DOCSLIB.ORG

Italy LP John

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Italy LP John APPLE 3C 062-90877 / CORE 2001 – LIVE PEACE IN TORONTO BIEM logo ℗ starts over I in DISTRIBUZIONE BIEM logo ℗ starts over D in S.I.A.E. logo DISTRIBUZIONE APPLE 3C 064-90877 – LIVE PEACE IN TORONTO Laminated sleeve Also in Anthology box APPLE 3C 062-04703 – JOHN LENNON/PLASTIC ONO BAND Inner sleeve type #1 with outside flaps on front, side opener, printed on heavy stock paper, square edges, thumb tab Inner sleeve type #2 with inside flaps on front, side opener, printed on light stock paper, rounded edges, no thumb tab APPLE 3C 064-04703 – JOHN LENNON/PLASTIC ONO BAND Misprinted number on spine 3C 034-04703 Numbered side opener inner sleeve Flat label with polo rings Dish label, also in Anthology box APPLE 54-1047031 – JOHN LENNON/PLASTIC ONO BAND Bar code on rear cover Dish labels APPLE 3C 062-04914 – IMAGINE Release number on spine only Square corner inner sleeve Post card APPLE 3C 064-04914 – IMAGINE No release number on cover Rounded corner inner sleeve, some issues with 3C 062-04914 inner sleeve Poster with release number on Post card Flat labels (glossy or matte) Matte labels also in Anthology thin glossy or thick matte paper box Dish labels APPLE 64-1049141 – IMAGINE Barcode on rear cover Poster with 3C 064-04914 Post card 3C 064-04914 release number on record release number APPLE 3C 154-05137/8 – SOME TIME IN NEW YORK CITY [2-LP] Flat labels APPLE 3C 162-05137/8 – SOME TIME IN NEW YORK CITY [2-LP] Number on inner sleeve 1: 3C 162-05137 Number of inner sleeve 2: 3C 162-05138 Number on records: 3C 154-05137/8 Dish labels From Anthology box APPLE 2-62 1051373 – SOME TIME IN NEW YORK CITY [2-LP] Number on inner sleeve 1: 62 1051371 Number on inner sleeve 2: 62 1051381 Number on records: 3C 162-05137/8 APPLE 3C 064-05491 – MIND GAMES Inner sleeve with release number Flat labels Dish labels From Anthology box APPLE 3C 054-05491 – MIND GAMES Inner sleeve with release number APPLE 54 1054911 – MIND GAMES Bar code on rear cover Printed inner Release number on record 3C 054-05491 APPLE 3C 064-05733 – WALLS AND BRIDGES Numbered gimmick cover Yellow numbered inner sleeve Numbered booklet Dish labels Black label background Flat labels Black label background Dish labels Green label background, from Anthology box APPLE 3C 064-05834 – ROCK 'N' ROLL Flat label Dirty sliced APPLE Flat label, from Anthology box White sliced APPLE Dish label APPLE 3C 054-05834 – ROCK 'N' ROLL APPLE 54 1058341 – ROCK 'N' ROLL Barcode on rear cover Release number on label 3C 054-05834 APPLE 3C 064-05987 – SHAVED FISH Numbered inner sleeve Additional ring around center APPLE 64 1059871 – SHAVED FISH Bar code on rear cover Release number on record 3C 064-05987 APPLE 3C 182-53847/57 - JOHN LENNON ANTHOLOGY [8-LP & 3 Singles Set] poster Box contains all Italian Lennon Apple LPs except Shaved Fish, 3 Lennon Apple singles and a poster. All records are numbered 3C 064, except the cover of Imagine (3C 062) and Some Time In New York City (cover 3C 162, records 3C 154). Released in 1980. .
Load more

Recommended publications
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Kristine Stiles
    Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN­13: 978­0­226­77451­0 (cloth) ISBN­13: 978­0­226­77453­4 (paper) ISBN­13: 978­0­226­30440­3 (e­book) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress Cataloguing­in­Publication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 978­0­226­77451­0 (cloth : alkaline paper) — ISBN 978­0­226­77453­4 (paperback : alkaline paper) — ISBN 978­0­226­30440­3 (e­book) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.48­1992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an X­man, dot­man war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then re­draw it in a different posmon...
    [Show full text]
  • Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
    InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko.
    [Show full text]
  • A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No
    A DESCRIPTION OF THEME OF HOPE IN SELECTED SONGS FROM JOHN LENNON’S IMAGINE ALBUM A PAPER BY EMIL ISWANDI HUTASUHUT REG.NO : 162202026 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL SCIENCE UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara AUTHOR’S DECLARATION I am EMIL ISWANDI HUTASUHUT, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : EMIL ISWANDI HUTASHUT Title of Paper : A Description of Theme of Hope in Selected Songs from John Lennon’s Imagine Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT Music is a literary work that is sound and has meaning. Music is also a medium for expressing one's feelings which is expressed in the form of beautiful words and tones, creating a beautiful blend of human voice and musical instruments.
