Part Two Biographies of Representative
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Legislators of California
The Legislators of California March 2011 Compiled by Alexander C. Vassar Dedicated to Jane Vassar For everything With Special Thanks To: Shane Meyers, Webmaster of JoinCalifornia.com For a friendship, a website, and a decade of trouble-shooting. Senator Robert D. Dutton, Senate Minority Leader Greg Maw, Senate Republican Policy Director For providing gainful employment that I enjoy. Gregory P. Schmidt, Secretary of the Senate Bernadette McNulty, Chief Assistant Secretary of the Senate Holly Hummelt , Senate Amending Clerk Zach Twilla, Senate Reading Clerk For an orderly house and the lists that made this book possible. E. Dotson Wilson, Assembly Chief Clerk Brian S. Ebbert, Assembly Assistant Chief Clerk Timothy Morland, Assembly Reading Clerk For excellent ideas, intriguing questions, and guidance. Jessica Billingsley, Senate Republican Floor Manager For extraordinary patience with research projects that never end. Richard Paul, Senate Republican Policy Consultant For hospitality and good friendship. Wade Teasdale, Senate Republican Policy Consultant For understanding the importance of Bradley and Dilworth. A Note from the Author An important thing to keep in mind as you read this book is that there is information missing. In the first two decades that California’s legislature existed, we had more individuals serve as legislators than we have in the last 90 years.1 Add to the massive turnover the fact that no official biographies were kept during this time and that the state capitol moved seven times during those twenty years, and you have a recipe for missing information. As an example, we only know the birthplace for about 63% of the legislators. In spite of my best efforts, there are still hundreds of legislators about whom we know almost nothing. -
On a Sunday Afternoon We Visited Elbert La Chelle (Pronounced La Shell) at His Home in San Francisco. the Living Room Had a Bald
LaChelle at the Console by Doris Taylor On a Sunday afternoon we visited reer as a theatre organist he said, "I His training started with piano les Elbert La Chelle (pronounced La was born at the right time to have sons at the age of five as a student of Shell) at his home in San Francisco. many opportunities as an organist. In Mrs. Walter Denton. He also studied The living room had a Baldwin with a those days one could get employment pipe organ with Cecil Teague, an En synthesizer, a large Conn, and a Stein if he could play Chopsticks.'' He in glish organ teacher in Portland, Ore way Grand - a fine setting for a great deed was born at the right time, as he gon, in the twenties. He was ready for theatre organist. had opportunities to see and hear the the opportunities that arose. When we asked Elbert about his ca- atre organs in their natural habitat. As Elbert was born in Salem, Ore gon, it was natural that his first job Elbert La Chelle at the San Francisco Paramount Wurlitzer . was playing the three-rank Hope Jones at the Liberty Theatre in Salem. He knew very early in life that he wanted to make playing theatre pipe organs his career, so he convinced his mother to let him quit high school in the second year. His first full-time job was at the Oregon Theatre in Salem. He left Salem in 1922 at the age of 17 to become head organist at the Heilig Theatre in Eugene, Oregon, where he played the 2/4 Robert-Morton for two years. -
OPERA HOUSES, THEATERS and MOVIE THEATERS [Compiled and Transcribed by William J
DICKINSON COUNTY HISTORY – OPERA HOUSES, THEATERS AND MOVIE THEATERS [Compiled and Transcribed by William J. Cummings] ARMORY HALL probably Iron Mountain’s first theater to Iron Mountain regularly feature motion pictures. According to the Iron Mountain Press, The Menominee Range, Iron Mountain, the Bijou was the site of the St. Joseph’s Menominee County, Michigan, Volume Church Fair during the week of November XI, Number 8 [Thursday, May 16, 1889], 16, 1908. However, the theater was first page 1, column 4 listed in the 1913 Iron Mountain city directory, with Martin D. Thomas serving as Kendal’s “Pair of Kids.” manager. Across the street from the Bijou, where the post office now stands, was the A.J. One of the largest and best pleased Rundle Hardware Store and Rundle’s audiences that ever assembled in Armory Opera House, in all probability the Bijou Hall applauded and laughed immensely at Theatre’s biggest competitor. While the Ezra Kendall last evening in his latest play, Iron Mountain Press regularly featured “A Pair of Kids.” There is no plot worth news articles regarding the performances at mentioning to the play, merely a frame work Rundle’s Opera House, as well as frequent [sic – framework] to give Kendall scope to reviews, the Bijou Theatre’s first advertising display his oddities, mirth provoking actions campaign apparently began in March of and speeches. Arthur Dunn as “Flip,” and 1911. Jennie Dunn as “Pearl, a cash girl,” the pair Advertisements noted the Bijou’s doors of kids[,] sing very nicely and dance their opened at 7:30 p.m. -
