O’Keeffe Museum Edited by Carolyn Kastner With essays by Carolyn Kastner, Alicia Inez Guzmán, Khristaan D. Villela, and Janet Catherine Berlo Foreword by Robert A. Kret

Miguel Covarrubias enjoyed transcultural encounters and exchanges in the cosmopolitan centers of Mexico City, New York, and Europe, where he met and exchanged ideas in a global network of modernists. Famous for his caricature studies, he was also an accomplished painter, set designer, and book illustrator. Less well known are his consummate skills as an art historian, curator, cartographer, ethnographer, and documentary filmmaker, as well as his direction of programs in museum studies, dance, and the excavation of cultural sites in Mexico. Miguel Covarrubias: Drawing a Cosmopolitan Line, the catalogue of an exhibition at the Georgia O’Keeffe Museum, establishes the importance of Covarrubias’s broad-ranging and significant contributions to modern art. The book includes an extensive selection of compositions in graphite, watercolor, and oil paint, as well as illustrations from his scholarly publications. Four accompanying essays consider Covarrubias’s lifelong habit of moving between modern cities and remote sites of ancient cul- Above: Diego, Frida, and Miguel, Tizapán, San Ángel, Nickolas Muray (1940). tures, which engendered a strong cosmopolitanism in his work; his role Universidad de las Américas. © Nickolas Muray Photo Archive. Right: Stieglitz, in promoting the art of the Americas through curatorial efforts in New Miguel Covarrubias (1925). Yale University. York and Mexico City; the large-scale mural maps Covarrubias made © María Elena Rico Covarrubias. for the 1939 San Francisco World’s Fair; and his substantial scholarship on the indigenous arts of North America.

26 University of Texas Press | fall 2014 University of Texas Press | fall 2014 27 CAROLYN KASTNER Santa Fe, New Mexico Kastner is Curator of the Georgia O’Keeffe Museum.

ALICIA INEZ GUZMÁN Rochester, New York Guzmán is a doctoral candidate in visual and cultural studies at the University of Rochester.

KHRISTAAN D. VILLELA Santa Fe, New Mexico Villela is Professor of Art History at Santa Fe University of Art and Design.

JANET CATHERINE BERLO Rochester, New York Berlo is Professor of Visual and Cultural Studies at the University of Rochester.

Top: Untitled, Miguel Covarrubias (ca. 1940). Adriana Williams Collection. © María Elena Rico Covarrubias. Bottom: Art Forms of the Pacific Area, Miguel Covarrubias (1939). Courtesy of the Tom and Adriana Williams Collection, Harry Ransom Center.

Our Lady of the Lily: Georgia O’Keeffe, Miguel Covarrubias. New Yorker (July 6, 1929). © Condé Nast.

Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture

release date | september 8¾ x 12 inches, 200 pages, 73 color and 9 b&w photos

ISBN 978-0-292-76048-6 $55.00* | £36.00 | C$68.95 hardcover

28 University of Texas Press | fall 2014 University of Texas Press | fall 2014 29 | american studies | JUDITH E. SMITH Boston, Massachusetts Smith is Professor of American Studies at the University of Massa- chusetts Boston. Her explorations into postwar film, drama, radio, and television have appeared in various published essays. She is the author of Family Connections: A History of Italian and Jewish Im- migrant Lives in Providence, Rhode Island, 1900–1950 and coauthor of American Identities: An Introduc- tory Textbook and The Evolution of American Urban Society. Becoming Belafonte Black Artist, Public Radical

By Judith E. Smith

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Spotlighting a vibrant episode in the evolution of African American culture and consciousness in America, this book illuminates how multitalented performer Harry Belafonte became a civil rights icon, internationalist, and proponent of black pride and power

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Ameri- cans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, Discovering America Belafonte addressing a civil rights rally John Kennedy to Stokely Carmichael—Belafonte established his place marking the sixth anniversary of the Brown of the complex challenges of the Cold War 1950s, and his full flowering Mark Crispin Miller, Series Editor decision (May 17, 1960). © Bettman/Corbis. in American culture as a hugely popular singer, matinee idol, interna- as a civil rights advocate and internationally acclaimed performer in release date | september tionalist, and champion of civil rights, black pride, and black power. the 1960s. In Smith’s account, Belafonte emerges as a relentless activ- 5½ x 9 inches, 320 pages, 38 b&w In Becoming Belafonte, Judith E. Smith presents the first full-length ist, a questing intellectual, and a tireless organizer. From his first na- photos interpretive study of this multitalented artist. She sets Belafonte’s com- tional successes as a singer of Calypso-inflected songs to the dedication ISBN 978-0-292-72914-8 pelling story within a history of American race relations, black theater he brought to producing challenging material on television and film $35.00* | £22.99 | C$43.95 and film history, McCarthy-era hysteria, and the challenges of intro- regardless of its commercial potential, Belafonte stands as a singular hardcover ducing multifaceted black culture in a moment of expanding media figure in American cultural history—a performer who never shied away ISBN 978-0-292-75670-0 possibilities and constrained political expression. Smith traces Bela- from the dangerous crossroads where art and politics meet. $35.00* fonte’s roots in the radical politics of the 1940s, his careful negotiation e-book

30 University of Texas Press | fall 2014 University of Texas Press | fall 2014 31 updated edition

| current events | From the book Rights: UT Press controls all except audio

With a new epilogue that discusses former CIA employee “The ‘Family Jewels’ document proved “Prados writes as explosive as it was not for its actual Edward Snowden’s revelation of massive covert surveil- with obvious lance by the NSA, this powerful accounting of intelligence contents but because of the real abuses abuses committed by the CIA from the Cold War through that underlay this sparse reporting. Its passion, and his the war on terror reveals why such abuses and attempts impact was demonstrable in the flurry topic couldn’t be to conceal them are endemic to spying and proposes how of investigations that followed the press a democratic nation can rein in its spymasters more important revelation. That season of inquiry took its course and led to creation of the sys- or timely.” The Family Jewels tem of formal intelligence oversight that —Library Journal The CIA, Secrecy, and Presidential Power exists in the United States today. How-

By John Prados ever, the issue of abuse in intelligence “The book seems ripped activities has not gone away in the years from the headlines due In December 1974, a front-page story in the New York Times revealed the explosive details of illegal domestic spying by the since 1975, and in the first decade of this to the recent massive JOHN PRADOS Central Intelligence Agency. This included political surveillance, Silver Spring, Maryland century it mushroomed with the excesses news coverage of the eavesdropping, detention, and interrogation. The revelation of il- Prados is a senior fellow of the legal activities over many years shocked the American public and of President George W. Bush’s war on NSA’s monitoring of National Security Archive in Washington, DC, where he helps led to investigations of the CIA by a presidential commission and terror. It was and still is important to telephone and digital bring newly declassified govern- committees in both houses of Congress, which found evidence of ment records to public attention. more abuse, even CIA plans for assassinations. Investigators and the engage with this problem if there is to conversations. . . . He is the award-winning author public soon discovered that the CIA abuses were described in a top- be public confidence in the intelligence An impressive research of twenty-one books, including secret document agency insiders dubbed the “Family Jewels.” That Islands of Destiny: The Solomons activities conducted by a democratic na- effort showing how, Campaign and the Eclipse of the document became ground zero for a political firestorm that lasted Rising Sun. He also lectures widely more than a year. The “Family Jewels” debacle ultimately brought tion. It came to me that the ‘Family Jew- when it comes to cur- on security, freedom of informa- about greater congressional oversight of the CIA, but excesses such tion, and other issues. as those uncovered in the 1970s continue to come to light. els’ really serves as a metaphor: Family rent political affairs, The Family Jewels probes the deepest secrets of the CIA and its Jewels designate a certain category of the past is almost Discovering America attempts to avoid scrutiny. John Prados recounts the secret operations Mark Crispin Miller, Series Editor that constituted “Jewels” and investigators’ pursuit of the truth, plus operations, ones that become sensitive as always prologue.” —Kirkus Reviews release date | september the strenuous efforts—by the agency, the executive branch, and even exuberance exceeds proper boundaries. 5½ x 9 inches, 408 pages presidents—to evade accountability. Prados reveals how Vice Presi- dent Richard Cheney played a leading role in intelligence abuses and Family Jewels are eternal. Only their ISBN 978-0-292-76215-2 $19.95 | £12.99 | C$24.50 demonstrates that every type of “Jewel” has been replicated since, es- specific content changes over time.” paperback pecially during the post-9/11 war on terror. The Family Jewels master-

ISBN 978-0-292-76217-6 fully illuminates why these abuses are endemic to spying, shows that $19.95 proper relationships are vital to control of intelligence, and advocates e-book a system for handling “Family Jewels” crises in a democratic society.

32 University of Texas Press | fall 2014 University of Texas Press | fall 2014 33 20th Anniversary edition

| language | Spanish Study Guides From the book Rights: UT Press controls all Foreword and Forewarning Celebrating its twentieth anniversary and over 115,000 copies sold, here is the essential, entertaining guide to speaking Spanish like a native, with a new preface by the author This book is not a phrasebook and not a textbook, though it can be used with either. It is more like a guidebook—not to the Spanish-speaking countries but to the Spanish spoken in those places. It shows you the dark alleyways, the bright meeting-places, the bohemian Breaking Out of nooks, and the pulsing thoroughfares of the language. Beginner’s Spanish And it shows you more than a few shortcuts, guiding you toward the Spanish you want to learn. Like a guidebook, By Joseph J. Keenan this book’s goal is to help you get around, whether you’re With a new preface by the author in the boardroom or the barrio. Many language books are boring—this one is not. Written It is a helpful book, like a boy scout helping an elder- by a native English speaker who learned Spanish the hard way—by trying to talk to Spanish-speaking people—it offers English speak- ly person across the street, and it is an irreverent book, ers who have a basic knowledge of Spanish hundreds of tips for using the language more fluently and colloquially, with fewer obvious like an impish schoolchild making faces at a teacher. It “gringo” errors. is a serious book and it is a funny book. It will tell you Writing with humor, common sense, and a minimum of jargon, Joseph J. Keenan covers everything from pronunciation, verb usage, how to be polite to a grandmother and how to shock a and common grammatical mistakes to the subtleties of addressing gangster. It preaches Spanish with a smile, a strut, and JOSEPH J. KEENAN other people, “trickster” words that look alike in both languages, Mexico City, Mexico inadvertent obscenities, and in- maybe just a bit of an attitude. This book wants you During thirty years of living and tentional swearing. He guides “A breakthrough . . . traveling in Latin America, Keenan to speak better Spanish, and it will stop at nothing, or readers through the set phrases indispensable read- has worked as a journalist and and idiomatic expressions that almost nothing, to accomplish it. conservationist across the countries pepper the native speaker’s con- ing for any nonnative of the region. Of course, no book can teach you how to speak Span- versation and provides a valu- speaker of Spanish.” able introduction to the most release date | january —William F. Harrison ish. Only by practicando—and platicando—can you 6 x 9 inches, 240 pages widely used Spanish slang. coauthor of Spanish Memory Book: A With this book, both stu- learn that. So why read it? Because, as you will soon ISBN 978-0-292-76193-3 New Approach to Vocabulary Building $19.95 | £12.99 | C$24.50 dents in school and adult learn- see, this book makes learning Spanish more fun. And if paperback ers who never want to see another classroom can rapidly improve

ISBN 978-0-292-76195-7 their speaking ability. Breaking Out of Beginner’s Spanish will be an learning Spanish isn’t going to be fun, why bother? $19.95 essential aid in passing the supreme language test—communicating e-book fluently with native speakers.

34 University of Texas Press | fall 2014 University of Texas Press | fall 2014 35 | cookbooks |

Aguachile is a type of ceviche that is usually made with perfectly fresh raw Aguachile shrimp placed on a plate and bathed with a purée of freshly squeezed lime Ceviche juice, serrano chile, and salt. It is then topped with minced cilantro. Since finding shrimp of the proper freshness (sashimi quality) is often difficult in Rights: UT Press controls all Water Chile–style CeviChe the United States, I tried making the dish with very fresh fish. The result was terrific! I added some chopped avocado and a drizzle of fruity extra-virgin Presenting some two hundred authentic recipes (with olive oil to the mix, and it turned out to be perhaps the most refreshing 2 as an entrée, 4 as an appetizer. ceviche I have ever had—and certainly the easiest to prepare. I have made nutritional analysis) ranging from traditional tacos and Nutrition information is for an it with fresh halibut, ahi, and even catfish. How long you leave the uncooked entrée serving. fish in the liquid will determine how “cooked” it will be. I prefer it left for enchiladas to alta cocina Mexicana, this cookbook shows Per serving only about 15-20 minutes. 270 calories | 30 g protein If you want to use shrimp and are not sure they are perfectly fresh, for 9 g carbohydrates | 13 g total fat safety you can use regular shrimp that are boiled until they are just cooked you how to make Mexican food that is highly nutritious (2 g saturated) | 45 mg cholesterol through, and then put them in a bowl with ice and a little water to chill 6 g fiber | 1 g sugar | 200 mg sodium them as quickly as possible. You then put them in the lime mixture for about and low calorie, easy to prepare, and completely delicious 15 minutes just before serving.

Ingredients ⅔ cup freshly squeezed lime juice 1 medium-sized serrano chile (1–1½ coarsely chopped tablespoons) ½ teaspoon salt ½ pound sashimi-quality fish, or sashimi-quality or cooked and Naturally Healthy Mexican Cooking chilled shrimp 1 large avocado, chopped 4 teaspoons extra-virgin olive oil Authentic Recipes for Dieters, Diabetics, Black pepper, to taste Chopped cilantro and All Food Lovers Directions Make the sauce. Combine the lime juice, chile, and salt in a blender and purée. Pour the purée into a nonreactive bowl and stir in the fish or shrimp. By Jim Peyton Refrigerate for 15–30 minutes, or up to 3 hours, depending on how “cooked” you want it. Drain the fish, reserving the lime juice. Put the fish in a bowl, add the Just about everyone loves Mexican food, but should you avocado, and toss. For entrée portions, divide the fish and avocado into 2 portions. Spoon eat it if you want to manage your weight or diabetes? Yes, absolutely! 1½ tablespoons of the reserved lime juice mixture over each serving and There are literally hundreds of authentic Mexican dishes that are nat- drizzle 2 teaspoons of olive oil onto each one. Season with pepper and gar- nish with cilantro. For appetizer portions, divide the fish among four small urally healthy—moderate in calories, fat, and sugar—and completely plates or large martini glasses. delectable. In Naturally Healthy Mexican Cooking, Jim Peyton presents some two hundred recipes that have exceptional nutrition profiles, are easy to prepare, and, most important of all, taste delicious. Peyton starts from the premise that for any diet to work, you have 208 Naturally Healthy Mexican Cooking JIM PEYTON San Antonio, Texas to enjoy the food you’re eating. Substitutions that alter the taste and pleasure of food, such as nonfat yogurt for mayonnaise, have no place Peyton brings four decades of cook- here. Instead, you’ll find tasty, highly nutritious, low-calorie dishes ing, teaching, and recipe development experience to this cookbook. from the various schools of Mexican and Mexican American cooking Joe R. and Teresa Lozano “We need more healthy interpretations of Mexi- He is the author of Jim Peyton’s The in Texas, New Mexico, Arizona, and California. From traditional meat, Long Series in Latin Very Best of Tex-Mex Cooking: Plus seafood, and vegetarian entrees and antojitos mexicanos, including ta- American and Latino Art can cuisine like Jim Peyton’s wonderful cook- Texas Barbecue and Texas Chile; cos, enchiladas, and tamales, to upscale alta cocina mexicana such as and Culture Jim Peyton’s New Cooking from Old book! Other cookbooks with healthy Mexican shrimp ceviche and mango salsa, these recipes are authentic, simple Mexico; La Cocina de la Frontera: release date | october Mexican-American Cooking from for home cooks to prepare with supermarket ingredients, flavorful, 8 x 10 inches, 272 pages, 41 color recipes haven’t been able to reduce calories and the Southwest; and El Norte: and fully satisfying in moderate portions. Every recipe includes nutri- photos [still] retain flavor profiles. These recipes are The Cuisine of Northern Mexico. tional analysis—calories, protein, carbs, fat, cholesterol, fiber, sugar, ISBN 978-0-292-74549-0 Peyton has been featured on Bobby and sodium. In addition to the recipes, Peyton offers helpful infor- $24.95 | £15.99 | C$30.95 easy, flavorful, and healthy.” Flay’s Food Network show and in mation on diet and healthy eating, Mexican cooking and nutrition, paperback —Angela Shelf Medearis Southern Living; and he has writ- “The Kitchen Diva,” author of seven cookbooks, including The ingredients, cooking techniques, and cooking equipment. ten about Mexican food and drink ISBN 978-0-292-75867-4 Kitchen Diva’s Diabetic Cookbook: 150 Healthy, Delicious Recipes for for three Lonely Planet guidebooks $24.95 Diabetics and Those Who Dine With Them to Mexico. e-book