    [Show full text]
  • The Beatles and the Crisis of Self-Identity
    Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity.
    [Show full text]
  • Chapter 2-Hey Jude
    Beatles collectorʼs Catalog Nice private collection for sale to help The Dutch Beatles museum survive the Corona Lock down Rare Dutch 1970 and 1981 John Lennon BAG ONE set Richard Avedon poster set Original 1969 Yellow Submarine in original box The Red and Blue Collection: a 91 (! ) videoclips DVD collection And much much more rarities, order now For collectors only Beatles collectorʼs catalog Dear Beatles fan, Welcome to this special catalog. It is unique because we have this private collection will only offer once. This is a collection that has been offered to the museum to raise money to guide the museum through the Corona problems. Additional donations are more than welcome. June 6, 2021, the museum would celebrate its 40th anniversary, help us achieve this unique anniversary. How does ordering work? I display items and will also indicate a number for each item, find out which item you would like to buy, send an email, we will check if it is still present and then reserve it for you. Transfer the amount via bank or Paypal and the item will be shipped after receipt of payment. Actually very simple. Of course it is true that who is the first to call or email ..... You place your order on our website [email protected] and you will receive confirmation from us. Again, this sale is not common for us, and we hope that this sale will help us get through the rough time. Do you want a quick response whether your item is still for sale? Then call 06-38305895.
    [Show full text]
  • Apple Label Discography
    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
    [Show full text]
  • (A) Data in the Life: Authorship Attribution of Lennon-Mccartney Songs
    (A) Data in the Life: Authorship Attribution of Lennon-McCartney Songs Mark E. Glickman∗ Department of Statistics Harvard University [email protected] Jason I. Brown Department of Mathematics and Statistics Dalhousie University [email protected] Ryan B. Song School of Engineering and Applied Sciences Harvard University [email protected] Abstract The songwriting duo of John Lennon and Paul McCartney, the two founding mem- bers of the Beatles, composed some of the most popular and memorable songs of the last century. Despite having authored songs under the joint credit agreement of arXiv:1906.05427v1 [cs.SD] 12 Jun 2019 Lennon-McCartney, it is well-documented that most of their songs or portions of songs were primarily written by exactly one of the two. Furthermore, the authorship of some Lennon-McCartney songs is in dispute, with the recollections of authorship based on previous interviews with Lennon and McCartney in conflict. For Lennon-McCartney songs of known and unknown authorship written and recorded over the period 1962-66, we extracted musical features from each song or song portion. These features consist of the occurrence of melodic notes, chords, melodic note pairs, chord change pairs, and four-note melody contours. We developed a prediction model based on variable ∗Address for correspondence: Department of Statistics, Harvard University, 1 Oxford Street, Cambridge, MA 02138, USA. E-mail address: [email protected]. Jason Brown is supported by NSERC grant RGPIN 170450-2013. The authors would like to thank Xiao-Li Meng, Michael Jordan, David C. Hoaglin, and the three anonymous referees for their helpful comments.
    [Show full text]
  • IMAGINE by John Lennon Illustrated by Jean Jullien
    USING BOOKS TO EXPLORE HUMAN RIGHTS IMAGINE By John Lennon Illustrated by Jean Jullien Frances Lincoln Children’s Books in association with Amnesty International UK (Ages 4-11) ABOUT THIS BOOK Imagine is an iconic song by John Lennon calling for peace around the world. His lyrics are beautifully illustrated in this book from ALSO WITH THIS Amnesty. In her moving foreword, John’s wife Yoko Ono Lennon TEACHING PACK writes: ‘Today we need peace more than ever, so I think his words are still very important.’ National Poetry Day The illustrations, by French graphic artist Jean Jullien, tell the competition story of a pigeon as she sets out to spread a message of peace and Opens 15 August 2017 friendship around the world. The book offers ways for teachers to Closes 1 December 2017 open up discussions about peace, kindness, war and suffering. It also More details on page 6 addresses unity and hope and the importance of having the courage to make the world a better place. INCLUDED IN THIS RESOURCE • Discussion questions • Simple follow-up activities • Discussing fairness See and download a summary version of the Universal Declaration of Human Rights at www.amnesty.org.uk/udhr 1 IMAGINE by John Lennon DISCUSSION QUESTIONS ‘Imagine there’s no heaven’ • What might the man on the train be feeling? • What would you say to him? • Why are all the colours grey? • Have you seen the badge on the pigeon’s bag before? What does it mean? • What is the pigeon carrying in her beak? Where does it come from? • Write a list of the items the pigeon’s bag might contain — or draw them.