Nuggets Golden
Jan. 1930 (AO) JOHN JENSEN, CALFE at the Raymond Theatre, treasurer of the Los Angeles The Pasadena ... 4/25 CLAUDE L. NUGGETS atre Organists' Club, had two of REIMER, Loew's State, Los Angeles from the his compositions purchased by Fox ... 5/25 CHAUNCEY HAINES Film Company, and has several Jr., Egyptian in Long Beach ... GOLDEN others to be released soon. 6/25 JULIUS K. JOHNSON, Forum Jan. 17, 1931 (MPH) "CON" Theatre, and HERBERT KERN, MAFFIE, formerly of the Para Criterion in Los Angeles . 11/25 mount in Portland, Oregon, is taking FRANK LANTERMAN, Glendale's EARL ABEL'S position at the Para Alexander ... The following mem mount in Los Angeles, and Abel is bers of the Los Angeles Theatre taking LEO WEBER'S place at the Organists' Club were playing west Texas Theatre in San Antonio. coast theatres in 1925: R.E. BECK ER, Grauman's Egyptian, Holly Dec. 26, 1931 (MPH) ALBERT wood; L. BEAUMONT CONKEY, HAY MALOTTE of the Los Angeles theatre & Masonic organist; PRICE Western Theatre, offered a very DUNLAVY, Jr., Hollywood The pleasing, though unpretentious solo, atres Inc.; EDWARD C. HOPKINS built around the Waltz hit, "Pagan in Pasadena; FRANK LANTER Moon". His work is, at all times, MAN, Alexander's 3/10 Wurlitzer, Prospected by Lloyd E. Klos that of the true artist. His regis Glendale; JOHN E. HILL, 2/10 tration is perfect, so that one may Wurlitzer, Beverly Theatre; F. Next month, northern California sit back and forget that it is merely QUENTIN LANDWEHR, Grau will be the scene of the 20th annual another waltz which he is playing, man's Million Dollar; JULIUS K. -
"Resurrection" Since About 1930, Theatre Organ En Organs
THE SAN FRANCISCO PARAMOUNT THEATRES WURLITZER 285 SPECIAL, AND ITS "Resurrection" Since about 1930, theatre organ en organs. Every true crgan fan shook ¥s thusiasts have become used to hearing head and scratched another organ from about the death of some famous theatre his list of re-constructable instruments. organ. Relentlessly, one by one, these The same old story - a wonderful, ex magnificent instruments have departed pensive, mighty theatre organ, neglected, the contemporary scene without fanfare cannibalized, and permanently out of and without any apparent concern ex use. cept for the saddening void left in the But for once, all enthusiasts can take memories of those who understand the down the crepe, because the mighty San •·1 ~ wonderful music produced by them. Francisco Paramount WurliTzer speaks The Paramount Theatre, San Francis again with all its grandeur. Many people During the current restoration, the Mor - co, was opened in 1921 as the Granada are responsible for this resurrection, ton Tibia has been replaced by a Solo scale and contained a gorgeous WurliTzer, and it is hoped that all of them will re WurliTzer Tibia Clausa. A further note of Style 285, 4/33. The story of this organ ceive the plaudits deserved. interest at this time is that there are no is typical of hundreds of others in that The great WurliTzer organ in the Para dead magnets in the entire organ, nor it was in daily use during the era of mount Theatre in San Francisco is were there any at the time the restora silent movies, being played by many housed in six large chambers which tion work began in October, 1960. -
S • P Trainline Index 1–137
SOUTHERN PACIFIC HISTORICAL & TECHNICAL SOCIETY S • P Trainline Index 1–137 S•P7� --- ·- The Official Publication of the outhern Pacific Hi1torical & Technical Society SOUTHERN PACIFIC HISTORICAL & TECHNICAL SOCIETY S • P Trainline Index 1–137 6 Articles 14 Authors 34 Drawings 46 Maps 55 Railroad Equipment 94 Rosters 102 Structures The Southern Pacific Historical & Technical Society is an independent non-profit organization devoted to the preservation of the history of the Southern Pacific, its predecessor and successor railroad companies, and to the dissemination of information which documents that history. The Society is not supported by, nor affiliatedin any way with, the former Southern Pacific, or any of its subsidiaries or affiliates. For S•P Trainline back issues contact: SPH&TS Company Store www.sphts.org Index by Mary Harper Access Points Indexing www.accesspointsindexing.com and Michael