THE SAN FRANCISCO PARAMOUNT THEATRES WURLITZER 285 SPECIAL, AND ITS "Resurrection" Since about 1930, theatre organ en organs. Every true crgan fan shook ¥s thusiasts have become used to hearing head and scratched another organ from about the death of some famous theatre his list of re-constructable instruments. organ. Relentlessly, one by one, these The same old story - a wonderful, ex magnificent instruments have departed pensive, mighty theatre organ, neglected, the contemporary scene without fanfare cannibalized, and permanently out of and without any apparent concern ex use. cept for the saddening void left in the But for once, all enthusiasts can take memories of those who understand the down the crepe, because the mighty San •·1 ~ wonderful music produced by them. Francisco Paramount WurliTzer speaks The Paramount Theatre, San Francis again with all its grandeur. Many people During the current restoration, the Mor - co, was opened in 1921 as the Granada are responsible for this resurrection, ton Tibia has been replaced by a Solo scale and contained a gorgeous WurliTzer, and it is hoped that all of them will re WurliTzer Tibia Clausa. A further note of Style 285, 4/33. The story of this organ ceive the plaudits deserved. interest at this time is that there are no is typical of hundreds of others in that The great WurliTzer organ in the Para dead magnets in the entire organ, nor it was in daily use during the era of mount Theatre in San Francisco is were there any at the time the restora silent movies, being played by many housed in six large chambers which tion work began in October, 1960. This famous West Coast organists, all of tower on both sides and above the most certainly speaks well for the old whom claimed it to be a particularly good proscenium arch. On the lower left side, pot metal magnets. organ to play - with nice lush tibias facing the stage, is the Main Organ; When the organ was turned on for the and reeds that really spoke out into an directly above it is the Foundation Or first time in October of '60, it did noth ideal auditorium acoustically. Then gan and from a level above the F ounda ing but cipher loudly. This was caused came synchronized films - the movies tion, the 32-foot Pedal Diaphones tower by the effect of a steam pipe bursting in talked and the decline of the theatre or straight upwards. The beautiful Echo a section that passes through the relay gan began. Organ is located above the center of room. All of the leather gaskets were For a while, the Paramount 285 fur the proscenium and speaks through a treated with neatsfoot oil and, when the nished intermission music, helped with specially constructed metal lath and relays were put back, they all operated an occasional stage show, and finally plaster acoustical horn which carries perfectly. the console was lowered into the pit the sound out and down through a dia The pump on the console lift was com and, for all intents and purposes, the mond shaped oi:ening towards the cen pletely wcxked over and now operates like usefulness of this great organ was ter of the auditorium ceiling. Three new. finished. chambers are located on the right side There are two blowers which are As time went on, the pit was floored of the arch. The lower is the Solo Or coupled, in tandem, to the main wind over - trapping the organ forever, Mean gan. Above it is the Percussion Divi trunks. One is driven by a 25 H.P. D.C. while, another theatre owned by the sion and above that is the Brass Organ. motor and supplies 3300 cpm at 15 in same circuit was leased to a church and The piano is located at the far right end ches. The other is powered by a 10 H.P. the organ in that theatre was to be used. of the pit. D.C. motor and supplies 1500 cpm at However, it was in bad shape, had many Some changes from the organ's origi 25 inches. There are two generators ( one pipes missing, and all manner of things nal specification were made ·in 1929 of which is a stand-by) belt driven from needed replacement. with the additicn of a Solo scale Tibia Clausa the two motor shafts. It might by in Where to get these needed pipes and by Robert Mct"ton. Some Horn Diapason and teresting to note that all air is original parts? The answer, of course, was from Harmonic Flute Tabs were altered to ly taken in through the 25 H.P. blower the Paramount. This was done, and play this Tibia and the Solo to Great and that the air supply for the 10 H.P. spelled the death knell, for certain, of Coupler was changed to become a Great blower is taken from the wind line lead one of the West Coast's finest theatre Sub-Octave. ing out of the big blower. 