36 University of Texas Press | fall 2014 University of Texas Press | fall 2014 37 | photography | Jewish Studies

Beyond the Forest Jewish Presence in Eastern Europe, 2004–2012

By Loli Kantor Introduction by Anda Rottenberg Afterword by Joseph Skibell

Rights: UT Press controls translation rights

This evocative photo essay explores how Jewish communities in Ukraine, Poland, Romania, and the Czech Republic are reclaiming their history, rebuilding their communities, and revivifying their Jewish identity following the Holocaust and decades of Soviet domination

Like a forest recovering from a cataclysmic fire, the Jews Egg Salad for Passover, of Eastern Europe are drawing on deep roots to regrow their com- Drohobych, Ukraine (2008) her parents’ hometowns and grappled with the munities in the long aftermath of the Holocaust and decades of destruction and grief of the past, her vision gradu- Soviet domination. The children and grandchildren of victims and ally widened beyond the personal to focus on the survivors are reconstructing the histories of their families and re- signs of the rebirth of Jewish culture in Eastern viving the forgotten Jewish customs, bringing them forward into Europe. Over eight years, she traveled extensively the twenty-first century and creating a contemporary culture that in the Ukraine, as well as Poland, Romania, and would be both familiar and strange to the generation that perished the Czech Republic, photographing Jews in their in the conflagration of the Holocaust. everyday lives and listening to their stories in Loli Kantor is the daughter of Holocaust survivors who lost near- their homes, synagogues, and communities. Her ly their entire families, and her desire to reconnect with her fam- luminous black-and-white and color images elo- ily’s history first took her to Poland in 2004. As she photographed quently reveal how Eastern European Jews are Leizer, Zhytomyr, Ukraine (2005)

38 University of Texas Press | fall 2014 University of Texas Press | fall 2014 39 Top left: Birthday Luncheon, Yvano LOLI KANTOR honoring the past and building the future through such things as Frankifsk, Ukraine (2007). Top right: Fort Worth, Texas Pesya, Now and Then, Tulchyn, Ukraine revived observances of the holidays, including Passover, Sukkoth, (2007). Bottom: Sheyna and Lev, Kantor is a fine art and documen- and Hanukkah. They also explore the role that artists are playing Bershad Synagogue, Ukraine (2007). tary photographer whose work in the preservation of Jewish culture, which might otherwise have has been exhibited widely in the been completely lost. Polish art historian and critic Anda Rotten- United States and internation- Exploring Jewish Arts berg offers an appreciation of Kantor’s photography and its place ally in China, Ukraine, Poland, and Culture Spain, and the Czech Republic. in reclaiming Eastern European Jewish identity. Novelist Joseph Robert H. Abzug, Series Editor Her photographs are included in Skibell celebrates Kantor’s “brave vision, unblinking and unafraid.” Director of the Schusterman Center the collections of the Museum of for Jewish Studies Fine Arts, Houston; Lviv National Museum and Drohobych Museum release date | november in Ukraine; Lishui Museum of 10½ x 10 inches, 200 pages, 68 color Photography in China; the Center for and 44 b&w photographs, 1 map Fine Art Photography in Colorado; ISBN 978-0-292-76129-2 and the Harry Ransom Center at the $60.00 | £39.00 | C$75.00 University of Texas at Austin. hardcover

40 University of Texas Press | fall 2014 University of Texas Press | fall 2014 41 Photography Literature

Wynn Bullock Man and Beast Color One Hundred Pillar of Salt Pedro Páramo Revelations Photographs from American Photography Love Sonnets An Autobiography, with by juan rulfo high museum of art Mexico and India Transformed Cien sonetos de amor 19 Erotic Sonnets Photographs by by brett abbott by mary ellen mark amon carter museum by pablo neruda by salvador novo Josephine Sacabo With contributions by of american art Translated by Introduction by Carlos Monsiváis Translated by ISBN 978-0-292-75611-3 Barbara Bullock-Wilson and by john rohrbach Stephen Tapscott Translated by Marguerite Feitlowitz Margaret Sayers Peden $60.00 | £39.00 Maria L. Kelly With an essay by ISBN 978-0-292-70541-8 ISBN 978-0-292-77121-5 hardcover Sylvie Pénichon ISBN 978-0-292-75651-9 ISBN 978-0-292-75777-6 $14.95 | £9.99 $35.00 | £22.99 $35.00 $65.00 | £42.00 ISBN 978-0-292-75301-3 paperback hardcover hardcover hardcover $75.00 | £49.00 ISBN 978-0-292-76063-9 Not for sale in the British Common- hardcover $35.00 wealth, except Canada, and in Europe e-book

Architecture and Art American Studies

Lake|Flato Houses Waltercio Caldas Nic Nicosia American Christianity All-American Boy Colonel Sanders and the Embracing the Landscape blanton museum of art by nic nicosia The Continuing Revolution by larzer ziff American Dream introduction by guy martin Foreword by Simone Wicha Introduction by by stephen cox by josh ozersky ISBN 978-0-292-73892-8 section introductions by Preface by Michelle White frederick steiner Fundação Iberê Camargo Interview by Sue Graze ISBN 978-0-292-72910-0 $20.00 | £12.99 ISBN 978-0-292-72382-5 Essays by Gabriel Pérez- Fiction by Philipp Meyer $26.95 | £17.99 hardcover $20.00 | £12.99 ISBN 978-0-292-75845-2 Barreiro, Richard Shiff, hardcover ISBN 978-0-292-74582-7 hardcover ISBN 978-0-292-74369-4 $45.00 | £29.00 and Robert Storr ISBN 978-0-292-75861-2 $20.00 ISBN 978-0-292-74285-7 $75.00 | £49.00 paperback $26.95 e-book $20.00 ISBN 978-0-292-75311-2 hardcover ISBN 978-0-292-76077-6 e-book e-book $45.00 $60.00 | £39.00 e-book hardcover

42 University of Texas Press | fall 2014 University of Texas Press | fall 2014 43 general interest

Contestants at Macfadden’s “Perfect Man” contest. Physical Culture (March 1904). From Mr. America: The Tragic History of a Bodybuilding Icon by John D. Fair. | film and media studies | Popular Culture, American Studies

Rights: UT Press controls all Permissions: one text permission needed

This original and thorough discussion of a legendary American sitcom uses the experience of exile to reveal that The Andy Griffith Show’s enduring appeal comes from the intimacy between person and place that viewers enjoy in Mayberry

A Cuban in Mayberry Looking Back at America’s Hometown From the book

By Gustavo Pérez Firmat The Mayberry of TAGS was not so different from the Little Havana where I grew up. Both were tight-knit, self-sufficient communities of like-minded Half a century after viewers first watched a father and son walking to the local fishing hole, whistling a simple, yet un- people. . . . If Andy and Barney spend quiet moments on the porch or in the forgettable, tune, The Andy Griffith Show remains one of the most courthouse without speaking, the reason is that among intimates, people popular sitcoms in the history of American television. Tens of mil- lions of viewers have seen the show either in its original run, its on- with a shared history and outlook, almost everything goes without saying. To going reruns, on DVD, or on the internet. Websites devoted to the be understood without explanation is the sure indication that you are among show abound, hundreds of fan clubs bring enthusiasts together, GUSTAVO PÉREZ FIRMAT and a plethora of books and Mayberry-themed merchandise have kin or kith. That’s the way things are in Mayberry, and the way they used to New York, New York, and Chapel Hill, North Carolina celebrated all things Mayberry. A small cottage industry has even be in Little Havana in the 1960s. Everyone didn’t know everyone, but every- developed around the teachings of the show’s episodes. But why does Born in Havana and raised in Mi- a sitcom from the 1960s set in the rural South still evoke such devo- ami, Pérez Firmat is currently the one knew about everyone, as in TAGS, when Barney and Andy share recol- David Feinson Professor in the Hu- tion in people today? lections of a high school teacher or when Floyd recalls some bit of Mayberrian manities at Columbia University. In A Cuban in Mayberry, acclaimed author Gustavo Pérez Fir- A noted writer and scholar, he is the mat revisits America’s hometown to discover the source of its en- lore. The Little Havana of those years also seemed to be full of Aunt Bees and author of many books, including during appeal. He approaches the show from a unique perspective— the award-winning Life on the Hy- uncle Floyds (he’s not literally an uncle, but he behaves like one). My own that of an exile who has never experienced the rootedness that Andy phen: The Cuban-American Way. and his fellow Mayberrians take for granted, as folks who have never uncle Floyd was Tío Mike, who used to take us to the side and entertain us strayed from home or lived among strangers. As Pérez Firmat weaves release date | october with wild stories about the time when dinosaurs roamed Cuba. My Aunt Bee 6 x 9 inches, 194 pages, 17 b&w his personal recollections of exile from Cuba with an analysis of the photos show, he makes a convincing case that the intimacy between person was his wife, Tía Mary, restless and never at a loss for words. Barneys also and place depicted in TAGS is the secret of its lasting relevance, even ISBN 978-0-292-73905-5 abounded. When they weren’t working for $35 a week as security guards or $29.95 | £19.99 | C$37.50 as he reveals the surprising ways in which the series also reflects the hardcover racial, generational, and political turbulence of the 1960s. janitors, they were hatching grandiose schemes for toppling Fidel Castro. And ISBN 978-0-292-75925-1 like Mayberrians, we had our own southern dialect, Cuban Spanish, much $29.95 e-book faster than a drawl but just as unintelligible to outsiders.

46 University of Texas Press | fall 2014 University of Texas Press | fall 2014 47 | latin american studies | Biography

Rights: UT Press controls all From the book Thoroughly researched, written from a nonpartisan per- For at least a century now, Cubans on the island spective, and as lively as a novel, this is the definitive biography of the revered Cuban patriot and martyr whose and across the planet have revered Martí as more revolutionary movement eventually ended the Spanish than a founding national hero. To them he is a colonial domination of Cuba mythic figure, practically a national saint: the in- tellectually gifted, righteous apostle of freedom who José Martí overcame poverty, colonization, prison, exile, physi- A Revolutionary Life cal duress, mental anguish, and the combined efforts of two empires to achieve the impossible. “My sling is By Alfred J. López the sling of David,” Martí writes in his final, unfin- José Martí (1853–1895) was the founding hero of Cuban independence. In all of modern Latin American history, arguably ished letter from the Cuban front, a phrase Cubans only the “Great Liberator” Simón Bolívar rivals Martí in stature and legacy. Beyond his accomplishments as a revolutionary and political have used as a rallying cry ever since. Yet perhaps thinker, Martí was a giant of Latin American letters, whose poetry, ALFRED J. LÓPEZ essays, and journalism still rank among the most important works the most remarkable—and overlooked—hallmark West Lafayette, Indiana of the region. Today he is revered by both the Castro regime and the López is Professor of English and Cuban exile community, whose shared veneration of the “apostle” of of Martí’s greatness, of his undeniable status as one Comparative Literature at Purdue freedom has led to his virtual apotheosis as a national saint. University. He is the author or edi- In José Martí: A Revolutionary Life, Alfred J. López presents the of the nineteenth century’s greatest political, cul- tor of three previous books, includ- definitive biography of the Cuban patriot and martyr. Writing from ing José Martí and the Future of a nonpartisan perspective and drawing on years of research using Cuban Nationalism. tural, and literary minds, is the degree to which he original Cuban and U.S. sources, including materials never before Joe R. and Teresa Lozano used in a Martí biography, López strips away generations of myth triumphed over his own physical, psychological, Long Series in Latin making and portrays Martí as Cuba’s greatest founding father and American and Latino Art one of Latin America’s literary and political giants, without sup- and moral limitations as a human being. Through and Culture pressing his public missteps and personal flaws. In a lively account release date | november that engrosses like a novel, López traces the full arc of Martí’s event- it all—imprisonment, illness, exile, immigration, 6 x 9 inches, 426 pages, ful life, from his childhood and adolescence in Cuba, to his first exile 11 b&w photos and subsequent life in Spain, Mexico City, and Guatemala, through cultural isolation, emotional estrangement, and his ISBN 978-0-292-73906-2 his mature revolutionary period in New York City and much- $39.95 | £25.99 | C$49.95 mythologized death in Cuba on the battlefield at Dos Ríos. The first own insecurities and self-perceived shortcomings— hardcover major biography of Martí in over half a century and the first ever in ISBN 978-0-292-75935-0 English, José Martí is the most substantial examination of Martí’s José Martí worked, struggled, and prevailed. $39.95 life and work ever published. e-book

48 University of Texas Press | fall 2014 University of Texas Press | fall 2014 49 | journalism | Memoir From the book “Dahlby truly writes Rights: Author controls rights with the wisdom and The local fixer is the unsung hero of long-distance sprightliness of Graham In this lively memoir and how-to handbook for aspiring reporting, and for a correspondent there is abso- Greene or Bill Bryson, journalists, a veteran reporter for National Geographic lutely nobody on earth more important. . . . on a good day. . . . A and Newsweek tells “the stories behind the stories” that If a fixer is good he or she deserves at least half reveal the hard work, skill, and luck it takes to be a suc- the credit for a story; if bad—conniving or just delightfully refreshing cessful foreign correspondent dimwitted—well, heaven help you. . . . textbook on how to be a “You are humiliating a foreign guest,” [my foreign correspondent.” fixer] Li shouted one morning in the crowded —John Burnett award-winning NPR correspondent lobby of a big hotel in Gaungzhou, when a cashier and author of Uncivilized Beasts and Shameless Hellions: Travels with an balked at cashing my traveler’s checks, while NPR Correspondent Into the Field displaying an administrative hauteur that was A Foreign Correspondent’s Notebook old when Marco Polo hit China in the thirteenth “A funny and profound century. As people stopped to stare, Li continued: By Tracy Dahlby primer on what jour- “That is not good! You should not question a nalists should be at trustworthy person!” And when he had every- Tracy Dahlby is an award-winning journalist who has their very best: curious, reported internationally as a contributor to National Geographic body’s undivided attention, which included magazine and served as a staff correspondent for Newsweek and the members of the girls’ volleyball team from Kent, insightful, and expres- Washington Post. In this memoir of covering a far-flung swath of Washington, he cocked his head to one side, as sive, with a willingness Asia, he takes readers behind the scenes to reveal “the stories behind the stories”—the legwork and (mis)adventures of a foreign cor- if inspecting the lobby floor for termites, wagged to embrace contradic- TRACY DAHLBY respondent on a mission to be the eyes and ears of people back home, his finger in the air, and lectured the offending tions, gore sacred cows, Austin, Texas helping them understand the forces and events that shape our world. parties about the wages of arrogance and moral Into the Field centers on the travel and reporting Dahlby did and allow their readers Dahlby is currently professor and turpitude until he had them whining for mercy. Frank A. Bennack, Jr. Chair in for a half-dozen pieces that ran in National Geographic. The book Journalism at the University of “This hotel looks good but the software is very to wander and wonder.” tours the South China Sea during China’s rise as a global pow- —Alex Gibney Texas at Austin. He served as Tokyo er, visits Japan in a time of national midlife crisis, and explores bad,” said Li, making his point—and in the process Academy Award–winning filmmaker bureau chief for Newsweek and Southeast Asia during periods of political transition and tumult. the Washington Post and reported finally joining Mike and me in that special mo- Dahlby’s vivid anecdotes of jousting with hardboiled sea captains, on Asia for National Geographic ment I refer to as blowing one’s cork. It’s that precise “A powerful example magazine. His previous book is Al- communing with rebellious tribal chieftains, enduring a spectacu- lah’s Torch: A Report from Behind lar shipboard insect attack, and talking his way into a far place or point in time when the stresses and strains of life of the enduring role of the Scenes in Asia’s War on Terror. out of a tight spot offer aspiring foreign correspondents a realistic on the road, indignities little and big, build up to a storytelling and well- introduction to the challenges of the profession. Along the way, he release date | october point where even a relatively minor snag can send provides practical advice about everything from successful travel chosen narrative, even 5½ x 8½ inches, 310 pages, you over the edge. On a challenging assignment, 11 b&w photos, 7 maps planning to managing headstrong local fixers and dealing with cir- as the technology of the cumstances that can range from friendly to formidable. A knowl- I’ve calculated, I go ballistic once every ten days ISBN 978-0-292-72913-1 $29.95 | £19.99 | C$37.50 edgeable, entertaining how-to book for observing the world and to two weeks, like clockwork. As far as I was con- news business contin- hardcover making sense of events, Into the Field is a must-read for student cerned, Li’s relatively mild freak-out represented a ues to change.” journalists and armchair travelers alike. ISBN 978-0-292-76735-5 great leap forward in China-U.S. relations. —James Fallows $29.95 The Atlantic e-book

50 University of Texas Press | fall 2014 University of Texas Press | fall 2014 51 | sports | Physical Culture, American Studies