E. Bell S yndeticS ystems www.syndeticsystems.com S·P Trainline Index -- Volumes 1-137 Note: Formatting has been minimized for ease in viewing the index. Titles of books and journals are italicized, article titles are not. Page numbers are listed as “volume:page”, and indicated the first page of the article where the reference may be located. Multiple or contiguous page listings indicated photographs or other illustrative materials. Cities and towns are in California, unless otherwise noted. Locomotives and rolling stock are identified by reporting mark and number and/or italicized name under the Railroad Equipment heading. A A. Marchetti Vegetable Packing House, 82:21 Harvard (steamship) (1931), 130:13, 130:14 Abbey, Wallace, 128:10 near Hiland (1977), 118:19, 118:22 Abbott, Carlisle S., 103:17 Imperial Valley floods (1906), 111:9, 111:10, Abbott, L.E., 121:12 111:11 Accidents Island Mountain Tunnel (1978), 35:4 chart, Memorandum on Major Passenger Train Jackson, Utah (1904), 79:23 Accidents (1958), 63:11 Junction City, Ore. -
FINE ARTS MUSEUMS FOUNDATION Report of Acquisitions Committee
Appendix B FINE ARTS MUSEUMS FOUNDATION Report of Acquisitions Committee November 12, 2020 Page PURCHASES ......................................................................... 1 American Art – 1 Total Purchases – 1 FUNDED PURCHASES ......................................................... 2 American Art – 3 Achenbach, Prints and Drawings – 12 Costume and Textile Arts – 2 Total Funded Purchases – 17 GIFTS……………………………………………………………… 3 Achenbach, Prints and Drawings – 885 Art of Africa, Oceania and the Americas – 10 Costume and Textile Arts – 5 European Decorative Arts and Sculpture – 1 Total Gifts – 901 FIRST STEP DEACCESSIONS ............................................ 4 Achenbach, Prints and Drawings – 13 Ancient Art – 10 European Decorative Arts and Sculpture – 1 History – 13 Oriental – 6 Costume and Textile Arts – 7 Total First Step Deaccessions – 50 SECOND STEP DEACCESSIONS ....................................... 5 Achenbach, Prints and Drawings – 78 American Art – 2 European Decorative Arts and Sculpture – 6 History – 383 Costume and Textile Arts – 47 Total Second Step Deaccessions – 516 Fine Arts Museums Foundation Acquisitions Committee November 12, 2020 PURCHASES American Art David Drake (ca. 1800-after 1873) Storage Jar, April 12, 1836 Glazed stoneware 14 ¾ inches high Page 1-1 Fine Arts Museums Foundation Acquisitions Committee November 12, 2020 FUNDED PURCHASES* American Paintings Evri Kwong, American, b. 1962 This Land is Your Land, This Land is MY Land, 2020 Mixed media on window shade 80 x 72 in. (203.2 x 182.9 cm) Museum purchase, American Art Trust Fund L20.45 Tom Colcord, American, b. 1990 Gentrification of the Dead, 2019 Oil on canvas 72 x 72 in. (182.9 x 182.9 cm) Museum purchase, The Volunteer Council Acquisition Fund and American Art Trust Fund L20.43 Casey Gray, American, b. 1963 Recipe For Survival, 2020 Acrylic spray paint, molding paste, fluid acrylic on birch panel 31 1/2 x 40 1/2 in. -
History of San Mateo County
HISTORY Q} SAN MATEO COUNTY FROM THE EARLIEST TIMES WITH A DESCRIPTION OF ITS RESOURCES AND ADVANTAGES; AND THE BIOGRAPHIES OF ITS REPRESENTATIVE MEN /‘:1 ILLUSTRATED COMPILED AND WRITEN BY PHILIP W. ALEXANDER CHARLES P. HAMM BURLINGAME. CALIFORNIA | 9| 6 PRESS OF BURLINCAME PUBLISHING CO. Burlingame. CaliIornia FOREWORD IN the following brief historical sketch are shown only the main phases of San Mateo County’s growth, as it would be impossible to portray in detail all the events of historical importance which have occurred in the county during the last one hundred and forty years, since the white man first set foot upon peninsular soil. First were the Indians already in loose and scattered possession of the soil; then the Spanish explorers, followed by the Jesuit and Fran ciscan fathers. Next came the great land grants or ranchos with titles from the Spanish crown itself. These in turn were divided into lesser estates consisting, nevertheless, of thousands of acres apportioned among various rich men with their stately country seats. The last stage of development of the county is now at hand,—that in which the land is divided into its final segments consistingr of smaller country estates and lots of the suburban home dweller. ACKNOWLEDGMENT The chronicling of the events which have transpired in a com munity such as San Mateo County, is a task that requires the cooperation of many. Assistance of various kinds has come from many sources, making it possible to compile this work. The publish ers wish to express their appreciation to the following, for their cooperation:—Henry P.