OPERA HOUSES, THEATERS and MOVIE THEATERS [Compiled and Transcribed by William J
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Part Two Biographies of Representative
PART TWO BIOGRAPHIES OF REPRESENTATIVE MEN SAN MATEO COUNTY'S History with its exposition of contem porary local conditions, resources and advantages, would be incomplete without the following biographical sketches of pioneers and leading business and professional men. These supplement the history and add that intimate and personal touch, without which no work of this kind could be truly interesting. In the following life stories may be found many of the most important events that have taken place in both early and contem porary county history. A collection of biographies of this kind is always interesting; but their greatest value lies in the fact that they chronicle much that might otherwise be forgotten, thereby becoming of greater value as time goes on. They are arranged in no particular sequence, being printed on the following pages in the order in which they were obtained. Frederick Ernest Beer Mr. Beer has his share of civic pride, and every movement for the REI)ERltfK Ernest Beer, one of welfare of the community finds an en the proprietors of the San Ma thusiastic supporter in him. At teo Garage, came to San Mateo in present Mr. lleer is Master of the San 1907, and with his partner, Mr. C. B. Mateo Masonic Lodge. Morton, opened the San Mateo Gar Frederick Ernest Beer was born in age and Machine Works. Since then Charlottetown, Prince Edward island the business has steadily grown, and Canada, on June 20, 1880. He has today is one of the largest on the Pe been in California fourteen years. ninsula. Mr. -
Ms Coll\Wheeler, R. Wheeler, Roger, Collector. Theatrical
Ms Coll\Wheeler, R. Wheeler, Roger, collector. Theatrical memorabilia, 1770-1940. 15 linear ft. (ca. 12,800 items in 32 boxes). Biography: Proprietor of Rare Old Programs, Newtonville, Mass. Summary: Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection. Organization: Arranged. Finding aids: Contents list, 19p. Restrictions on use: Collection is shelved offsite and requires 48 hours for access. Available for faculty, students, and researchers engaged in scholarly or publication projects. Permission to publish materials must be obtained in writing from the Librarian for Rare Books and Manuscripts. 1. Arliss, George, 1868-1946. 2. Bernhardt, Sarah, 1844-1923. 3. Booth, Edwin, 1833-1893. 4. Booth, John Wilkes, 1838-1865. 5. Booth, Junius Brutus, 1796-1852. 6. Drew, John, 1827-1862. 7. Drew, John, 1853-1927. 8. Barrymore, Lionel, 1878-1954. 9. Barrymore, Ethel, 1879-1959. 10. Barrymore, Georgiana Drew, 1856- 1893. 11. Barrymore, John, 1882-1942. 12. Barrymore, Maurice, 1848-1904. -
This City of Ours
THIS CITY OF OURS By J. WILLIS SAYRE For the illustrations used in this book the author expresses grateful acknowledgment to Mrs. Vivian M. Carkeek, Charles A. Thorndike and R. M. Kinnear. Copyright, 1936 by J. W. SAYRE rot &?+ *$$&&*? *• I^JJMJWW' 1 - *- \£*- ; * M: . * *>. f* j*^* */ ^ *** - • CHIEF SEATTLE Leader of his people both in peace and war, always a friend to the whites; as an orator, the Daniel Webster of his race. Note this excerpt, seldom surpassed in beauty of thought and diction, from his address to Governor Stevens: Why should I mourn at the untimely fate of my people? Tribe follows tribe, and nation follows nation, like the waves of the sea. It is the order of nature and regret is useless. Your time of decay may be distant — but it will surely come, for even the White Man whose God walked and talked with him as friend with friend cannot be exempt from the common destiny. We may be brothers after all. Let the White Man be just and deal kindly with my people, for the dead are not powerless. Dead — I say? There is no death. Only a change of worlds. CONTENTS CHAPTER PAGE 1. BELIEVE IT OR NOT! 1 2. THE ROMANCE OF THE WATERFRONT . 5 3. HOW OUR RAILROADS GREW 11 4. FROM HORSE CARS TO MOTOR BUSES . 16 5. HOW SEATTLE USED TO SEE—AND KEEP WARM 21 6. INDOOR ENTERTAINMENTS 26 7. PLAYING FOOTBALL IN PIONEER PLACE . 29 8. STRANGE "IFS" IN SEATTLE'S HISTORY . 34 9. HISTORICAL POINTS IN FIRST AVENUE . 41 10. -