4 theatre organ gan playia, proved that he haa great talent, lots of imagination, and la a TheConcert TheArtist good 1tudent. Proof of this was his - cueing of a two-reel silent comedy. This By Jim Mc:'MIllan was not fust • musical background but a cueing job with appropriate music and The May 5 concert re-introducing the This portion was run without any well-timed soW1d effects which sounded mighty Paramount organ in San Francis sound background. Only the stirring of like an ccold pro" of the silent-movie co was an exhibition of astute showman the audienc·e, seeing this re-creation of era. ship on the part of Mr. Earl Long, 4 0 years ago, could be heard. As the Tom Hazelton was raised on Calif Managing Director of the 2650-seat end title faded out, a spotlight was fo ornia's beautiful Monterey Peninsula in Paramount Theatre, and presented Tom cused on the center of the stage apron the town of Pacific Grove. His early Hazelton as an artist of great talent. and, to the strains of "Granada", the years of musical training iwere occupied The concert began with a forty-year beautiful 4-manual console rose once with the study of the piano before switch old silent film taken at the WurliTzer again from the orchestra pit. ing to the organ. He studied with many factory showing the Paramount organ un Mr. Long acted as MC for the musical well-known teachers including his der construction. Included were se program. His introduction of each num present teacher, Richard Purvis of San quences showing various stages of con ber or groups of numbers was brief, but Francisco's Grace Cathedral. struction, the final factory regulation of each included the outstanding stop or His interest in the theatre organ was the instrument, and the 32-foot Diaphones percussion to be featured and its cham aroused upon hearing "hi-fi" recordibgs being lowered for shipment. An inter ber location. There was much favorable of it. Through association with Ed Stout, esting shot was shown of the ten box comment on this method of presenting he was introduced to the "legendary,, cars leaving the plant for San Francisco the program since it gave everyone a Paramount WurliTzer about the time the with the cars being appropriately la good idea of the physical layout of this restoration work on it was about to be beled, "The World's largest WurliTzer great organ. gin. He joined forces with Strut and Jim Pipe Organ being shipped to the Grana Tom Hazelton's efforts reflected many Tyler and, by wocking with them, was da Theatre, San Francisco, California". hours of practice and good training. Mr. able to put in many hours of playing The final scenes showed the unloading Hazelton is a young gentleman of 18 time on the instrument. It was Tom's of the organ in San Francisco. years. His understanding of theatre or- brilliant playing that convinced Earl Long to invite him to play the concert re-introducing the Fabulous 285 to San MeetEarl W. Long Francisco. Profile Probably the most glamorous days fer who have devoted their lives to the the motion-picture industry were those daily business of this mammoth ~peratio -n. THE PIPE ORGAN SERVICE within the span of years from 1915 It is here that we find Earl W. Long, in COMPANY OF SAN FRANCISCO through 1935, when the careers of Anica the po,ltion of managing the affairs of Stewart, Pola Negri, Anna Q. Nillson, the Paramount theatres in San Francis Mac Murray, George Arliss, Viola Dana, co. The layman who for the past twenty Charles Chaplin, Douglas Fairbanks, In 1919, young Long began as an usher five years or so has been exposed to Norma Shearer, Marie Dressler, Rudolph in one of the theatres in his hometown, the sounds of electronic