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Drawing on unique archival documents and fascinating interviews, an acclaimed sports historian delivers the first comprehensive examination of Mr. America, the iconic bodybuilding contest that honored ancient ide- als while defining masculinity during the competition’s heyday in the 1950s Mr. America The Tragic History of a Bodybuilding Icon

By John D. Fair

For most of the twentieth century, the “Mr. America” image epitomized muscular manhood. From humble beginnings JOHN D. FAIR in 1939 at a small gym in Schenectady, New York, the Mr. America Austin, Texas Contest became the world’s premier bodybuilding event over the next Fair has authored six books, includ- thirty years. Rooted in ancient Greek virtues of health, fitness, beauty, ing Muscletown USA: Bob Hoffman and athleticism, it showcased some of the finest specimens of Ameri- and the Manly Culture of York Bar- can masculinity. Interviewing nearly one hundred major figures in bell. He is a retired history professor and has competed in nearly eighty the physical culture movement (including twenty-five Mr. Americas) weightlifting/powerlifting meets, and incorporating copious printed and manuscript sources, John D. served on the national AAU weight- Fair has created the definitive study of this iconic phenomenon. lifting committee, and judged many Revealing the ways in which the contest provided a model of physique competitions, including functional and fit manhood, Mr. America captures the event’s path the 1973 Mr. America Contest. He is currently Adjunct Professor of Kine- to idealism and its slow descent into obscurity. As the 1960s marked siology and Health Education at UT a turbulent transition in American society—from the civil rights Austin’s Stark Center for Physical movement to the rise of feminism and increasing acceptance of ho- Culture and Sports. mosexuality—Mr. America changed as well. Exploring the influence of other bodily displays, such as the Mr. Universe and Mr. Olympia Terry and Jan Todd Series on Physical Culture and Sports contests and the Miss America Pageant, Fair focuses on commer- cialism, size obsession, and drugs that corrupted the competition’s release date | january original intent. Accessible and engaging, Mr. America is a compel- 6 x 9 inches, 414 pages, 32 b&w photos ling portrayal of the glory days of American muscle. ISBN 978-0-292-76082-0 $35.00* | £22.99 | C$43.95 hardcover

Top: Larry Scott, 1962 IFBB Mr. America. Iron Man ISBN 978-0-292-76750-8 (Dec. 1964). Bottom: Bert Goodrich, the first Mr. $35.00* America. Strength & Health (Sept. 1939). e-book

SEX TALK Rights: Center for Middle Eastern Studies, University of Texas at Rights: Center for Middle Eastern Studies, University of Texas at IN BEIRUT Austin controls all in English Austin controls all in English AND BERLIN

RASHID AL-DAIF

This novel by one of Lebanon’s best-known authors offers This “novelized biography” by Lebanese novelist Rashid JOACHIM HELFER an intimate look at evolving attitudes toward virginity, al-Daif and pointed riposte by German novelist Joachim premarital sex, and abortion in Lebanon as it draws a Helfer demonstrate how attitudes toward sex and mas-

TRANSLATED BY compelling portrait of a disintegrating marriage culinity across cultural contexts are intertwined with the KEN SEIGNEURIE & GARY SCHMIDT work of fiction, thereby highlighting the importance of fantasy in understanding the Other Who’s Afraid of Meryl Streep? What Makes a Man? By Rashid al-Daif Sex Talk in Beirut and Berlin Translated by Paula Haydar and Nadine Sinno By Rashid al-Daif and Joachim Helfer Rashid al-Daif’s provocative novel Who’s Afraid of Meryl Translated by Ken Seigneurie and Gary Schmidt Streep? takes an intimate look at the life of a recently married Leba- nese man. Rashoud and his wife struggle as they work to negotiate In 2003, Lebanese writer Rashid al-Daif spent several not only their personal differences but also rapidly changing atti- weeks in Germany as part of the “West-East Divan” program, a cul- tudes toward sex and marriage in Lebanese culture. As their fragile tural exchange effort meant to improve mutual awareness of Ger- bond disintegrates, Rashoud finds television playing a more promi- man and Middle Eastern cultures. He was paired with German RASHID AL-DAIF nent role in his life; his wife uses the presence of a television at her author Joachim Helfer, who then returned the visit to al-Daif in Beirut, Lebanon parents’ house as an excuse to spend time away from her new home. Lebanon. Following their time together, al-Daif published in Arabic Al-Daif has written three volumes of Rashoud purchases a television in the hopes of luring his wife back a literary reportage of his encounter with Helfer in which he focuses JOACHIM HELFER poetry and more than a dozen nov- home, but in a pivotal scene, he instead finds himself alone watch- on the German writer’s homosexuality. His frank observations have Berlin, Germany els, six of which have been trans- ing Kramer vs. Kramer. Without the aid of subtitles, he struggles to been variously read as trenchant, naïve, or offensive. In response, Helfer has authored four novels, lated into English and a number of make sense of the film, projecting his wife’s behavior onto the char- Helfer provided an equally frank point-by-point riposte to al-Daif’s as well as collections of novellas other languages. acter played by Meryl Streep, who captivates him but also frightens text. Together these writers offer a rare exploration of attitudes to- and essays. him in what he sees as an effort to take women’s liberation too far. ward sex, love, and gender across cultural lines. By stretching the Modern Middle East Modern Middle East Literatures in Who’s Afraid of Meryl Streep? offers a glimpse at evolving atti- limits of both fiction and essay, they highlight the importance of lit- Literatures in Translation Series tudes toward virginity, premarital sex, and abortion in Lebanon and erary sensitivity in understanding the Other. Translation Series Distributed for the Center for Middle addresses more universal concerns such as the role of love and lust Rashid al-Daif’s “novelized biography” and Joachim Helfer’s Distributed for the Center for Middle Eastern Studies in marriage. The novel has found wide success in Arabic and several commentary appear for the first time in English translation in What Eastern Studies University of Texas at Austin University of Texas at Austin European languages and has also been dramatized in both Arabic Makes a Man? Sex Talk in Beirut and Berlin. Also included in this release date | october and French. volume are essays by specialists in Arabic and German literature release date | january 5½ x 8½ inches, 119 pages that shed light on the discourse around sex between these two au- 5½ x 8½ inches, 300 pages thors from different cultural contexts. ISBN 978-0-292-76307-4 ISBN 978-0-292-76310-4 $19.95* | £12.99 | C$24.50 $30.00* | £19.99 | C$37.50 paperback paperback

ISBN 978-0-292-76309-8 ISBN 978-0-292-76312-8 $19.95* $30.00* e-book e-book

54 University of Texas Press | fall 2014 University of Texas Press | fall 2014 55 books for scholars

The Casa del Deán and the movie theater complex. From The Casa del Deán: New World Imagery in a Sixteenth-Century Mexican Mural Cycle by Penny C. Morrill. | architecture | Latin American Studies LUIS E. CARRANZA Bristol, Rhode Island Carranza is Professor of Architec- Rights: UT Press controls all ture at Roger Williams University. Permissions: some image permissions needed He is the author of Architecture as Revolution: Episodes in the History Designed as a survey and focused on key examples and of Modern Mexico, and he has published and lectured nationally and movements arranged chronologically from 1903 to 2003, internationally on Latin American this is the first comprehensive history of modern architec- modern architecture, focusing primarily on Mexico. ture in Latin America in any language FERNANDO LUIZ LARA Austin, Texas Lara is Associate Professor of Archi- tecture at the University of Texas at Austin, where he serves as Chair of the Brazil Center at the Teresa Modern Architecture in Lozano Long Institute of Latin American Studies. He is the author of The Rise of Popular Modernist Latin America Architecture in Brazil. Art, Technology, and Utopia

By Luis E. Carranza and Fernando Luiz Lara Foreword by Jorge Francisco Liernur

Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural moderniza- Consorcio Nacional de Seguros, Enrique Browne, architect (1993, Santiago). tion in the twentieth century. The number and Courtesy of Enrique Browne. types of projects varied greatly from country to country, but, as a whole, the region produced a Joe R. and Teresa Lozano significant body of architecture that has never Long Series in Latin before been presented in a single volume in any American and Latino Art language. Modern Architecture in Latin America and Culture is the first comprehensive history of this impor- release date | january tant production. 8½ x 11 inches, 464 pages, 168 color Designed as a survey and focused on key ex- and 94 b&w photos, 38 illustrations amples/paradigms arranged chronologically ISBN 978-0-292-76297-8 from 1903 to 2003, this volume covers a myriad $45.00* | £29.00 | C$56.50 of countries; historical, social, and political con- paperback ditions; and projects/developments that range or as a treatment of traditions centered on issues of art, technology, ISBN 978-0-292-75865-0 from small houses to urban plans to architectur- or utopia. This structure allows readers to see the development of $90.00* | £59.00 | C$112.50 al movements. The book is structured so that it multiple and parallel branches/historical strands of architecture hardcover can be read in a variety of ways—as a historically and, at times, their interconnections across countries. The authors ISBN 978-0-292-76818-5 developed narrative of modern architecture in provide a critical evaluation of the movements presented in rela- $45.00* SESC Pompéia, Lina Bo Bardi, architect (1985, São Paulo). Latin America, as a country-specific chronology, tionship to their overall goals and architectural transformations. e-book Photo by Fernando Luiz Lara.

58 University of Texas Press | fall 2014 University of Texas Press | fall 2014 59 | latin american studies | Photography, Women’s/ Gender/Queer Studies

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Viewing the work of twelve prominent photographers, including Graciela Iturbide, Pedro Meyer, and Marcos López, this first far-ranging analysis of gendered perspectives in Latin American photography demonstrates the importance of this art form within Latin American cultural production Argentine, Mexican, and Guatemalan Photography Feminist, Queer, and Post-Masculinist Perspectives

By David William Foster

One of the important cultural responses to political and sociohistorical events in Latin America is a resurgence of urban photography, which typically blends high art and social documentary. But unlike other forms of cultural production in Latin America, photography has received relatively little sustained critical analysis. This pioneering book offers one of the first in-depth investigations of the complex and extensive history of gendered perspectives in Latin American photography through studies of works from Argentina, Mexico, and Guatemala. David William Foster examines the work of photographers ranging from the internationally acclaimed artists Graciela Itur- Artículos domésticos para el hogar (Domestic appliances), Grete Stern (n.d.) DAVID WILLIAM FOSTER bide, Pedro Meyer, and Marcos López to significant photographers Tempe, Arizona whose work is largely unknown to English-speaking audiences. He it has illuminated human rights abuses in both countries. He also release date | october Foster is Regents’ Professor of grounds his essays in four interlocking areas of research: the expe- traces photography’s contributions to the evolution away from the 6 x 9 inches, 230 pages, Spanish and Women and Gender rience of human life in urban environments, the feminist matrix masculinist-dominated post–1910 Revolution ideology in Mexico. 53 b&w photos Studies at Arizona State University, and gendered cultural production, Jewish cultural production, and This research convincingly demonstrates that Latin American pho- ISBN 978-0-292-75793-6 where he also leads the Brazilian the ideological principles of cultural works and the connections be- tography merits the high level of respect that is routinely accorded $65.00* | £42.00 | C$82.00 Studies Program. He is the author hardcover of many books, including Queer tween the works and the sociopolitical and historical contexts in to more canonical forms of cultural production. Issues in Latin American Cinema which they were created. Foster reveals how gender-marked pho- ISBN 978-0-292-76834-5 $65.00* and Mexico City in Contemporary tography has contributed to the discourse surrounding the project e-book Mexican Cinema. of redemocratization in Argentina and Guatemala, as well as how

60 University of Texas Press | fall 2014 University of Texas Press | fall 2014 61 | latin american studies | Art History

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Extensively illustrated with new color photographs, this pioneering study of a masterpiece of colonial Latin American art reveals how a cathedral dean and native American painters drew on their respective visual traditions to promote Christian faith in the New World

The Casa del Deán New World Imagery in a Sixteenth-Century Mexican Mural Cycle

By Penny C. Morrill

The Casa del Deán in Puebla, Mexico, is one of few surviving sixteenth-century residences in the Americas. Built in 1580 by PENNY C. MORRILL Tomás de la Plaza, the Dean of the Cathedral, the house was deco- McLean, Virginia rated with at least three magnificent murals, two of which survive. Morrill, who holds a PhD in Their rediscovery in the 1950s and restoration in 2010 revealed Mesoamerican colonial art history works of art that rival European masterpieces of the early Renais- from the University of Maryland, sance, while incorporating indigenous elements that identify them teaches in the art history department at George Mason University with Amerindian visual traditions. in Fairfax, Virginia. In addition Extensively illustrated with new color photographs of the murals, to her work on sixteenth-century The Casa del Deán presents a thorough iconographic analysis of the Mexican architecture and mural paintings and an enlightening discussion of the relationship between painting, she is an authority and Tomás de la Plaza and the indigenous artists whom he commissioned. has published extensively on the history of modern Mexican silver. Penny Morrill skillfully traces how native painters, trained by the Franciscans, used images from Classical mythology found in Flemish Joe R. and Teresa Lozano and Italian prints and illustrated books from France—as well as ani- Long Series in Latin mal images and glyphic traditions with pre-Columbian origins—to American and Latino Art create murals that are reflective of Don Tomás’s erudition and his role and Culture in evangelizing among the Amerindians. She demonstrates how the release date | december importance given to rhetoric by both the Spaniards and the Nahuas 8½ x 11 inches, 384 pages, 115 color became a bridge of communication between these two distinct and photos highly evolved cultures. This pioneering study of the Casa del Deán

ISBN 978-0-292-75930-5 mural cycle adds an important new chapter to the study of colonial $75.00* | £49.00 | C$95.00 Latin American art, as it increases our understanding of the process hardcover by which imagery in the New World took on Christian meaning.

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The first humanistic portrait of life among the Saraguros This comprehensive study of five phases of Guatemalan of southern Ecuador is woven with a meditative self- migration—both Maya and ladino—to the United States reflection on the author’s role as anthropologist and the from the late 1970s to the present illuminates the transre- role of cross-cultural understanding itself in the Andean gional experiences of those who pass through Mexico Highlands and beyond

With the Saraguros Guatemala-U.S. Migration The Blended Life in a Transnational World Transforming Regions

By David Syring By Susanne Jonas and Nestor Rodríguez

Highlighting globalization’s effects on humanity through Guatemala-U.S. Migration: Transforming Regions is a the lens of Ecuador’s indigenous Saraguro people, With the Saragu- pioneering, comprehensive, and multifaceted study of Guatemalan SUSANNE JONAS ros marks a compelling departure from conventional approaches to migration to the United States from the late 1970s to the present. It Pacifica, California DAVID SYRING Jonas was on the faculty of the Duluth, Minnesota ethnography. While documenting and exploring the social patterns analyzes this migration in a regional context including Guatemala, among the Saraguro, with an emphasis on the role of women bead- Mexico, and the United States. This book illuminates the perilous University of California, Santa Cruz, Syring is Associate Professor of for twenty-four years and received a workers, David Syring blends storytelling, dialogue, poetry, and passage through Mexico for Guatemalan migrants, as well as their Anthropology at the University of Distinguished Teaching Award. Minnesota Duluth. His previous memoir to describe his own realm as a fieldworker in anthropology. settlement in various U.S. venues. Moreover, it builds on existing book, Places in the World a Person As he considers the influence of women’s labor in a community in theoretical frameworks and breaks new ground by analyzing the NESTOR RODRÍGUEZ Could Walk: Family, Stories, Home, which the artistry of beadwork is richly symbolic, he also considers construction and transformations of this migration region and tran- Austin, Texas and Place in the Texas Hill Country, how the Saraguro view their observers—the anthropologists. sregional dimensions of migration. Rodríguez is Professor of Sociology was a finalist for the Minnesota Probing the role of researchers in a time when basic humanis- Seamlessly blending multiple sociological perspectives, this book and Research Associate of the Teresa Book Award. The documentary film Lozano Long Institute of Latin he created with Manuel Benigno tic questions now often reflect a critical balance between commerce addresses the experiences of both Maya and ladino Guatemalan mi- American Studies at the University Cango and the Saraguro women’s and sustainability, With the Saraguros asks, “What does it mean to grants, incorporating gendered as well as ethnic and class dimen- of Texas at Austin. craft cooperative La Teresa de Cal- live ‘the good life’ in different cultural contexts, and how does our sions of migration. It spans the most violent years of the civil war cuta, released in 2014, is part of a work life relate to this pursuit?” For those who have chosen a work and the postwar years in Guatemala, hence including both refugees series of participatory media proj- release date | january life of anthropology, Syring captures the impact of fieldwork—which and labor migrants. The demographic chapter delineates five phases ects with Saraguro collaborators. 6 x 9 inches, 280 pages, uproots the researcher from his or her daily routine—and its po- of Guatemalan migration to the United States since the late 1970s, 31 b&w photos, 1 map tential to deliver new levels of consciousness. The result constitutes with immigrants experiencing both inclusion and exclusion very release date | december ISBN 978-0-292-76826-0 6 x 9 inches, 186 pages, 43 b&w more than just the first English-language book dedicated to the dy- dramatically during the most recent phase, in the early twenty-first $24.95* | £15.99 | C$30.95 photos, 2 maps namic creativity of the Saraguro, contextualized by their social and century. This book also features an innovative study of Guatemalan paperback political history; Syring’s work, which ranges from the ecological migrant rights organizing in the United States and transregionally ISBN 978-0-292-76093-6 ISBN 978-0-292-76060-8 $55.00* | £36.00 | C$68.95 imagination to the metaphors of trade, is also a profound meditation in Guatemala/Central America and Mexico. The two contrasting in- $55.00* | £36.00 | C$68.95 hardcover on the ways we experience boundaries now that borders no longer depth case studies of Guatemalan communities in Houston and San hardcover create sharply drawn divides between cultural worlds, and “distant” Francisco elaborate in vibrant detail the everyday experiences and ISBN 978-0-292-76095-0 ISBN 978-0-292-76314-2 $55.00* no longer means “separate.” evolving stories of the immigrants’ lives. $24.95* e-book e-book