To See the Full #Wemakeevents Participation List
#WeMakeEvents #RedAlertRESTART #ExtendPUA TOTAL PARTICIPANTS - 1,872 and counting Participation List Name City State jkl; Big Friendly Productions Birmingham Alabama Design Prodcutions Birmingham Alabama Dossman FX Birmingham Alabama JAMM Entertainment Services Birmingham Alabama MoB Productions Birmingham Alabama MV Entertainment Birmingham Alabama IATSE Local78 Birmingham Alabama Alabama Theatre Birmingham Alabama Alys Stephens Performing Arts Center (Alabama Symphony) Birmingham Alabama Avondale Birmingham Alabama Iron City Birmingham Alabama Lyric Theatre - Birmingham Birmingham Alabama Saturn Birmingham Alabama The Nick Birmingham Alabama Work Play Birmingham Alabama American Legion Post 199 Fairhope Alabama South Baldwin Community Theatre Gulf Shores Alabama AC Marriot Huntsville Alabama Embassy Suites Huntsville Alabama Huntsville Art Museum Huntsville Alabama Mark C. Smith Concert Hall Huntsville Alabama Mars Music Hall Huntsville Alabama Propst Arena Huntsville Alabama The Camp Huntsville Alabama Gulfquest Maritime Museum Mobile Alabama The Steeple on St. Francis Mobile Alabama Alabama Contempory Art Center Mobile Alabama Alabama Music Box Mobile Alabama The Merry Window Mobile Alabama The Soul Kitchen Music Hall Mobile Alabama Axis Sound and Lights Muscle Shoals Alabama Fame Recording Studio Muscle Shoals Alabama Sweettree Productions Warehouse Muscle Shoals Alabama Edwards Residence Muscle Shoals Alabama Shoals Theatre Muscle Shoals Alabama Mainstreet at The Wharf Orange Beach Alabama Nick Pratt Boathouse Orange Beach Alabama -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Paramount Center Project Emerson College Theatre District Rehabilitation Project Washington Street, Boston, Mass
VARIETY A RTS E NTERPRISES Projects: Paramount Center EDITORIAL & DESIGN SERVICES, RESEARCH, & INTERPRETATION for MUSEUMS, HISTORICAL SOCIETIES, & CULTURAL ORGANIZATIONS Paramount Center Project Emerson College Theatre District Rehabilitation Project Washington Street, Boston, Mass. 2006-2010 Permanent Lobby Exhibition Boston Theatre History … including Boston Vaudeville History R.W. Bacon ~ Vaudeville History Consultant n 2005 Emerson College announced its plan to Theatre (1894, 1800 seats), the Keith Memorial Irenovate the Paramount Theatre on Washington Theatre (1928, 2907 seats, now known as the Opera Street in Boston’s theatre district, an $80 million House), and the Modern Theatre (1914, 800 seats). project to include a 590-seat main theatre, a black-box The Paramount closed in 1976, but its marquee was theatre, film screening room, sound stage, rehearsal restored in 2002 by the developers of the adjacent rooms, classrooms, faculty offices, and dormitory Ritz-Carlton Towers. housing for 262 students. All of this massive As the complicated construction project progressed redevelopment (180,000 square feet!) would spread towards completion, the generous linear footage across the original footprint of several earlier iconic originally devoted to the interpretive panels on Boston theatres that were the cradle of the vaudeville theatre history kept shrinking. Nevertheless, the entertainment genre in the 1880s. resulting permanent exhibition in the highly-visible Plans included exhibit panels throughout the center’s public spaces of the new performing arts center is the public spaces to interpret the arc of Boston's theatre next-best-thing to an actual museum of Boston theatre history – a permanent exhibition to also include the … and vaudeville. history of vaudeville, from its birth at the 80-chair In the aftermath of completion, the Paramount Center dime museum of B.F. -
The Theater Designs of C. Howard Crane
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C. -
On a Sunday Afternoon We Visited Elbert La Chelle (Pronounced La Shell) at His Home in San Francisco. the Living Room Had a Bald