instruments Valentino, Janet Gaynor, Greta GarbQ Brockton, Mass., and within a short would most likely not give a second and a host of others soared to Olympian dme had made up his mind that the thought to the fact that pipe organs still heights. motion picture business was to be his exist, that they are still being built in Within that tightly-woven tapestry are life', ..work. He progressed rapdly and large numbers, and that there is still a the indistinct but multitudinous figures bef a:o too long became assistant mana place in the pipe organ field for techni of men and women whose task it is to ger of the Brockton Theatre, the leading cians, designers, pipe-makers, voicers, hold together the gigantic structure of hwae of the town, which played vaude and tonal designers. Of course, a major this opilent industry. And behind these ville 111 well as motion pictures. He was pre-requisite for such a career is an in titans is a vast force of men and women 1000 oxlllted further to the position of ner love of the multitudinous beauty~and manager of the Rialto Theatre in Brock color of the sound of music. Two me~ ton, with such a love are Edward Stout and In the course of his work he became James Tyler, who form the Pipe Organ acquinted with theatre organs and Service Company of San Francisco. grew to love their wonderful sounds. Thil love has never left him, although Stout is a fiery, intense, slightly built be ha1 never received any training as a young man of 26, originally from a small city in southern Michigan. His grand mu1ileia11. father was in the business of building In 1928 Long was moved into the ad console cases foe a number of pipe organ Vtrt!Ah1g department of Paramount Publh builders, and Stout's exposure to the Thnm:s in New York City. He was also business was a natural one. Later, he involved in Paramount's managerial devoted every spare moment away from 1cbool, In 1932 Earl Long was trans school work and household duties to his ferred to the Minneapolis Amusement new-found love. He has lived on. the Company, where he managed several of West Coast f oc the past seven or eight tho elrcuit's theatres until 1947, when years. So intense has his love of and he came to San Francisco and the Para respect for his life's work now become mount theatre. that it is sometimes almost impossible Later he became city manager for for an "outsider" to share his enthus three theatres, the Paramount, the St. iasm. Franc! ■ , and the State. He was then able to punue the possibilities of the re The meeting of Ed Stout and Jim Ty storation of the "legendary" WurliTzer ler most likely took place in an organ whlc:b bad been silent far far too long in Earl W. Long the Paramount Theatre. ( continued on page 7) Summer 1961 5 The San Francis co "Exam iner " Story
EDITOR'S NOTE: Below is a reproduction of a page from the San Fra nci sco Examiner of November 17, 1921. con cerning Wurlitzer, San Francisco's Granada Theatre , and Oliver Walla ce. On the opposite page is reproduced the text from the Examiner story. )
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OLNER WALLACE who w1!1 make hi,; fir:-1m~ran:c in S·m F~r :,co at \•
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Som,> ,;i.,,.,,, fJ!t t,vem, ,_,, "~" .lb· . \11aJl:Je~ ~ mtt d th.1,"l>:fir-. err ltVallace ~ to ~1m~ 1be frietu.T"'"" with :m~¥ (;n.c .ski.O• WP?la1t a.n iut_., lllllll& 11 or-:,patby, m;,i<,-,i hit~ at the a~ in tbV'I fO"t'ftlt1f tnnirn,rl!ti~g. V...... til,, to :m ~na,7 ™"""'-.,, lb. \ValhM!~=m;,;"" :nucll :.~..,. ~ r..' ~a-::aO-}.o. Mtft\. ,.\mt·t~ l.1ti tt t r~mlrtr C!"l.~tt.c.on»N" .-.t·'-~dut.~ .. ~1.,,ro..,,.,,,,._•IWd °'fn•faJ,a .~ .. II• ha U--t tm,l= ~ oril 11 mx,:(tt-\3'fu_!:?1::t~fro,-s. SI'f'TJd"•,. t i!ll !r,ar 1o ttJx hHn~~ t h at th flr.-, '(\ in :ufdi• ·r,r. to b~ .rf?..!~,_...u \