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The newest volume of the benchmark bibliography of This in-depth study highlights the unique, precedent-set- Latin American studies ting approach taken by Argentina and Chile to empower human rights advocates while prosecuting the perpetrators of crimes against humanity, whose rise to power during the 1970s and 1980s once appeared unstoppable

Handbook of Latin American Impunity, Human Rights, Studies, No. 69 and Democracy Social Sciences Chile and Argentina, 1990–2005

Katherine D. McCann, Humanities Editor By Thomas C. Wright Tracy North, Social Sciences Editor Thomas C. Wright examines how persistent advocacy by Beginning with Number 41 (1979), the University of Texas domestic and international human rights groups, evolving legal en- Press became the publisher of the Handbook of Latin American vironments, unanticipated events that impacted public opinion, and Studies, the most comprehensive annual bibliography in the field. eventual changes in military leadership led to a situation unique in “The one source that Compiled by the Hispanic Division of the Library of Congress and the world—the stripping of impunity not only from a select num- sets reference collec- annotated by a corps of more than 140 specialists in various disci- ber of commanders of the repression but from all those involved in THOMAS C. WRIGHT plines, the Handbook alternates from year to year between social state terrorism in Chile and Argentina. This has resulted in trials Las Vegas, Nevada tions on Latin Ameri- sciences and humanities. conducted by national courts, without United Nations or executive Wright is Distinguished Profes- can studies apart from The Handbook annotates works on Mexico, Central America, the branch direction, in which hundreds of former repressors have been sor of History, Emeritus, at the Caribbean and the Guianas, Spanish South America, and Brazil, as convicted and many more are indicted or undergoing trial. University of Nevada, Las Vegas. all other geographic well as materials covering Latin America as a whole. Most of the Impunity, Human Rights, and Democracy draws on extensive re- His many previous books include subsections are preceded by introductory essays that serve as bian- search, including interviews, to trace the erosion and collapse of the State Terrorism in Latin America: areas of the world. . . .” Chile, Argentina, and International nual evaluations of the literature and research under way in special- former repressors’ impunity—a triumph for human rights advocates —Latin American Human Rights and Latin America Research Review ized areas. that has begun to inspire authorities in other Latin American coun- in the Era of the Cuban Revolution. The subject categories for Number 69 are as follows: tries, including Peru, Uruguay, Brazil, and Guatemala, to investigate release date | november • Anthropology past human rights violations and prosecute their perpetrators. release date | december 6 x 9¼ inches, 720 pages • Geography 6 x 9 inches, 212 pages • Government and Politics ISBN 978-0-292-76197-1 ISBN 978-0-292-75926-8 $125.00* | £81.00 | C$157.50 • International Relations $55.00* | £36.00 | C$68.95 hardcover • Political Economy hardcover

ISBN 978-0-292-76825-3 • Sociology ISBN 978-0-292-75928-2 $125.00* $55.00* e-book e-book

Rights: UT Press controls all Rights: UT Press controls all Permissions: one text permission needed In this first comprehensive intellectual biography of the prolific Nobel laureate, a preeminent scholar of Hispanic Using the U.S. wall at the border with Mexico as a focal studies examines Mario Vargas Llosa’s multifaceted liter- point, two experts examine the global surge of economic and ary career, spanning the polemics of the Latin American environmental refugees, presenting a new vision of the re- literary boom through five reflective novels published lationships between citizen and migrant in an era of “Juan around the turn of the twenty-first century Crow,” which systematically creates a perpetual undercaste

Mario Vargas Llosa Up Against the Wall A Life of Writing Re-Imagining the U.S.-Mexico Border

By Raymond Leslie Williams By Edward S. Casey and Mary Watkins

Awarded the Nobel Prize in 2010 at the age of seventy- As increasing global economic disparities, violence, and EDWARD S. CASEY four, Peruvian writer Mario Vargas Llosa has held pivotal roles in the climate change provoke a rising tide of forced migration, many coun- New York, New York evolution and revolutions of modern Latin American literature. Per- tries and local communities are responding by building walls—literal Casey is Distinguished Professor of haps surprisingly, no complete history of Vargas Llosa’s works, placed and metaphorical—between citizens and newcomers. Up Against the Philosophy at State University of in biographical and historical context, has been published—until now. Wall: Re-Imagining the U.S.-Mexico Border takes up this concerted New York, Stony Brook. A masterwork from one of America’s most revered scholars of Latin recourse to walling through a penetrating analysis of the U.S. wall at MARY WATKINS American fiction, Mario Vargas Llosa: A Life of Writing provides a the U.S.-Mexico border and the walling out of Mexicans in local com- Santa Barbara, California critical overview of Vargas Llosa’s numerous novels while reinvigorat- munities. This timely book shows how understanding the differences Watkins is Professor of Psychol- RAYMOND LESLIE ing debates regarding conventional interpretations of the work. between borders and boundaries allows us to envision alternatives to WILLIAMS ogy at Pacifica Graduate Institute, Weaving analysis with discussions of the writer’s political com- the stark and policed divisions that are imposed by separation walls. where she also serves as director of Riverside, California mentary, Raymond Leslie Williams traces the author’s youthful Tracing the consequences of imperialism and colonization, the book Community and Ecopsychological Williams is Distinguished Profes- identity as a leftist student of the 1960s to a repudiation of some paints compelling portraits of key border areas affected by the wall, as Fieldwork and Research. sor of Hispanic Studies at the of his earlier ideas beginning in the 1980s. Providing a unique per- well as investigating the Mexican American internal colonies created University of California, Riverside. Louann Atkins Temple His previous books include The spective on the complexity, nuance, and scope of Vargas Llosa’s laud- in the aftermath of the U.S. conquest of Mexican land in 1848. Women & Culture Series Twentieth-Century Spanish Ameri- ed early novels and on his passionate support of indigenous popu- Ranging from human rights issues in the wake of massive global can Novel; The Writings of Carlos lations in his homeland, Williams then turns his eye to the recent migration to the role of national restorative shame in the United release date | september Fuentes; and The Colombian Novel, works, which serve as a bridge between the legacies of the Boom and States for the treatment of Mexicans since 1848, the authors delve 6 x 9 inches, 346 pages, 12 color 1844–1987. the diverse array of contemporary Latin American fiction writers at into the broad repercussions of the unjust and often tragic con- and 27 b&w photos ISBN 978-0-292-75938-1 release date | december work today. In addition, Williams provides a detailed description sequences of excluding noncitizens through walled structures and $27.95* | £17.99 | C$34.95 6 x 9 inches, 250 pages of Vargas Llosa’s traumatic childhood and its impact on him—seen the withholding of rights, citizenship, and full societal inclusion. paperback particularly in his lifelong disdain for authority figures—as well as A forceful examination of post-NAFTA migration from Mexico to ISBN 978-0-292-75812-4 ISBN 978-0-292-75841-4 $55.00* | £36.00 | C$68.95 of the authors who influenced his approach, from Faulkner to Flau- the United States, this transdisciplinary text, drawing on philoso- $60.00* | £39.00 | C$75.00 hardcover bert. Culminating in reflections drawn from Williams’s formal in- phy, psychology, and political theory, opens up multiple insights hardcover ISBN 978-0-292-76737-9 terviews and casual conversations with the author at key phases of into how nations and communities can coexist with more justice ISBN 978-0-292-76832-1 $55.00* both men’s careers, this is a landmark publication that will spark and compassion. $27.95* e-book new lines of inquiry into an intricate body of work. e-book

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Domestic Disturbances examines the treatment of the This pioneering, timely study of civil society activism traditional immigrant narrative in popular culture, in Ciudad Juárez during the first decade of the twenty- illuminating the possibilities of alternative stories by first century captures the tenuous new alliances and reading Chicana/Latina-produced texts through a new discourses of resistance (augmented by social media) interpretation of the immigrant paradigm that have emerged in the face of escalating violence and militarization

Domestic Disturbances Courage, Resistance, and Re-Imagining Narratives of Gender, Women in Ciudad Juárez Labor, and Immigration Challenges to Militarization By Irene Mata By Kathleen Staudt and Zulma Y. Méndez The issue of immigration is one of the most hotly debated topics in the national arena, with everyone from right-wing pundits An in-depth examination of la Resistencia Juarense, KATHLEEN STAUDT like Sarah Palin to alternative rockers like Zack de la Rocha offer- Courage, Resistance, and Women in Ciudad Juárez draws on eth- Staudt is Professor of Political Science and Endowed Professor of Western ing their opinion. The traditional immigrant narrative that gained nographic research to analyze the resistance’s focus on violence Hemispheric Trade Policy Studies at popularity in the nineteenth and twentieth centuries continues to against women, as well as its clash with the war against drugs cham- the University of Texas at El Paso. be used today in describing the process of the “Americanization” of pioned by Mexican President Felipe Calderón with the support of immigrants. Yet rather than acting as an accurate representation the United States. Through grounded insights, the authors trace Zulma Y. Méndez of immigrant experiences, this common narrative of the “American the transformation of hidden discourses into public discourses that Méndez is a professor and researcher at El Colegio de Chihuahua in Dream” attempts to ideologically contain those experiences within a openly challenge the militarized border regimes. The authors also IRENE MATA Ciudad Juárez. Wellesley, Massachusetts story line that promotes the idea of achieving success through hard explore the advocacy carried on by social media, faith-based orga- work and perseverance. nizations, and peace-and-justice activist Javier Sicilia while Calde- Inter-America Series Mata is Assistant Professor in Howard Campbell, Duncan Earle, the Women’s and Gender Studies In Domestic Disturbances, Irene Mata reveals the central truth rón faced U.S. political schisms over the role of border trade in this and John Peterson, Editors Department at Wellesley College, of hidden exploitation that underlies the great majority of Chi- global manufacturing site. where she teaches courses in Chi- cana/Latina immigrant stories. Influenced by the works of Latina Bringing to light on-the-ground strategies as well as current the- release date | january cana/Latina literature and culture. cultural producers and the growing interdisciplinary field of schol- ories from the fields of sociology, political anthropology, and human 6 x 9 inches, 198 pages, 31 b&w photos arship on gender, immigration, and labor, Domestic Disturbances rights, this illuminating study is particularly significant because release date | november ISBN 978-0-292-76358-6 6 x 9 inches, 236 pages, 5 b&w suggests a new framework for looking at these immigrant and mi- of its emphasis on the role of women in local and transnational at- $24.95* | £15.99 | C$30.95 photos grant stories as a specific Latina genealogy of immigrant narra- tempts to extinguish a hot zone. As they overcome intimidation to paperback tives that more closely engage with the contemporary conditions of become game-changing activists, the figures featured in Courage, ISBN 978-0-292-77131-4 ISBN 978-0-292-76087-5 $55.00* | £36.00 | C$68.95 immigration. Through examination of multiple genres including Resistance, and Women in Ciudad Juárez offer the possibility of $55.00* | £36.00 | C$68.95 hardcover film, theatre, and art, as well as current civil rights movements peace and justice in the wake of seemingly irreconcilable conflict. hardcover

ISBN 978-0-292-77133-8 such as the mobilization around the DREAM Act, Mata illustrates ISBN 978-0-292-76828-4 $55.00* the prevalence of the immigrant narrative in popular culture and $24.95* e-book the oppositional possibilities of alternative stories. e-book

70 University of Texas Press | fall 2014 University of Texas Press | fall 2014 71 | pre-columbian studies | Art History, Mesoamerican Archaeology

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Presenting the first comprehensive art historical study of some magnificent Mesoamerican murals, this book demonstrates how generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination

The Murals of Cacaxtla The Power of Painting in Ancient Central Mexico

By Claudia Lozoff Brittenham Foreword by María Teresa Uriarte

Between AD 650 and 950, artists at the small Central Mexican city-state of Cacaxtla covered the walls of their most important sacred and public spaces with dazzling murals of gods, historical figures, and supernatural creatures. Testimonies of a richly interconnected ancient world, the Cacaxtla paintings present an unexpectedly deep knowledge of the art and religion of the Maya, Zapotec, and other distant Mesoamerican peoples. Painted during a period of war and shifting alliances after the fall of Teotihuacan, the murals’ distinctive fusion of cosmopolitan styles and subjects claimed a powerful identity for the belea- guered city-state. Presenting the first cohesive, art historical study of the entire painting corpus, The Murals of Cacaxtla demonstrates that these magnificent works of art constitute a sustained and local painting tradition, treasured by generations of patrons and painters. Exhaustive chapters on each of the mural programs make it possible to see how the Cacaxtla painting tradition developed over time, responding to political and artistic challenges. Lavishly illustrated, The Murals of Cacaxtla illuminates the agency of ancient artists and the dynamics of artistic synthesis in a Mesoamerican context, offering a Structure A, south jamb. Photo by Ricardo Alvarado valuable counterpoint to studies of colonial and modern Tapia. Courtesy of the Archivo del Proyecto La Pintura Mural Prehispánica en México. art operating at the intersection of cultural traditions. Old merchant god, east wall, Red Temple. Photo © Enrico Ferorelli. 72 University of Texas Press | fall 2014 University of Texas Press | fall 2014 73 East wall, Red Temple. Photo © Enrico Ferorelli.

Individuals E3–E11, east talud, Battle Mural. Photo by Ricardo Alvarado Tapia. Courtesy of the Archivo del Proyecto La Pintura Mural Prehispánica en México.

Joe R. and Teresa Lozano CLAUDIA LOZOFF Detail, opposite page Long Series in Latin BRITTENHAM American and Latino Art Chicago, Illinois and Culture Brittenham is Assistant Professor release date | january of Art History at the University of Chicago. She is the coauthor of 8½ x 11 inches, 320 pages, 271 color The Spectacle of the Late Maya and 15 b&w photos, 43 color and Court: Reflections on the Murals of b&w illustrations, 6 maps Bonampak and Veiled Brightness: ISBN 978-0-292-76089-9 A History of Ancient Maya Color. $70.00* | £46.00 | C$87.50 Individuals E10 and E11, east talud, Battle Mural. Photo hardcover by Ricardo Alvarado Tapia. Courtesy of the Archivo del Proyecto La Pintura Mural Prehispánica en México.