LaChelle at the Console by Doris Taylor On a Sunday afternoon we visited reer as a theatre organist he said, "I His training started with piano les Elbert La Chelle (pronounced La was born at the right time to have sons at the age of five as a student of Shell) at his home in San Francisco. many opportunities as an organist. In Mrs. Walter Denton. He also studied The living room had a Baldwin with a those days one could get employment pipe organ with Cecil Teague, an En synthesizer, a large Conn, and a Stein if he could play Chopsticks.'' He in glish organ teacher in Portland, Ore way Grand - a fine setting for a great deed was born at the right time, as he gon, in the twenties. He was ready for theatre organist. had opportunities to see and hear the the opportunities that arose. When we asked Elbert about his ca- atre organs in their natural habitat. As Elbert was born in Salem, Ore gon, it was natural that his first job Elbert La Chelle at the San Francisco Paramount Wurlitzer . was playing the three-rank Hope Jones at the Liberty Theatre in Salem. He knew very early in life that he wanted to make playing theatre pipe organs his career, so he convinced his mother to let him quit high school in the second year. His first full-time job was at the Oregon Theatre in Salem. He left Salem in 1922 at the age of 17 to become head organist at the Heilig Theatre in Eugene, Oregon, where he played the 2/4 Robert-Morton for two years. -
Theatre Organ Society
ATOS SepOct 50-5 G 8/8/08 3:40 PM Page 1 JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY SEPTEMBER | OCTOBER 2008 50THEATRE ORGAN YEARS ATOS SepOct 50-5 H 8/9/08 3:17 PM Page 2 HeartySolo Tibia with Voxes BeefyTuba Mirabilis SizzlingStrings SaucyKinuras SpicyPost Horn PepperyPercussions L ,,..u.cJ,.flt.OUf ,;_,.,J.,,..u.t:J'-t Don'tsee your favorite on our menu?Please ask ... our chefswill makeevery effort to accomodateyour special requests! 11 .!' ---- ~ ,,,,,,,. --.c..-- •-. ..."'<. ~- ' - --- --_Q , , - - A'# . - .., - ~- .. ····················• ~~ .. ::::::::::::::::::::·.·' WALKERTHEATRE ORGANS • 6610 CrownLane , Zionsville, PA18092 • phone610.966.8585 • www.walkertheatreorgan.com ATOS SepOct 50-5 H 8/9/08 3:37 PM Page 1 THEATRE ORGAN SEPTEMBER | OCTOBER 2008 Volume 50 | Number 5 FEATURES THEATRE ORGAN Theatre Organs of Chicago 14 Roseland State Theatre 16 Wurlitzer Opus 1854 20 Link Organ Company 50 51 Years Later YEARS 30 The Organ-ized Art 34 of Eric H. Fahner 38 A Renaissance in Phoenix 42 The Australian Adventure DEPARTMENTS 4 Vox Humana 5 Headquarters 6 Letters 8 News & Notes Chicago Roseland State Theatre 11 From the Archives 12 Vox Nova 13 Vox Pops 24 For the Records On the cover: The cover illustration of Loew’s Jersey Theatre, Jersey City, New Jersey, was drawn by ATOS member Eric H. Fahner; more of his detailed, colorful art may be found on 46 Professional Perspectives pages 34–37. Inaugural performances of the four-manual Robert-Morton organ installed by members of the Garden State Theatre Organ Society at Loew’s Jersey Theatre will be held 48 Chapter News October 3–5. -
A Chronological Outline of the Hanlon Brothers, 1833 ‒ 1931
A Chronological Outline of the Hanlon Brothers, 1833 – 1931 Mark Cosdon, Allegheny College As I prepared my book The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime, 1833 – 1931 (Theater in the Americas Series, Southern Illinois University Press, 2009), I repeatedly encountered undated playbills and newspaper clippings in archives. While these provided tantalizing peeks into the history of the Hanlons, at times it was difficult to trace changes in the company’s personnel, the origins of certain routines, and the routes of their annual tours. In addition, some published histories of the stage displayed blatant inaccuracies when it came to the historical record, most notably T. Allston Brown’s A History of the New York Stage, and to a lesser extent George C.D. Odell’s Annals of the New York Stage. Subsequently, the errors in these early works were exported into later studies. Sadly, many of these inaccuracies were fostered by the Hanlon Brothers, attempting to compensate for their advancing years and eager to clean up their