THE WURLITZER ORGAN tt~a~,/i~~l::~fif1i~,.:n~;i!~~:~;:!';;. ';!i1~1~ 1~f. t~ ~~i.t?,er !act.oq ~ Wurllt.rer, • orth 1\;nawanda, Ten t'm~ht car.i wen ~ry to t.ransp :-t tiw,. Ut1t ~~gf;.J':~~,fll~j;~j~~h~~n~;.,t'nlll!.~--Olt Sli Courtesy S. F. Examiner 6 theatre organ Two centuries' experience--five genera three hundred st q,s and keys controlled PIPE ORGAN SERVICE CO. tions of skilled craftsmen, all equally by the hands, there are eight foot pedals. ( concluded) intent on making and improving musical The audience who listened to the trial instruments-are behind the achieve recital of the great organ were thrilled loft somewhere in the San Francisco bay ments of the Rudolph Wurlitzer Company with its wonderful range of expression. region, and the two decided to meld of today. The slender trill of a lute, a violin solo, their talents. Beginning with the crude manufacture the blaze oi trumpets, the deafening roar From a schooling which was inc lined of the quaint lutes of early times the of thunder--nothing seemed beyond its toward a scientific career comes James men of the House of Wurlitzer-fathers, capacity! A violin solo with harp ac B. Tyler, a tall, slender young man with sons, and grandsons--have been famed companiment was followed by the syn a pleasant, almost handsome face set through the centuries as leaders in their copated harmony of an ultra-modern jazz with penetrating eyes. Born in Sacra craft. number! And in each selection, the or mento, Calif cxnia, he is the son of a Today the huge manufacturing plant of gan was perfect. As a musical achieve prominent educato r , Henry T. Tyler. the Rudolph Wurlitzer Company in New ment it stands alone--supreme. Both parents were musically talented. York State covers several acres of ground Even though a career in science was at the railroad station of Wurlitzer, near Ncxth Tonawanda. OLIVER WALLACE In the almost unbelievably large plant who will make his first appearance in everything musical-from a child's toy San Francisco at the whistle to that greatest of all creations, GRANADA THEATRE the type of organ used in the Granada A product of the Pacific Coast, Mr. Theater-is made. Wallace has an enviable record from The Wurlitzer harps are known all over Seattle to Los Angeles. He played the the wcxld fcx their exquisite beauty of huge Wurlitzer cxgan ( then the largest tone and artistic construction. They are in the world) in the Liberty Thea·ter, the most expensive harps made. Seattle, fcx five years. In the Wurlitzer Building (Jictured on This will be his first appearance in this page) in New Yak City, there is a San Francisco-and the city that knows complete stock of every kioo of musical so well how to appreciate the unusual instrument made. This building has the and the beautiful-will oren its arms to honor of housing one of the world's this wonderful artist. greatest collections of rare old violins. Mr. Wallace cannot be compared with Travelers from every corner of the globe any other organist. He is in a class by visit this museum, which includes the himself-the absolute master of the mam masterpieces of Stradivarius, Amati, moth organ described elsewhere on this Edward Stout and James Tyler Guarnerius and hundreds of other re page. indicated, Tyler's fascination for mech nowned makers of violins. Some eleven or twelve years ago, Mr. anical and pneumatic musical instru Today every principal city from the Wallace was one of the first organists ments led him to learn more of the art Atlantic to the Pacific has a Wurlitzer to "interpret the picture" with music. of pipe organ building, and he began such sta:e-fully equipped to· meet every musi Great skill as well as an intense human training in the services of Hilary J. cal need! sympathy, makes him a master in this Burke, an organ technician in southern Realizing that music in the home is an form of improvising. Versatile to an ex California. investment in happiness, the Wurlitzer traordinary degree, Mr. Wallace seems So in the Pipe Organ Service Company Company aim to make some kind of as much at home playing a classic as is a union of craftsmanship and ability, musical instrument possible for every when syncopating a jazzy selection. which led them to begin w~k on the great home in America. To this end they have Mr. Wallace is also a composer of WurliTzer in the San Francisco Para adhered fcx years to .a "factory to home" considerable note. Among his most mount Theatre in October of 1960. The pr ice policy. The Wur l~tzer Company .to popular creations are "Hindustan," results of their collaboration on restora day is as belove? fcx 1t~ squar~ d~almg "Louisiana" and "Indiana Moon." tion of this magnificent instrument were and generous pr 1ce policy as 1t 1s ad He has the tireless energy of all suc readily apparent to all who witnessed mired for its musical achievements. cessful musicians, spending from four to and heard the memorable concert of six hours daily at the organ, in addition May 5. The great Wurlitzer organ, which is on~ to his recital wcxk. of the outstanding features of the beauti ful Granada Theater, was built in the huge Wurlitzer factory at Wurlitzer, North Tonawanda, New Ycxk. Ten freight cars were necessary to transport this, the largest of all organs, across the continent. Combined in one gigantic unit, _there are nine complete cxgans or sect10ns and over three hundred individual instru- ments. The reeds and pipes of this mammoth organ vary in weight from an ounce _to half a ton. Miles upon miles of electric wiring were used in connecting up the various sections. All the intricate mechanism of the unit cxchestra is under the instantaneous control of a single musician. A double touch system of manuals makes it possi- · ble for ~he operator, by the JXessure of one finger, to being out in solo any one instrument, while with the other fingers At organ on opposite page is Oliver of the same hand he plays the melody Wallace in 1921. Above is Oliver 32' Oiaphones in San Francisco Para parts on other instruments. Besides the Wallace in 1961 still at the organ. mount. Ed Stout is seen at regulators. Summer, 1961 7 Specifications SanFrancisco Paramount r------·----- 'I ' ' 'r------( ~ l ,------7 Wuritzer 285 i.\c1&S I dJ 1 Foun~• W L.•------s-~JI I I I IT] I I ~ SOLO CHAMBER CHAMBER LAYOUT tl.,in, Marimba-Harp (Solo) Harp ( Main) Xylophone ( Percussion) Sleigh Bells Orchestra Bells Chrysoglott Cathedral Chimes Octave Coupler Sub-Octave Coupler (originally Solo to Great 8 Flute 6 Tremulant Tabs located Qu intadena . . . • . . . • . . . • • • 61 Unison) 8 Vox Humana just above 2nd touch tabs Kinura. . • . . , • • • • • • • • . • • 61 4 Gambette controlling 11 tremulants. Solo Marimba - Harp . . • • . . . • 49 STOP TAB LAYOUT Sforzando Touch ( Foundation) BOMBARDE ( 3rd Manual) 8 Viol Celeste 8 English Horn 4 Gambette Celeste PEDAL MAIN ORGAN - 9 Ranks 10" Wind (Top Left Bolster) 8 Kinura 8 Diaphonic Diapason 4 Viol PERCUSSION CHAMBER ( Lower Left Bolster) (Unless otherwise noted) P· 16 Bombarde ( originally 8 Krumet) 8 Open Diapason SOLO (4th Manual) 4 Octave Celeste 1pes 8 Tibi-a Clausa 32 Diaphone 16 Diaphone 8 Oboe Horn ( Top Right Bolster continued 4 Flute Tuba Horn-Ophieleide , .••. , • 85 Xylophone - 37 bars 8 Orchestral Oboe 16 Bombarde 16 English Horn 8 Salicional from Great) 2 Piccolo (15" wind) Sola Chimes• 25 tubes 8 Kinura 16 Diaphone 16 Tibia Clausa 8 Quintadena 8 Tuba Mirabilis Cathedral Chimes Clarinet ...••...... ••• 73 Glockenspiel-Orchestra Bells - 37 bars 8 Solo String Sleigh Bells - 25 bells 16 Ophicleide 16 Tibia Clausa 8 Concert Flute 8 Trumpet ( Brass) Snare Drum Horn Diapason - Diaphone ( metal)73 8 Tibia Clausa Bass Drum ( large - Tympani 16 Double English Horn ( originally 16 Solo String) 8 Vox Humana 8 English Horn Open Diapason •••••••.•.•. 61 Snare Drum ( large) - Tom Tom 16 Tibia Clausa 8 Tuba Mirabilis 4 Piccolo ( originally Horn Diapason) 8 Tibia Clausa Concert Flute . • . . • • • . • • • . 85 Snare Drum { small) 16 DiaphonicHorn 8 English Horn ( originally 4 Octave) 8 Gamba FRONT BOARD TABLETS Salicional • , •••.••.••••. 61 ( origina I ly Diaphon ic Diapason) Tambourine 16 Clarinet 8 Diap,onic Diapason 4 Viol 8 Gamba Celeste Viol De Orehestre • • . . . • • • . 85 8 Tibia Clausa PEDAL Castanets 16 Bass String 8 Tibia Clausa 4 Viol Celeste 8 Saxophone Viol Celeste .•....••...•. 73 8 Orchestral Oboe Wood Block 8 Tuba Mirabi lis 8 Tibia Clausa 4 Harmonic Flute 8 Clarinet 32 Diaphone - 2nd Touch Kinura ( tenor "C") . • . . . . • . 49 8 Kinura Cymbal Crash 8 Tuba Horn 2-2/.3 Twelfth ( Flute) 8 Viol D' Orchestre Chrysoglott •••••.