74 University of Texas Press | fall 2014 University of Texas Press | fall 2014 75 | pre-columbian studies | Archaeology, Mesoamerican Studies From the book

Rights: UT Press controls all One of the first surface surveys that [Francisco Permissions: some image permissions needed “Paco”] Beverido [a highly respected Veracruz This lively history of seven decades of archaeologi- archaeologist] and his student crew carried out cal exploration in the Olmec region of Mexico tells the occurred in an area of the Tuxtla Mountains fascinating backstory of how archaeological discoveries about 6 mi. (10 km) east of Tres Zapotes. One are made while offering an exceptional overview of this day, after a particu- ancient civilization larly long and hot hike through the lands of the Rancho Cobata, Beverido Discovering the Olmecs and the students stopped An Unconventional History at noon to rest and cool

By David C. Grove down. Rather than sit in the dirt of the moun- The Olmecs are renowned for their massive carved stone heads and other sculptures, the first stone monuments produced in tain trail, a few students Mesoamerica. Seven decades of archaeological research have given selected a large rock for us many insights into the lifeways of the Olmecs, who inhabited parts of the modern Mexican states of Veracruz and Tabasco from their resting place. They around 1150 to 400 BC, and there are several good books that sum- had been there for a short marize the current interpretations of Olmec prehistory. But these formal studies don’t describe the field experiences of the archaeolo- time when one of them gists who made the discoveries. What was it like to endure the Olmec remarked that the rock region’s heat, humidity, mosquitoes, and ticks to bring that ancient society to light? How did unforeseen events and luck alter carefully they were sitting on was Cobata colossal stone head, displayed on the plaza in Santiago Tuxtla. DAVID C. GROVE planned research programs and the conclusions drawn from them? unusually smooth and Photo courtesy of Marcie Venter. Gainesville, Florida And, importantly, how did local communities and individuals react round, and jokingly suggested that it might be Grove is Professor Emeritus of to the research projects and discoveries in their territories? The William and Bettye Anthropology at the University of In this engaging book, a leading expert on the Olmecs tells those the top of a colossal head. The others thought it Nowlin Series in Art, Illinois at Urbana-Champaign and stories from his own experiences and those of his predecessors, col- History, and Culture of Courtesy Professor of Anthropology leagues, and students. Beginning with the first modern explorations would be amusing to check out that idea, and the Western Hemisphere at the University of Florida. He has carried out archaeological research in the 1920s, David Grove recounts how generations of archaeolo- after finishing their rest, they all began clearing release date | november in Mexico for fifty years and is best gists and local residents have uncovered the Olmec past and pieced 6 x 9 inches, 222 pages, 56 b&w known for his investigations at the together a portrait of this ancient civilization that left no written soil away from around the stone. Within min- photos, 6 illustrations, 5 maps Olmec-related site of Chalcatzingo, records. The stories are full of fortuitous discoveries and frustrating utes, to their astonishment, they had revealed ISBN 978-0-292-76081-3 Morelos. Grove is a recipient of disappointments, helpful collaborations and deceitful shenanigans. $55.00* | £36.00 | C$68.95 the American Anthropological the eyes and nose of a colossal stone head! hardcover Association’s Alfred Vincent Kidder What emerges is an unconventional history of Olmec archaeology, a Award for Eminence in the Field of lively introduction to archaeological fieldwork, and an exceptional They had, in fact, discovered the largest and ISBN 978-0-292-76830-7 American Archaeology. overview of all that we currently know about the Olmecs. $55.00* most unusual of all the known colossal heads. e-book

76 University of Texas Press | fall 2014 University of Texas Press | fall 2014 77 | pre-columbian studies | Religion, Mesoamerican Studies

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This sophisticated, interdisciplinary study analyzes foundational concepts of deities and deity embodiments in Aztec religion to shed new light on the Aztec understanding of how spiritual beings take on form and agency in the material world The Fate of Earthly Things Aztec Gods and God-Bodies

By Molly H. Bassett

Following their first contact in 1519, accounts of Aztecs identifying Spaniards as gods proliferated. But what exactly did the MOLLY H. BASSETT Aztecs mean by a “god” (teotl), and how could human beings become Atlanta, Georgia, and gods or take on godlike properties? This sophisticated, interdisci- Zacatecas, Mexico plinary study analyzes three concepts that are foundational to Aztec Bassett is Assistant Professor religion—teotl (god), teixiptla (localized embodiment of a god), and of Religious Studies at Georgia tlaquimilolli (sacred bundles containing precious objects)—to shed State University in Atlanta and a new light on the Aztec understanding of how spiritual beings take research affiliate with the Zacate- on form and agency in the material world. cas Institute for Teaching and In The Fate of Earthly Things, Molly Bassett draws on ethno- Research in Ethnology (IDIEZ) in Zacatecas, Mexico. graphic fieldwork, linguistic analyses, visual culture, and ritual studies to explore what ritual practices such as human sacrifice and the manufacture of deity embodiments (including humans who be- This book is a part of the Recover- ing Languages and Literacies of the came gods), material effigies, and sacred bundles meant to the Az- Americas publication initiative, tecs. She analyzes the Aztec belief that wearing the flayed skin of a funded by a grant from the Andrew sacrificial victim during a sacred rite could transform a priest into W. Mellon Foundation. an embodiment of a god or goddess, as well as how figurines and sacred bundles could become localized embodiments of gods. Without release date | january 6 x 9 inches, 300 pages, 26 b&w arguing for unbroken continuity between the Aztecs and modern photos, 7 illustrations speakers of Nahuatl, Bassett also describes contemporary rituals in which indigenous Mexicans who preserve costumbres (traditions) ISBN 978-0-292-76088-2 $60.00* | £39.00 | C$75.00 incorporate totiotzin (gods) made from paper into their daily lives. hardcover This research allows us to understand a religious imagination that

ISBN 978-0-292-76299-2 found life in death and believed that deity embodiments became $60.00* animate through the ritual binding of blood, skin, and bone. e-book Xipe Totec. Painted volcanic tuff (mid-fourteenth–mid-fifteenth century). © Museum der Kulturen, Basel, Switzerland. 78 University of Texas Press | fall 2014 University of Texas Press | fall 2014 79 | pre-columbian studies | Art History, Architecture, Andean Studies

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Adding an important new chapter to pre-Columbian art history, this volume is the first to assemble and analyze a comprehensive body of ancient Andean architectural representations, as well as the first that explores their connections to full-scale pre-Hispanic ritual architecture

Architectural Vessels of the Moche Ceramic Diagrams of Sacred Space in Ancient Peru

By Juliet b. Wiersema

Elaborately decorated monumental architecture, royal tombs, and ritual human sacrifice have established the Moche of ancient Peru (AD 200–800) as a culturally rich and ideologically complex civilization. Because the Moche did not have a text-based writing system, their sophisticated works of art, which communi- cated complex concepts, specific ideas, and detailed narratives, have become a prime source for understanding the Moche worldview. This pioneering volume presents the first book-length study of one JULIET b. WIERSEMA Austin, Texas of the most compelling forms of Moche art—fine ware ceramics that depict architectural structures in miniature. Wiersema is Assistant Professor of Pre-Hispanic and Spanish Colonial Assembling a data set of some two hundred objects, Architectural Art at the University of Texas at Vessels of the Moche interprets the form and symbolism of these art- San Antonio. works and their relationship to full-scale excavated Moche architectural remains. Juliet B. Wiersema reveals that Moche architectural This book is a part of the Latin vessels preserve aspects of Moche monumental architecture that American and Caribbean Arts and have been irreparably compromised by centuries of treasure hunt- Culture publication initiative, ing, erosion, and cataclysmic events, while they also present sche- funded by a grant from the Andrew matic diagrams of specific and identifiable structures found within W. Mellon Foundation. Moche sacred precincts. This research offers an important new per- release date | january spective on ancient architectural representation and depicted space 8½ x 11 inches, 224 pages, 184 color in the pre-Hispanic Americas and also complements existing stud- and 17 b&w photos, 58 illustrations

ies of architectural models made by Old World cultures, including ISBN 978-0-292-76125-4 Moche I/II architectural complex vessel depicting step motifs and double step motifs. Middle Kingdom Egypt and Han Dynasty China. $60.00* | £39.00 | C$75.00 Collection of the Fundación Wiese, Lima. Photo by Daniel Giannoni. Courtesy of Anel Pancorvo. hardcover

80 University of Texas Press | fall 2014 University of Texas Press | fall 2014 81 | film and media studies | Contents Rights: UT Press controls English language only Introduction 21. Film through a Telephoto Lens: Ray Ashley, This collection of previously untranslated work by the Bert Cardullo Morris Engel, and Ruth Orkin’s The Little Fugitive (Cahiers du cinéma, January 1954) eminent film critic and founder of Cahiers du cinéma I. Essays and Book Reviews 22. An Apocalyptic Pilgrimage: Kaneto Shindo’s presents important essays on Asian cinema, James 1. Discovering Cinema: Defense of the (New) Children of Hiroshima (Le parisien libéré, Avant-Garde (L’écran français, December 21, March 10, 1954) Dean, the star system, and film criticism itself; reviews 1948, and Cahiers du cinéma, March 1952) 23. Brilliant Variations on Some Well-Known 2. Death on the Silver Screen (L’espr it, September Notes: Nicholas Ray’s Johnny Guitar (Le pa- of prominent postwar films; and the first comprehensive 1949) risien libéré, February 18, 1955) Bazin bibliography 3. On Form and Matter, or the “Crisis” of Cinema 24. Akira Kurosawa’s Rashomon and The Seven (Almanach du théâtre et du cinéma, 1951) Samurai (France-observateur, April 24, 1952; 4. On the Subject of Rereleases (Cahiers du cinéma, and Le parisien libéré, December 7, 1955) September 1951) 25. Doll in the Flesh, Cotton on Fire: Elia Kazan’s 5. Imaginary Man and the Magical Function of Baby Doll (Le parisien libéré, January 3, 1957) Cinema (France-observateur, September 13, 1956) 26. Akira Kurosawa’s To Live (Cahiers du cinéma, Bazin on Global Cinema, 6. Cinema and Commitment (L’espr it, April 1957) March 1957) 7. The Question of James Dean (France-observa- 27. The Crabs of Anger: Satoru Yamamura’s The teur, April 4, 1957) Cannery Boat (Cahiers du cinéma, March 1957) 1948–1958 8. The Star System Lives On (France-observateur, 28. Andrzej Wajda’s Kanal (Cahiers du cinéma, August 1, 1957) June 1957) By André Bazin 9. Orson Welles Cannibalized (Cahiers du cinéma, 29. War Films: Richard Fleischer’s Between Heaven Translated and edited by Bert Cardullo October 1958) and Hell and Anthony Mann’s Men in War 10. Reflections on Criticism Cinéma( 58, December 1958) (France-observateur, June 20, 1957) 30. Vladimir Braun’s Malva (France-observateur, André Bazin is renowned for almost single-handedly Interlude. André Bazin: One Character in Search September 12, 1957) BERT CARDULLO establishing the study of film as an accepted intellectual pursuit, as of an Auteur (Cahiers du cinéma, May 1957) 31. Akira Kurosawa’s Throne of Blood (Cahiers du Helsinki, Finland well as for being the spiritual father of the French New Wave. In 1951 cinéma, October 1957) II. Film Reviews and Criticism 32. Satyajit Ray’s Aparajito (France-observateur, Cardullo is the author of many he cofounded and became editor-in-chief of Cahiers du cinéma, the 11. Marcel Carné’s Le jour se lève (Daybreak) (D.O.C. December 19, 1957) books and articles on cinema and most influential critical periodical in the history of cinema. Four of éducation populaire, January 1948) 33. Stanley Kramer’s The Pride and the Passion theater. He previously translated the film critics whom he mentored at the magazine later became the 12. Laurence Olivier’s Hamlet (Le parisien libéré, (France-observateur, December 19, 1957) Bazin’s work in the volumes Bazin most acclaimed directors of the postwar French cinema—François October 13, 1948) 34. Japan: Tadashi Imai’s Night Drum and Akira at Work, André Bazin and Italian 13. Coquelin, We Made It! Michael Gordon’s Cyrano Kurosawa’s Lower Depths (Cahiers du cinéma, Neorealism, and French Cinema Truffaut, Jean-Luc Godard, Jacques Rivette, and Claude Chabrol. de Bergerac (Cahiers du cinéma, December 1951) July 1958) from the Liberation to the New Bazin is also considered the principal instigator of the influential 14. The Ghetto as Concentration Camp: Alfréd 35. Sociological Routines: Philip Dunne’s Ten North Wave. Cardullo’s recent books in- auteur theory—the idea that, since film is an art form, the direc- Radok’s The Long Journey (Cahiers du cinéma, Frederick (Cahiers du cinéma, October 1958) clude Theories of the Avant-Garde tor of a movie must be perceived as the chief creator of its unique February 1952) Theatre: A Casebook from Kleist to 15. Joseph Losey’s M: Remade in the USA (Cahiers Bazin Bibliography Camus, Stage and Screen: Adapta- cinematic style. du cinéma, April 1952) Books by André Bazin in French tion Theory from 1916 to 2000, Bazin wrote some 2,600 articles and reviews, only about 150 of 16. Orson Welles’s Othello (Cahiers du cinéma, Articles and Reviews by Bazin in Their Original and Regarding the Cinema: Fifteen which are accessible in anthologies or edited collections. Bazin on June 1952) Language Filmmakers and Their Films. Global Cinema, 1948–1958 offers English-language readers much 17. A Meta-Western: Fred Zinnemann’s High Noon Books by Bazin Translated into English of his writing on Asian cinema; previously untranslated essays on (France-observateur, October 9, 1952) Book Reviews of Works by Bazin Translated release date | december 18. Notes on Two Films by John Cromwell. Women into English 6 x 9 inches, 352 pages, 48 b&w James Dean, the star system, political engagement and the cinema, in Cages: Caged; and Off the Beaten Path: The Biocritical Works on Bazin Written in or photos and film criticism itself; and several reviews of film books, as well as Goddess (Cahiers du cinéma, July 1953; Cahiers Translated into English reviews of notable American, British, and European movies, such as ISBN 978-0-292-75936-7 du cinéma, October 1958) Dissertations and Theses on Bazin Written $60.00* | £39.00 | C$75.00 Johnny Guitar, High Noon, Umberto D., Hamlet, Kanal, and Le jour 19. On Ambiguity: John Huston’s The Red Badge of in English hardcover se lève (Daybreak). The book also features a contextual introduc- Courage (Cahiers du cinéma, October 1953) 20. The Italian Scene (Cinéma 53 à travers le Film Credits ISBN 978-0-292-76740-9 tion to Bazin’s life and work, the first comprehensive bibliography of monde, 1954) Index $60.00* works by and about Bazin, credits of all the films he discusses in this e-book book, and an extensive index.

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Using Brazilian films about slavery as case studies, Cine- With insightful analysis of films ranging from El Mariachi ma, Slavery, and Brazilian Nationalism offers new insight to Spy Kids 4 and Machete Kills, as well as a lively inter- into the deployment of cinematic narrative strategies view in which the filmmaker discusses his career, here is the to influence viewers and their conceptions of Brazilian first scholarly overview of the work of Robert Rodriguez, the national identity most successful U.S. Latino filmmaker today

Cinema, Slavery, and The Cinema of Robert Rodriguez By Frederick Luis Aldama Brazilian Nationalism Foreword by Charles Ramírez Berg Robert Rodriguez stands alone as the most successful By Richard A. Gordon U.S. Latino filmmaker today, whose work has single-handedly brought U.S. Latino filmmaking into the mainstream of twenty- A unique contribution to film studies, Richard Gordon’s first-century global cinema. Rodriguez is a prolific (eighteen films in Cinema, Slavery, and Brazilian Nationalism is the first full-length twenty-one years) and all-encompassing filmmaker who has scripted, book on Brazilian films about slavery. By studying Brazilian films directed, shot, edited, and scored nearly all his films since his first RICHARD A. GORDON released between 1976 and 2005, Gordon examines how the films breakout success, El Mariachi, in 1992. With new films constantly Athens, Georgia both define the national community and influence viewer under- coming out and the launch of his El Rey Network television channel, FREDERICK LUIS ALDAMA Gordon is Professor of Brazilian standings of Brazilianness. Though the films he examines span he receives unceasing coverage in the entertainment media, but sys- Columbus, Ohio, and Studies and Spanish-American Lit- decades, they all communicate their revised version of Brazilian tematic scholarly study of Rodriguez’s films is only just beginning. Berkeley, California erature and Culture and Director of the Latin American and Caribbean national identity through a cinematic strategy with a dual aim: to The Cinema of Robert Rodriguez offers the first extended in- Aldama is Arts and Humanities Studies Institute at the University upset ingrained ways of thinking about Brazil and to persuade those vestigation of this important filmmaker’s art. Accessibly written Distinguished Professor of English of Georgia. who watch the films to accept a new way of understanding their na- for fans as well as scholars, it addresses all of Rodriguez’s feature at the Ohio State University, where tional community. films through Spy Kids 4 and Machete Kills, and his filmmaking he founded and directs LASER/ Cognitive Approaches to Latino and Latin American Space By examining patterns in this heterogeneous group of films, process from initial inspiration, to script, to film (with its myriad Literature and Culture for Enrichment and Research. Series Gordon proposes a new way of delineating how these films attempt visual and auditory elements and choices), to final product, to (usu- Edited by Frederick Luis Aldama, to communicate with and change the minds of audience members. ally) critical and commercial success. In addition to his close analy- release date | october Arturo J. Aldama, and Patrick Colm Gordon outlines five key aspects that each film incorporates, which sis of Rodriguez’s work, Frederick Luis Aldama presents an original 6 x 9 inches, 192 pages, 31 b&w Hogan describe their shared formula for and role in constructing social interview with the filmmaker, in which they discuss his career and photos identity. These elements include the ways in which the films attempt his relationship to the film release date | january ISBN 978-0-292-76124-7 6 x 9 inches, 308 pages, 18 b&w to create links between the past and the viewers’ present and their industry. $24.95* | £15.99 | C$30.95 photos methods of encouraging viewers to identify with their protagonists, paperback who are often cast as a prototype for the nation. By aligning them- ISBN 978-0-292-76097-4 ISBN 978-0-292-76121-6 $55.00* | £36.00 | C$68.95 selves with this figure, viewers arrive at a definition of their national $55.00* | £36.00 | C$68.95 hardcover identity that, while Afrocentric, also promotes racial and ethnic in- hardcover clusiveness. Gordon’s innovative analysis transcends the context of ISBN 978-0-292-76099-8 ISBN 978-0-292-76123-0 his work, and his conclusions can be applied to questions of national Robert Rodriguez’s DIY $55.00* “mariachi aesthetic” in the $24.95* e-book identity and film across cultures. making of El Mariachi (1992). e-book