occasionally “untidy” past. The following is an attempt to chronologically arrange the Hanlons’ perambulations from 1833 when Thomas was born, through 1931 when Edward died in St. Petersburg, Florida—nearly a century later. In constructing this outline I have relied primarily on the New York Clipper, whose pages I combed for fleeting references to the family. I’ve supplemented this invaluable resource with dated playbills and clippings I researched over the years. A perusal of the Hanlons’ chronology provides a dizzying glimpse into the itinerant world of popular performance, as experienced by a prominent family of acrobats and pantomimists. -
Jeff Weiler Scores Again
., I •l Ashley Miller at 4127 Wurlitzer console , Paramount A Kimble at an Aeolian-Skinner - Walter D. Kimble, Theatre, Oakland, California. Ed Mullins Photo mirrored in on Buster Keaton ·s action in The Gen eral. ATOS Director Ashley Miller's April 19 Oakland Paramount concert was "spooked " when the blower switch was A Kimble playing an accidently tripped while he was piloting the orchestra lift playing "Come Fly With A eolian-Skinnerfor a s1,1entfi1m Me." It sounded like a deflating bagpipe. undoubtedly should elicit Ashley rose to the occasion , however, wiseacre comment from and it was a finger-snapping, toe-tapping evening. theatre organ enthusiasts . An extra added attraction of violin and And, this is exactly what happened last organ duets brought violinist Nate Rubin, May 7 at First United Methodist Church Concertmaster of the San Francisco in Orlando, Florida. Mid-Florida Chapter Ballet Orchestra and disbanded Oakland Vice-President Walter D. Kimble played Symphony, to the stage. Mr. Rubin had the accompaniment for Buster Keaton's gotten a splinter in his left finger earlier silent film classic The General on the in the day necessitating a last-minute classical 4/75 instrument. change in their program. Their duets of A former theatre organist for a Florida 11 Czardas,'' 11 Intermezzo,'' 11 Liebesfreud,' ' theatre circuit, Kimble proved again that and Fritz Kreisler's "Prelude and Allegro," the organist becomes secondary to were climaxed with "Hot Canary" that action when accompanying a silent was the "cat's meow!" photoplay. During Miller's Spring Quartet Medley "My son, 40 years of age, who arrived of "April Love," "Spring is in My Heart in this world about the time of the demise Again," "April Showers" and "Mountain of many theatres, said that he found he Greenery," he used "Rustles of Spring" was beginning to be more interested and while seguing between numbers. -
B. F. Keith's Theatre Program, Week of May 5, 1913
Stores Holleoxd Wii\e G> Are reliabl A moderate KEEP A LITTLE IN THE HOUSE” BELOW ARE THE STORES USING HOLLAND WINE CO. SYSTEM 47 Boylston Street 45 Boylston Street 152 Washington Street 102 Summer Street 18 Hanover Street 1 Devonshire Street 104 Summer Street 772 Washington Street 770 Washington Street 254 Washington Street 915 .Washington Street 26 Haymarket Square © » CHOOSE THE NEAREST ’ © B. F. KEITH INTERNATIONAL CIRCUIT THEATRICAL ENTERPRISES (MR. B. F. KEITH Was the Originator of Continuous Performance) E. F. ALBEE, General Manager A. PAUL KEITH, Assistant General Manager B. F. KEITH’S THEATRE BOSTON, MASS. B. F. KEITH’S BIJOU THEATRE BOSTON, MASS. B. F. KEITH’S THEATRE PHILADELPHIA, PA. B. F. KEITH’S HARLEM OP. HOUSE NEW YORK B. F. KEITH’S UNION SQ. THEATRE, NEW YORK B. F. KEITH’S COLONIAL THEATRE NEW YORK B. F. KEITH’S ALHAMBRA THEATRE NEW YORK B. F. KEITH’S BRONX THEATRE NEW YORK B. F. KEITH’S ORPHEUM THEATRE BROOKLYN B. F. KEITH’S BUSHWICK THEATRE BROOKLYN B. F. KEITH’S GREENPOINT THEATRE BROOKLYN B F. KEITH’S CRESCENT THEATRE BROOKLYN B. F. KEITH’S GOTHAM THEATRE BROOKLYN B. F. KEITH’S THEATRE PORTLAND, ME. B, F. KEITH’S THEATRE LOWELL. MASS. B. F. KEITH’S THEATRE LYNN, MASS. B. F. KEITH’S THEATRE MANCHESTER, N. H. B. F. KEITH’S HIPPODROME CLEVELAND, OHIO B. F, KEITH’S THEATRE CLEVELAND, OHIO B. F. KEITH’S THEATRE COLUMBUS, OHIO B. F. KEITH’S THEATRE ...TOLEDO, OHIO B. F. KEITH’S THEATRE CINCINNATI, OHIO B. F. KEITH’S THEATRE INDIANAPOLIS, IND.