••••••• 49 ( originally 8 Solo String) 8 Saxophone 16 Bombarde - Pizzicato Cymbal Tap 8 English Horn 8 Gamba 2 Piccolo (Harmonic Flute) Harp ( wood) . . • • . . . . . • . . . 49 8 Viol Celeste 8 Oboe Horn Triangle 8 Octave 8 Cello 2 Piccolo ( Flute) Xylophone II . . • • • . • • . . 37 8 Kinura 8 Quintadena ACCOMPANIMENT • 2nd Touch Surf Machine 8 Open Diapason 4 Clarion Mandolin Bird Whistle ( origina I ly 8 Krumet) 4 Prccolo 8 English Horn fire Gong - Ship Bell 8 Tibia 4 Piccolo ( Top Center Bolster) 8 Oboe Horn 4 Piccolo 8 Tuba Horn FOUNDATION ORGAN Auto Horn ( large) 8 Solo String 4 Piccolo 16 Piano 8 Salicional 7 Ranks 10" wind Boat Whistle 8 Horn Diapason (originally Harmonic Flute) 8 Piano ( originally 4 Harmonic Flute) 8 Diaphonie Diapason 8 Qu intadena ( Unless otherwise noted) Telephone Bell 8 Clarinet Xylophone 4 Piano 2 Harmonie Piccolo 8 Tibia Clausa B Concert Flute Horses Hooves 8 Cello Glockenspiel Harp (Moin) Cathedral Chimes 8 Clarinet Diaphonic Diapason - Diaphone 8 Vox Humana Wind Machine ( with air whistles) 8 Flute Snare Drum Chry s og Iott Marimba 8 Saxophone ( wood) - ( 25" wind) . 73 5-1/3 Tibia Quint Octave Coupler Great to Bombarde Coupler Snare Drum ( large) Xylophone ( Percussion) Cathedral Chimes tibia Clausa II ..•....•.• 85 (originally 4 Clarion) BRASS ORGAN - 2 Ranks Great to Bombarde Octave Coupler Snare Drum ( small) Xylophone i) .-iain) Glockenspiel Solo String .....•..•..••• , 73 4 Piccolo (Middle Left Bolster) Solo to Bombarde CoupleT Tambourine Glockenspiel Sleigh Bells Gamba •.•.••...•• , ...•. 73 Tuba Marabilis ; Bombarde •••• 85 ( originally 4 Octave) 16 Piano Sforzando Touch ( Brass) Castanets Sleigh Bells Triangle Gamba Celeste, ....•...... 73 ( 25'" wind) 4 Gambette Harmonic Flute ( Tuned Celeste to Bass Drum Sforzando Touch ( Foundation) Chinese Block Orchestra Bells Bird Whistle English Post Horn - '( 15" wind) 73 4 Gambette Celeste Concert Flute) • . . • . . . . • . 73 Snare Drum ( large) Tom Tom Solo to Aceomp. Coupler 4 Viol Vox Humana - (6" wind) ..•.. 61 ECHO ORGAN - 8 Ranks Wind Snare Drum ( small) Accomp. Octave Coupler ECHO ( Affects Great Manual and Pedals) Solo to Aeeomp. Pi z:zicato 10" ACCOMPANIMENT ( 1st Manual) 4 Viol Celeste Cymbals Solo to Accomp. Coupler (Unless otherwise noted) ( Lower Center Bolster) 4 Harmonic Flute ( Bottom Right Bolster) UNENCLOSED ABOVE FOUNDA Bass Drum - 2nd Touch 16 Contra Viol ( TC) GREAT (2nd Manual) GREAT - 2nd Touch 4 Flute 16 Bourdon ( Pedal) TION CHAMBER - 30" Wind Bourdon • Concert Flute. • • • . • 97 Kettle Drum - 2nd Touch 8 English Horn ( Lower Right Bolster) ( Top Right Bolster) 8 Cello ( Pedal) 16 Ophieleide Diaphone 32' extension of Horn Diapason . . . . • • . 61 Crash Cymbals - 2nd Touch 8 Tuba Horn 16 Op,lcleide 8 Flwte (Pedal) 8 Tuba Mirabilis 16' Diaphone • • . . . . . • • • . 12 Gamba . • • • . • • . 73 Snare Drum ( large)-2nd Touch 8 Diaphonic Diapason 2-2/3 Twelfth (Flute) 16 Tibia Clausa Bass Drum ( Pedal) 8 Tibia Clausa Gamba Celeste. • . 73 Cymbals - 2nd Touch 8 Open Diapason 2 Fifteenth ( VDO) ( orlglnally 16 Diaphonic Horn) 8 Solo String SOLO ORGAN· 7 Ranks 10" Wind Viol De Orchestre. 73 Snare Drum (small)-2nd Touch 8 Tibia Clausa 2 Piccolo ( Tibia) 8 Horn Diapason 16 Clarinet Solo to Great Coupler (Un less otherwise noted) Viol Celeste •.•..••...•.. 73 Triangle - 2nd Touch 8 Horn Diapason (originally 2 Harrnoni,;: Flute) 8 Gamba Bombarde to Pedal Coupler 16 Saxophone ( TC) 8 Gamba Celeste Solo to Great Pizzicato Trumpet ••••..••••...... 61 8 Gamba 2 Piccolo ( Flute) Tibia Clausa I - ( 18" wind) ••. 85 Vox Humana (6" wind) • 61 Great to Pedal Coupler 16 Contra Viol ( TC) 8 Viol D' Orchestre 8 Gamba Celeste 1-3,,S Tierce ( Flute) BOMBARDE - 2nd Touch Brass Trumpet .•••..•••.• 61 Chimes ....•.•..••...•• , 25 Solo to Pedal Coupler B Tuba MlrabHis 8 Saxophone 16 Piano 8 Viol Celeste Brass Saxophone •• , • . • • . . • 61 Snarl!! Drum Accomp. to Pedal Coupler 8 Brass Trumpet 8 Clarinet 8 Piano 8 Trumpet 16 Bombarde Orchestral Oboe. . • . • • • • • . • 61 Bass Drum ( originally Echo to Pedal) 8 Tuba Horn 8 Viole de Orchestre 4 Piano (originally Oboe Horn) 8 English Horn Oboe Horn •••••••.• , • • • • 61 2 bird whistles 8 theatre organ Summer1 1961 9