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A sweeping examination of Afghanistan’s most vulnera- Kurdish Awakening is a comprehensive examination of ble individuals and the myriad of problems that confront the sweeping developments in “Greater Kurdistan” over them, Children of Afghanistan not only explores the host the past few decades, analyzing the growth of this nation- of crises that has led the United Nations to call the coun- alistic yet fragmented movement and illuminating its try “the worst place on earth to be born,” but also offers geopolitical implications child-centered solutions to rebuilding the country

Children of Afghanistan Kurdish Awakening The Path to Peace Nation Building in a Fragmented Homeland

Edited by Jennifer Heath and Ashraf Zahedi Edited by Ofra Bengio

JENNIFER HEATH The first comprehensive look at youth living in a country Kurdish Awakening examines key questions related to Boulder, Colorado attempting to rebuild itself after three decades of civil conflict, Kurdish nationalism and identity formation in Syria, Iraq, Iran, Heath is an independent scholar, Children of Afghanistan relies on the research and fieldwork of and Turkey. The world’s largest stateless ethnic group, Kurds have award-winning activist, cultural twenty-one experts to cover an incredible range of topics. Focusing steadily grown in importance as a political power in the Middle OFRA BENGIO journalist, curator, and the author on the full scope of childhood, from birth through young adulthood, East, particularly in light of the “Arab Spring.” As a result, Kurdish Tel Aviv, Israel and/or editor of eleven books of fic- this edited volume examines a myriad of issues: early childhood issues—political, cultural, and historical alike—have emerged as the tion and nonfiction. Bengio is Senior Research Fellow socialization in war and peace; education, literacy, vocational train- subject of intense scholarly interest. This book provides fresh ways and Head of the Kurdish Stud- ASHRAF ZAHEDI ing, and apprenticeship; refugee life; mental and physical health, of understanding the historical and sociopolitical underpinnings of ies Program at the Moshe Dayan Santa Barbara, California including disabilities and nutrition; children’s songs, folktales, and the ongoing Kurdish awakening and its already significant impact Center for Middle Eastern and African Studies, as well as As- Zahedi, PhD, is a sociologist. She art; sports and play; orphans; life on the streets; child labor and on the region. sociate Professor (Emerita) in the has published many articles in aca- children as family breadwinners; child soldiers and militarization; Rather than focusing on one state or angle, this anthology fills Department of Middle Eastern and demic journals and coedited Land sexual exploitation; growing up in prison; marriage; family vio- a gap in the literature on the Kurds by providing a panoramic view African History at Tel Aviv Uni- of the Unconquerable: The Lives of lence; and other issues vital to understanding, empowerment, and of the Kurdish homeland’s various parts. The volume focuses on as- versity. A frequent commentator in Contemporary Afghan Women with Israeli and world media, she is the Jennifer Heath. transformation. pects of Kurdish nationalism and identity formation not addressed Children of Afghanistan is the first volume that not only attempts elsewhere, including perspectives on literature, gender, and consti- author of several books, including The Kurds of Iraq: Building a State Louann Atkins Temple to analyze the range of challenges facing Afghan children across tution making. Further, broad thematic essays include a discussion within a State. Women & Culture Series class, gender, and region but also offers solutions to the problems of the historical experiences of the Kurds from the time of their Is- they face. With nearly half of the population under the age of fifteen, lamization more than a millennium ago up until the modern era, release date | november release date | november 6 x 9 inches, 362 pages, 13 b&w the future of the country no doubt lies with its children. Those who a comparison of the Kurdish experience with other ethno-national 6 x 9 inches, 332 pages, 2 b&w photos, 2 illustrations, 1 map seek peace for the region must find solutions to the host of crises that movements, and a treatment of the role of tribalism in modern na- photos, 5 maps have led the United Nations to call Afghanistan “the worst place on tion building. This collection is unique in its use of original sources ISBN 978-0-292-75931-2 ISBN 978-0-292-75813-1 $55.00* | £36.00 | C$68.95 earth to be born.” The authors of Children of Afghanistan provide in various languages. The result is an analytically rich portrayal that $60.00* | £39.00 | C$75.00 hardcover child-centered solutions to rebuilding the country’s cultural, social, sheds light on the Kurds’ prospects and the challenges they confront hardcover

ISBN 978-0-292-75933-6 and economic institutions. in a region undergoing sweeping upheavals. ISBN 978-0-292-76301-2 $55.00* $60.00* e-book e-book

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Tracing the complex history of Jordan through its ar- Queer Beirut paves the way for a timely anthropological chaeology, Competitive Archaeology in Jordan examines conversation about gender and queer identities in both how foreign and indigenous powers have competed for Middle Eastern studies and urban studies and used antiquities to create their own narratives, national identities, borders, and conceptions of the nation

Competitive Archaeology in Jordan Queer Beirut Narrating Identity from the Ottomans By Sofian Merabet to the Hashemites Gender and sexual identity formation is an ongoing anthropological conversation in both Middle Eastern studies and By Elena Corbett urban studies, but the story of gay and lesbian identity in the Middle East is only just beginning to be told. Queer Beirut is the first ethno- An examination of archaeology in Jordan and Palestine, graphic study of queer lives in the Arab Middle East. Drawing on an- Competitive Archaeology in Jordan explores how antiquities have thropology, urban studies, gender studies, queer studies, and socio- been used to build narratives and national identities. Tracing Jorda- cultural theory, Sofian Merabet’s compelling ethnography suggests nian history, and the importance of Jerusalem within that history, a critical theory of gender and religious identity formations that will Corbett analyzes how both foreign and indigenous powers have en- disrupt conventional anthropological premises about the contingent ELENA CORBETT gaged in a competition over ownership of antiquities and the power role that society and particular urban spaces have in facilitating the Amman, Jordan to craft history and geography based on archaeological artifacts. She emergence of various subcultures within the city. Corbett, who holds an MA in Islamic begins with the Ottoman and British Empires, asking how they used From 1995 to 2013, Merabet made a series of ethnographic jour- Archaeology and a PhD in Modern antiquities in varying ways to advance their imperial projects. Cor- neys to Lebanon, during which he interviewed numerous gay men Middle East History from the University of Chicago’s Department bett continues through the Mandate era and the era of independence in Beirut. Through their life stories, Merabet crafts moving eth- of Near Eastern Languages and of an expanded Hashemite Kingdom, examining how the Hashemites nographic narratives and explores how Lebanese gays inhabit and SOFIAN MERABET Civilizations, is the Resident Direc- and other factions have tried to define national identity by drawing perform their gender as they formulate their sense of identity. He Austin, Texas tor of the Council on International upon antiquities. also examines the notion of “queer space” in Beirut and the role that Educational Exchange (CIEE) Study Merabet teaches anthropology at the Competitive Archaeology in Jordan traces a complex history this city, its class and sectarian structure, its colonial history, and Center in Amman, Jordan. University of Texas at Austin. through the lens of archaeology’s power as a modern science to religion have played in these people’s discovery and exploration of create and give value to spaces, artifacts, peoples, narratives, and their sexualities. In using Beirut as a microcosm for the complexi- release date | december release date | october 6 x 9 inches, 306 pages, 11 b&w academic disciplines. It thus considers the role of archaeology in ties of homosexual relationships in contemporary Lebanon, Queer 6 x 9 inches, 304 pages, 28 b&w photos, 2 maps realizing Jordan’s modernity—drawing its map; delineating sacred Beirut provides a critical standpoint from which to deepen our un- photos, 2 maps and secular spaces; validating taxonomies of citizens; justifying legal derstandings of gender rights and citizenship in the structuring of ISBN 978-0-292-76080-6 ISBN 978-0-292-76096-7 $55.00* | £36.00 | C$68.95 frameworks and institutions of state; determining logos of the nation social inequality within the larger context of the Middle East. $55.00* | £36.00 | C$68.95 hardcover for display on stamps, currency, and in museums; and writing history. hardcover

ISBN 978-0-292-76745-4 Framing Jordan’s history in this way, Corbett illustrates the manipu- ISBN 978-0-292-76317-3 $55.00* lation of archaeology by governments, institutions, and individuals to $55.00* e-book craft narratives, draw borders, and create national identities. e-book

Rights: UT Press controls all Rights: UT Press controls all Existing licenses: Simplified Chinese rights sold Bringing to life an overlooked aspect of the dawn of the Now with a new afterword that surveys the “North African Ottoman empire, this illuminating study uses the prism Spring” uprisings that roiled the region from 2011 to 2013, of food—from farming to mealtimes, religious rituals, this is the most comprehensive history of North Africa to and commerce—to understand how Anatolian society date, with accessible, in-depth chapters covering the pre- gave rise to a superpower Islamic period through colonization and independence

North Africa, Revised Edition Foodways and Daily Life in A History from Antiquity to the Present Medieval Anatolia By Phillip C. Naylor A New Social History “North Africa’s story from antiquity onward, By Nicolas Trépanier Naylor shows, is one of turbulence, borrowings, exchanges, competition, and cooperation Byzantine rule over Anatolia ended in the eleventh century, leaving the population and its Turkish rulers to build so- across all manner of barriers, by no means cial and economic institutions throughout the region. The emerging only cultural. . . . [This is] a solid history of a Anatolian society comprised a highly heterogeneous population of Christians and Muslims whose literati produced legal documents PHILLIP C. NAYLOR region with whose conflicts we—not to mention Milwaukee, Wisconsin in Arabic, literary texts in Persian, and some of the earliest written works in the Turkish language. Yet the cultural landscape that Naylor is Professor of History at the Sahrawis and their neighbors—are fated to Marquette University, where he di- emerged as a result has received very little attention—until now. contend with for at least a few years still.” Investigating daily life in Anatolia during the fourteenth century, rected the Western Civilization pro- — Wall Street Journal gram. His previous books include Foodways and Daily Life in Medieval Anatolia draws on a creative NICOLAS TRÉPANIER The Historical Dictionary of Algeria array of sources, including hagiographies, archaeological evidence, University, Mississippi and France and Algeria: A History Sufi poetry, and endowment deeds, to present an accessible portrait of Decolonization and Transforma- “Naylor elegantly leads the reader through the Trépanier is Assistant Professor of a severely under-documented period. Grounded in the many ways tion. He is coeditor of the Journal of of History at the University of North African Studies. maze of events that have shaped the history of a food enters the human experience, Nicolas Trépanier’s comprehen- Mississippi. vast region at the crossroads of civilizations. . . . sive study delves into the Anatolian preparation of meals and the release date | january social interactions that mealtime entails, as well as the production release date | november 6 x 9 inches, 384 pages, 15 maps North Africa is a valuable introduction for stu- activities of peasants and gardeners; the marketplace exchanges of 6 x 9 inches, 264 pages, 1 map food between commoners, merchants, and political rulers; and the ISBN 978-0-292-76190-2 dents and the general public of an understudied ISBN 978-0-292-75929-9 $29.95* | £19.99 | C$37.50 religious landscape that unfolded around food-related beliefs and $55.00* | £36.00 | C$68.95 paperback part of the world.” —Middle East Journal practices. Foodways and Daily Life in Medieval Anatolia presents hardcover ISBN 978-0-292-76192-6 a new understanding of communities that lived at a key juncture of ISBN 978-0-292-76189-6 $29.95* world history. $55.00* e-book e-book

90 University of Texas Press | fall 2014 University of Texas Press | fall 2014 91 | classics | Architecture

Rights: UT Press controls all Permissions: some image permissions needed

The first comprehensive examination of the Roman Forum in late antiquity, this book explores the cultural significance of restoring monuments and statues in the city’s preeminent public space, demonstrat- ing shifts in patronage, political power, historical associations, and aesthetics The Restoration of the Roman Forum in Late Antiquity Transforming Public Space

By Gregor Kalas

In The Restoration of the Roman Forum in Late Antiquity, Gregor Kalas examines architectural conservation during late antiquity at Rome’s most important civic center: the Roman Forum. During the fourth and fifth centuries CE—when emperors shifted their residences to alternate capitals and Christian practices over- took traditional beliefs—elite citizens targeted

restoration campaigns so as to infuse these ini- Arch of Septimius Severus in the Roman Forum. Photo by Scala/Art Resource, New York. tiatives with political meaning. Since construction of new buildings was a right reserved for the emperor, Rome’s upper echelon Forum in Late Antiquity maps the evolution of the Forum away from Ashley and Peter Larkin funded the upkeep of buildings together with sculptural displays to singular projects composed of new materials toward an accretive and Series in Greek and Roman Culture gain public status. Restorers linked themselves to the past through holistic design sensibility. Overturning notions of late antiquity as one the fragmentary reuse of building materials and, as Kalas explores, of decline, Kalas demonstrates how perpetual reuse and restoration release date | january proclaimed their importance through prominently inscribed stat- drew on Rome’s venerable past to proclaim a bright future. 8½ x 11 inches, 256 pages, 69 b&w GREGOR KALAS ues and monuments, whose placement within the existing cityscape photos, 21 illustrations, 10 maps Knoxville, Tennessee allowed patrons and honorees to connect themselves to the cele- ISBN 978-0-292-76078-3 brated history of Rome. $60.00* | £39.00 | C$75.00 Kalas is Associate Professor of hardcover Architectural History and Theory Building on art historical studies of spolia and exploring the in the School of Architecture at the Forum over an extended period of time, Kalas demonstrates the ISBN 978-0-292-76742-3 University of Tennessee, Knoxville. mutability of civic environments. The Restoration of the Roman $60.00* e-book

92 University of Texas Press | fall 2014 University of Texas Press | fall 2014 93 Recently Published

Among Unknown Tribes Contesting Trade in Evo’s Bolivia Maya Figurines The Power of Huacas Rethinking Iranian Rediscovering the Photographs Central America Continuity and Change Intersections between Change and Resistance in the Nationalism and of Explorer Carl Lumholtz Market Reform and Resistance by linda c. farthing and State and Household Andean World of Colonial Peru Modernity by bill broyles, ann by rose j. spalding benjamin h. kohl by christina t. halperin by claudia brosseder edited by kamran scot christine eek, phyllis la aghaie and afshin marashi farge, richard laugharn, ISBN 978-0-292-75459-1 ISBN 978-0-292-75868-1 ISBN 978-0-292-77130-7 ISBN 978-0-292-75694-6 and eugenia macías guzmán $60.00* | £39.00 $24.95* | £15.99 $55.00* | £36.00 $65.00* | £42.00 ISBN 978-0-292-75749-3 hardcover paperback hardcover hardcover $55.00* | £36.00 ISBN 978-0-292-75463-8 ISBN 978-0-292-75462-1 ISBN 978-0-292-75774-5 ISBN 978-0-292-70987-4 ISBN 978-0-292-75696-0 hardcover $75.00* | £49.00 $60.00* $24.95* $55.00* $65.00* ISBN 978-0-292-75751-6 hardcover e-book e-book e-book e-book $55.00* e-book

The First Letter from Jean-Claude Grumberg Latina/os and Sanctioning Modernism Sin and Confession in [Un]Framing the New Spain Three Plays World War II Architecture and the Making Colonial Peru “Bad Woman” The Lost Petition of Cortés and translated and introduced Mobility, Agency, and Ideology of Postwar Identities Spanish-Quechua Penitential Sor Juana, Malinche, Coyolxauhqui, His Company, June 20, 1519 by seth l. wolitz edited by maggie rivas- edited by vladimir kulic´, Texts, 1560–1650 and Other Rebels with a Cause by john f. schwaller rodriguez and b. v. olguín timothy parker, by regina harrison by alicia gaspar de alba ISBN 978-0-292-75458-4 and monica penick with helen nader $19.95 | £12.99 ISBN 978-0-292-75625-0 Foreword by Frederick Steiner ISBN 978-0-292-72848-6 ISBN 978-0-292-75850-6 ISBN 978-0-292-75671-7 paperback $55.00* | £36.00 $60.00* | £39.00 $27.95* | £17.99 $65.00* | £42.00 ISBN 978-0-292-75457-7 hardcover ISBN 978-0-292-75725-7 hardcover paperback hardcover $19.95 ISBN 978-0-292-75863-6 $60.00* | £39.00 ISBN 978-0-292-75886-5 ISBN 978-0-292-75763-9 ISBN 978-0-292-76069-1 e-book $55.00* hardcover $60.00* $27.95* $65.00* e-book ISBN 978-0-292-76065-3 e-book e-book e-book $60.00* e-book

94 University of Texas Press | fall 2014 University of Texas Press | fall 2014 95 new in paperback

Photo from Undocumented Dominican Migration by Frank Graziano | latin american studies | | latin american studies | Undocumented Dominican Maya after War Migration Conflict, Power, and Politics by frank graziano in Guatemala Based on extensive fieldwork among less-studied migrants, as by jennifer l. burrell well as wide-ranging, interdisciplinary research, this book offers This book presents a compelling study of a Guatemalan village, in a comprehensive understanding of the multiple, interactive the wake of civil war and genocide, facing an uneasy transition factors—structural, cultural, and personal—that influence marked by gang violence, paramilitary security committees, and people to migrate. other power struggles. ISBN 978-0-292-76198-8 ISBN 978-0-292-76201-5 $30.00* | £19.99 | paperback $25.00* | £15.99 | paperback ISBN 978-0-292-74882-8 ISBN 978-0-292-75376-1 $30.00* | e-book $25.00* | e-book

| latin american studies | | latin american studies | Anay’s Will to Learn Living with Oil A Woman’s Education in the Shadow Promises, Peaks, and Declines on of the Maquiladoras Mexico’s Gulf Coast by elaine hampton with by lisa breglia anay palomeque de carrillo This insightful study examines Mexico’s oil crisis and the com- This ethnographic case study provides a personal view of a munities affected by the decline of Cantarell, the nation’s aging maquiladora worker’s struggles with factory labor conditions, supergiant offshore oilfield. poverty, and violence as she journeys toward education, finan- ISBN 978-0-292-76199-5 cial opportunity, and, ultimately, empowerment. ISBN 978-0-292-76202-2 $19.95* | £12.99 | paperback $30.00* | £19.99 | paperback ISBN 978-0-292-74427-1 ISBN 978-0-292-74874-3 $19.95* | e-book $30.00* | e-book

| latin american studies | | latin american studies | Living with Lupus Dreaming in Russian Women and Chronic Illness in Ecuador The Cuban Soviet Imaginary by ann miles by jacqueline loss Enriched with ethnographic stories of Ecuadorian women who This intriguing book provides an extraordinary tour of struggle with the autoimmune disorder, lupus erythematosus, this Eastern European influence on Cuban culture and the book is one of the first to explore the meanings and experiences of multifaceted legacy of Soviet oppression and idealism. medically managed chronic illness in the developing world.