    [Show full text]
  • Featuring John & Yoko's Year of Peace
    IMAGINE PEACE IMAGINEyoko ono PEACE yoko ono YokoOnoCatalog.indd 1 6/28/07 2:03:37 AM Cover Image Yoko Ono Imagine Peace, 2007. Billboard installation, Dimensions variable. © Yoko Ono 2007 Courtesy of Lenono Photo Archive YokoOnoCatalog.indd 2 6/28/07 2:03:38 AM YOKO ONO IMAGINE PEACE Featuring John & Yoko’s Year of Peace Kevin Concannon, Curator of the Exhibition John Noga, Assistant Curator and Production Manager Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron 6 July – 7 September 2007 Department of Art and Art History / The University of Texas at San Antonio 26 September – 28 October 2007 Rod Bengston, Director, University Art Galleries Del Rey Loven, Director, Mary Schiller Myers School of Art James M. Lynn, Interim Dean, College of Fine and Applied Arts Published by The University of Akron, Akron, Ohio, 2007. Essays copyright the authors 2007. All artworks and photographs copyright Yoko Ono unless otherwise indicated. All photographs courtesy Lenono Photo Archive unless otherwise indicated. YokoOnoCatalog.indd 3 6/28/07 2:03:38 AM IMAGINE PEACE Kevin Concannon, Ph.D. A simple message, delivered on billboards, posters, postcards, badges, T-shirts and rubber stamps, Imagine Peace exists as a seed, activated individually and collectively in the minds and actions of those who encounter it. Like much of Yoko Ono’s artwork over the past forty years, Imagine Peace is a work that is dependent upon a collective realization on the part of YokoOnoCatalog.indd 12 6/28/07 2:03:39 AM her audience. As she declared in her 1972 single, Now Or Never, “A dream you dream alone is only a dream, but a dream we dream together is reality.” As is often the case with her work, this germinating idea is manifested in multiple variations.
    [Show full text]
  • THE LOST LENNON TAPES Megatree Liners Index
    THE LOST LENNON TAPES MEGATREE INDEX Compiled from the liner note information on the Lost Lennon Tapes MegaTree. Unless otherwise noted, songs are performed by John Lennon. _____________________________________________________________ #9 Dream (alternate mix) .......................................................................................128 #9 Dream (composing demo) ................................................................................203 #9 Dream (demo 2) ..................................................................................................081 #9 Dream (demo) .....................................................................................................063 #9 Dream (LP version) ...........................................................................................063 #9 Dream (partial) ...................................................................................................081 #9 Dream (rough mix) ...................................................................................081, 203 #9 Dream......................................................000, 006, 050, 052, 138, 164, 176, 185 12-Bar Original – The Beatles................................................................................081 1968 marijuana bust.................................................................................................015 1980 Demos...............................................................................................................213 1980.............................................................................................................................200
    [Show full text]
  • John Winston Lennon Part 01 of 02
    I"IBI!I5IZl92l¢ I3lJI2IBl92lJ CD!" IIll92!I5E31FlICil921P1IC3!i &#39; FREEDOM OF lIPORll?IONIPR!VACY ICTS lZL!ASB E3lJI3CT!B&#39;I&#39;:__l;1-lUHE_LEHNQHZZ ,,__ _ , _____U________ I B3 cm Raczavzb F;1o:.1 2 FEES 19722 _ _ _ , !~ r 92 ,? 94;-_ !_l_A0O&#39;uR=E.R QO- iii!Q _ 1&#39; 360e 92_i- H - @ ._~ --&#39;/ 3 FEB1272 f U SHBJE<IT=Allamuchy J N; [NL!Tribe t- i! 1. Reference is made to your teletype 003, dated ! 24 January 1972, Subject: Protest Activity and Civil Disturbances, reporting that former Beatles singer t John LENNON had contributed a large sum of money to the "AllamuchyTribe", headedby RennieDAVIS.c9 2. It is requested that you furnish this office with any additional pertinent information concerning 9292LENNON&#39;s indicationsthat relationship DAVIS withhas the received"Allamuchyother Tribe" funds forand anyQ V his activities fromforeign sources. _._9 E Q92. PleaseL&#39;ar..mi1 siaki-5TQ I &#39;//lv/PW °i drd0.14 res?-;&#39; M 92 &#39;34/=4». PWam A/LL/4A4;&d1 J fig?/*Y"5&#39; J 2111» /$721:. 1&#39;?! 4,,/,,..f ,1/rq/yaw-om, .:5j%*£--if 5 " 2 - ~ i 92 .6 @ -4/47 151;;_ X _.________ I A F: l g L.. O;av? - . N____,n» L f X icg.. B zggggM,-e12 ___ -- 53- / L<&#39;.92PD E _ . - X 53 cw-3 /7" &#39; f 1/ r . 1 ~_-__ ____,, _"_. I L § . P. % - 5 I $ I ._ ;- . II -_, , 1&#39;&#39; "r_ I &#39;i___..____.
    [Show full text]