98 University of Texas Press | fall 2014 University of Texas Press | fall 2014 99 | latin american studies | | film and media studies | Amazon Town TV Another Steven Soderbergh An Audience Ethnography in Experience Gurupá, Brazil Authorship and Contemporary by richard pace and brian p. hinote Hollywood This pioneering study examines television’s impact on an Ama- by mark gallagher zonian river town from the first broadcasts in Gurupá, in 1983, to the present. Through in-depth investigation of Soderbergh’s work in film, television, and video, as well as an extensive interview with ISBN 978-0-292-76204-6 ISBN 978-0-292-76207-7 the filmmaker, this book offers a new model of film authorship $25.00* | £15.99 | paperback $30.00* | £19.99 | paperback in the twenty-first century that emphasizes its fundamentally ISBN 978-0-292-74890-3 ISBN 978-0-292-74881-1 $25.00* | e-book $30.00* | e-book collaborative nature. | anthropology | | film and media studies | Digital Ethnography Queer Bergman Anthropology, Narrative, and Sexuality, Gender, and the European New Media Art Cinema by natalie m. underberg and elayne zorn by daniel humphrey Here is a state-of-the-art primer on digital applications for Foregrounding a fundamental aspect of the Swedish auteur’s social scientists, with explorations of the emerging field of hyper- work that has been routinely ignored, as well as identifying the media ethnography. vibrant connection between postwar American queer culture and European art cinema, this book offers a pioneering reading of ISBN 978-0-292-76205-3 ISBN 978-0-292-76208-4 Bergman’s films as profoundly queer work. $19.95* | £12.99 | paperback $25.00* | £15.99 | paperback ISBN 978-0-292-74435-6 ISBN 978-0-292-74378-6 $19.95* | e-book $25.00* | e-book

| film and media studies | | film and media studies | David Lynch Swerves The American Jewish Story Uncertainty from Lost Highway through Cinema to Inland Empire by eric a. goldman by martha p. nochimson By analyzing select mainstream films from the beginning of In this paradigm-shifting book, the author of The Passion of the sound era until today, this groundbreaking study uses the David Lynch draws on insights into the filmmaker’s creative medium of cinema to provide an understanding of the American influences that he has never revealed before to forge a startlingly Jewish experience over the last century. original template for analyzing Lynch’s recent films. ISBN 978-0-292-76206-0 ISBN 978-0-292-75469-0 $25.00* | £15.99 | paperback $25.00* | £15.99 | paperback ISBN 978-0-292-74889-7 ISBN 978-0-292-74432-5 $25.00* | e-book $25.00* | e-book

100 University of Texas Press | fall 2014 University of Texas Press | fall 2014 101 | film and media studies | | middle eastern studies | Experimental Latin Pakistan’s Blasphemy Laws American Cinema From Islamic Empires to the Taliban History and Aesthetics by shemeem burney abbas This pioneering study of the evolution of blasphemy laws from by cynthia tompkins the early Islamic empires to the present-day Taliban uncovers the This groundbreaking exploration of experimental Latin Ameri- history and questionable motives behind Pakistan’s blasphemy can film applies Deleuzian theories of cinema in a comparative laws and calls for a return to the prophet Muhammad’s peaceful approach to examine multiple genres and works from the most vision of social justice. important national cinematic traditions. ISBN 978-0-292-76209-1 ISBN 978-0-292-76212-1 $30.00* | £19.99 | paperback $25.00* | £15.99 | paperback ISBN 978-0-292-74892-7 ISBN 978-0-292-75307-5 $30.00* | e-book $25.00* | e-book | film and media studies | | latina/o studies | Twentieth Century-Fox From the Republic of The Zanuck-Skouras Years, 1935–1965 the Rio Grande by peter lev A Personal History of the Place This sweeping and vivid history presents the innovative studio from its initial merger to the enormous success of The Sound of and the People Music, combining film analysis with the interconnected histories by beatriz de la garza of the studio, its executives, and the industry at large. Using family papers, local chronicles, and scholarly works, de la Garza tells the story of the Republic of the Rio Grande and its ISBN 978-0-292-76210-7 ISBN 978-0-292-76213-8 people from the perspective of individuals who lived in the region $30.00* | £19.99 | paperback $25.00* | £15.99 | paperback from the mid-eighteenth to the mid-twentieth century. ISBN 978-0-292-74449-3 ISBN 978-0-292-74876-7 $30.00* | e-book $25.00* | e-book

| middle eastern studies | | music | Medicine and the Saints Mojo Hand Science, Islam, and the Colonial The Life and Music of Encounter in Morocco, 1877–1956 Lightnin’ Hopkins by ellen j. amster by timothy j. o’brien and david ensminger Exploring the colonial encounter between France and Morocco Through vivid oral histories backed by extensive research, Mojo as a process of embodiment and the Muslim body as the place of Hand tells the story of one of America’s greatest bluesmen, whose resistance to the state, this book provides the first history of medi- deeply authentic songs and unique style of guitar playing indel- cine, health, disease, and the welfare state in Morocco. ibly shaped modern roots, blues, rock ’n’ roll, singer-songwriter, ISBN 978-0-292-76211-4 ISBN 978-0-292-76214-5 and folk music. $30.00* | £19.99 | paperback $25.00 | £15.99 | paperback ISBN 978-0-292-75481-2 ISBN 978-0-292-75302-0 $30.00* | e-book $25.00 | e-book

102 University of Texas Press | fall 2014 University of Texas Press | fall 2014 103 texas on texas

Alex Cintrón by Michael O’Brien. From The Face of Texas by Michael O’Brien and Elizabeth O’Brien. | texas | Cookbooks, Wine

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One of Texas’s leading cookbook authors presents 150 recipes that showcase the state’s bounty of locally grown meats and produce, artisanal cheeses, and award-winning wines, along with fascinating stories of the people who are enriching the flavors of Texas

Texas on the Table People, Places, and Recipes Celebrating the Flavors of the Lone Star State

By Terry Thompson-Anderson Photos by Sandy Wilson

With a bounty of locally grown meats and produce, arti- “From farm fresh sanal cheeses, and a flourishing wine culture, it’s a luscious time to be cooking in Texas. From restaurant chefs to home cooks, Tex- vegetables and dairy ans are going to local dairies, orchards, farmers’ markets, ranches, products to wine, vineyards, and seafood sellers to buy the very freshest ingredients, whether we’re cooking traditional favorites or the latest haute cui- Texas on the Table is a sine. We’ve discovered that Texas terroir—our rich variety of cli- complete guide to every- mates and soils, as well as our diverse ethnic cultures—creates a unique “taste of place” that gives Texas food a flavor all its own. thing that the Texas Written by one of Texas’s leading cookbook authors, Terry Thompson- terrain produces. I am Anderson, Texas on the Table presents 150 new and classic recipes, along with stories of the people—the farmers, ranchers, shrimpers, cheese- so excited to use this makers, winemakers, and chefs—who inspired so many of them and who book as a reference are changing the taste of Texas food. The recipes span the full range from finger foods and first courses to soups and breads, salads, seafood, chick- when creating sea- en, meat (including wild game), sides and vegetarian dishes, and sweets. sonal specials for my Some of the recipes come from the state’s most renowned chefs, and all are user-friendly for home cooks. Finally, the authors and winemakers guests.” tell which recipes they turn to when opening their favorite wines. —John Besh Besh Restaurant Group This delicious compilation of recipes and stories of the people behind them, illustrated with Sandy Wilson’s beautiful photographs, makes Texas on the Table the must-have cookbook for everyone who relishes the flavors of the Lone Star State. Creamy Shrimp ’n’ Mac with Hatch Chiles

106 University of Texas Press | fall 2014 University of Texas Press | fall 2014 107 ★ ★ A BRIEF HISTORY OF THE TEXAS WINE INDUSTRY PURE LUCK FARM AND DAIRY

t s hard to live in Texas today and not be planted vineyards in the Hill Country. During the ’ n 1979, Sara Sweet Ser bought 11 acres and soaks up the value of the land, the goats, the work, aware of the state’s rapidly growing wine 1870s and 1880s, Italian immigrants established an old homestead on Barton Creek to raise her and his home. Under Amelia’s guidance the goats industry. As of 2012, the total number of win- wineries in Bowie, Montague, and Nocona. I daughters, Gitana and Amelia. The fertile pas- are cared for with kindness and joy. She manages eries in Texas was climbing toward 300. With wine The most well known of the Italian winemakers I ture had been one of many tomato farms in the area the herd and continues to make the cheese. Ben trails in every region of the state, there’s a Texas was Frank Qualia, who emigrated from northern wine for every taste. Italy and founded the Val Verde Winery in Del Rio in the 1930s. In 1983, Sara met and married Denny runs all deliveries and works to keep the farm in Few realize that wines were being produced in in 1883. As of 1910, grapes were being produced in Bolton. They had two more daughters, Claire and good repair. Texas a good hundred years before the first grape all but 29 of Texas’s 254 counties. But the death Hope. Sara named her growing farm Pure Luck, say- Claire and Hope both live on the farm. Claire grew in California. Most think that the industry knell for winemaking sounded in 1919 with the ing that it was pure luck that it worked! Pure Luck works full-time in the cheese plant. Hope contin- began in the state in the mid-1970s. We’ve merely ratification of the Eighteenth Amendment to the was one of the first farms in Texas to be certified ues to find just the right mix of energy, calm, joy, rekindled our love affair with the fruit of the vine US Constitution, prohibiting the manufacture, organic by the Texas Department of Agriculture. and entertainment with her animal friends. Gitana that began when the Spanish padres first intro- transport, and sale of alcoholic beverages in the The sisters often explain that although their works part-time, but in the important job of keep- duced winemaking about 1659 to what is now entire country. Wineries across the state closed. Val mother originally bought the land as a home ing the books, teaching workshops, and just filling the El Paso area, when they established a mission Verde was the only winery that survived, by grow- where she could raise them, slowly, organically, in where needed. there. As additional missions were founded, each ing grapes for the table and for making jams and it grew into a business. While taking care of a friar brought cattle and sheep, wheat for making jellies, and by making wines for sacramental and friend’s goats, Sara decided she wanted to raise bread, and rootstock for planting vineyards to medicinal purposes. Val Verde is the oldest winery goats and make cheese. She made some for fam- make sacramental wine. As European immigrants in the state and is still run by the Qualia family, who ily and friends, and it was so well received that began to enter Texas, they established wineries in kept the Texas history of viticulture alive. in 1995 she decided to start a Grade A goat dairy. many regions of the state, using native mustang In the 1970s, a new group of wine pioneers Amelia joined Sara in the cheese plant in 1997 and grapes to make their wines. German immigrants began to reestablish the wine industry in Texas, has been there ever since. After starting with the simple pure chèvre, Pure Luck has expanded to several other cheeses over the years. Sara Sweetser Bolton passed away on November 9, 2005, a victim of cancer. Her legacy continues as the business thrives, and Pure Luck cheeses continue to excel in national competitions. Gitana recently reflected on the nature of the farm, the family, and the land, and she says she was struck by something more. While the farm has been the family home since she was four, the goats have been there for generations. They know the land, and they know the family. They teach their kids the best stomping grounds, how to walk a particularly rocky trail. Gitana says that to discuss Pure Luck’s terroir, you must hold close to their cultural reality, the family inheritance of the land, both for the people and the goats. ★ Amelia married Ben Sweethardt in 2007. They 9 are raising their son, June, on the farm, where he

8 TEXAS ON THE TABLE VOGEL ORCHARD 394 Armand’s son, George, and his wife, Nelda, eaches came to Central Texas, like so planted 200 more trees in 1953. The orchard now Lone Star Sweet S 395 many other delicious things, with the first The local has more than 2,800 trees and is run by George and German settlers in the mid-1800s. P ombine Nelda’s son, Jamey, his wife, Terri, and their family. soil, temperature variations, and altitude c They grow some 17 varieties, which begin to ripen to form an almost perfect peach-growing climate around the middle of May. The first peaches of the (if untimely freezes and other inclement weather - season are the clingstone variety Starlite White. don’t come around). The average peach tree pro The first freestones at Vogel Orchard are the Tex duces three to four bushels (150 to 200 pounds) of Royal, generally available around the end of May. - peaches each year. Folks come from far and near The various varieties continue through the sum to buy peaches each summer. mer until early August. “I can’t wait to visit some of the small farms, Many of the orchards date back to the early In addition to peaches, the market sells Methley - - 1900s and have been passed down through gen plums from the family orchard, blackberries, can o erations. The first Vogel peaches were planted by taloupes, and other seasonal produce. They als Armand Vogel, who sold them under a shade tree - offer a variety of peach-based goodies made by the wineries, and other food producers Terry on the road between Stonewall and Fredericks - family—peach ice cream, peach cobbler, Nelda’s burg. In 1972, the Vogels built a permanent road peach preserves, and peach butter, plum jelly, and side market near the spot where Armand used to fig, blackberry, and pear preserves. sell his peaches. Thompson-Anderson showcases. But, in the Stonewall Peach Crisp meantime, I look forward to cooking her well- Although I enjoy fresh peaches all summer, I also stock up our freezer around the end of July when the crop begins to dwindle. Then I can add a TERRY THOMPSON-ANDER- peach cobbler or crisp to my holiday menus using my stash of fresh frozen crafted recipes whenever I’m craving that peaches. It adds a welcome taste of summer sun to the holiday table. SON ServeS 6. Fredericksburg, Texas special taste of home.” —Lisa Fain TOPPING: PEACHES: 2 cups mini shredded wheat cereal 5 cups fresh peaches, peeled, author of The Homesick Texan’s Family Table 1 cup all-purpose flour Thompson-Anderson is the author pitted, and sliced 1 cup firmly packed light brown sugar ½ teaspoon ground cinnamon ⅓ cup chopped pecans of several previous cookbooks, 3 tablespoons turbinado (raw) sugar 1½ sticks well-chilled unsalted butter, 3 tablespoons all-purpose flour cut into ½-inch cubes including the best-selling Cajun- 1 tablespoon vanilla SANDY WILSON Creole Cooking, Texas on the Plate, Houston, Texas 423 The Texas Hill Country: A Food 422 Lone Star SweetS and Wine Lover’s Paradise, and Wilson is a longtime member of release date | october Don Strange of Texas: His Life and the American Society of Media 8 x 11 inches, 448 pages, 189 color Recipes, coauthored with Frances Photographers, and her work has and 14 b&w photos Strange. She also writes a regular been featured in Working Cowboys ISBN 978-0-292-74409-7 wine feature for Edible Austin “This book highlights the range of Texas food and libations, and their with artist Mark Kohler, in Texas $45.00 | £29.00 | C$56.50 magazine. Thompson-Anderson has photography exhibits, and in hardcover place in American cuisine . . . a treasure for anyone interested in great taught over 20,000 students at cook- many corporate annual reports. ing schools all over the country and She was the photographer for The ISBN 978-0-292-76132-2 food and wine.” —Nathalie Dupree does restaurant/wine consulting Texas Hill Country: A Food and $45.00 television host and coauthor of Mastering the Art of Southern Cooking and cooking events around Texas. Wine Lover’s Paradise. e-book

108 University of Texas Press | fall 2014 University of Texas Press | fall 2014 109 | texas | Photography

Rights: UT Press controls print rights

With twenty-three new portraits, including John Graves, Richard Linklater, Joel Osteen, and Cat Osterman, as well as updated profiles of all of the subjects, here is the face of Texas captured in the faces of noteworthy Texans by one of America’s premier portrait photographers

The Face of Texas Photographs by Michael O’Brien With stories by Elizabeth O’Brien

The Face of Texas celebrates the individuality and independent spirit of Texas through compelling portraits of its people by Michael O’Brien, one of America’s premier portrait photographers. In this acclaimed photo essay, he assembles a gallery of noteworthy Texans, ranging from former president George W. Bush and first ladies Laura Bush and Lady Bird Johnson, to famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim Duncan, Kinky Friedman, and Beyoncé, to ordinary folks who’ve made their mark on Texas as ranchers, cheerleaders, church members, bar owners, Odd Fellows, schoolteachers, writers, and athletes. For this new edition of The Face of Texas, O’Brien has added seventeen new portraits and six updated photographs of people from the first edition. Writer and former Life reporter Eliza- beth O’Brien offers insightful vignettes to accompany the new portraits and also brings us up to date with the lives of the rest of the subjects. This winning combination of images and Stephanie Kuehne stories is an essential addition to every Texas bookshelf.

Opposite: Ben Crenshaw

110 University of Texas Press | fall 2014 University of Texas Press | fall 2014 111 MICHAEL O’BRIEN Austin, Texas Gallery in Washington, DC; the A two-time recipient of the Robert International Center of Photography F. Kennedy Journalism Award for in New York City; the Museum of outstanding coverage of the disad- Fine Arts, Houston; and the South- vantaged, O’Brien has photographed western & Mexican Photography subjects ranging from small-town Collection at the Wittliff Collections heroes to presidents. His work has release date | september at Texas State University. appeared in numerous publications, 9¾ x 10½ inches, 192 pages, 49 color including Life, National Geographic, ELIZABETH O’BRIEN and 26 b&w photos Texas Monthly, the London Sunday Austin, Texas ISBN 978-0-292-76313-5 Times, and the book Hard Ground, $24.95 | £15.99 | C$30.95 which pairs his portraits of the O’Brien has worked as a reporter for paperback homeless with Tom Waits’s powerful Life magazine, as well as for news- poetry. O’Brien’s photographs are papers in South Florida. Today, she ISBN 978-0-292-76109-4 in the permanent collections of the is a writer and a psychotherapist $60.00 | £39.00 | C$75.00 Smithsonian’s National Portrait with a private practice. hardcover

112 University of Texas Press | fall 2014 University of Texas Press | fall 2014 113 | texas | Cookbooks JACK Rights: controlled by the author Acclaimed Texas chef Jack Gilmore, owner of the popular ALLEN’S Austin-area Jack Allen’s Kitchen restaurants, presents over 150 delicious recipes that feature fresh, seasonal KITCHEN Texas ingredients, accompanied by profiles of the local Celebrating the Tastes of Texas farmers who supply them by jack gilmore and jessica dupuy

Jack Allen’s Kitchen Celebrating the Tastes of Texas

By Jack Gilmore and Jessica Dupuy

The focus at Jack Allen’s Kitchen is on three things— Southern hospitality, quality local ingredients, and great value. As a longtime chef in Cen- JACK GILMORE tral Texas, Jack Gilmore Austin, Texas knows a thing or two about Gilmore’s bold, flavorful style hails relationships: treat your cus- from his experience across the Gulf tomers like family; foster Coast region of the South and his relationships with your staff upbringing in the Rio Grande Val- ley. Combined with his extensive to help them grow; and cre- work with “old school” Cajun chefs, ate meaningful connections German master chefs, and some of the with local farmers. best cooks in the Southwest, Gilmore This commitment shines has brought spirited Texan cuisine to through in the soulful, South- Jack Allen’s Kitchen, proudly using farm-to-table ingredients. ern comfort food at Jack Al- len’s Kitchen. Take one bite JESSICA DUPUY of a Jack Allen’s dish, and you Austin, Texas can feel his love for fresh, local food. In Jack’s first cook- Dupuy is a freelance writer who has written for Texas Monthly, National book, you’ll find recipes that Geographic Traveler, Imbibe, Texas feature the bounty of each Highways, and numerous regional season, engaging profiles of Central Texas farmers and purveyors, publications. She also cowrote and an open invitation to pull up a chair at Jack Allen’s Kitchen, Uchi: The Cookbook with James relax, and have a good time. Beard Award–winning chef Tyson Cole and The Salt Lick Cookbook: A Story of Land, Family, and Love with Scott Roberts. Jack Gilmore, chef-owner of Jack Allen’s Kitchen 114 University of Texas Press | fall 2014 University of Texas Press | fall 2014 115 Distributed for Jack Allen’s Kitchen restaurants

release date | october 9¼ x 11 inches, 300 pages, 350 color photos

ISBN 978-0-292-76359-3 $39.95 | £25.99 | C$49.95 hardcover

Rights: UT Press controls all Rights: UT Press controls all

Now thoroughly updated and streamlined throughout, With a wealth of data on historical trends and tendencies here is the standard legal resource for Texas educators, in Texas elections and voting behavior, this book analyzes which has sold more than 85,000 copies how a once solidly Democratic state has become a Repub- lican stronghold without changing its essential ideological perspective or public policy orientation

The Educator’s Guide to Red State Texas School Law An Insider’s Story of How the GOP Came to Dominate Texas Politics Eighth Edition By Wayne Thorburn By Jim Walsh, Frank Kemerer, and Laurie Maniotis Red State explores why the transformation of Texas Much has changed in the area of school law since the first politics took place and what these changes imply for the future. As WAYNE THORBURN Jim Walsh edition of The Educator’s Guide was published in 1986. In this new both a political scientist and a Republican party insider, Wayne Austin, Texas Walsh is a cofounder of Walsh, Ander- eighth edition, the authors have streamlined the discussion by prun- Thorburn is especially qualified to explain how a solidly one-party son, Gallegos, Green and Trevino, P.C. Thorburn, who holds a PhD in ing older material and weaving in new developments. The result is Democratic state has become a Republican stronghold. He analyzes political science, brings a lifetime of Frank Kemerer an authoritative source on all major dimensions of Texas school law a wealth of data to show how changes in the state’s demographics— political involvement to the task of Kemerer is Regents Professor-Emeritus that is both well integrated and easy to read. including an influx of new residents, the shift from rural to urban, tracing the transformation of Texas of Education Law and Administration Intended for Texas school personnel, school board members, inter- and the growth of the Mexican American population—have moved politics since 1960. He was involved at the University of North Texas. in the election of President George ested attorneys, and taxpayers, the eighth edition explains what the Texas through three stages of party competition, from two-tiered H. W. Bush and then directed the Laurie Maniotis law is and what the implications are for effective school operations. It politics, to two-party competition between Democrats and Repub- coordinated campaign that in 1996 Maniotis is an attorney who inves- is designed to help professional educators avoid expensive and time- licans, and then to the return to one-party dominance, this time elected all statewide Republican tigates employment discrimination consuming lawsuits by taking effective preventive action. It is an especially by Republicans. His findings reveal that the shift from Democratic candidates for the first time. claims for the City of Fort Worth. valuable resource for school law courses and staff development sessions. to Republican governance has The eighth edition begins with a review of the legal structure of been driven not by any change Jack and Doris Smothers release date | september “Red State is critical Series in Texas History, 6 x 9 inches, 504 pages the Texas school system. Successive chapters address attendance in Texans’ ideological perspec- reading for anyone and the instructional program, the education of children with spe- tive or public policy orienta- Life, and Culture ISBN 978-0-292-76084-4 $27.95* | £17.99 | C$34.95 cial needs, employment and personnel, expression and associational tion—even when Texans were looking to understand release date | september paperback rights, the role of religion in public schools, student discipline, open voting Democrat, conservatives Texas’s dramatic po- 6 x 9 inches, 290 pages, 1 map meetings and records, privacy, search and seizure, and legal liability outnumbered liberals or mod- ISBN 978-0-292-76083-7 ISBN 978-0-292-75920-6 $65.00* | £42.00 | C$82.00 under both federal and Texas law. In addition to state law, the book erates—but by the Republican litical changes of the $29.95 | £19.99 | C$37.50 hardcover addresses the role of the federal government in school operation party’s increasing identification last fifty years.” hardcover through such major federal legislation as the Americans with Dis- with conservatism since 1960. ISBN 978-0-292-76086-8 —Karl Rove ISBN 978-0-292-75922-0 $27.95* abilities Act, the Individuals with Disabilities Education Act, and $29.95 e-book the Family Educational Rights and Privacy Act. e-book

118 University of Texas Press | fall 2014 University of Texas Press | fall 2014 119 Photography Football

Surf Texas Authentic Texas Crazy from the Heat DKR Coach Royal Longhorn Football photographs by People of the Big Bend A Chronicle of Twenty The Royal Scrapbook Conversations with a Texas An Illustrated History kenny braun by marcia hatfield Years in the Big Bend by jenna hays mceachern, Football Legend by bobby hawthorne Foreword by daudistel and bill wright by james h. evans with edith royal by darrell royal ISBN 978-0-292-71446-5 Stephen Harrigan Photographs by Bill Wright Foreword by Rebecca Solnit ISBN 978-0-292-70493-0 with john wheat $34.95 | £22.99 $39.95 | £25.99 Foreword by Cactus Pryor hardcover ISBN 978-0-292-75770-7 Foreword by J. P. Bryan ISBN 978-0-292-72659-8 hardcover $55.00 | £36.00 $55.00 | £36.00 Introduction by Pat Culpepper ISBN 978-0-292-75304-4 hardcover $24.95 | £15.99 ISBN 978-0-292-70983-6 paperback $19.95 | £12.99 ISBN 978-0-292-75306-8 hardcover $24.95 ISBN 978-0-292-77469-8 e-book $19.95 e-book Music Gardening & Plants

Honky Tonk Hero Whiskey River Bonfire of Roadmaps Organic Lawn Care Common Woody Plants Remarkable Plants by billy joe shaver (Take My Mind) by joe ely Growing Grass the Natural Way and Cacti of South Texas of Texas ISBN 978-0-292-70613-2 The True Story of Texas ISBN 978-0-292-75629-8 by howard garrett A Field Guide Uncommon Accounts of $19.95 | £12.99 Honky-Tonk $17.95 | £11.99 ISBN 978-0-292-72849-3 by richard b. taylor Our Common Natives hardcover by johnny bush, paperback $24.95 | £15.99 ISBN 978-0-292-75652-6 by matt warnock turner with rick mitchell ISBN 978-0-292-78215-0 paperback $22.95 | £14.99 ISBN 978-0-292-75703-5 Foreword by Willie Nelson $17.95 ISBN 978-0-292-76062-2 paperback $29.95 | £19.99 e-book $24.95 ISBN 978-0-292-76306-7 paperback ISBN 978-0-292-71490-8 e-book $24.95 | £15.99 $22.95 ISBN 978-0-292-77371-4 e-book $29.95 hardcover e-book

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122 University of Texas Press | fall 2014 University of Texas Press | fall 2014 123 | Index by Author | | staff | al-Daif, Who’s Afraid of McCann & North, Meryl Streep? ...... 54 Handbook of Latin American University of Texas Press al-Daif & Helfer, Studies, No. 69 ...... 66 What Makes a Man? ...... 55 Merabet, (512) 471-7233 • fax (512) 232-7178 • isbn prefix 978-0-292- Aldama, The Cinema of Queer Beirut ...... 89 Robert Rodriguez ...... 85 Morrill, Visit us online at www.utexaspress.com Bassett, The Fate of The Casa del Deán . . . . . 62–63 Earthly Things ...... 78–79 Naylor, North Africa, director’s office design and production sales journals Bazin, Bazin on Global Revised Edition ...... 90 Cinema, 1948–1958 . . . . 82–83 David Hamrick Ellen McKie Gianna LaMorte Sue Hausmann Bengio, O’Brien & O’Brien, Director Design and Production Sales Manager Assistant Director and Kurdish Awakening ...... 87 The Face of Texas . . . .110–113 Allison Faust Manager Christopher Hoyt Journals Manager Brittenham, Pérez Firmat, Assistant to the Director Derek George, Lindsay Starr Sales Representative Karen Broyles, Stacey Salling The Murals of Cacaxtla . . 72–75 A Cuban in Mayberry . . .46–47 Victoria Corcoran Designers Production Coordinators business Carranza & Lara, Peyton, Naturally Healthy Development Officer R. G. Fuentes Sheila L. Scoville Modern Architecture in Mexican Cooking ...... 36–37 Production Editor Joyce Lewandowski Promotion Coordinator Latin America ...... 58–59 acquisitions Prados, The Family Jewels Kaila Wyllys Assistant Director and Rebecca Frazier-Smith Casey & Watkins, ...... 69 (updated edition) ...... 32–33 Robert Devens Production Coordinator Financial Officer Circulation and Rights & Up Against the Wall . . . .16–19 Editor-in-Chief Andy Sieverman Kristin Duvall Permissions Manager Corbett, Competitive Shames, Bronx Boys Archaeology in Jordan . . . . . 88 Jim Burr Production Assistant Royalties Accountant Elizabeth Fairman Shindle, . . .50–51 Senior Editor Angelica Calderon Linda Ramirez Circulation Coordinator Dahlby, Into the Field Being Miss America . . . . 14–15 E. Casey Kittrell, Kerry Webb Production Fellow Accounts Payable Davis, The Flatlanders . . 24–25 Siskind, Aaron Siskind . .10–13 information systems Sponsoring Editors 2013–2014 Allie Lambert Fair, Mr. America . . . . . 52–53 Smith, Angelica Lopez, Sarah Rosen Accounts Receivable William Bishel Foster, Becoming Belafonte . . . . 30–31 marketing Argentine, Mexican, and Guate- Editorial Assistants Andrea V. Prestridge Information Systems Staudt & Méndez, Courage, malan Photography . . . . 60–61 Brady Dyer Office Manager Manager Resistance, and Women in rights and permissions Georgia O’Keeffe Museum, Marketing and Brenda Jo Hoggatt Bailey Morrison Ciudad Juárez ...... 71 Miguel Covarrubias . . . . 26–29 For rights inquiries, contact Communications Manager Order Processing/Customer Website and Digital Gilmore & Dupuy, Syring, With the Saraguros . .64 [email protected] Nancy Lavender Bryan Service Supervisor Marketing Coordinator Jack Allen’s Kitchen . . .114–117 Thompson-Anderson, Assistant Marketing Dawn Bishop Gordon, Cinema, Slavery, and Texas on the Table . . . 106–109 John McLeod Manager Order Processing/Customer Brazilian Nationalism . . . . .84 Thorburn, Red State . . . . .119 Assistant Director and Rights Victoria Davis Service Assistant Grove, Trépanier, Foodways and Daily & Permissions Manager Publicist George Mill Discovering the Olmecs . . 76–77 Life in Medieval Anatolia . . . 91 Peggy Gough Sharon L. Casteel Warehouse Manager Heath & Zahedi, Rights & Permissions Digital Publishing Manager Paul Guerra, Rey Renteria, Children of Afghanistan . . . . 86 Walsh et al., The Educator’s Guide to Texas Assistant Christopher Farmer Roger Rocha, Jr. Jonas & Rodríguez, School Law (eighth edition) . 118 Advertising and Exhibits Warehouse Staff Guatemala-U.S. Migration . . 65 copyediting Manager Kalas, The Restoration of Wiersema, Architectural . . . . 80–81 Leslie Tingle Brian Contine the Roman Forum in Late Vessels of the Moche Antiquity ...... 92–93 TBA (8/1/14) Publicity and Marketing Williams, Kantor, Managing Editor Assistant Mario Vargas Llosa ...... 68 Beyond the Forest ...... 38–41 Bruce Bethell, Lynne Chapman Wilson, The Making of Gone Keenan, Breaking Out of With The Wind ...... 6–9 Manuscript Editors Beginner’s Spanish (20th anniver- UT Press belongs to Molly Frisinger sary edition) ...... 34–35 Wittliff, the Association of American The Devil’s Backbone . . . .20–23 Assistant Manuscript Editor University Presses. López, José Martí . . . . . 48–49 Abby Webber Visit the AAUP website, Mata, Wright, Impunity, Human Copyediting Fellow 2013–2014 aaupnet.org Domestic Disturbances . . . . .70 Rights, and Democracy . . . . .67

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